CHAPTER VIII

Edith, glancing casually into the “ready-made” library, stopped

abruptly, seeing Bibbs there alone. He was standing before the

pearl-framed and golden-lettered poem, musingly inspecting it. He read

it:

FUGITIVE

I will forget the things that sting:

The lashing look, the barbed word.

I know the very hands that fling

The stones at me had never stirred

To anger but for their own scars.

They've suffered so, that's why they strike.

I'll keep my heart among the stars

Where none shall hunt it out. Oh, like

These wounded ones I must not be,

For, wounded, I might strike in turn!

So, none shall hurt me. Far and free

Where my heart flies no one shall learn.

“Bibbs!” Edith's voice was angry, and her color deepened suddenly as she

came into the room, preceded by a scent of violets much more powerful

than that warranted by the actual bunch of them upon the lapel of her

coat.

Bibbs did not turn his head, but wagged it solemnly, seeming depressed

by the poem. “Pretty young, isn't it?” he said. “There must have been

something about your looks that got the prize, Edith; I can't believe

the poem did it.”

She glanced hurriedly over her shoulder and spoke sharply, but in a

low voice: “I don't think it's very nice of you to bring it up at all,

Bibbs. I'd like a chance to forget the whole silly business. I didn't

want them to frame it, and I wish to goodness papa'd quit talking about

it; but here, that night, after the dinner, didn't he go and read it

aloud to the whole crowd of 'em! And then they all wanted to know what

other poems I'd written and why I didn't keep it up and write some more,

and if I didn't, why didn't I, and why this and why that, till I thought

I'd die of shame!”

“You could tell 'em you had writer's cramp,” Bibbs suggested.

“I couldn't tell 'em anything! I just choke with mortification every

time anybody speaks of the thing.”

Bibbs looked grieved. “The poem isn't THAT bad, Edith. You see, you were

only seventeen when you wrote it.”

“Oh, hush up!” she snapped. “I wish it had burnt my fingers the first

time I touched it. Then I might have had sense enough to leave it where

it was. I had no business to take it, and I've been ashamed--”

“No, no,” he said, comfortingly. “It was the very most flattering thing

ever happened to me. It was almost my last flight before I went to the

machine-shop, and it's pleasant to think somebody liked it enough to--”

“But I DON'T like it!” she exclaimed. “I don't even understand it--and

papa made so much fuss over its getting the prize, I just hate it! The

truth is I never dreamed it'd get the prize.”

“Maybe they expected father to endow the school,” Bibbs murmured.

“Well, I had to have something to turn in, and I couldn't write a LINE!

I hate poetry, anyhow; and Bobby Lamhorn's always teasing me about how

I 'keep my heart among the stars.' He makes it seem such a mushy kind of

thing, the way he says it. I hate it!”

“You'll have to live it down, Edith. Perhaps abroad and under another

name you might find--”

“Oh, hush up! I'll hire some one to steal it and burn it the first

chance I get.” She turned away petulantly, moving to the door. “I'd like

to think I could hope to hear the last of it before I die!”

“Edith!” he called, as she went into the hall.

“What's the matter?”

“I want to ask you: Do I really look better, or have you just got used

to me?”

“What on earth do you mean?” she said, coming back as far as the

threshold.

“When I first came you couldn't look at me,” Bibbs explained, in his

impersonal way. “But I've noticed you look at me lately. I wondered if

I'd--”

“It's because you look so much better,” she told him, cheerfully. “This

month you've been here's done you no end of good. It's the change.”

“Yes, that's what they said at the sanitarium--the change.”

“You look worse than 'most anybody I ever saw,” said Edith, with supreme

candor. “But I don't know much about it. I've never seen a corpse in my

life, and I've never even seen anybody that was terribly sick, so you

mustn't judge by me. I only know you do look better, I'm glad to say.

But you're right about my not being able to look at you at first. You

had a kind of whiteness that--Well, you're almost as thin, I suppose,

but you've got more just ordinarily pale; not that ghastly look. Anybody

could look at you now, Bibbs, and no--not get--”

“Sick?”

“Well--almost that!” she laughed. “And you're getting a better color

every day, Bibbs; you really are. You're getting along splendidly.”

“I--I'm afraid so,” he said, ruefully.

“'Afraid so'! Well, if you aren't the queerest! I suppose you mean

father might send you back to the machine-shop if you get well enough.

I heard him say something about it the night of the--” The jingle of

a distant bell interrupted her, and she glanced at her watch. “Bobby

Lamhorn! I'm going to motor him out to look at a place in the country.

Afternoon, Bibbs!”

When she had gone, Bibbs mooned pessimistically from shelf to shelf,

his eye wandering among the titles of the books. The library consisted

almost entirely of handsome “uniform editions”: Irving, Poe, Cooper,

Goldsmith, Scott, Byron, Burns, Longfellow, Tennyson, Hume, Gibbon,

Prescott, Thackeray, Dickens, De Musset, Balzac, Gautier, Flaubert,

Goethe, Schiller, Dante, and Tasso. There were shelves and shelves

of encyclopedias, of anthologies, of “famous classics,” of “Oriental

masterpieces,” of “masterpieces of oratory,” and more shelves of

“selected libraries” of “literature,” of “the drama,” and of “modern

science.” They made an effective decoration for the room, all these

big, expensive books, with a glossy binding here and there twinkling a

reflection of the flames that crackled in the splendid Gothic fireplace;

but Bibbs had an impression that the bookseller who selected them

considered them a relief, and that white-jacket considered them a

burden of dust, and that nobody else considered them at all. Himself, he

disturbed not one.

There came a chime of bells from a clock in another part of the house,

and white-jacket appeared beamingly in the doorway, bearing furs.

“Awready, Mist' Bibbs,” he announced. “You' ma say wrap up wawm f' you'

ride, an' she cain' go with you to-day, an' not f'git go see you' pa at

fo' 'clock. Aw ready, suh.”

He equipped Bibbs for the daily drive Dr. Gurney had commanded; and in

the manner of a master of ceremonies unctuously led the way. In the

hall they passed the Moor, and Bibbs paused before it while white-jacket

opened the door with a flourish and waved condescendingly to the

chauffeur in the car which stood waiting in the driveway.

“It seems to me I asked you what you thought about this 'statue' when I

first came home, George,” said Bibbs, thoughtfully. “What did you tell

me?”

“Yessuh!” George chuckled, perfectly understanding that for some unknown

reason Bibbs enjoyed hearing him repeat his opinion of the Moor. “You

ast me when you firs' come home, an' you ast me nex' day, an' mighty

near ev'y day all time you been here; an' las' Sunday you ast me

twicet.” He shook his head solemnly. “Look to me mus' be somep'm might

lamiDAL 'bout 'at statue!”

“Mighty what?”

“Mighty lamiDAL!” George, burst out laughing. “What DO 'at word mean,

Mist' Bibbs?”

“It's new to me, George. Where did you hear it?”

“I nev' DID hear it!” said George. “I uz dess sittin' thinkum to myse'f

an' she pop in my head--'lamiDAL,' dess like 'at! An' she soun' so good,

seem like she GOTTA mean somep'm!”

“Come to think of it, I believe she does mean something. Why, yes--”

“Do she?” cried George. “WHAT she mean?”

“It's exactly the word for the statue,” said Bibbs, with conviction, as

he climbed into the car. “It's a lamiDAL statue.”

“Hiyi!” George exulted. “Man! Man! Listen! Well, suh, she mighty lamiDAL

statue, but lamiDAL statue heap o' trouble to dus'!”

“I expect she is!” said Bibbs, as the engine began to churn; and a moment later he was swept from sight.

George turned to Mist' Jackson, who had been listening benevolently in

the hallway. “Same he aw-ways say, Mist' Jackson--'I expec' she is!'

Ev'y day he try t' git me talk 'bout 'at lamiDAL statue, an' aw-ways,

las' thing HE say, 'I expec' she is!' You know, Mist' Jackson, if he git

well, 'at young man go' be pride o' the family, Mist' Jackson. Yes-suh,

right now I pick 'im fo' firs' money!”

“Look out with all 'at money, George!” Jackson warned the enthusiast.

“White folks 'n 'is house know 'im heap longer'n you. You the on'y man

bettin' on 'im!”

“I risk it!” cried George, merrily. “I put her all on now--ev'y cent!

'At boy's go' be flower o' the flock!”

This singular prophecy, founded somewhat recklessly upon gratitude for

the meaning of “lamiDAL,” differed radically from another prediction

concerning Bibbs, set forth for the benefit of a fair auditor some

twenty minutes later.

Jim Sheridan, skirting the edges of the town with Mary Vertrees

beside him, in his own swift machine, encountered the invalid upon

the highroad. The two cars were going in opposite directions, and the

occupants of Jim's had only a swaying glimpse of Bibbs sitting alone on

the back seat--his white face startlingly white against cap and collar

of black fur--but he flashed into recognition as Mary bowed to him.

Jim waved his left hand carelessly. “It's Bibbs, taking his

constitutional,” he explained.

“Yes, I know,” said Mary. “I bowed to him, too, though I've never met

him. In fact, I've only seen him once--no, twice. I hope he won't think

I'm very bold, bowing to him.”

“I doubt if he noticed it,” said honest Jim.

“Oh, no!” she cried.

“What's the trouble?”

“I'm almost sure people notice it when I bow to them.”

“Oh, I see!” said Jim. “Of course they would ordinarily, but Bibbs is

funny.”

“Is he? How?” she asked. “He strikes me as anything but funny.”

“Well, I'm his brother,” Jim said, deprecatingly, “but I don't know what

he's like, and, to tell the truth, I've never felt exactly like I WAS

his brother, the way I do Roscoe. Bibbs never did seem more than half

alive to me. Of course Roscoe and I are older, and when we were boys we

were too big to play with him, but he never played anyway, with boys his

own age. He'd rather just sit in the house and mope around by himself.

Nobody could ever get him to DO anything; you can't get him to do

anything now. He never had any LIFE in him; and honestly, if he is my

brother, I must say I believe Bibbs Sheridan is the laziest man God ever

made! Father put him in the machine-shop over at the Pump Works--best

thing in the world for him--and he was just plain no account. It made

him sick! If he'd had the right kind of energy--the kind father's got,

for instance, or Roscoe, either--why, it wouldn't have made him sick.

And suppose it was either of them--yes, or me, either--do you think any

of us would have stopped if we WERE sick? Not much! I hate to say it,

but Bibbs Sheridan'll never amount to anything as long as he lives.”

Mary looked thoughtful. “Is there any particular reason why he should?”

she asked.

“Good gracious!” he exclaimed. “You don't mean that, do you? Don't you

believe in a man's knowing how to earn his salt, no matter how much

money his father's got? Hasn't the business of this world got to be

carried on by everybody in it? Are we going to lay back on what we've

got and see other fellows get ahead of us? If we've got big things

already, isn't it every man's business to go ahead and make 'em bigger?

Isn't it his duty? Don't we always want to get bigger and bigger?”

“Ye-es--I don't know. But I feel rather sorry for your brother. He

looked so lonely--and sick.”

“He's gettin' better every day,” Jim said. “Dr. Gurney says so. There's

nothing much the matter with him, really--it's nine-tenths imaginary.

'Nerves'! People that are willing to be busy don't have nervous

diseases, because they don't have time to imagine 'em.”

“You mean his trouble is really mental?”

“Oh, he's not a lunatic,” said Jim. “He's just queer. Sometimes he'll

say something right bright, but half the time what he says is 'way off

the subject, or else there isn't any sense to it at all. For instance,

the other day I heard him talkin' to one of the darkies in the hall. The

darky asked him what time he wanted the car for his drive, and anybody

else in the world would have just said what time they DID want it, and

that would have been all there was to it; but here's what Bibbs says,

and I heard him with my own ears. 'What time do I want the car?' he

says. 'Well, now, that depends--that depends,' he says. He talks slow

like that, you know. 'I'll tell you what time I want the car, George,'

he says, 'if you'll tell ME what you think of this statue!' That's

exactly his words! Asked the darky what he thought of that Arab Edith

and mother bought for the hall!”

Mary pondered upon this. “He might have been in fun, perhaps,” she

suggested.

“Askin' a darky what he thought of a piece of statuary--of a work

of art! Where on earth would be the fun of that? No, you're just

kind-hearted--and that's the way you OUGHT to be, of course--”

“Thank you, Mr. Sheridan!” she laughed.

“See here!” he cried. “Isn't there any way for us to get over this

Mister and Miss thing? A month's got thirty-one days in it; I've managed

to be with you a part of pretty near all the thirty-one, and I think you

know how I feel by this time--”

She looked panic-stricken immediately. “Oh, no,” she protested, quickly.

“No, I don't, and--”

“Yes, you do,” he said, and his voice shook a little. “You couldn't help

knowing.”

“But I do!” she denied, hurriedly. “I do help knowing. I mean--Oh,

wait!”

“What for? You do know how I feel, and you--well, you've certainly

WANTED me to feel that way--or else pretended--”

“Now, now!” she lamented. “You're spoiling such a cheerful afternoon!”

“'Spoilin' it!'” He slowed down the car and turned his face to her

squarely. “See here, Miss Vertrees, haven't you--”

“Stop! Stop the car a minute.” And when he had complied she faced him as

squarely as he evidently desired her to face him. “Listen. I don't want

you to go on, to-day.”

“Why not?” he asked, sharply.

“I don't know.”

“You mean it's just a whim?”

“I don't know,” she repeated. Her voice was low and troubled and honest,

and she kept her clear eyes upon his.

“Will you tell me something?”

“Almost anything.”

“Have you ever told any man you loved him?”

And at that, though she laughed, she looked a little contemptuous. “No,”

she said. “And I don't think I ever shall tell any man that--or ever

know what it means. I'm in earnest, Mr. Sheridan.”

“Then you--you've just been flirting with me!” Poor Jim looked both

furious and crestfallen.

“Not one bit!” she cried. “Not one word! Not one syllable! I've meant

every single thing!”

“I don't--”

“Of course you don't!” she said. “Now, Mr. Sheridan, I want you to start

the car. Now! Thank you. Slowly, till I finish what I have to say. I

have not flirted with you. I have deliberately courted you. One thing

more, and then I want you to take me straight home, talking about the

weather all the way. I said that I do not believe I shall ever 'care'

for any man, and that is true. I doubt the existence of the kind of

'caring' we hear about in poems and plays and novels. I think it must be

just a kind of emotional TALK--most of it. At all events, I don't feel

it. Now, we can go faster, please.”

“Just where does that let me out?” he demanded. “How does that excuse

you for--”

“It isn't an excuse,” she said, gently, and gave him one final look,

wholly desolate. “I haven't said I should never marry.”

“What?” Jim gasped.

She inclined her head in a broken sort of acquiescence, very humble,

unfathomably sorrowful.

“I promise nothing,” she said, faintly.

“You needn't!” shouted Jim, radiant and exultant. “You needn't! By

George! I know you're square; that's enough for me! You wait and promise

whenever you're ready!”

“Don't forget what I asked,” she begged him.

“Talk about the weather? I will! God bless the old weather!” cried the

happy Jim.

The Turmoil: A Novel · 第 8 / 30 章