BY THE EMPEROR’S ORDER
The next day but one, the mystery was solved of the old lady who gave
the ninety thousand francs to the soldiers’ orphans’ fund. It was not
an old lady at all, but the young and pretty actress, Mademoiselle
Fifi, who had drawn the great prize in the lottery. She had temporarily
retired from the stage of the Imperial Theater, in the street of the
Black Cat, but would shortly resume her place there as leading lady. So
it was printed in the newspapers, and known in the salons of Paris.
There was very nearly a mob in the street of the Black Cat, so many
persons were drawn by curiosity to see Fifi. Fifi, peeping from
her garret window, would have dearly liked to exhibit herself, but
Duvernet, for once stern, refused to let her show so much as an
eyelash, except to those who bought a ticket to see her at the theater,
when she was to appear in her great part of the Roman maiden on the
Thursday week, the very day she had fixed upon to marry Cartouche.
In this determination to keep Fifi in seclusion until the night of her
reappearance on the stage, Duvernet was backed up by Cartouche, who
reminded Fifi of the enormous salary she was receiving of fifty francs
the week. He had no inkling of the further rise in her fortunes of
forty francs the week from the Holy Father.
Meanwhile rehearsals were actively begun, and Fifi had had the
exquisite joy of seeing that Julie Campionet was furiously jealous
of her. Duvernet, in spite of his unceremonious behavior to her in
private, treated her at rehearsals with a respect fitting the place she
held on the programme and the stupendous salary she received. All of
her fellow actors were either stand-offish with her or over-friendly,
but this, Fifi knew, was only a phase. Cartouche alone treated her as
he had always done, and even scolded her sharply, saying that in three
months she had forgotten what it had taken her three years to learn.
But this was hardly exact, for Fifi, being a natural actress, had
forgotten very little and had learned a great deal during her exile
from the Imperial Theater.
On the morning after the announcement made in the newspapers about
Fifi’s gift a great clatter was heard in the street of the Black Cat.
An imperial courier came riding to Fifi’s door and handed in a letter
with the imperial arms and seal. It was a notification that the next
day, at noon, an imperial carriage would be sent for her that she
might go to the Tuileries and be thanked personally by the Emperor and
Empress for her magnificent generosity to the soldiers’ orphans.
Fifi turned pale as she read this letter. She did not mind the Emperor,
but the Empress. And what should she wear?
While considering these momentous questions, Duvernet rushed into the
room. He had seen the courier and suspected his errand.
Fifi, with blanched lips, told him. Duvernet was nearly mad with joy.
“Oh,” he cried. “If I was not already married to Julie Campionet and
three other women I would marry you this moment, Fifi.”
“Marry me!” cried Fifi, turning crimson, and finding her voice, which
rose with every word she uttered. “Marry _me_! _You_, Duvernet! Marry
Mademoiselle Josephine Chiaramonti! No! A thousand times no! Julie
Campionet is good enough for you.”
“I am as good as Cartouche,” growled Duvernet, stung by this vicious
attack on himself and his wife.
“Monsieur Duvernet,” screamed Fifi, stamping her foot, “if you wish me
to appear at the Imperial Theater a week from Thursday you will at once
admit that Julie Campionet is good enough for you, and that I--I am far
too good for you--but not too good for Cartouche.”
Duvernet hesitated, but the manager in him came uppermost. He conceded
all that Fifi claimed, but on returning to the theater cuffed the
call-boy unmercifully by way of reprisal on somebody, after Fifi’s
exasperating behavior.
That night, at supper, Cartouche was oppressed and depressed by this
new honor awaiting Fifi. Presently he said to her seriously:
“Fifi, it’s out of the question--your marrying me. Why, you might
marry an officer--who knows? Now, Fifi, don’t be a fool and insist on
marrying me.”
“I won’t be a fool,” answered Fifi promptly, “and I will marry you. The
Holy Father told me to, and I expect the Emperor will do the same. At
all events, you, too, are to go to the Tuileries.”
“I!”
Cartouche fell back in his chair.
“Certainly. I could never get along without you.”
“But I couldn’t go in the coach with you.”
“No. You can be in the gardens, though, and if the Emperor wants you he
can send for you.”
Cartouche in the end concluded he might as well go, not that he
expected the Emperor to send for him, but simply because Fifi wished
him to go. And he decided a very important point for Fifi--what she
should wear.
“Now, don’t wear any of your wild hats, or that yellow gown, which
can be heard screaming a mile away. Remember, the Emperor is not a
Duvernet, and the Empress is not Julie Campionet. Wear your little
black bonnet, with your black gown and mantle, and you will look like
what you are--my sweet little Fifi.”
This was the first word of open lovemaking into which Cartouche had
suffered himself to be betrayed, and as soon as he had uttered it he
jumped up from the supper table and ran to his own garret as quickly
as his stiff leg would allow. Fifi caught Toto to her heart in lieu of
Cartouche and murmured, “He loves me! He loves me! He loves me!”
At noon, next day, a splendid imperial carriage drove into the street
of the Black Cat and stopped before Fifi’s door. Fifi, dressed modestly
and becomingly in black, appeared. She could not forbear carrying
her huge muff, but as it was the fashion it did not detract from the
propriety of her appearance.
The street was full when, assisted by a gorgeous footman, she took her
seat in the carriage. Duvernet was a rapturous spectator of Fifi’s
splendor, and she had the ecstasy of feeling that Julie Campionet was
watching the whole magnificent event.
She sat up very straight as she drove through the bright and sunny
streets toward the Tuileries. As she entered the great gates she
watched for Cartouche, who was to be there. Yes, there he was, looking
out for her. Fifi’s heart gave a great throb of relief, for she was
really frightened half to death, and the nearness of Cartouche made her
feel a little safer. The look in his face as their eyes met was full of
encouragement--it did not seem to him a dreadful thing at all to meet
the Emperor.
This courage of Fifi’s only lasted until the carriage door was opened,
and she had to alight and walk an interminable distance through miles
of gorgeous rooms, of mirrors, of paintings, of gilding, and, worse
than all, in the company of the very polite old gentleman-in-waiting
who escorted her.
She knew not how she found herself in a small boudoir, and presently
the door opened and the Emperor and Empress entered, and at the first
word spoken to her by the Emperor, as with the Holy Father, fear
instantly departed from her, and it seemed the most natural thing in
the world for her to be there.
Fifi made a very pretty bow to both the Emperor and Empress. The
Empress seated herself, and her kind eyes, her soft Creole voice, her
charming grace, captivated Fifi, as it had done many of the greatest of
the earth. But when the Emperor spoke--ah, Fifi was one of the people,
after all--and like the old moustaches in Cartouche’s regiment, she
would have died for the Emperor after having once seen him. He said to
her:
“The Empress and I wish to thank you for your splendid gift to the
soldiers’ orphans, Mademoiselle. Was it not your whole fortune? For
I remember well hearing that you had drawn the grand prize in the
lottery.”
“Yes, Sire,” replied Fifi, “but I am still well off.”
“I am glad to hear it, Mademoiselle.”
“Sire, the manager of the Imperial Theater is to give me fifty francs
the week, and the Holy Father, to whom my grandfather was cousin, is
to give me forty francs the week as long as I live; that is, if I do
not put it on the bill-boards that I am Mademoiselle Chiaramonti,
granddaughter of the Pope’s cousin.”
“It was I who caused that relationship to be established, after having
heard your name, the evening that my good friend Cartouche invited me
to see you act. But what ingenious person was it who dreamed of putting
your relationship to the Pope on the bill-boards?”
“I and our manager, Monsieur Duvernet, Sire. Monsieur Duvernet knows
how to advertise.”
The Emperor laughed a little.
“I should think so. I have met Monsieur Duvernet--the same evening,
Mademoiselle, that I had the pleasure of seeing you act. So the Holy
Father interfered with yours and Duvernet’s little plan--ha! ha!”
“Yes, Sire. First, Monsieur Duvernet said he would give me twenty
francs to be billed as the Pope’s cousin, and the Holy Father said he
would give me twenty-five francs to be billed simply as Mademoiselle
Fifi. Then Monsieur Duvernet said thirty francs, and the Holy Father
said thirty-five; and Monsieur Duvernet said thirty-eight, and the
Holy Father said forty. That was such a large sum, Sire, that Monsieur
Duvernet could not meet it.”
“And what does our friend Cartouche say to this? Cartouche,” he
explained to the Empress, “is my old friend of Lodi, the only man who
crossed the bridge before me, and he came to see me and consulted me
about this young lady’s fortune.”
“Cartouche, Sire, does not know it.”
“Why? Have you fallen out with Cartouche?”
“Oh, no, Sire. Cartouche and I are to be married a week from Thursday,”
replied Fifi, smiling and blushing.
“Then explain why he does not know about the Pope’s forty francs,
since you are to marry him so soon?”
“Because, Sire, Cartouche does not want to marry me--I mean, that is,
he thinks he is not young enough or rich enough or well-born enough for
me--which is all nonsense, Sire.”
“Yes--I know something about you and Cartouche.”
“And I never could have married him if I had not got rid of my money.
But I am afraid if Cartouche knows of my forty francs the week he will
make a difficulty.”
“In that case we must not let him know anything about it. But I was
told by my arch-treasurer Lebrun that a marriage had been arranged for
you with a young advocate here whom Lebrun knows well, by name Bourcet.
What becomes of that?”
Fifi smiled and blushed more than ever, and remained silent until the
Empress said, in her flute-like voice:
“Perhaps, Mademoiselle, you could not love him.”
“Your Majesty, I hated him,” answered Fifi, with the greatest
earnestness. “He was the most correct person and the greatest bore
in the universe. Unlike Cartouche, he thought himself much too good
for me, but was willing to take me on account of my hundred thousand
francs. At first I tried to frighten him off.”
“How, Mademoiselle?” asked the Emperor, now laughing outright.
“Sire, by--by--buying things. Dreadful clothes, and--and--monkeys, but
I was afraid of the monkeys and would not keep them--and a blue satin
bed made for the Empress--”
“I know that diabolical bed--so they swindled you into buying it?”
“No, Sire, it was only a way of squandering money and frightening
that ridiculous Louis Bourcet. And--I made love to him very
outrageously--which was nearly the death of him. Louis Bourcet is not
the sort of a man to be first across the bridge of Lodi. The only way
to have got him across would have been to carry him. But in spite of
all I could do he would have married me if I had not found a way to get
rid of my money.”
“Tell me how you contrived to get your money in your own hands?”
Then Fifi told about putting the box of old shoes in the bank and
sewing the money up in the mattress, just as she had told the Pope, and
both the Emperor and the Empress laughed aloud at it. And Fifi further
explained how Cartouche’s letter had showed her the way to make a good
use of her uncomfortable fortune instead of merely throwing it away.
The Empress then asked, in her charming manner, some questions about
Fifi’s life, and both the Emperor and Empress seemed excessively amused
at the simplicity of Fifi’s answer.
“I shall have to tell Lebrun, the arch-treasurer, about this,” cried
the Emperor; “and now, what can I or the Empress do for you?”
Fifi reflected a moment.
“If you please, Sire,” she replied after a moment, “to send for
Cartouche--he is just outside in the gardens--and order him to marry me
a week from next Thursday. For, if he should happen to find out that I
have forty francs the week as long as I live, there’s no telling what
he will do, unless your Majesty gives him positive orders.”
The Emperor rang, and his aide appearing, he was directed to find the
fellow named Cartouche.
“He is very homely and has a stiff leg,” said Fifi, by way of
description of her lover.
While Cartouche was being found, the Emperor, after his wont, began to
ask Fifi all manner of questions, especially about the Holy Father, and
listened attentively to her replies. His only comment was:
“A good old man, a dreamer, who lives in his affections.”
When Cartouche was ushered into the room the Empress spoke to him with
the greatest kindness, but the Emperor, frowning, said:
“Mademoiselle Fifi tells me she has a mind to marry you a week from
Thursday, and you are hanging back.”
“Sire,” replied Cartouche, respectfully, but without the least fear,
“I am too old and ugly for Fifi, and I have a stiff leg. Your Majesty
knows what I say is true.”
“No, I do not know it, and Cartouche, obey what I say to you. A week
from Thursday, or before, if Mademoiselle Fifi requires, you are to be
ready to marry her, and if you balk the least in the world I shall have
a sergeant and a file of soldiers to persuade you. Do you understand?”
[Illustration--Fifi, Cartouche, Napoleon and Josephine]
“Oh, Sire,” replied Cartouche, with shining eyes, “how good of your
Majesty to command me! For, otherwise, I never could have thought it
anything but wrong to tie Fifi to me for life. But one must obey the
Emperor.”
“Yes,” cried Fifi, quite forgetting herself in her joy, “one must obey
the Emperor.”
And then the Emperor kissed Fifi on the cheek, and pulled Cartouche’s
ear, saying to him:
“You mutinous rascal, you would disobey your Emperor; but remember the
sergeant and the file of soldiers are ready when Mademoiselle Fifi
calls for them. So, good by, and good fortune to you both, and if
anything befalls you, you know where to find your Emperor.”
The Empress gave Fifi her hand to kiss and said, smiling:
“I shall not forget a little present for your wedding,” and Fifi and
Cartouche went away, the two happiest creatures in Paris.
Fifi returned in the imperial carriage, and Cartouche returned on the
top of an omnibus, but each of them was in a heaven of his own.
Fifi reached home first, and when Cartouche arrived she was hard at
work on a white bonnet for her wedding.
“Cartouche,” she cried, as he opened the door, “there are a million
things to be done if we are to be married a week from next Thursday.”
“I know it,” answered Cartouche, “and Fifi--you need not send for the
sergeant, I think.”
Fifi threw herself into his arms. She was bubbling over with joy.
Cartouche’s saturnine face was more saturnine than ever. He kissed Fifi
solemnly, and broke away from her. It was too much joy for him.
The preparations for their wedding were simple enough, as became an
insignificant actress and a poor actor, whose home was to be in two
little rooms very high up; for Fifi, having been bred under the tiles,
declined to come down lower, in spite of her improved fortunes. They
had a great many rehearsals at the theater, too, and Cartouche, as
stage manager, had lost none of his strictness, and ordered Fifi about
as peremptorily as if he were not to be married to her on Thursday.
Fifi obeyed him very sweetly and had a new humility toward him.
All of their fellow actors showed them great good-will--even Julie
Campionet, who behaved in the most beautiful manner, considering what
provocation Fifi had long given her. Everybody connected with the
theater gave them a little present--poor and cheap enough, but rich
in kindness. Even the old woman who lighted the theater brought Fifi
a couple of pink candles for a wedding present, and Fifi thankfully
accepted them.
Two days before the wedding came three splendid presents--a fine shawl
from the Empress, a watch from the Emperor and a purse from the Holy
Father. Fifi was charmed, and took up so much time at rehearsal in
exhibiting these gorgeous gifts that she failed to answer her cue, and
subjected herself to a fine, according to the rules of the theater,
which Cartouche rigorously exacted.
Fifi worked so hard preparing for her wedding on the Thursday morning,
and her return to the stage on the Thursday evening, that the hours
flew as if on wings--and the day came almost before she knew it.
The morning was fair and bright as only May mornings can be fair and
bright. Fifi and Cartouche, with Duvernet and Julie Campionet, now
completely reconciled with Fifi for a short time, walked to the
_mairie_ and then to the parish church, and were married hard and fast.
From thence they went to a cheap café to breakfast, and Duvernet, in
honor of the occasion, had a two-franc bouquet of violets on the table.
All of the waiters knew that two of the party were bride and groom, but
Cartouche was so solemn and silent, and Duvernet so gay and talkative,
that everybody supposed Duvernet the happy man and Cartouche the
disappointed suitor.
It was then time for the rehearsal, which lasted nearly all the rest of
the day, Cartouche being unusually strict. When the curtain went up in
the evening never was there such an audience or so much money in the
Imperial Theater. The best seats were put at the unprecedented price of
two francs and a half, and Duvernet gnashed his teeth that he had not
made them three francs, so great was the crowd. The play was the famous
classical one in which Duvernet had worn the toga made of Fifi’s white
petticoat. This time he had a beautiful toga, bought at a sale of third
and fourth-hand theatrical wardrobes, and it had been washed by Julie
Campionet’s own hands.
Everybody in the cast made a success. Even Cartouche as the wounded
Roman centurion of the Pretorian Guard, got several recalls, and he
was no great things of an actor. Duvernet covered himself with glory,
but all paled before Fifi’s triumph. Never was there such a thunder of
applause, such a tempest of curtain calls, such a storm of bravos. Fifi
palpitated with joy and pride.
When at last the performance was over, and Cartouche and Fifi came out
of the theater into the dark street, under the quiet stars, Fifi said,
quite seriously:
“Cartouche, my heart is troubled.”
“Why, Fifi?”
“Because I am not half good enough for you. I am only Fifi--you know
what I mean. I am ashamed that I am not something more and better than
merely Fifi.”
And Cartouche, who was usually the most matter-of-fact fellow alive,
replied softly:
“As if a rose should be ashamed of being only a rose!”
BY
MOLLY ELLIOT SEAWELL
FRANCEZKA
“A STORY OF YOUTH AND
SPLENDOR”
ILLUSTRATED BY
HARRISON FISHER
TRANSCRIBER’S NOTES:
On page 233, mattrees has been changed to mattress.
On page 226, love-making has been changed to lovemaking.
All other spelling, hyphenation and languages other than English have
been left as typeset.
The illustrations in the printed book had no captions; captions have
been added to this text to give the reader of a sense of their value.