Signs of Character

Wellington is said to have chosen his officers by their noses and

chins. The standard for them in noses must have been rather high,

to judge by the portraits of the Duke, but no doubt he made

allowances. Anyhow, by this method he got the men he wanted. Some

people, however, may think that he would have done better to have

let the mouth be the deciding test. The lines of one's nose are

more or less arranged for one at birth. A baby, born with a snub

nose, would feel it hard that the decision that he would be no

use to Wellington should be come to so early. And even if he

arrived in the world with a Roman nose, he might smash it up in

childhood, and with it his chances of military fame. This, I

think you will agree with me, would be unfair.

Now the mouth is much more likely to be a true index of

character. A man may clench his teeth firmly or smile

disdainfully or sneer, or do a hundred things which will be

reflected in his mouth rather than in his nose or chin. It is

through the mouth and eyes that all emotions are expressed, and

in the mouth and eyes therefore that one would expect the marks

of such emotions to be left. I did read once of a man whose nose

quivered with rage, but it is not usual; I never heard of anyone

whose chin did anything. It would be absurd to expect it to.

But there arises now the objection that a man may conceal his

mouth, and by that his character, with a moustache. There arises,

too, the objection that a person whom you thought was a fool,

because he always went about with his mouth open, may only have

had a bad cold in the head. In fact the difficulties of telling

anyone's character by his face seem more insuperable every

moment. How, then, are we to tell whether we may safely trust a

man with our daughter, or our favourite golf club, or whatever we

hold most dear?

Fortunately a benefactor has stepped in at the right moment with

an article on the cigar-manner. Our gentleman has made the

discovery that you can tell a man's nature by the way he handles

his cigar, and he gives a dozen illustrations to explain his

theory. True, this leaves out of account the men who don't smoke

cigars; although, of course, you might sum them all up, with a

certain amount of justification, as foolish. But you do get, I am

assured, a very important index to the characters of smokers--

which is as much as to say of the people who really count.

I am not going to reveal all the clues to you now; partly because

I might be infringing the copyright of another, partly because I

have forgotten them. But the idea roughly is that if a man holds

his cigar between his finger and thumb, he is courageous and kind

to animals (or whatever it may be), and if he holds it between

his first and second fingers he is impulsive but yet considerate

to old ladies, and if he holds it upside down he is (besides

being an ass) jealous and self-assertive, and if he sticks a

knife into the stump so as to smoke it to the very end he is--

yes, you have guessed this one--he is mean. You see what a useful

thing a cigar may be.

I think now I am sorry that this theory has been given to the

world. Yes; I blame myself for giving it further publicity. In

the old days when we bought--or better, had presented to us--a

cigar, a doubt as to whether it was a good one was all that

troubled us. We bit one end and lit the other, and, the doubt

having been solved, proceeded tranquilly to enjoy ourselves. But

all this will be changed now. We shall be horribly self-

conscious. When we take our cigars from our mouths we shall feel

our neighbours' eyes rooted upon our hands, the while we try to

remember which of all the possible manipulations is the one which

represents virtue at its highest power. Speaking for myself, I

hold my cigar in a dozen different ways during an evening (though

never, of course, on the end of a knife), and I tremble to think

of the diabolically composite nature which the modern Wellingtons

of the table must attribute to me. In future I see that I must

concentrate on one method. If only I could remember the one which

shows me at my best!

But the tobacco test is not the only one. We may be told by the

way we close our hands; the tilt of a walking-stick may unmask

us. It is useless to model ourselves now on the strong, silent

man of the novel whose face is a shutter to hide his emotions.

This is a pity; yes, I am convinced now that it is a pity. If my

secret fault is cheque-forging I do not want it to be revealed to

the world by the angle of my hat; still less do I wish to

discover it in a friend whom I like or whom I can beat at

billiards.

How dull the world would be if we knew every acquaintance inside

out as soon as we had offered him our cigar-case. Suppose--I put

an extreme case to you--suppose a pleasant young bachelor who

admired our bowling showed himself by his shoe laces to be a

secret wife-beater. What could we do? Cut so unique a friend? Ah

no. Let us pray to remain in ignorance of the faults of those we

like. Let us pray it as sincerely as we pray that they shall

remain in ignorance of ours.

Not that it Matters · 第 29 / 48 题