Intellectual Snobbery

A good many years ago I had a painful experience. I was

discovered by my house-master reading in bed at the unauthorized

hour of midnight. Smith minor in the next bed (we shared a

candle) was also reading. We were both discovered. But the most

annoying part of the business, as it seemed to me then, was that

Smith minor was discovered reading Alton Locke, and that I was

discovered reading Marooned Among Cannibals. If only our house-

master had come in the night before! Then he would have found me

reading Alton Locke. Just for a moment it occurred to me to tell

him this, but after a little reflection I decided that it would

be unwise. He might have misunderstood the bearings of the

revelation.

There is hardly one of us who is proof against this sort of

intellectual snobbery. A detective story may have been a very

good friend to us, but we don't want to drag it into the

conversation; we prefer a casual reference to The Egoist, with

which we have perhaps only a bowing acquaintance; a reference

which leaves the impression that we are inseparable companions,

or at any rate inseparable until such day when we gather from our

betters that there are heights even beyond The Egoist. Dead or

alive, we would sooner be found with a copy of Marcus Aurelius

than with a copy of Marie Corelli. I used to know a man who

carried always with him a Russian novel in the original; not

because he read Russian, but because a day might come when, as

the result of some accident, the "pockets of the deceased" would

be exposed in the public Press. As he said, you never know; but

the only accident which happened to him was to be stranded for

twelve hours one August at a wayside station in the Highlands.

After this he maintained that the Russians were overrated.

I should like to pretend that I myself have grown out of these

snobbish ways by this time, but I am doubtful if it would be

true. It happened to me not so long ago to be travelling in

company of which I was very much ashamed; and to be ashamed of

one's company is to be a snob. At this period I was trying to

amuse myself (and, if it might be so, other people) by writing a

burlesque story in the manner of an imaginary collaboration by

Sir Hall Caine and Mrs. Florence Barclay. In order to do this I

had to study the works of these famous authors, and for many

week-ends in succession I might have been seen travelling to, or

returning from, the country with a couple of their books under my

arm. To keep one book beneath the arm is comparatively easy; to

keep two is much more difficult. Many was the time, while waiting

for my train to come in, that one of those books slipped from me.

Indeed, there is hardly a junction in the railway system of the

southern counties at which I have not dropped on some Saturday or

other a Caine or a Barclay; to have it restored to me a moment

later by a courteous fellow-passenger--courteous, but with a

smile of gentle pity in his eye as he glimpsed the author's name.

"Thanks very much," I would stammer, blushing guiltily, and

perhaps I would babble about a sick friend to whom I was taking

them, or that I was running out of paper-weights. But he never

believed me. He knew that he would have said something like that

himself.

Nothing is easier than to assume that other people share one's

weaknesses. No doubt Jack the Ripper excused himself on the

ground that it was human nature; possibly, indeed, he wrote an

essay like this, in which he speculated mildly as to the reasons

which made stabbing so attractive to us all. So I realize that I

may be doing you an injustice in suggesting that you who read may

also have your little snobberies. But I confess that I should

like to cross-examine you. If in conversation with you, on the

subject (let us say) of heredity, a subject to which you had

devoted a good deal of study, I took it for granted that you had

read Ommany's Approximations, would you make it quite clear to me

that you had not read it? Or would you let me carry on the

discussion on the assumption that you knew it well; would you,

even, in answer to a direct question, say shamefacedly that

though you had not--er--actually read it, you--er--knew about it,

of course, and had--er--read extracts from it? Somehow I think

that I could lead you on to this; perhaps even make you say that

you had actually ordered it from your library, before I told you

the horrid truth that Ommany's Approximations was an invention of

my own.

It is absurd that we (I say "we," for I include you now) should

behave like this, for there is no book over which we need be

ashamed, either to have read it or not to have read it. Let us,

therefore, be frank. In order to remove the unfortunate

impression of myself which I have given you, I will confess that

I have only read three of Scott's novels, and begun, but never

finished, two of Henry James'. I will also confess --and here I

am by way of restoring that unfortunate impression--that I do

quite well in Scottish and Jacobean circles on those five books.

For, if a question arises as to which is Scott's masterpiece, it

is easy for me to suggest one of my three, with the air of one

who has chosen it, not over two others, but over twenty. Perhaps

one of my three is the acknowledged masterpiece; I do not know.

If it is, then, of course, all is well. But if it is not, then I

must appear rather a clever fellow for having rejected the

obvious. With regard to Henry James, my position is not quite so

secure; but at least I have good reason for feeling that the two

novels which I was unable to finish cannot be his best, and with

a little tact I can appear to be defending this opinion hotly

against some imaginary authority who has declared in favour of

them. One might have read the collected works of both authors,

yet make less of an impression.

Indeed, sometimes I feel that I have read their collected works,

and Ommany's Approximations, and many other books with which you

would be only too glad to assume familiarity. For in giving

others the impression that I am on terms with these masterpieces,

I have but handed on an impression which has gradually formed

itself in my own mind. So I take no advantage of them; and if it

appears afterwards that we have been deceived together, I shall

be at least as surprised and indignant about it as they.

Not that it Matters · 第 30 / 48 题