CHAPTER VII

Mrs. Vertrees “sat up” for her daughter, Mr. Vertrees having retired

after a restless evening, not much soothed by the society of his

Landseers. Mary had taken a key, insisting that he should not come for

her and seeming confident that she would not lack for escort; nor did

the sequel prove her confidence unwarranted. But Mrs. Vertrees had a

long vigil of it.

She was not the woman to make herself easy--no servant had ever seen her

in a wrapper--and with her hair and dress and her shoes just what they

had been when she returned from the afternoon's call, she sat through

the slow night hours in a stiff little chair under the gaslight in her

own room, which was directly over the “front hall.” There, book in hand,

she employed the time in her own reminiscences, though it was her belief

that she was reading Madame de Remusat's.

Her thoughts went backward into her life and into her husband's; and the

deeper into the past they went, the brighter the pictures they brought

her--and there is tragedy. Like her husband, she thought backward

because she did not dare think forward definitely. What thinking forward

this troubled couple ventured took the form of a slender hope which

neither of them could have borne to hear put in words, and yet they

had talked it over, day after day, from the very hour when they heard

Sheridan was to build his New House next door. For--so quickly does

any ideal of human behavior become an antique--their youth was of the

innocent old days, so dead! of “breeding” and “gentility,” and no craft

had been more straitly trained upon them than that of talking about

things without mentioning them. Herein was marked the most vital

difference between Mr. and Mrs. Vertrees and their big new neighbor.

Sheridan, though his youth was of the same epoch, knew nothing of such

matters. He had been chopping wood for the morning fire in the country

grocery while they were still dancing.

It was after one o'clock when Mrs. Vertrees heard steps and the delicate

clinking of the key in the lock, and then, with the opening of the door,

Mary's laugh, and “Yes--if you aren't afraid--to-morrow!”

The door closed, and she rushed up-stairs, bringing with her a breath

of cold and bracing air into her mother's room. “Yes,” she said, before

Mrs. Vertrees could speak, “he brought me home!”

She let her cloak fall upon the bed, and, drawing an old red-velvet

rocking-chair forward, sat beside her mother after giving her a light

pat upon the shoulder and a hearty kiss upon the cheek.

“Mamma!” Mary exclaimed, when Mrs. Vertrees had expressed a hope that

she had enjoyed the evening and had not caught cold. “Why don't you ask

me?”

This inquiry obviously made her mother uncomfortable. “I don't--” she

faltered. “Ask you what, Mary?”

“How I got along and what he's like.”

“Mary!”

“Oh, it isn't distressing!” said Mary. “And I got along so fast--” She

broke off to laugh; continuing then, “But that's the way I went at it,

of course. We ARE in a hurry, aren't we?”

“I don't know what you mean,” Mrs. Vertrees insisted, shaking her head

plaintively.

“Yes,” said Mary, “I'm going out in his car with him to-morrow

afternoon, and to the theater the next night--but I stopped it there.

You see, after you give the first push, you must leave it to them while

YOU pretend to run away!”

“My dear, I don't know what to--”

“What to make of anything!” Mary finished for her. “So that's all

right! Now I'll tell you all about it. It was gorgeous and deafening and

tee-total. We could have lived a year on it. I'm not good at figures,

but I calculated that if we lived six months on poor old Charlie and Ned

and the station-wagon and the Victoria, we could manage at least twice

as long on the cost of the 'house-warming.' I think the orchids alone

would have lasted us a couple of months. There they were, before me, but

I couldn't steal 'em and sell 'em, and so--well, so I did what I could!”

She leaned back and laughed reassuringly to her troubled mother. “It

seemed to be a success--what I could,” she said, clasping her hands

behind her neck and stirring the rocker to motion as a rhythmic

accompaniment to her narrative. “The girl Edith and her sister-in-law,

Mrs. Roscoe Sheridan, were too anxious about the effect of things on me.

The father's worth a bushel of both of them, if they knew it. He's

what he is. I like him.” She paused reflectively, continuing, “Edith's

'interested' in that Lamhorn boy; he's good-looking and not stupid, but

I think he's--” She interrupted herself with a cheery outcry: “Oh! I

mustn't be calling him names! If he's trying to make Edith like him, I

ought to respect him as a colleague.”

“I don't understand a thing you're talking about,” Mrs. Vertrees

complained.

“All the better! Well, he's a bad lot, that Lamhorn boy; everybody's

always known that, but the Sheridans don't know the everybodies that

know. He sat between Edith and Mrs. Roscoe Sheridan. SHE'S like those

people you wondered about at the theater, the last time we went--dressed

in ball-gowns; bound to show their clothes and jewels SOMEwhere! She

flatters the father, and so did I, for that matter--but not that way. I

treated him outrageously!”

“Mary!”

“That's what flattered him. After dinner he made the whole regiment of

us follow him all over the house, while he lectured like a guide on the

Palatine. He gave dimensions and costs, and the whole b'ilin' of 'em

listened as if they thought he intended to make them a present of the

house. What he was proudest of was the plumbing and that Bay of Naples

panorama in the hall. He made us look at all the plumbing--bath-rooms

and everywhere else--and then he made us look at the Bay of Naples. He

said it was a hundred and eleven feet long, but I think it's more. And

he led us all into the ready-made library to see a poem Edith had taken

a prize with at school. They'd had it printed in gold letters and framed

in mother-of-pearl. But the poem itself was rather simple and wistful

and nice--he read it to us, though Edith tried to stop him. She was

modest about it, and said she'd never written anything else. And then,

after a while, Mrs. Roscoe Sheridan asked me to come across the street

to her house with them--her husband and Edith and Mr. Lamhorn and Jim

Sheridan--”

Mrs. Vertrees was shocked. “'Jim'!” she exclaimed. “Mary, PLEASE--”

“Of course,” said Mary. “I'll make it as easy for you as I can,

mamma. Mr. James Sheridan, Junior. We went over there, and Mrs. Roscoe

explained that 'the men were all dying for a drink,' though I noticed

that Mr. Lamhorn was the only one near death's door on that account.

Edith and Mrs. Roscoe said they knew I'd been bored at the dinner. They

were objectionably apologetic about it, and they seemed to think NOW we

were going to have a 'good time' to make up for it. But I hadn't been

bored at the dinner, I'd been amused; and the 'good time' at Mrs.

Roscoe's was horribly, horribly stupid.”

“But, Mary,” her mother began, “is--is--” And she seemed unable to

complete the question.

“Never mind, mamma. I'll say it. Is Mr. James Sheridan, Junior, stupid?

I'm sure he's not at all stupid about business. Otherwise--Oh, what

right have I to be calling people 'stupid' because they're not exactly

my kind? On the big dinner-table they had enormous icing models of the

Sheridan Building--”

“Oh, no!” Mrs. Vertrees cried. “Surely not!”

“Yes, and two other things of that kind--I don't know what. But, after

all, I wondered if they were so bad. If I'd been at a dinner at a palace

in Italy, and a relief or inscription on one of the old silver pieces

had referred to some great deed or achievement of the family, I

shouldn't have felt superior; I'd have thought it picturesque and

stately--I'd have been impressed. And what's the real difference? The

icing is temporary, and that's much more modest, isn't it? And why is

it vulgar to feel important more on account of something you've done

yourself than because of something one of your ancestors did? Besides,

if we go back a few generations, we've all got such hundreds of

ancestors it seems idiotic to go picking out one or two to be proud of

ourselves about. Well, then, mamma, I managed not to feel superior to

Mr. James Sheridan, Junior, because he didn't see anything out of place

in the Sheridan Building in sugar.”

Mrs. Vertrees's expression had lost none of its anxiety pending the

conclusion of this lively bit of analysis, and she shook her head

gravely. “My dear, dear child,” she said, “it seems to me--It looks--I'm

afraid--”

“Say as much of it as you can, mamma,” said Mary, encouragingly. “I can

get it, if you'll just give me one key-word.”

“Everything you say,” Mrs. Vertrees began, timidly, “seems to have the

air of--it is as if you were seeking to--to make yourself--”

“Oh, I see! You mean I sound as if I were trying to force myself to like

him.”

“Not exactly, Mary. That wasn't quite what I meant,” said Mrs. Vertrees,

speaking direct untruth with perfect unconsciousness. “But you said

that--that you found the latter part of the evening at young Mrs.

Sheridan's unentertaining--”

“And as Mr. James Sheridan was there, and I saw more of him than at

dinner, and had a horribly stupid time in spite of that, you think I--”

And then it was Mary who left the deduction unfinished.

Mrs. Vertrees nodded; and though both the mother and the daughter

understood, Mary felt it better to make the understanding definite.

“Well,” she asked, gravely, “is there anything else I can do? You and

papa don't want me to do anything that distresses me, and so, as this is

the only thing to be done, it seems it's up to me not to let it distress

me. That's all there is about it, isn't it?”

“But nothing MUST distress you!” the mother cried.

“That's what I say!” said Mary, cheerfully. “And so it doesn't. It's all

right.” She rose and took her cloak over her arm, as if to go to her own

room. But on the way to the door she stopped, and stood leaning against

the foot of the bed, contemplating a threadbare rug at her feet.

“Mother, you've told me a thousand times that it doesn't really matter

whom a girl marries.”

“No, no!” Mrs. Vertrees protested. “I never said such a--”

“No, not in words; I mean what you MEANT. It's true, isn't it, that

marriage really is 'not a bed of roses, but a field of battle'? To get

right down to it, a girl could fight it out with anybody, couldn't she?

One man as well as another?”

“Oh, my dear! I'm sure your father and I--”

“Yes, yes,” said Mary, indulgently. “I don't mean you and papa. But

isn't it propinquity that makes marriages? So many people say so, there

must be something in it.”

“Mary, I can't bear for you to talk like that.” And Mrs. Vertrees

lifted pleading eyes to her daughter--eyes that begged to be spared. “It

sounds--almost reckless!”

Mary caught the appeal, came to her, and kissed her gaily. “Never fret,

dear! I'm not likely to do anything I don't want to do--I've always been

too thorough-going a little pig! And if it IS propinquity that does our

choosing for us, well, at least no girl in the world could ask for more

than THAT! How could there be any more propinquity than the very house

next door?”

She gave her mother a final kiss and went gaily all the way to the door

this time, pausing for her postscript with her hand on the knob. “Oh,

the one that caught me looking in the window, mamma, the youngest one--”

“Did he speak of it?” Mrs. Vertrees asked, apprehensively.

“No. He didn't speak at all, that I saw, to any one. I didn't meet him.

But he isn't insane, I'm sure; or if he is, he has long intervals when

he's not. Mr. James Sheridan mentioned that he lived at home when he was

'well enough'; and it may be he's only an invalid. He looks dreadfully

ill, but he has pleasant eyes, and it struck me that if--if one were

in the Sheridan family”--she laughed a little ruefully--“he might be

interesting to talk to sometimes, when there was too much stocks and

bonds. I didn't see him after dinner.”

“There must be something wrong with him,” said Mrs. Vertrees. “They'd

have introduced him if there wasn't.”

“I don't know. He's been ill so much and away so much--sometimes people

like that just don't seem to 'count' in a family. His father spoke of

sending him back to a machine-shop of some sort; I suppose he meant

when the poor thing gets better. I glanced at him just then, when Mr.

Sheridan mentioned him, and he happened to be looking straight at me;

and he was pathetic-looking enough before that, but the most tragic

change came over him. He seemed just to die, right there at the table!”

“You mean when his father spoke of sending him to the shop place?”

“Yes.”

“Mr. Sheridan must be very unfeeling.”

“No,” said Mary, thoughtfully, “I don't think he is; but he might be

uncomprehending, and certainly he's the kind of man to do anything he

once sets out to do. But I wish I hadn't been looking at that poor boy

just then! I'm afraid I'll keep remembering--”

“I wouldn't.” Mrs. Vertrees smiled faintly, and in her smile there

was the remotest ghost of a genteel roguishness. “I'd keep my mind on

pleasanter things, Mary.”

Mary laughed and nodded. “Yes, indeed! Plenty pleasant enough, and

probably, if all were known, too good--even for me!”

And when she had gone Mrs. Vertrees drew a long breath, as if a burden

were off her mind, and, smiling, began to undress in a gentle reverie.

The Turmoil: A Novel · 第 7 / 30 章