CERBERUS IN ROMAN AND MODERN LITERATURE.

Neither Greek literature, nor Greek art, however, really seems to fix

either the shape or nature of Kerberos; it was left to the Roman poets

to say the last word about him. They finally settle the number of his

heads, or the number of his bodies fused in one. He is _triceps_

"three-headed," _triplex_ or _tergeminus_ "threefold," _triformis_ "of

three bodies," or simply Tricerberus. Tibullus says explicitly that he

has both three heads and three tongues: _cui tres sint linguæ

tergeminumque caput_. Virgil, in the _Æneid_, vi. 417, has huge Cerberus

barking with triple jaws; his neck bristles with serpents. Ovid in his

_Metamorphoses_, x. 21, makes Orpheus, looking for dear Eurydice in

Tartarus, declare that he did not go down in order that he might chain

the three necks, shaggy with serpents, of the monster begotten of

Medusa. His business also is settled for all time; he is the terrible,

fearless, and watchful janitor, or guardian (_janitor_ or _custos_) of

Orcus, the Styx, Lethe, or the black Kingdom.[9] And so he remains for

modern poets, as when Dante, reproducing Virgil, describes him:[10]

"When Cerberus, that great worm, had seen us

His mouth he opened and his fangs were shown,

And then my leader with his folded palms

Took of the earth, and filling full his hand,

Into those hungry gullets flung it down."

Or Shakespeare, _Love's Labor Lost_, v. ii: "Great Hercules is presented

by this imp whose club killed Cerberus, the three-headed _canis_."

Cerberus, the dog of Hades: The history of an idea · 第 7 / 24 题