VIII.

When Dartmouth awoke the next day, the sun was streaming across the

bed and Jones's anxious face was bending over him.

"Oh, Mr. 'Arold," exclaimed Jones, "you've got it again."

Dartmouth laughed aloud. "One would think I had delirium tremens," he

said.

He put his hand over his eyes, and struggled with the desire to have

the room darkened. The melancholy had fastened itself upon him, and he

knew that for three or four days he was to be the victim of one of

his unhappiest moods. The laudanum had lulled his brain and prevented

violent reaction after its prolonged tension; but his spirits were at

zero, and his instinct was to shut out the light and succumb to his

enemy without resistance. If he had been anywhere but at Rhyd-Alwyn

he would not have thought twice about it; but if he shut himself up

in his room, not only would Weir be frightened and unhappy, but it

was probable that Sir Iltyd would question the desirability of a

son-in-law who was given to prolonged and uncontrollable attacks of

the blues. He dressed and went down-stairs, but Weir was nowhere to be

found, and after a search through the various rooms and corners of the

castle which she was in the habit of frequenting, he met her maid

and was informed that Miss Penrhyn was not well and would not come

down-stairs before dinner. The news was very unwelcome to Dartmouth.

Weir at least would have been a distraction. Now he must get through a

dismal day, and fight his enemy by himself. To make matters worse, it

was raining, and he could not go out and ride or hunt. He went into

Sir Iltyd's library and talked to him for the rest of the morning. Sir

Iltyd was not exciting, at his best, and to-day he had a bad cold; so

after lunch Dartmouth went up to his tower and resigned himself to his

own company. He sat down before the fire, and taking his head between

his hands allowed the blue devils to triumph. He felt dull as well as

depressed; but for a time he made an attempt to solve the problem of

the phenomenon to which he had been twice subjected. That it was a

phenomenon he did not see any reason to doubt. If he had spent his

life in a vain attempt to write poetry and an unceasing wish for the

necessary inspiration, there would be nothing remarkable in his mind

yielding suddenly to the impetus of accumulated pressure, wrenching

itself free of the will's control, and dashing off on a wild excursion

of its own. But he had never voluntarily taken a pen in his hand

to make verse, nor had he even felt the desire to possess the gift,

except as a part of general ambition. He may have acknowledged the

regret that he could not immortalize himself by writing a great poem,

but the regret was the offspring of personal ambition, not of yearning

poetical instinct. But the most extraordinary phase of the matter was

that such a tempest could take place in a brain as well regulated

as his own. He was eminently a practical man, and a good deal of a

thinker. He had never been given to flights of imagination, and even

in his attacks of melancholy, although his will might be somewhat

enfeebled, his brain could always work clearly and cleverly. The

lethargy which had occasionally got the best of him had invariably

been due to violent nervous shock or strain, and was as natural as

excessive bodily languor after violent physical effort. Why, then,

should his brain twice have acted as if he had sown it with eccentric

weeds all his life, instead of planting it with the choicest seeds he

could obtain, and watering and cultivating them with a patience and an

interest which had been untiring?

But the explanation of his attempt to put his unborn poem into words

gave him less thought to-day than it had after its first occurrence;

there were other phases of last night's experience weirder and

more unexplainable still. Paramount, of course, was the vision or

dream--which would seem to have been induced by some magnetic property

possessed and exerted by Weir. Such things do not occur without

cause, and he was not the sort of man to yield himself, physically and

mentally, his will and his perceptions, to the unconscious caprice

of a somnambulist. And the scene had cut itself so deeply into the

tablets of his memory that he found himself forgetting more than once

that it was not an actual episode of his past. He wished he could see

Weir, and hear her account of her mental experiences of those hours.

If her dream should have been a companion to his, then the explanation

would suggest itself that the scene might have been a vagary of her

brain; that in some way which he did not pretend to explain, she had

hypnotized him, and that his brain had received a photographic imprint

of what had been in hers. It would then be merely a sort of telepathy.

But why should she have dreamed a dream in which they both were so

unhappily metamorphosed? and why should it have produced so powerful

an impression upon his waking sense? And why, strangest of all, had

he, without thought or self-surprise, gone to her, and with his soul

stirred to its depths, called her "Sionèd"? True, she had almost

disguised herself, and had been the living counterfeit of Sionèd

Penrhyn; but that was no reason why he should have called a woman who

had belonged to his grandmother's time by her first name. Could

Weir, thoroughly imbued with the character she was unconsciously

representing, have exercised her hypnotic power from the moment she

entered the gallery, and left him without power to think or feel

except through her own altered perceptions? He thrust out his foot

against the fender, almost overturning it, and, throwing back his

head, clasped his hands behind it and scowled at the black ceiling

above him. He was a man who liked things explained, and he felt both

sullen and angry that he should have had an experience which baffled

his powers of analysis and reason. His partial solution gave him no

satisfaction, and he had the uncomfortable sense of actual mystery,

and a premonition of something more to come. This, however, he was

willing to attribute to the depressed condition of his spirits, which

threw its gloom over every object, abstract and concrete, and

which induced the tendency to exaggerate any strange or unpleasant

experience of which he had been the victim. It was useless to try to

think of anything else; his brain felt as if it had resolved itself

into a kaleidoscope, through which those three scenes shifted

eternally. Finally, he fell asleep, and did not awaken until it was

time to dress for dinner. Before he left his room, Weir's maid knocked

at his door and handed him a note, in which the lady of Rhyd-Alwyn

apologized for leaving him to himself for an entire day, and announced

that she would not appear at dinner, but would meet him in the

drawing-room immediately thereafter. Dartmouth read the note through

with a puzzled expression: it was formal and stilted, even for Weir.

She was gone when he came to his senses in the gallery the night

before. Had she awakened and become conscious of the situation? It was

not a pleasant reminiscense for a girl to have, and he felt honestly

sorry for her. Then he groaned in spirit at the prospect of an hour's

tête-à-tête with Sir Iltyd. He liked Sir Iltyd very much, and thought

him possessed of several qualifications valuable in a father-in-law,

among them his devotion to his library; but in his present frame of

mind he felt that history and politics were topics he would like to

relegate out of existence.

He put the best face on the situation he could muster, however, and

managed to conceal from Sir Iltyd the fact that his spirits were in

other than their normal condition. The old baronet's eyes were not

very sharp, particularly when he had a cold, and he was not disposed

to notice Harold's pallor and occasional fits of abstraction, so long

as one of his favorite topics was under discussion. When Dartmouth

found that he had got safely through the dinner, he felt that he

had accomplished a feat which would have rejoiced the heart of his

grandmother, and he thought that his reward could not come a moment

too soon. Accordingly, for the first time since he had been at

Rhyd-Alwyn, he declined to sit with Sir Iltyd over the wine, and went

at once in search of Weir.

As he opened the door of the drawing-room he found the room in

semi-darkness, lighted only by the last rays of the setting sun, which

strayed through the window. He went in, but did not see Weir. She was

not in her accustomed seat by the fire, and he was about to call her

name, when he came to a sudden halt, and for the moment every faculty

but one seemed suspended. A woman was standing by the open window

looking out over the water. She had not heard him, and had not turned

her head. Dartmouth felt a certain languor, as of one who is dreaming,

and is half-conscious that he is dreaming, and therefore yields

unresistingly to the pranks of his sleeping brain. Was it Weir, or was

it the woman who had been a part of his vision last night? She wore a

long, shining yellow dress, and her arms and neck were bare. Surely it

was the other woman! She turned her head a little, and he saw her face

in profile; there was the same stamp of suffering, the same pallor.

Weir had never looked like that; before he had known her she had had,

sometimes, a little expression of sadness and abstraction which had

made her look very picturesque, but which had borne no relationship

to suffering or experience. And the scene! the room filled with dying

light, the glimpse of water beyond, the very attitude of the woman at

the casement--all were strangely and deeply familiar to him, although

not the details of the vision of last night. The only things that were

wanting were the Eastern hangings to cover the dark wainscotted old

walls, and the skins on the black, time-stained floor.

With a sudden effort of will he threw off the sense of mystery which

had again taken possession of him, and walked forward quickly. As Weir

heard him, she turned her head and met his eyes, and although a closer

look at her face startled him afresh, his brain was his own again,

and he was determined that it should remain so. He might yield to

supernatural impressions when unprepared, but not when both brain and

will were defiantly on the alert. That she was not only unaccountably

altered, but that she shrank from him, was evident; and he was

determined to hear her version of last night's adventure without

delay. He believed that she would unconsciously say something which

would throw a flood of light on the whole matter.

"Where did you get that dress?" he said, abruptly.

She started sharply, and the color flew to the roots of her hair,

then, receding, left her paler than before. "Why do you ask me that?"

she demanded, with unconcealed, almost terrified suspicion in her

tones.

"Because," he said, looking straight into her eyes, "I had a peculiar

dream last night, in which you wore a dress exactly like this. It is

rather a remarkable coincidence that you should put it on to-night."

"Harold!" she cried, springing forward and catching his arm

convulsively in both her hands, "what has happened? What is it? And

how can you talk so calmly when to me it seems--"

He put his arm around her. "Seems what?" he said, soothingly. "Did

_you_ have a dream, too?"

"Yes," she said, her face turning a shade paler, "I had a dream."

"And in it you wore this dress?"

"Yes."

"Tell me your dream."

"No!" she exclaimed, "I cannot."

Dartmouth put his hand under her chin and pushed her head back

against his shoulder, upturning her face. "You must tell me," he said,

quietly; "every word of it! I am not asking you out of curiosity, but

because the dream I had was too remarkable to be without meaning. I

cannot reach that meaning unassisted; but with your help I believe I

can. So tell me at once."

"Oh, Harold!" she cried, throwing her arms suddenly about him and

clinging to him, "I have no one else to speak to but you: I cannot

tell my father; he would not understand. No girl ever felt so horribly

alone as I have felt to-day. If it had not been for you I believe I

should have killed myself; but you are everything to me, only--_how_

can I tell you?"

He tightened his arms about her and kissed her.

"Don't kiss me," she exclaimed sharply, trying to free herself.

"Why not?" he demanded, in surprise. "Why should I not kiss you?"

She let her head drop again to his shoulder. "True," she said; "why

should you not? It is only that I forget that I am not the woman I

dreamed I was; and for her--it was wrong to kiss you."

"Weir, tell me your dream at once. It is for your good as well as

mine that I insist. You will be miserable and terrified until you take

someone into your confidence. I believe I can explain your dream, as

well as give you the comfort of talking it over with you."

She slipped suddenly out of his arms and walked quickly to the end

of the room and back, pausing within a few feet of him. The room was

growing dark, and he could distinguish little of her beyond the tall

outline of her form and the unnatural brilliancy of her eyes, but he

respected her wish and remained where he was.

"Very well," she said, rapidly. "I will tell you. I went to

sleep without much terror, for I had told my maid to sleep in my

dressing-room. But I suppose the storm and the story I had told you

had unsettled my nerves, for I soon began to dream a horrid dream.

I thought I was dead once more. I could feel the horrible chill and

pain, the close-packed ice about me. I was dead, but yet there was a

spirit within me. I could feel it whispering to itself, although it

had not as yet spread its fire through me and awakened me into life.

It whispered that it was tired, and disheartened, and disappointed,

and wanted rest; that it had been on a long, fruitless journey, and

was so weary that it would not take up the burden of life again just

yet. But its rest could not be long; there was someone it must find,

and before he had gone again to that boundless land, whose haunting

spirits were impalpable as flecks of mist. And then it moaned and

wept, and seemed to live over its past, and I went back with it, or

I was one with it--I cannot define. It recalled many scenes, but

only one made an impression on my memory; I can recall no other." She

paused abruptly, but Dartmouth made no comment; he stood motionless

in breathless expectancy. She put her hand to her head, and after a

moment continued haltingly:

"I--oh--I hardly know how to tell it. I seemed to be standing with

you in a room more familiar to me than any room in this castle; a room

full of tapestries and skins and cushions and couches; a room which

if I had seen it in a picture I should have recognized as Oriental,

although I have never seen an Oriental room. I have always had an

indescribable longing to see Constantinople, and it seemed to me in

that dream as if I had but to walk to the window and look down upon

it--as if I had looked down upon it many times and loved its beauty.

But although I was with you, and your arms were about me, we were not

as we are now--as we were before the dream: we had suffered all that a

man and a woman can suffer who love and are held apart. And you looked

as you do now, yet utterly different. You looked years older, and you

were dressed so strangely. I do not know how I looked, but I know how

I felt. I felt that I had made up my mind to commit a deadly sin, and

that I gloried in it. I had suffered because to love you was a sin;

but I only loved you the more for that reason. Then you slowly drew

me further into the room and pressed me more closely in your arms and

kissed me again, and then--I--oh--I do not know--it is all so vague I

don't know what it meant--but it seemed as if the very foundations of

my life were being swept away. And yet--oh, I cannot explain! I do not

know, myself." And she would have thrown herself headlong on the sofa

had not Dartmouth sprang forward and caught her.

"There, never mind," he said, quickly. "Let that go. It is of no

consequence. A dream like that must necessarily end in a climax of

incoherence and excitement."

He drew her down on the sofa, and for a moment said nothing further.

He had to acknowledge that she had deepened the mystery, and given no

key. A silence fell, and neither moved. Suddenly she raised her head.

"What was your dream?" she demanded.

"The same. I don't pretend to explain it. And I shall not insult your

understanding by inventing weak excuses. If it means anything we will

give the problem no rest until we have solved it. If we cannot solve

it, then we are justified in coming to the conclusion that there is

nothing in it. But I believe we shall get to the bottom of it yet."

"Perhaps," she said, wearily; "I do not know. I only feel that I shall

never be myself again, but must go through life with that woman's

burden of sin and suffering weighing me down." She paused a moment,

and then continued: "In that dream I wore a dress like this, and that

is the reason I put it on to-night. I was getting some things in Paris

before I left, and I bought it thinking you would like it; I had heard

you say that yellow was your favorite color. When my maid opened

the door of my wardrobe to-night to take out a dress, and I saw this

hanging there, it gave me such a shock that I caught at a chair to

keep from falling. And then I felt irresistibly impelled to put it on.

I felt as if it were a shroud, vivid in color as it is; but it had

an uncanny fascination for me, and I experienced a morbid delight in

feeling both spirit and flesh revolt, and yet compelling them to do

my will. I never knew that it was in me to feel so, but I suppose I am

utterly demoralized by so realistically living over again that awful

experience of my childhood. If it happened again I should either be

carried back to the vault for good and all, or end my days in the

topmost tower of the castle, with a keeper, and the storms and

sea-gulls for sole companions."

She sat up in a moment, and putting her hand on his shoulder, looked

him full in the face for the first time. "It seems to me that I know

you now," she said, "and that I never knew you before. When I first

saw you to-night I shrank from you: why, I hardly know, except that

the personality of that woman had woven itself so strongly into mine

that for the moment I felt I had no right to love you. But I have

never loved you as I do to-night, because that dream, however little

else I may have to thank it for, did for me this at least: it seemed

to give me a glimpse into every nook and corner of your character; I

feel now that my understanding of your strange nature is absolute.

I had seen only one side of it before, and had made but instinctive

guesses at the rest; but as I stood with you in that dream, I had,

graven on my memory, the knowledge of every side and phase of your

character as you had revealed it to me many times; and that memory

abides with me. I remember no details, but that makes no difference;

if I were one with you I could not know you better." She slipped her

arms about his neck and pressed her face close to his. "You have one

of your attacks of melancholy to-night," she murmured. "You tried

to conceal it, and the effort made you appear cold. It was the first

thing I thought of when I turned and saw you, in spite of all I felt

myself. And although you had described those attacks before, the

description had conveyed little to me; that your moods were different

from other people's blues had hardly occurred to me, we had been

so happy. But now I understand. I pay for the knowledge with a high

price; but that is life, I suppose."

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