AMSTERDAM

The rail from Antwerp north was through a land flat and sterile.

After a little, it becomes a little richer; but a forlorner land to

live in I never saw. One wonders at the perseverance of the Flemings

and Dutchmen to keep all this vast tract above water when there is so

much good solid earth elsewhere unoccupied. At Moerdjik we changed

from the cars to a little steamer on the Maas, which flows between

high banks. The water is higher than the adjoining land, and from

the deck we look down upon houses and farms. At Dort, the Rhine

comes in with little promise of the noble stream it is in the

highlands. Everywhere canals and ditches dividing the small fields

instead of fences; trees planted in straight lines, and occasionally

trained on a trellis in front of the houses, with the trunk painted

white or green; so that every likeness of nature shall be taken away.

From Rotterdam, by cars, it is still the same. The Dutchman spends

half his life, apparently, in fighting the water. He has to watch

the huge dikes which keep the ocean from overwhelming him, and the

river-banks, which may break, and let the floods of the Rhine swallow

him up. The danger from within is not less than from without. Yet

so fond is he of his one enemy, that, when he can afford it, he

builds him a fantastic summer-house over a stagnant pool or a slimy

canal, in one corner of his garden, and there sits to enjoy the

aquatic beauties of nature; that is, nature as he has made it. The

river-banks are woven with osiers to keep them from washing; and at

intervals on the banks are piles of the long withes to be used in

emergencies when the swollen streams threaten to break through.

And so we come to Amsterdam, the oddest city of all,--a city wholly

built on piles, with as many canals as streets, and an architecture

so quaint as to even impress one who has come from Belgium. The

whole town has a wharf-y look; and it is difficult to say why the

tall brick houses, their gables running by steps to a peak, and each

one leaning forward or backward or sideways, and none perpendicular,

and no two on a line, are so interesting. But certainly it is a most

entertaining place to the stranger, whether he explores the crowded

Jews' quarter, with its swarms of dirty people, its narrow streets,

and high houses hung with clothes, as if every day were washing-day;

or strolls through the equally narrow streets of rich shops; or

lounges upon the bridges, and looks at the queer boats with clumsy

rounded bows, great helms' painted in gay colors, with flowers in the

cabin windows,--boats where families live; or walks down the

Plantage, with the zoological gardens on the one hand and rows of

beer-gardens on the other; or round the great docks; or saunters at

sunset by the banks of the Y, and looks upon flat North Holland and

the Zuyder Zee.

The palace on the Dam (square) is a square, stately edifice, and the

only building that the stranger will care to see. Its interior is

richer and more fit to live in than any palace we have seen. There

is nothing usually so dreary as your fine Palace. There are some

good frescoes, rooms richly decorated in marble, and a magnificent

hall, or ball-room, one hundred feet in height, without pillars.

Back of it is, of course, a canal, which does not smell fragrantly in

the summer; and I do not wonder that William III. and his queen

prefer to stop away. From the top is a splendid view of Amsterdam

and all the flat region. I speak of it with entire impartiality, for

I did not go up to see it. But better than palaces are the

picture-galleries, three of which are open to the sightseer. Here

the ancient and modern Dutch painters are seen at their best, and I

know of no richer feast of this sort. Here Rembrandt is to be seen

in his glory; here Van der Helst, Jan Steen, Gerard Douw, Teniers the

younger, Hondekoeter, Weenix, Ostade, Cuyp, and other names as

familiar. These men also painted what they saw, the people, the

landscapes, with which they were familiar. It was a strange pleasure

to meet again and again in the streets of the town the faces, or

types of them, that we had just seen on canvas so old.

In the Low Countries, the porters have the grand title of

commissionaires. They carry trunks and bundles, black boots, and act

as valets de place. As guides, they are quite as intolerable in

Amsterdam as their brethren in other cities. Many of them are Jews;

and they have a keen eye for a stranger. The moment he sallies from

his hotel, there is a guide. Let him hesitate for an instant in his

walk, either to look at something or to consult his map, or let him

ask the way, and he will have a half dozen of the persistent guild

upon him; and they cannot easily be shaken off. The afternoon we

arrived, we had barely got into our rooms at Brack's Oude Doelan,

when a gray-headed commissionaire knocked at our door, and offered

his services to show us the city. We deferred the pleasure of his

valuable society. Shortly, when we came down to the street, a

smartly dressed Israelite took off his hat to us, and offered to show

us the city. We declined with impressive politeness, and walked on.

The Jew accompanied us, and attempted conversation, in which we did

not join. He would show us everything for a guilder an hour,--for

half a guilder. Having plainly told the Jew that we did not desire

his attendance, he crossed to the other side of the street, and kept

us in sight, biding his opportunity. At the end of the street, we

hesitated a moment whether to cross the bridge or turn up by the

broad canal. The Jew was at our side in a moment, having divined

that we were on the way to the Dam and the palace. He obligingly

pointed the way, and began to walk with us, entering into

conversation. We told him pointedly, that we did not desire his

services, and requested him to leave us. He still walked in our

direction, with the air of one much injured, but forgiving, and was

more than once beside us with a piece of information. When we

finally turned upon him with great fierceness, and told him to

begone, he regarded us with a mournful and pitying expression; and as

the last act of one who returned good for evil, before he turned

away, pointed out to us the next turn we were to make. I saw him

several times afterward; and I once had occasion to say to him, that

I had already told him I would not employ him; and he always lifted

his hat, and looked at me with a forgiving smile. I felt that I had

deeply wronged him. As we stood by the statue, looking up at the

eastern pediment of the palace, another of the tribe (they all speak

a little English) asked me if I wished to see the palace. I told him

I was looking at it, and could see it quite distinctly. Half a dozen

more crowded round, and proffered their aid. Would I like to go into

the palace? They knew, and I knew, that they could do nothing more

than go to the open door, through which they would not be admitted,

and that I could walk across the open square to that, and enter

alone. I asked the first speaker if he wished to go into the palace.

Oh, yes! he would like to go. I told him he had better go at once,

--they had all better go in together and see the palace,--it was an

excellent opportunity. They seemed to see the point, and slunk away

to the other side to wait for another stranger.

I find that this plan works very well with guides: when I see one

approaching, I at once offer to guide him. It is an idea from which

he does not rally in time to annoy us. The other day I offered to

show a persistent fellow through an old ruin for fifty kreuzers: as

his price for showing me was forty-eight, we did not come to terms.

One of the most remarkable guides, by the way, we encountered at

Stratford-on-Avon. As we walked down from the Red Horse Inn to the

church, a full-grown boy came bearing down upon us in the most

wonderful fashion. Early rickets, I think, had been succeeded by the

St. Vitus' dance. He came down upon us sideways, his legs all in a

tangle, and his right arm, bent and twisted, going round and round,

as if in vain efforts to get into his pocket, his fingers spread out

in impotent desire to clutch something. There was great danger that

he would run into us, as he was like a steamer with only one

side-wheel and no rudder. He came up puffing and blowing, and

offered to show us Shakespeare's tomb. Shade of the past, to be

accompanied to thy resting-place by such an object! But he fastened

himself on us, and jerked and hitched along in his side-wheel

fashion. We declined his help. He paddled on, twisting himself into

knots, and grinning in the most friendly manner. We told him to

begone. "I am," said he, wrenching himself into a new contortion, "I

am what showed Artemus Ward round Stratford." This information he

repeated again and again, as if we could not resist him after we had

comprehended that. We shook him off; but when we returned at sundown

across the fields, from a visit to Anne Hathaway's cottage, we met

the sidewheeler cheerfully towing along a large party, upon whom he

had fastened.

The people of Amsterdam are only less queer than their houses. The

men dress in a solid, old-fashioned way. Every one wears the

straight, high-crowned silk hat that went out with us years ago, and

the cut of clothing of even the most buckish young fellows is behind

the times. I stepped into the Exchange, an immense interior, that

will hold five thousand people, where the stock-gamblers meet twice a

day. It was very different from the terrible excitement and noise of

the Paris Bourse. There were three or four thousand brokers there,

yet there was very little noise and no confusion. No stocks were

called, and there was no central ring for bidding, as at the Bourse

and the New York Gold Room; but they quietly bought and sold. Some

of the leading firms had desks or tables at the side, and there

awaited orders. Everything was phlegmatically and decorously done.

In the streets one still sees peasant women in native costume. There

was a group to-day that I saw by the river, evidently just crossed

over from North Holland. They wore short dresses, with the upper

skirt looped up, and had broad hips and big waists. On the head was

a cap with a fall of lace behind; across the back of the head a broad

band of silver (or tin) three inches broad, which terminated in front

and just above the ears in bright pieces of metal about two inches

square, like a horse's blinders, Only flaring more from the head;

across the forehead and just above the eyes a gilt band, embossed; on

the temples two plaits of hair in circular coils; and on top of all a

straw hat, like an old-fashioned bonnet stuck on hindside before.

Spiral coils of brass wire, coming to a point in front, are also worn

on each side of the head by many. Whether they are for ornament or

defense, I could not determine.

Water is brought into the city now from Haarlem, and introduced into

the best houses; but it is still sold in the streets by old men and

women, who sit at the faucets. I saw one dried-up old grandmother,

who sat in her little caboose, fighting away the crowd of dirty

children who tried to steal a drink when her back was turned, keeping

count of the pails of water carried away with a piece of chalk on the

iron pipe, and trying to darn her stocking at the same time. Odd

things strike you at every turn. There is a sledge drawn by one poor

horse, and on the front of it is a cask of water pierced with holes,

so that the water squirts out and wets the stones, making it easier

sliding for the runners. It is an ingenious people!

After all, we drove out five miles to Broek, the clean village;

across the Y, up the canal, over flatness flattened. Broek is a

humbug, as almost all show places are. A wooden little village on a

stagnant canal, into which carriages do not drive, and where the

front doors of the houses are never open; a dead, uninteresting

place, neat but not specially pretty, where you are shown into one

house got up for the purpose, which looks inside like a crockery

shop, and has a stiff little garden with box trained in shapes of

animals and furniture. A roomy-breeched young Dutchman, whose

trousers went up to his neck, and his hat to a peak, walked before us

in slow and cow-like fashion, and showed us the place; especially

some horrid pleasure-grounds, with an image of an old man reading in

a summer-house, and an old couple in a cottage who sat at a table and

worked, or ate, I forget which, by clock-work; while a dog barked by

the same means. In a pond was a wooden swan sitting on a stick, the

water having receded, and left it high and dry. Yet the trip is

worth while for the view of the country and the people on the way:

men and women towing boats on the canals; the red-tiled houses

painted green, and in the distance the villages, with their spires

and pleasing mixture of brown, green, and red tints, are very

picturesque. The best thing that I saw, however, was a traditional

Dutchman walking on the high bank of a canal, with soft hat, short

pipe, and breeches that came to the armpits above, and a little below

the knees, and were broad enough about the seat and thighs to carry

his no doubt numerous family. He made a fine figure against the sky.

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