"The judgments of men are curious. No action in Goethe's life has
excited more scandal than his final marriage with Christine. It is
thought disgraceful enough for him to have taken her into his home,
but for the great poet to actually complete such an enormity as to
crown his connection with her by marriage was, indeed, more than
society could tolerate. I have already expressed my opinion of this
unfortunate connection, but I most emphatically declare my belief
that the redeeming point in it is precisely this which caused the
scandal. Better far had there been no connection at all; but if it
was to be, the nearer it approached real marriage, and the further
it was removed from a fugitive indulgence, the more moral and
healthy it became."
He was in his fifty-eighth year when he married her. She had changed
much in the passing years. From the bright, lively, pleasure-loving
girl, she had grown into a coarse and almost repulsive woman. Her
father, as we know, had ruined himself by intemperance, her brother
also, and she herself had not escaped the fatal appetite. She was not
restrained by the checks which refined society imposes, for in Weimar
she had no society, and as the years went by she became openly and
shamelessly given over to intemperance. This tragedy in Goethe's life
would have been little suspected by those who saw how calmly he bore
himself in public. The mere mention of the fact, however, tells its own
tale of humiliation and woe. It is often asked why Goethe did not part
from her at once. In answer we might ask, Why do not all the noble and
right-principled women who wear out wretched lives as drunkards' wives
part at once from their debauched husbands? The answer would no doubt be
similar in the two cases. He was too weak to alter his position, he was
strong enough to bear it. And he did bear it to the bitter end. And when
that end came he mourned for her with sincere affection. Says Lewes:--
"She who had for twenty-eight years loved and aided him; who,
whatever her faults, had been to him what no other woman had been,
could not be taken from him without his feeling her loss. His
self-mastery was utterly shaken. He knelt by her bedside, taking
her cold hands in his, and exclaiming, 'Thou wilt not forsake me,
thou must not forsake me,' and sobbing aloud. He had been to her
the most tender of devoted husbands throughout all those weary
years."
Many accounts of her vulgarity and repulsiveness have been circulated;
but in making up our estimate of her, the fact that she held Goethe in
loyal bonds for eight and twenty years must not be passed over lightly.
Fickle as he was in youth, and admiring as he did brilliant women in his
manhood, Christine Vulpius must have had charms, and not of a light
order, to have held him thus her willing slave. No mere fat and vulgar
Frau without mind or sensibility could have done this. It is not in the
nature of things. We often see men of brilliant minds in our own day
choosing to marry women who are not intellectual or cultured,--women who
have only beauty, or style and social elegance; but they are women who
have some charm, and if the charm remains, the attraction holds
indefinitely. But sad indeed is the case of the man of mind who has
married a mere doll, and who, when youth has flown, finds he has a wife
who is not capable of being companion or friend to him. Many a man holds
himself steadfast to duty under these circumstances through a long life,
but if the woman whom his maturity would have chosen--the sweet,
companionable woman, with a mind that can sympathize with and appreciate
his own--chances to dawn upon him, too late, there is apt to be a
struggle which is long and hard.
Indeed, it is never the part of wisdom for the intellectual man or woman
to marry one who is consciously an inferior. He or she who does this
makes a high bid for an unhappy life. As regards Christine Vulpius, it
is certain that, although not an intellectual woman, she was not without
some taste for pursuits in consonance with those of Goethe. It was for
her that he wrote the "Metamorphoses of Plants," and in her company he
pursued his optical and botanical researches. Had she shown no
comprehension of these things, assuredly Goethe would never have
persisted in instructing her in them. It was for her, too, that he wrote
the "Roman Elegies," which shows that he did not esteem her a mere
drudge.
Whatever may be our general estimate of Goethe's character, it will
certainly be conceded that he showed great capacity for domestic love
and domestic happiness in continuing loyal for so many years to one who
degraded herself as did Christine. He certainly cannot be counted among
the sons of genius with whom it is found difficult, almost impossible
even, to live. Rather must we rank him high among those genial and
warm-hearted men who love too much, rather than too little, and who are
easily led by the women to whom they give their devotion. Irregular and
faulty, even immoral as he was, he yet possessed the redeeming domestic
virtues in a large degree. Away beyond his seventieth year we find women
still madly loving him, and him capable of reciprocating their
affections. And well was it that this should be so, for otherwise he
would have stood alone and friendless. One by one the companions of his
youth and his manhood were taken from him, until, upon the death of Carl
August, he could truthfully exclaim, "Nothing now remains." It was well
that the end drew near.
When one can say, "Nothing now remains," it is surely time for the angel
with the brazen trumpet to proclaim, "For him let time be no more."
Lightly let the silver cord be loosed and the golden bowl broken, rather
than that the lonely life linger on, with its eyes fixed only on the
past, which has become but a dim mirage where ghostly figures are seen
walking but from which all warmth and light have fled. Happy indeed is
he who, when the allotted years have been passed, and he lingers waiting
on the stage for the signal which shall cause the curtain to fall
forever on his little life drama, has something which to him is real and
tangible to look forward to in the near future. The bitterness of a
lingering death must be in all old age without this hope.
Let us trust that after that last low cry of Goethe for "more light,"
the morning dawned upon the great intellect and great heart which had
been watching for it so long. Let us hope, also, that the world may yet
learn to see him as did Emerson, who found him "a piece of pure nature,
like an oak or an apple, large as morning or night, and virtuous as a
brier-rose."
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