II.

By way of breaking the ice, he invited an old friend, who lived about

seventy versts from the Popèlski estate, to pay him a visit. In former

times Maxim used to be the visitor; but he knew that some young people

were staying at Stavruchènko’s house at that time, and so he wrote him

a letter inviting the whole party. This invitation was accepted with

pleasure. The two old men were bound by ties of friendship, and the young

people were all familiar with the once famous name of Maxim Yatzènko,

connected as it was with many a romantic tale. One of the sons of

Stavruchènko was a student in the University of Kiev, in the School of

Philology, very popular at that time. Another son was studying music in

the St. Petersburg conservatory. Another member of the party was a young

cadet, the son of a neighboring landlord. Stavruchènko was a vigorous

old man, gray-haired, wearing a long mustache after the Cossack fashion,

and the loose Cossack trousers tucked into the boots. His tobacco-pouch

and pipe were suspended from his belt, and he spoke nothing but Little

Russian; and beside his two sons, dressed in white sleeveless coats

and embroidered Little Russian shirts, he vividly recalled Gògol’s

Taras Bulbà with his followers. But Stavruchènko lacked the romantic

characteristics of Gògol’s hero. He was on the contrary an excellent and

practical landlord, who had always got on well with the serfs; and now

that serfdom was abolished he was clever enough to adapt himself to the

new conditions. He knew the people after the landlord fashion; that is,

he knew every peasant in his village, and every peasant’s cow, and almost

every extra coin in each peasant’s purse.

But if Stavruchènko did not have hand-to-hand encounters with his sons,

like Bulbà, they were forever at odds, regardless of time or place.

Everywhere, whether at home or abroad, endless disputes arose between

the old man and the young people; it usually began on the part of the

old man, who was always jeering at the “ideal Panitchis.” The Panitchis

would grow excited, the old man likewise; whereupon an indescribable

uproar would ensue, during which both sides would give and take some

pretty severe thrusts. It was a reproduction of the differences between

“Fathers” and “Sons;” only in the southwest, where a certain courtesy of

manner prevails, such scenes in the family circle are more gracefully

managed.

The young people who had been away at school from early childhood, had

only seen the country during their vacation, and therefore had not the

practical knowledge possessed by the father-landlords. When that tidal

wave known as the “love of the people” came rushing in upon society,

it found the young men in the higher classes of the Gymnasium. They

turned their attention to the study of the lower classes, seeking their

information at first in books. They soon proceeded, however, to the

immediate study of the manifestations of the “national spirit” in its

causes. In the southwestern districts the young Panitchis, in their

white _svìtkas_[15] and embroidered shirts, devoted themselves to the

fashionable amusement of “visiting the people.” They paid but slight

attention to their economical condition, but made notes of the words and

music of the _dùmkas_[16] and songs, studied the traditions, compared

historical events with the traces they had left upon the popular mind,

and looked upon the peasant in general through the poetical prism of an

intellectually popular idealism. Thus the constant clashing of opinions

diametrically opposed to one another entered into the disputes between

the old man and the young people, and they were always at variance. And

yet the old man himself listened with delight to the eloquent tirades of

the young fellows.

“Just hear him,” Stavruchènko would say to Maxim, with a sly nudge of

his elbow, while the student with flushed face and sparkling eyes was

delivering his oration. “Hear him, he talks like a book! One might really

imagine him a clever man. You had better tell us, you wise-head, how my

Nechipòr deceived you.” The old man’s mustaches twitched, and he laughed

heartily as he related with a purely Hohòl humor the tale of their

discomfiture.

The young men blushed, but they paid him back in his own coin, saying:

“If they were not familiar with the Nechipòrs and Hvèydkas in certain

villages, they had studied the class as a whole; and from that point of

view they deduced their generalizations. For the aged and experienced,

whose habits of thought are fettered by routine, the forest is hidden by

the trees that stand nearest, but young men can embrace the most remote

perspective at a glance.”

The old man was not displeased to hear the learned discourses of his

sons. “They did not go to school for nothing,” he often remarked, “but I

can tell you that my Hvèydka will lead you like calves by a rope. That’s

the way it is! But he cannot deceive me, for I can stuff him into my

tobacco-pouch and put him in my pocket. You are nothing but youngsters

and fools!”

The Blind Musician · 第 52 / 69 题