SECTION CCCXIV

"'"Yajnavalkya said, 'Brahmanas conversant with the topics of enquiry speak

of the two feet as Adhyatma, the act of walking as Adhibhuta, and Vishnu

as Adhidaivatam (of those two limbs). The lower duct (anal canal) is

Adhyatma, its function of throwing out the excreta is Adhibhuta, and

Mitra (Surya) is the Adhidaivata (of that organ). The organ of generation

is called Adhyatma. Its agreeable function is called Adhibhuta, and

Prajapati is its Adhidaivata. The hands are Adhyatma; their function as

represented by acts is Adhibhuta; and Indra is the Adhidaivata of those

limbs. The organs of speech are Adhyatma; the words uttered by them are

Adhibhuta; and Agni is their Adhidaivata. The eye is Adhyatma; vision or

form is its Adhibhuta; and Surya is the Adhidaivata of that organ. The

ear is Adhyatma; sound is Adhibhuta; and the points of the horizon are

its Adhidaivata. The tongue is Adhyatma, taste is its Adhibhuta; and

Water is its Adhidaivata. The sense of scent is Adhyatma; odour is its

Adhibhuta; and Earth is its Adhidaivata. The skin is Adhyatma; touch is

its Adhibhuta; and Wind is its Adhidaivata. Mind has been called

Adhyatma; that with which the Mind is employed is Adhibhuta; and

Chandramas is its Adhidaivata. Consciousness is Adhyatma; conviction in

one's identity with Prakriti is its Adhibhuta; and Mahat or Buddhi is its

Adhidaivata. Buddhi is Adhyatma; that which is to be understood is its

Adhibhuta; and Kshetrajna is its Adhidaivata. I have thus truly expounded

to thee, O king, with its details taken individually, the puissance of

the Supreme (in manifesting Himself in different forms) in the beginning,

the middle, and the end, O thou that art fully conversant with the nature

of the original topics or principles. Prakriti, cheerfully and of her own

accord, as if for sport, O monarch, produces, by undergoing modifications

herself, thousands and thousands of combinations of her original

transformations called Gunahs. As men can light thousands of lamps from

but a single lamp, after the same manner Prakriti, by modification,

multiplies into thousands of existent objects the (three) attributes (of

Sattwa and Rajas and Tamas) of Purusha. Patience, joy, prosperity,

satisfaction, brightness of all faculties, happiness, purity, health,

contentment, faith, liberality, compassion, forgiveness, firmness,

benevolence, equanimity, truth, acquittance of obligations, mildness,

modesty, calmness, external purity, simplicity, observance of obligatory

practices, dispassionateness, fearlessness of heart, disregard for the

appearance or otherwise of good and evil as also for past

acts, appropriation of objects only when obtained by gift, the absence

of cupidity, regard for the interests of others, compassion for all

creatures,--these have been said to be the qualities that attach to the

attribute of Sattwa. The tale of qualities attaching to the attribute of

Rajas consists of pride of personal beauty, assertion of lordship, war,

disclination to give, absence of compassion, enjoyment and enduring of

happiness and misery, pleasure in speaking ill of others, indulgence in

quarrels and disputes of every kind, arrogance, discourtesy, anxiety,

indulgence in hostilities, sorrow, appropriation of what belongs to

others, shamelessness, crookedness, disunions, roughness, lust, wrath,

pride, assertion of superiority, malice, and calumny. These are said to

spring from the attributes of Rajas. I shall now tell thee of that

assemblage of qualities which springs from Tamas. They are stupefaction

of judgment, obscuration of every faculty, darkness and blind darkness.

By darkness is implied death, and by blind darkness is meant wrath.

Besides these, the other indications of Tamas are greediness in respect

of all kinds of food, ceaseless appetite for both food and drink, taking

pleasure in scents and robes and sports and beds and seats and sleep

during the day and calumny and all kinds of acts proceeding from

heedlessness, taking pleasure, from ignorance (of purer sources of joy)

in dancing and instrumental and vocal music, and aversion for every kind

of religion. These, indeed, are the indications of Tamas.'"'"

The Mahabharata of Krishna-Dwaipayana Vyasa, Volume 3 Books 8, 9, 10, 11 and 12 · 第 313 / 367 章