III.

It was a calm summer evening. Uncle Maxim was sitting in the garden. The

father as usual was occupied in some distant field. Everything was quiet

in the yard and around the house; the hamlet was to all appearances going

to sleep, and the hum of the servants’ and workmen’s voices had likewise

ceased.

The boy had already been in bed for half an hour. He lay between sleeping

and waking. For a certain length of time this peaceful hour had seemed

to arouse strange memories within him. Of course he could see neither

the dusky blue sky, nor the dark waving tree-tops, outlined sharp and

clear against the starry heavens, nor the frowning peaks of the courtyard

buildings, nor the blue haze overspreading the ground, mingling with the

pale golden light of the moon and the stars. For several days he had

fallen asleep under the charm of a spell of which he could render no

account the following day. When drowsiness had benumbed his senses, when

he could no longer hear the rustle of the beech-trees, or the distant

barking of the village dogs, or the voice of the nightingale beyond the

river, or the melancholy tinkling of the bells attached to the colt

browsing in the neighboring field,—when all these varied sounds grew

faint and indistinct, it seemed to the blind boy that they were all

merged in one harmonious melody, which made its way quietly into the

room, and hovering over his bed brought in its train vague but enticing

dreams. The next morning when he woke he still felt their influence, and

asked his mother: “What was that—yesterday? What was it?”

The mother did not know what her child meant; she thought he was probably

excited by some dream. That night she put him to bed herself, and when

she saw that he was on the point of falling asleep, she left him without

observing anything unusual. But on the following day the boy again spoke

to her of something he had heard the previous evening which had made him

feel so happy. “It was lovely, mamma,—so lovely! What was it?”

That night the mother decided to remain longer by her child’s bedside,

to discover if possible the solution to this strange riddle. She sat in

a chair beside the crib, knitting mechanically, listening meanwhile to

the even breathing of her Petrùsya.[6] She thought he was asleep, when

suddenly his gentle voice was heard in the darkness:

“Mamma, are you there?”

“Yes, yes, my boy!”

“Please go away; _it_ must be afraid of you; _it_ has not come. I had

almost dropped to sleep, and still _it_ has not come.”

The astonished mother heard the child’s drowsy and plaintive whisper

with a strange sensation. He spoke of his dreams in the most perfect

good faith, as though they were reality. Nevertheless the mother

rose, bent down to kiss him, and then quietly left the room; but she

determined to creep cautiously round to the open window that looked

out into the garden. Before she succeeded in carrying her plan into

execution, the riddle was solved. Suddenly from the stable came the soft

musical tones of a shepherd’s pipe, blending with the gentle rustling

sounds of the southern evening. She had no difficulty in divining the

pleasing influence which these simple modulations of an artless melody,

harmonizing with the witching hour of dreams, would naturally possess

over the imagination of her boy. She herself paused, and stood for a

moment listening to the tender strains of a song of Little Russia, and

with a sense of relief entered the dusky garden in search of Uncle Maxim.

“Joachim plays well,” the mother thought. “It is strange that this fellow

who seems so rough should possess such an amount of feeling.”

The Blind Musician · 第 30 / 69 题