He did not tell her that the hiding place of the dictagraph had been
located and that Smilo had received instructions to tamper with the
instrument as soon as the coast was clear.
*III*
They took a bus to Janet's lodgings.
Several plans were agreed upon. Chiefly, they were both to write to
Cornelia asking her to find a position for Janet in the Paulette
establishment.
Fashionable dressmaking was not precisely the work that Janet's heart
was in. But she was prepared to take any position as a means to an end.
Her real goal was active participation in the later phases of the
women's movement. Recent happenings had revived in her the old longing
to enter the thick of the battle, to pitch into the struggle for equal
pay in every sort of occupation and for an equal title to legislative
and administrative power.
"But I shall have to get an income of my own before I can be a factor in
this struggle," she said.
"One must get an income of one's own before one can be a factor in any
struggle," said Pryor, dryly.
"Yes, I've learned that, too. Feminists say that a woman must have an
independent income in order to enter marriage with self-respect. They
could go further and say that a woman must have an independent income in
order to enter a free union with self-respect."
Pryor told her that he expected to return to the United States in a few
weeks. Should he, in case he ran across Robert Lloyd, inform him of her
altered views?
She said that Robert wouldn't thank him for any information about her.
"But you were such exceptionally good friends," expostulated Pryor.
"Your little firm of Barr & Lloyd--what a pity you couldn't pick that
thread up again, instead of joining Cornelia. If Robert weren't as poor
as a church mouse, or if you both weren't too proud to borrow a little
cash from me--"
Janet interrupted to veto all suggestions along that line. Pride had
nothing to do with the question. It was true that she and Robert had
been very good friends and excellent working partners. But Robert had
emphatically said that he had no use for a woman who had damaged her
social and businesss value by indulging in an adventure such as hers
[Transcriber's note: several words missing from source book]
"Hm!" said Pryor. "When the shoe pinches his own foot, what
astoundingly conservative exclamations even a radical fellow will make."
Janet went on to say that, although she had changed her views, she had
every reason to believe that Robert had not changed his. Thus, he had
taken no step whatever to communicate with her, despite the fact that
she had indirectly, in her first letter to Cornelia, asked him to do so.
"Besides," she added, "didn't you know that he was about to marry
Charlotte Beecher?"
"Oh, ho, so that's how the wind blows?"
Pryor, standing in front of Janet's house, gave the curb a sharp whack
with his cane.
"That marriage has no place in the scheme of your _deus ex machina_," he
said, with a quizzical frown. "We'll have to take it out on
Burley--give the devil an extra twist of the tail to relieve our
feelings."
"Yes, when you catch him. Meanwhile, what am I to do about him?"
"Forget him, forget him serenely for half a dozen weeks or so. Then
you'll hear from him again."
"Hear from him again," she said, with a shade of alarm.
"Not _from_ him in person," corrected Pryor, straightening up till he
looked like a hickory stick. "_About_ him, through me. Good news for
us, bad news for him. Until then good-bye."
*PART V*
*HEARTS AND TREASURES*
*CHAPTER TWENTY-FIVE*
*I*
On a cool February morning a private office in the Maison Paulette,
Boulevard Houssman, was occupied by five persons of the feminine sex.
Four of the five, gorgeous as to clothes and cosmetics, moved busily
about in comet-like orbits that brought them periodically near the desk.
The fifth, seated at the desk itself, dominated the room. She was a
striking blonde, whose handsome dull-green dress challenged the glint of
gold alike in her pupils and her hair.
Seemingly occupied with a book of accounts, this lady was really engaged
in inventing petty tasks for the four young women dancing attendance
upon her. (_Mariette, ou est le livre bleu? Mon dieu, Gabrielle! les
ciseaux; quelqu'un a enleve mes petites ciseaux. Toinette, apportez-moi
le boite aux lettres. Tiens, Amelie! Prends ce mouchoir_, etc., etc.)
These requests for service continued in a fairly steady stream, amidst
much hurrying and scurrying, sharp cries of _tout de suite, Madame_, and
a general atmosphere of sulky obsequiousness.
In the thick of the confusion the door was opened by a young woman in a
soft suit of brown heather. She stood on the threshold for a moment
and, as she looked questioningly towards the lady in command, a slight
frown brought a bar of hazel brown over her beautiful gray eyes.
The lady at the desk, who saw everything, affected not to see the figure
on the threshold and went on languidly issuing orders.
Thereupon the newcomer, in clear, agreeable English, called out:
"Evidently you don't want me, Cornelia. Good, I'll go back upstairs.
I've stacks and stacks of work to do--"
"Araminta, wait! Of course I want you. I want you most particularly."
"You've got an army here, already. What do you want me for? If you
keep on calling me away from the manikins whenever Harry is explaining
matters, he'll never be able to train me into taking charge of them."
"My dear!" trilled Cornelia, bringing her most musical _arpeggio_ into
play. "When you've been married as long as I have, you'll understand
that no sensible woman ever interferes with her husband's work except
for a positively overwhelming reason."
"Really, the reasons here in Paris are as bad as the seasons," said
Janet with a smile. "I wish they'd calm down and not overwhelm us quite
so often."
"Ah, Janet, you well may jest. Little do you know of the heavy
responsibilities involved in managing both a business and a husband. If
I had only myself to think of the worries and risks would be as a
whisper in the wind. But I think of Hercules sharing my anxieties,
working himself thin and gray--"
While she went on in this theatrical vein, Janet was thinking to
herself: "She makes as great a virtue of being married as she formerly
made of not being married. Whatever her condition, there's a terrible
to-do about it."
Aloud she said:
"Look here, Cornelia, if you want to talk privately to me, hadn't we
better get rid of this retinue?"
Without awaiting a reply, she calmly released Marie and the other
manikins from service and sent them out of the room. This done, she
took a chair opposite the desk where Cornelia sat staring at her in
speechless indignation.
Cornelia cherished a sort of mental chromo of herself as the active
ruler of the Paulette community, a ruler at once imperious, genial, and
adored. In point of fact, her insatiable appetite for attention,
reinforced by a sharp tongue, spread an atmosphere of dread and anxiety
around her. Janet was the only person who had ever succeeded in
weakening Cornelia's illusion about herself by bringing it into
occasional juxtaposition with reality.
"You'll greatly oblige me, Janet, by not ordering my servants about
under my very nose."
"Your manikins are not your servants, Cornelia. They're your employees.
You slave-drive them outrageously. If you don't look out, you'll have a
strike on your hands before long."
"With you as the strike leader, I dare say?"
"Why not? Your inability to respect other people's time is simply
appalling. The moment some whim pops into your head, one of us is
called upon to gratify it. You quite forget that when you arbitrarily
take us from our jobs, bang goes continuity, a most important factor in
good workmanship. Mazie, who came here grovelling in the dust, is now
up in arms; the manikins are unitedly rebellious; Harry is almost a
nervous wreck. This, with business simply deluging the establishment.
I tell you, unless _you_ stop, we all will."
Cornelia quailed under these words, although she kept her face
admirably. She was in some respects like a wrongly bound volume: half
Becky Sharp and half Hedda Gabler. And it was the Hedda Gabler pages
she always turned up to Janet.
"Well, what next?" she exclaimed, on the defensive in spite of her brave
words. "I've rescued Mazie Ross out of the gutter where Hutchins Burley
flung her; I've sacrificed my own creature comforts to make those of the
manikins secure; I've given _you_ a very tidy berth and no questions
asked; and I've worked myself to skin and bones for Harry's sake. Now
you all turn on me and call me an interfering busybody, or worse.
That's human gratitude."
Janet, giving the faintest ironical shrug, merely looked at her.
Cornelia smothered a sob of rage. After a pause, she informed Janet
that Mrs. R. H. L. Jerome, her most valued customer, had made an
appointment that morning to look at some frocks and gowns. This lady
had a single hobby, clothes; and she spent an appreciable fraction of
her untold millions ("she's divorced two multimillionaires, Araminta,
and driven a third into the diplomatic service!") on this hobby. She
had expressed profound dissatisfaction with Paulette's offerings on her
last visit two weeks ago. It was therefore of prime importance to
please her this time.
"I want you to be in the salon with me when she looks at the models,"
said Cornelia. "She's extremely susceptible to flattery. As the head
of the house, I can't very well lay it on too thick, can I? I have a
feeling that your presence will make the sales go smoothly."
"You'd better leave me out of it, Cornelia. I never sold a thing in my
life. Why, I couldn't sell a sandwich to a starving man."
"_I'll_ do the _selling_, my dear. I simply ask you to be on hand. The
fact is, you have a peculiar influence over people. When they get to
talking with you, they suddenly forget about _things_--the earth-earthy
things by which we are all so obsessed nowadays--they appear to forget
about things and begin to occupy themselves with thoughts and dreams.
In that condition, a man or woman will buy anything."
"Cornelia, you'll admit that I've done all sorts of odd jobs for you
without a murmur. But I really don't like to bamboozle anybody into--"
"Bamboozle! Araminta! No one who buys a Paulette frock is bamboozled.
Be quite clear about that."
She added, less belligerently, that Mrs. Jerome, though so very rich,
had no taste in clothes. Or, more bluntly, had a most execrable taste.
She went in for suffrage, feminism, woman's rights, and all that sort of
thing. (Here Janet pricked up her ears.) So you might know what to
expect. She was, in short, faddy and temperamental. Her purchases were
made or not made, as the case might be, because the seller pleased or
displeased her. The articles themselves were of quite secondary
importance.
"Forgive my curiosity, Cornelia. But you have regiments of customers.
Why are you so anxious about just this one?"
"What a question, you babe in the wood! Don't you know who Mrs. Jerome
is?"
"I know she's rich and that Mr. Pryor had something to do with her
coming here."
"That's not it, child. She's the American mother of the Duchess of
Keswick. And the Duchess-- Well, it's Madge and Mary between her and
the Queen of England. Think, Araminta, what a feather in our cap, if we
get the patronage of the Duchess of Keswick, and a Paulette frock is
worn at the Court of St. James! It's the chance of a lifetime. You
won't disappoint me, dear?"
"No. We'll make it Madge and Paulette and Mary. When is this dowager
Mrs. Jerome expected?"
"That's her carriage now, or I'm very much mistaken," said Cornelia, all
agog. "She hardly ever uses a motor. It's _so_ ordinary."
In some amazement Janet watched her old friend going out to do the
honors in the reception room. What a transformation a short year had
effected in the Cornelia of the Lorillard tenements! Bohemianism,
outlawry, and the one-piece dresses of Kips Bay seemed remoter than
Mars. Cornelia was attired in the height of fashion, her cheeks were
delicately touched up, her hair was elaborately coiffured.
Even her congenital languor had evaporated, for the moment, as the
thrills of social snobbery electrified her.
*II*
Entering the salon, Janet saw that Mrs. Jerome was a podgy little tub of
a woman, the symbol of the fortune which her father, Theodore Casey, had
made in wash-tubs. She took a chair beside the visitor, who sleepily
watched the crack Paulette manikins whilst they exhibited a variety of
frocks and Cornelia nervously courted the favor of her outspoken
customer.
Mrs. Jerome examined one of the manikins at close quarters.
"I don't think much of your dresses today," she said bluntly. "The
lines are all wrong."
"Pardon me, Mrs. Jerome," said Cornelia with dignity. "But they ought to
be at that angle. A Paulette frock is a work of art. It is designed to
produce a definite effect from a definite point of view. The lines are
like those of a Phidias statue, perfectly right at the proper distance."
"I don't care if they _do_ look like a Fiddlesticks statue. Look at that
charmeuse gown there. Can't anybody tell that girl a mile away for what
she is?"
"I fear I don't understand."
"Well, if the gown don't hide the fact that she's a manikin, it won't
hide the fact that my figure's no Fiddlesticks statue, or whatever you
call it."
This opinion, delivered in an unmistakable New York voice and accent,
made Janet laugh. Not disrespectfully. She discerned at once that Mrs.
Jerome, like Shakespeare, had far more native wit than college learning.
Her judgment was confirmed when the visitor, turning abruptly towards
her, said:
"What do you think of these Paulette dresses, young lady. I don't
expect you to say that they're pretty rotten. But do they satisfy the
eye?"
"I think, Mrs. Jerome, that if they don't _satisfy_ the eye, they'll at
least astound it."
Mrs. Jerome brightened up at once.
"Well, child," she said, "when I want to astound people, I'll do it on
less money than a Paulette gown costs. I'll walk around Columbus Circle
in my bathing suit."
"Oh, I'll bet you do it, too," said Janet, at the top of her exuberance.
"Do what?" said Mrs. Jerome, now totally oblivious of the manikins on
exhibition and of Cornelia on pins and needles.
"Wear a bathing suit around the house. I used to, regularly. In the
tenements in Kips Bay I always did the dishes in my bathing suit.
Annette Kellerman tights, a skirt to the knees, no sleeves, no
stockings. A dandy rig-out for quick action."
"Permit me to say, Janet--" began Cornelia, in frigid, authoritative
tones.
Mrs. Jerome impatiently waved her away, an indignity so astounding that
Madame Paulette could scarcely trust her eyes. Janet, fearing she had
been indiscreet, hastened to add:
"Of course, Cornelia--Madame Paulette--doesn't allow it in Paris. She
requires us to be perfectly proper here."
"She would!" said Mrs. Jerome significantly, her back still turned to
Cornelia. "But what good does it do you? Nine-tenths of the people in
Paris are perfectly proper; but they don't look it. The other tenth are
perfectly improper; but they, as often as not, don't look it either."
The manikins received another inning. A brief one, though, for Mrs.
Jerome inspected and dismissed them in quick succession.
"Well, well," she said, half aloud, "to think that you came from the
tenements."
She gave Janet a quick, sceptical glance.
"I can scarcely believe it."
"I can scarcely believe it myself," said Janet, with a perfectly
straight face.
Cornelia bit her lips and, flashing an angry look at her friend, went
out of the salon, unable to trust her feelings any longer.
"If the Duchess got wind of it," Mrs. Jerome mused on, "that would
finish Paulette's for me. She don't think a shop is a classy shop
unless the proprietor has a classy pedigree."
"Oh, our pedigree will seem classy enough to the Duchess," said Janet,
"if you don't give us away. And you can't do that, you know. I only
told you in the strictest confidence."
"Don't you go shifting your responsibilities on me, young woman. If you
want your secrets kept, you just keep them to yourself. I'm no safe
deposit vault for anyone else's hidden thoughts. For your comfort I'll
tell you this, though. I've never given my daughter food or information
that I knew she couldn't digest. I'm too old to begin doing it now."
"You're quite right, Mrs. Jerome. Things slip off my tongue that
oughtn't to. Personally, I don't care a straw. But other people--"
"Don't worry about other people, my dear," said Mrs. Jerome, who had
enjoyed the tit-for-tat immensely. "I'm not likely to desert Madame
Paulette. At least not while she keeps anyone with your healthy face
and fascinating eyes here to talk to me. Mind, I'm not gone on these
Paulette frocks. I guess the Madame knows that pretty well. But this
establishment is run by a woman, a woman from my own country. That
means a good deal to me. For although our sex is coming into its own,
the pace isn't a dizzy one. The men see to that. And so I say, this is
a time for all good women to stand by one another."
The little lady sank back in her seat and, as though exhausted by her
long speech, closed her eyes. When she opened them again, Cornelia had
returned and the parade of the manikins was resumed.
This spectacle always started Janet on a series of curious reflections.
As a result of the training in rhythmics which the girls received at the
hands of Harry Kelly, they were free from those grotesque mannerisms of
gait, posture, and demeanor which manikins cultivated and which were
accepted by the trade as superlative expressions of esthetic
correctness. Yet Harry's talent yoked to the service of fashion seemed
as wasteful a thing as an artist's genius drafted in the service of
futility. It reminded Janet of the story of the Medici prince who
compelled Michelangelo to mould a statue out of snow.
But to Mrs. Jerome the Paulette manikins were a sight to see. She made
Janet sit on the lounge beside her and coaxed her to give an opinion on
every frock subsequently shown. She purchased all those that Janet
praised and several that she made fun of.
It was one of the best day's work that the sales department of
Paulette's had ever done.
In spite of which, Madame Paulette considered it her duty to take Mrs.
Jerome to one side and apologize for Janet and her artless
indiscretions.
"She means well, Mrs. Jerome," said Cornelia, deferentially.
"She's--well, I might say, she's naive, incredibly naive in matters of
social position. It's only lack of training, I assure you."
"Is that all?"
"Yes, she's absolutely ignorant of distinctions of rank. Absolutely.
Why, she would talk to a Duchess with no more ceremony than to a
scrubwoman."
"Then I'll bring the Duchess here to be talked to. It might do her
good."
"Oh, do bring the Duchess. I shall be charmed to display for her
inspection the best that the Maison has."
"No doubt. But let me give you a tip. Don't waste your time training
that dear little Janet girl. She'll learn the deceitful ways of the
world fast enough, and no correspondence course needed either."
Janet came up to them as they reached the outer door.
"My dear," said Mrs. Jerome, putting her arm around Janet's waist,
"you've given me the best quarter of an hour I've had in Paris these two
months. It's been a treat, a royal treat."
As Cornelia beheld these two, standing there intertwined, a strange
expression formed on her face, an expression that bespoke an agonizing
doubt of the sanity of the universe.
Unheeding her, Mrs. Jerome continued to say to Janet:
"The people I meet everywhere! In Europe they pick my pockets while
they lick my boots; in America they rifle my purse with barefaced
assurance. You are the first one I've met in a very long time who has
talked to me as though I were a human being and not a walking cash box."
*III*
The conquest of Mrs. R. H. L. Jerome produced a sensation in the
Paulette establishment. It also gave an element of security to Janet's
precarious tenure of office there.
Janet knew full well that Madame Paulette had received her in the
Boulevard Haussman with nothing like the enthusiasm that Cornelia had
welcomed her in the Lorillard tenements. In the interval between these
events the two friends had burned several bridges behind them.
It was obvious that Cornelia was now glutted with hands to wait on her,
ears to pay heed to her, and tongues to flatter her. Her natural taste
for dependents being completely gratified, she felt less need than ever
for friends of an independent turn of mind like Janet.
Moreover, in a year and a half of compact adventure, Janet had matured
more rapidly than many young people do in ten years of tame drifting.
Time, which had whittled away some of her imprudence, had robbed her of
none of her daring; it had left her with her almost naive freedom of
utterance intact. Her candor was a trait to which Cornelia had formerly
been much drawn. But that was in the days of her first arrival in Kips
Bay, the days when the young girl had all but worshipped the experienced
woman. Now that blind devotion had given way to challenging criticism,
Janet's candor seemed far less attractive.
That is, far less attractive to Cornelia. As regards Paulette's in
general, Janet was a great favorite. Her official duties were chiefly
those of an assistant to Harry Kelly in the physical training of the
manikins, (a branch of their professional instruction on which Kelly
laid great stress). She bore somewhat the same relation to her chief
that the concert master of an orchestra does to the conductor. This
arrangement was Cornelia's doing. In one and the same bold stroke she
had thought to cut down the time that Kelly spent with the manikins
(this being the time in which his heart lay most); and to shift to
Janet's shoulders the odium that frequently devolves on the deputy chief
(who exercises authority without possessing power).
But Cornelia's spirit of negation, active as ever, accomplished only
one-half of its object.
Janet discharged her duties with so much vivacity and with such
invincible good-will that she was idolized by everybody in the Paulette
firm from Kelly and the manikins down to the work girls and the
magnificent porter who daily consented to guard the street door.
In short, she was the life of the house; than which, Cornelia could have
brought no stronger indictment against her of unimaginable _lese
majeste_.
The two had a long private conversation in Cornelia's office the day
after Mrs. Jerome's visit.
"Araminta, you've certainly made a hit with the old lady. Just as I
predicted. It's a fine thing for us both. Paulette's prestige will go
up and up. And it should mean a great deal to you."
"How, I wonder?"
"You can make her friendship a stepping stone."
"Easy stepping stones for little feet--so to speak?"
"You know quite well what I mean. Some day you'll go back to America--"
"Is this a hint or a prediction, or both--"
"Don't be silly, Janet. I'm thinking of your future. Your future in
your own country, naturally. Mrs. Jerome is a woman of enormous
influence. You know how it is over there. Much gold will wash all
guilt away."
"You mean my chequered past?" asked Janet, with a smile.
"Yes," said Cornelia, adding handsomely, "although your affair with
Claude Fontaine will probably be quite forgotten by that time. Nobody
will remember it."
"Robert Lloyd will!"
Cornelia was up in arms at once. She always was, when Janet mentioned
Robert's name.
"What difference does that make? You aren't going to marry _him_, I
suppose?"
"I suppose not. He's too poor, for one thing. He isn't going to ask
me, for another."
"One would imagine you wanted him to," said Cornelia, with concise
sarcasm.
"We got along splendidly as partners."
"Partners! What has that to do with marriage?"
"What has anything to do with marriage? I understood your reasons when
you believed that marriage was a prison. I confess I don't understand
your reasons now that you believe marriage to be a haven of bliss.
Mind, I don't say it is a prison, and I don't say that it _isn't_ a
haven of bliss."
Janet tried to check her sub-ironical impulses: they were irrepressible.
"I feel too much in the dark about the whole thing," she went on, "to be
as cocksure as I used to be. But if one isn't to marry a man because
one has found him to be a splendid companion in the wear and tear of
working together, why is one to marry him?"
"How you do run on, Araminta! Prisons and hells, Paradises and havens
of bliss--you jump from one extreme to the other. Who mentioned these
things? My dear, one marries a man because he calls to what is deepest
and truest in one. Because he responds to--"
"The mating instinct?"
"How can you sit there and say such vulgar things?"
"Vulgar! Well, you _are_ going it! Isn't the mating instinct as deep
and true as any of them?"
"It isn't a reason for marriage," said Cornelia, in staccato accents.
"And you know perfectly well I never said or thought it was. Quite the
reverse. I opposed marriage because the sex instinct, which is what
induces most people to marry, is a good ground for a temporary union but
not a good ground for a permanent one."
"Then there _are_ good reasons for a permanent union?"
"Yes. And they absorb the sex reason a million times over."
"It's easy for you to talk like that, Cornelia, with Harry thinking that
the sun rises in one of your eyes and sets in the other. But where
shall _I_ find a Harry to be absorbed in me a million times over like
that?"
"If you go on making nasty sarcastic replies to all my well-meant
suggestions, I shall wash my hands of you," said Cornelia, rising with
frigid haughtiness.
She added, on a superior note:
"You'd better see a little less of poor, bedraggled Mazie Ross, if it's
on _her_ level that you're being tempted to think."
*IV*
Janet hastened after her in a complete change of mood.
"Come back, Cornelia," she called out, remorsefully. "I had no right to
be sarcastic. Forgive me, and I'll eat all the humble pie you like."
Cornelia sat down again.
"This is a new tack for you to take," she said, making the most of an
advantage Janet seldom gave her.
"The fact is, Cornelia, I'm--my feelings were ploughed up today,
ploughed up from top to bottom. The postman brought me an offer of
marriage this morning."
"An offer of marriage!"
"From Monsieur St. Hilaire."
Cornelia had of course heard the facts of the whole St. Hilaire episode.
She also knew that Janet still corresponded with Henriette, and that all
the recent letters of the girl's father had been sent back unopened.
"I thought you never read his letters?"
"This one was folded up in Henriette's note. I'm sure the child wasn't
a party to the trick. Here it is. Will you read it?"
Cornelia did so.
"Well, I must say I'm surprised," she said, returning the letter. "He
writes in a very decent, manly strain. Altogether different from what I
expected. The devil doesn't seem to be nearly as black as he's
painted."
"Oh, he's not a professional satyr, if that's what you mean. I never
implied that he was."
Cornelia pondered the matter for a minute. She recalled forgotten
particulars about M. St. Hilaire, amongst others, the account of his
generous income.
"So he's in Paris with Henriette," she mused. "I notice that he says
he's coming here tomorrow to get his answer in person. What will you do
about it, dear?"
"I wish I knew. I want to see Henriette again, tremendously. But I
don't want to see her father. Do give me your advice, Cornelia. What
do you think I ought to do?"
"Well, why not give him another chance? He's made you a perfectly
straight and honorable offer this time. As I recall the whole story, he
wasn't really repugnant to you, except at that one time."
"No. But am I lightly to forget that he--that he touched me without my
consent, presuming to think that, because I had loved one man, my body
was at the free disposal of all men?"
"It was a wretched mistake to make--"
"A mistake! It was a monstrous piece of stupidity and impudence."
"Quite so, my dear. I'm not standing up for him. Still, don't let us
forget that men are not built like women."
"That's a truth that cuts both ways, isn't it?" said Janet.
She had given up being astonished at Cornelia's peculiar mixture of the
old and the new in the matter of theories about men and women. She
merely wondered to what weird angle Cornelia meant to shift her outlook
now.
"The point is," continued Cornelia serenely, "that a woman's sex emotion
is generally excited by something that takes her fancy; a man's, by
something that stirs his blood. The mind plays the bigger part in the
one case, the body in the other. That's why, in the duel of sex, the
psychological moment is so important to the woman, the physiological
moment to the man.
"These acute distinctions are quite beyond me. A man has as much gray
matter as a woman, or even more. Then why should he let his mental
processes suffer paralysis whenever a nice woman looks at him?"
"Well, that's one of the mysteries that marriage helps us to understand,
Araminta. In the life of a man there come these physiological moments,
these sex storms, different from anything in the experience of a woman.
I don't mean to say that men have more physical passion than women. But
there are occasions when their physical passion takes a more violently
concentrated form. Mazie, in her vulgar little way, isn't so far wrong
when she says: 'Scratch a fine gentleman, and you'll find a cave man.'"
"Do you mean to tell me that there are absolutely no men who feel about
love as we do?"
"I've never met one. Have you?"
Janet was thinking: "Surely Robert isn't like that!" Aloud she said
nothing. There was a dangerous glint in her friend's eyes. Cornelia
had an uncanny way of penetrating one's thoughts when Robert was the
object of them. Had she accomplished this feat of divination again? At
all events, an acrid note entered her voice as she continued:
"Is it really only Monsieur St. Hilaire that you can't make up your mind
about? If so, take my advice. Come down off your high horse and make
the most of your good fortune."
"My good fortune!"
"Let's be perfectly frank with each other, my dear. Here's a man who
wants to marry you. He's well-born, cultivated, rich. His one child is
a girl who adores you and whom you adore. The only thing against him is
that he once committed a serious breach of decorum--"
"And that I don't love him--" interpolated Janet.
Cornelia blandly ignored the interruption.
"His letter shows," she went on, "that he is willing to make the most
handsome amends, the only amends a man can make in a matter of this
sort. What more do you ask?"
"I'm not asking him for amends. I simply want to be let alone."
"Araminta, let me beg you not to deceive yourself about the changing
moral values we hear so much of nowadays. Has the price of virginity
really gone down? Judged by the conversation of radicals and Outlaws,
yes. Judged by the ticker of the matrimonial exchange, it is still
pretty high. Bear that in mind, and remember that a bird in the hand is
worth two in the bush."
"Do you mean to say," exclaimed Janet, in great astonishment, "that you,
of all people, advise me to _accept_ this offer?"
Her tone irritated Cornelia.
"Beggars can't be choosers," she began.
"They can remain beggars," replied Janet tersely.
"If that's the way you feel about it, you needn't ask my advice again.
We're wasting each other's time."
Saying which, Cornelia rose and left the office.
*CHAPTER TWENTY-SIX*
*I*
The Paulette manikins, famed throughout the world of fashion for their
grace in attitude and correctness in position and movement, owed their
prestige to a system of hygienic training conceived and carried out by
Harry Kelly himself. Yet these young ladies took their distinction so
seriously that they held it beneath them to assist their chief in
straightening out the classroom disorder when the period of instruction
was over.
"Here's a mess!" called out Mazie Ross, walking into the Paulette
gymnasium, immediately after the dismissal of a small class of manikins.
"You might think they'd been on a grand jamboree."
"Anything up?" said Harry, shortly.
"Janet asked me to help you this morning."
"What for?"
"She went out for a horseback ride with the St. Hilaires."
"This morning. Why, as it is, she goes almost every afternoon. She
went yesterday afternoon. A fine way to do business, I'll say."
Mazie sulkily began to pick up stray articles.
"You needn't pitch into me, Harry," she said. "You're not half so sorry
as I am that your gentle Janet isn't here to do this rotten job. Is it
my fault?"
"Does Cornelia know she's away?" said Kelly, fuming.
"Can a cat miaow within a mile of these precincts without Corny being on
to it?"
"Why don't they keep me posted then? I never hear of a blessed thing
that goes on in my own home until it's all over."
"Say, do you want to start a row? Then take a tip from me and land into
a certain party in the main office. If you'd knock her down and then
jump on her with both feet, you'd be doing something. What's the use of
picking on a dead bird like me?"
"Don't talk that way about Cornelia," said Harry, fumbling amongst the
papers on the desk, and trying vainly to be stern. "I've told you
before I won't have it. Where's your gratitude?"
She made a face at him behind his back.
"Gratitude!" she said. "What's the good of me wasting gratitude on
Cornelia when she reminds herself and everybody in Paulette's daily that
she picked me up out of the gutter that Hutch left me in?"
"Lock up the wardrobe and clear out, will you?" said Kelly, frigidly.
"I can do the rest myself."
"Here's your hat, what's your hurry," she muttered to herself. But she
stayed and continued to put things to rights.
Mazie had changed greatly since the palmy days of the Lorillard
tenements. She looked ill and haggard, a mere shadow of the jaunty
"Follies" girl of old. Her willowy posture had degenerated into an
undisguised slouch, her hair was frowsy, and her dress was slung
together.
But her tongue had not lost its stab.
She closed the wardrobe door with an unintentional slam that caused
Harry Kelly to jump up in his seat.
"Damn!" he said, in that mild voice of his.
It was as if Vesuvius had emitted a puff of tobacco smoke.
The metamorphosis of the "Harlem Gorilla" into the husband of Madame
Paulette was astoundingly complete. Harry Kelly's Van Dyke beard and
fashionably tailored clothes alone would have effected a radical change
in his appearance. Kelly was transformed not only physically but
psychically. His muscles were still the muscles of a Titan, but his
nerves had become the nerves of a fanciful man or a delicate woman.
Mazie, who was no student of spiritual transformations, went up to the
desk at which Kelly sat and began to tidy it. She whisked away stray
papers and envelopes that lay near his hands with much the same air that
a waiter lashes the crumbs off a table to speed the lingering guest.
He grew more and more fidgety, but she showed him no mercy.
"Janet didn't know those St. Hilaires were coming this morning," she
finally volunteered. "But you can gamble on it that Cornelia knew.
When my fine gentleman got off his prancing horse and marched into the
reception room clanking spurs and all, Corny was right there on the job
in her softest, sweetest tone. My! butter wouldn't melt in her mouth.
And all the time Janet hangs in the background, saying she's too busy to
go out, and looking as stubborn as a mule. When gentle Janet gets that
stubborn expression, it means: You can move the Woolworth Building, but
you can't move me!"
"Then why in thunder did she go?"
"Because that St. Hilaire kid got busy with her. A pretty little kid, a
regular father's darling, the kind that coos away like a turtledove till
she gets everything she wants and a tidy slice of the moon extra. Well,
she draped herself pathetically around Janet--all that heartstring
stuff--and Janet, like any fool of a man, fell for the pathos."
"You can't persuade me that Janet didn't want to go," said Kelly,
gloomily.
"I won't try to, then. Just the same, she didn't. That's the weird
part of it."
"What's weird about it?"
"Why, she doesn't want to marry that millionaire and he's crazy to get
her. Gee, some people have all the luck."
"If she doesn't want him, where's the luck?" said Kelly, with the logic
of simplicity.
"Harry, don't be a nut. Here's the ABC of it. All my love affairs were
on the q.t., though I say it that shouldn't. Everything respectable and
under cover. Nobody rattled my adventures in the ears of the public,
did they? Yet, from the way everybody points the finger of scorn at me,
you'd think I produced the whole Venusburg show and ran it
single-handed. Now look at Janet. She hops off with young Claude
Fontaine right under the eyes of the moving-picture brigade. The front
pages of all the leading papers give her a full week's publicity. She
boards with Claude for a month or two, carefully omitting even the
formality of a fake wedding ring. She lives in sin! But everybody
shies at using 'them crooel woids.' And what are the wages of sin? A
couple of millionaires pining away on her doorstep and Sousa's band
a-playing at her feet. And she's no great beauty at that."
"Quit it, Mazie. What's the good of fooling yourself with the idea that
Janet hasn't had her troubles. My guess is that Claude threw her
overboard."
"Well, you can guess again, my simple Samson."
"Anyhow, they wouldn't have separated in a few weeks unless there had
been a fierce blow-out, would they? That's the kind of thing that can
hurt a whole lot, a whole lot more than shows on the surface. A
sensitive girl like Janet! By thunder, we don't know what she went
through, do we? She's not the sort that wears her feelings on her
sleeve."
"In other words: 'Gentle Janet meek and mild,'" said Mazie witheringly.
"What that girl can't get away with! I'd like to go through a few of her
sufferings, I would. I'd like to see yours truly riding horseback every
day in the Bois de Boulogne with a plutocrat by my side and a couple of
grooms toddling along in back. There's a terrible penance for you! And
to think I can't even get a second-hand man to take me to a third-rate
cabaret in Montmartre. Me, Mazie Ross, the wickedest girl in the
wickedest city in the world. Gee, life is tough!"
"You've seen enough cabarets to be sick of them--and you are sick of
them," said Kelly, with unwonted harshness.
"Yes, I suppose my cabaret days are over. But listen to me. There'll
be no more skylarking for gentle Janet as soon as Cornelia engineers her
marriage with the Alsatian."
"Janet's marriage is none of your business, and none of Cornelia's
either."
"You don't say so? Well, you just tell the Empress that yourself."
Mazie, with her hand over her mouth, flung these words at him just as
Cornelia entered the gymnasium.
*II*
With the expression of a tragedy queen Cornelia came in and handed Kelly
a telegram.
"From Robert!" she said, in a voice choked with emotion. He took it and
read:
Am leaving Geneva International Labor Conference tonight. Hope to see
you and Janet in Paris tomorrow.
Robert Lloyd.
"That's one on us!" remarked Kelly, awkwardly, and a little afraid of
the storm signals in Cornelia's eyes.
His fatuous slang irritated her enormously.
"Isn't it like Robert to turn up at the most inconvenient time
imaginable? Just as Janet is on the point of being engaged! It spoils
everything."
"How did he locate us, I wonder?" said Kelly lamely. "I thought you had
lost all track of him."
When they had taken over Paulette's, Cornelia had insisted on ruthlessly
dropping former friends in impoverished circumstances on the plea that
every connection that was not an asset was a liability. It had been a
sore point between the two at first.
"Pryor--the meddling fool--probably put him onto us," replied Cornelia.
"Now everything's sure to go to pot unless we can keep Robert from
interfering. As long as he's around, Janet will never marry Monsieur
St. Hilaire."
"She's just crazy enough to throw away the chance of a lifetime," said
Mazie, judging it expedient to chime in with Cornelia.
"I don't believe she'll marry St. Hilaire, anyway," said Kelly, with the
obstinacy of a mild nature. "She doesn't love him, to begin with. And
she isn't the sort that'll do a thing simply because other people say
that it's good for her. She's the sort of girl that shapes her own
future."
"You're as big a fool as Pryor," said Cornelia, flinging tempestuously
out of the gymnasium.
Poor Kelly was crestfallen. He walked sadly to a window, opened it, and
took several deep breaths, his infallible remedy for depression of
spirits. Mazie, relieved at Cornelia's exit, lighted a cigarette and
waited for him to finish.
"Why is she so blamed anxious to have Janet marry this St. Hilaire?" he
asked, turning slowly from the window.
"Why? Ha, ha, the poor fish asks me why?"
She punctuated the question with a hollow laugh.
"Only because Janet doesn't _want_ to marry him," she went on, perching
herself jauntily on the desk. "Why, Simple Simon, the old girl would
have nothing left to live for, if she couldn't make people do what they
_don't_ want to do. Or, at least, if she couldn't _prevent_ them from
doing what they _do_ want to do--"
The door flew open.
"So that's the way you talk about me behind my back?" cried Cornelia,
the picture of outraged majesty.
Mazie rapidly came down from her perch and slunk out of the room.
The intruder turned her guns upon her husband.
"And you encouraging the little snake. I wonder you don't summon the
whole staff in here to plot against me."
Kelly, dismayed and crushed, received the broadside with head bowed.
Cornelia expressed her passionate resentment at the universal treachery
and ingratitude. This was her reward for helping girls in the plight
that Mazie and Janet were in! She had put all the social and material
resources of Paulette's at the disposal of Janet in order that, by a
most fortunate marriage, a well-nigh irretrievable blunder might be
retrieved. She had herself strained every nerve to help the girl to
obliterate her past. And what were her thanks? The unfeeling ingrate
acted as if she hardly realized that there was a past to obliterate.
She now washed her hands of the whole business. Never again--.
And so on.
Had Harry Kelly been of an inquiring turn of mind he might have
ascertained whether or no Cornelia's fury was in part due to being
frustrated in the desire to get Janet off her conscience, and in part to
being thwarted herself in that game of thwarting others at which Mazie
had pronounced her an expert.
As it was, he listened like a Mohammedan prostrated before the muezzin.
His silent prayer was that when Cornelia's rage had spent itself, she
would not refuse to bestow upon him a little of that affection for which
he passionately and hopelessly craved.
*III*
A few hours later, Janet and Mazie were alone in the gymnasium, the
former greatly excited about the news from Robert.
"It's a pity he didn't think of looking you up a little sooner," said
Mazie who was in a mood for throwing cold water on enthusiasms that
strayed her way.
Janet was a little dashed by this reminder of Robert's indifference to
her fate.
"All the same," she said, "I shall enjoy introducing him to Paris, as he
once introduced me to Manhattan."
"What, the Eiffel Tower, The Champs Elysees, the Boul. Mich., the
American Quarter, and all the other rubberneck sights?"
"No, I'll show him the places he'll like: the office in _L'Humanite_
where Jaures worked, the central hall of the _Confederation Generate de
Travail_, and the Seine by moonlight."
"The Seine by moonlight! Now we're coming to it. Janet, you're getting
sentimental. Do you think Robert is coming particularly for you?"
"Oh, no, I hope I know him better than that."
"Then what is he coming for? To see me? I don't think. And if ever he
was stuck on Cornelia, he took the cure complete, as soon as you breezed
along."
"Nonsense, Mazie. Perhaps he has made a fortune and, in passing, means
to drop in on his poor relations."
"Robert rich?" Mazie laughed the idea to scorn. "A man who likes work
for its own sake will never have a stiver to his name."
She ventured to surmise that all his expenses were being paid by some
labor organization. That was the way with these professional radicals.
They traveled around the world on their own wits and on somebody else's
money. They never succeeded in making even a bowing acquaintance with a
check account. Never. She trusted Janet would not be such a fool as to
forget this fact. Now, M. St. Hilaire was a very different story.
"Marry a rich man, Janet, and the memory of that Claude affair will die
a natural death. Marry a poor one, and it will keep on bobbing up."
"I shouldn't care if it did."
"No, _you_ wouldn't, but your husband would."
"So my friends are at some pains to remind me," said Janet, rather
bitterly. "You and Cornelia keep on telling me so, and Robert once
expressed the same opinion."
"Well, he was right. I don't say it from spite, like Cornelia does. I
say it because I'm--because I'm damned fond of you--"
She repressed the tears in her eyes.
"You're the only one here," she went on, choking down a sob, "that
doesn't treat me as though I was an escaped inmate of Sodom and
Gomorrah, and ought to be sent back there."
Janet went to her side and comforted her. But Mazie would not be
comforted. She burst out with:
"The trouble with us girls is that we're too soft about love, as soft as
putty. What good does all this talk and fuss about the equality of
women do us? Where does it get us? Just exactly nowhere. And women
won't be worth as much as men, until they're as hard about love as men
are; and that means as hard as nails."
Divining Janet's silent comment, Mazie added defiantly that it was
because she herself hadn't been hard enough that she had come to grief
at the hands of "that swine Hutchins."
After a marked pause, Mazie reverted to the subject of M. St. Hilaire.
Had he proposed as usual during the morning's ride?
"Yes," said Janet.
"No other news?"
"He assured me that I could have everything I wanted. Even my soul
should be my own."
"I don't like that sob stuff about souls," said Mazie whimsically.
"What did you answer?"
"I told him that women would never be able to call their souls their own
until they could call their bodies their own."
"My God, Janet! You have to give the poor man _something_ for his
money."
"Exactly. And as I can't give him a fair return for it, it's clear that
I oughtn't to marry him, isn't it?"
"Fair return! Did you ever see anybody give a fair return in this sex
business? I can gamble on it you didn't. Fair return! Look here,
Janet, who started putting a price on love? Did women start it or did
men? Was it men or women that threw love on the curb to be bought and
sold with other junk? Say, did you ever see a man who'd take love for a
free gift? Let me give you a tip, dearie. If a woman don't sell her
love for all she can squeeze out of a man, and give him underweight into
the bargain, the man don't think he's getting his money's worth."
She went on to say that every relation between the sexes was a case of
the shearer and the sheep. Somebody was certain to be shorn. The man
would fleece the woman unless the woman fleeced the man.
"And here's another tip, my gentle Janet. When Cornelia sees you
prancing off to the Bois de Boulogne with Monsieur St. Hilaire, she
don't believe you're putting up with him because you dote on Henriette.
Not for a moment. Well then, there'll be a rude awakening for somebody.
If you don't fleece St. Hilaire, she'll _skin_ you. She'll have you in
her power at last."
"No, she won't. Mazie, I'd like to tell you something. But I don't want
Cornelia to know. Will you promise not to tell her?"
"Will I promise not to feed cakes to a crocodile?"
"Mrs. Jerome has offered me a job."
"Well, I'll hand it to gentle Janet. You'll be going to heaven on a
feather bed next. What's the job?"
"I don't know yet. She doesn't either. She has some scheme in mind for
helping professional women to make their way in the world. My work is
to come out of that. Just the sort of work I have most at heart. Do you
remember the plan I had when we lived in Kips Bay, the plan of creating
a new profession for women? What a magnificent castle in the air it
was! Robert helped me carry the first brick or two down to earth where
we could build on solid ground. By the way, I told Mrs. Jerome all
about Barr and Lloyd."
"Did you tell all about Barr and Fontaine, too?"
"No," said Janet, swallowing this bitter pill with some resentment.
"But I will, before I accept her offer."
"And you think it won't make any difference to her?"
"No. She's a woman with a great deal of good sense. She sizes you up
by your future, not by your past."
"Janet, you are a clip," said Mazie, with immense admiration. "Aren't
you afraid of the future? Adventures can break a girl as well as make
her. Look how they've broken me."
"Mazie, don't be a fool," said Janet, putting her arm around the sick
girl. "You're not half broken yet. You're only a bit cracked. And for
your comfort I'll tell you what Robert once said. He said nowadays
everybody was a bit cracked--especially in the head."
"Where's the comfort in that?"
"Why, it's the cracked pitcher that goes longest to the well, goose.
That's what I tell myself when I get the blues."
"Do you, too, get in a blue funk, sometimes? I don't believe it. I
always think of you as being the twin sister of the man in the fairy
tale, the man who couldn't be taught to shiver or shake. You're a
wonderful girl, Janet. Still, I'd like to see a man come along some day
and make you shiver and shake just a teeny-weeny bit. Perhaps Robert
will."
"Ah, Mazie, do you think he'll try?"
*CHAPTER TWENTY-SEVEN*
*I*
She was present, with the other principals of the Maison Paulette, the
night that Robert arrived. Her heart beat faster when she set eyes on
him again. He seemed perfectly collected (too perfectly collected!)
though very cordial. How was she to tell, amidst so much handshaking and
greeting that his heart was beating time with hers?
The thing she was most conscious of was that one look of his mobile
brown eyes had given a strangely different twist to her adventure with
Claude Fontaine. For the first time in her experience she felt
uncomfortably on the defensive.
She resented this novel sensation. She regarded it with hostility, as
though it were some treacherous thread that crossed her homespun
integrity. To think that Robert should be its agent! Or could she be
mistaken? No. It appeared that even the most charitable of human
beings liked to see you in sackcloth and ashes, and looking remorseful,
conscience stricken, punished. Well, she had not given Cornelia the
satisfaction of looking so, nor Harry Kelly, nor Mazie Ross, nor
anybody. And Robert should be no exception.
With defiant vigor she resolved that, as she had no cause to acknowledge
remorse, fifty Roberts should not make her acknowledge it.
There was little time that night for an interchange of news. Next
morning, the machinery of the Paulette establishment, too big to be
suspended for a mere visitor, automatically began its daily grind.
In the course of the day Janet caught fleeting glimpses of Robert,
little more. Cornelia kept him under her wing and guarded him as
carefully as though he were a crown jewel. She went so far as to
relieve Harry Kelly of the half-hour's treat he had promised himself,
the treat of showing Robert the sights of the great Maison.
Cornelia not only undertook the ceremony herself; she protracted the
ritual far beyond her husband's intentions. Cato's complete mentor, that
was what she blandly constituted herself. All that poor Hercules could
do was to leave his work once in a while, dash hastily to whatever
quarter of the building his wife had conducted Robert, slap the visitor
gently on the back, and fling a gloomy monosyllable at him by way of
showing his good will. He insisted that Robert was too thin, and
trotted out his famous formula.
"You don't breathe deep and down enough, old boy. Fill your lungs and
your belly with good fresh wind, or you'll never travel on asphalt."
Cornelia had ceased to shudder at the inelegant word. But Mazie,
happening to pop in at the moment, promptly caught it up and used the
occasion to favor the two men with a fusillade of flippant, slangy
phrases, not forgetting to add several thinly veiled impudences directed
at the mistress of the house before the latter had time to expel her.
Cornelia herself suffered so many interruptions that even she had to
postpone the confidential talk she had planned to hold with Robert
before noon. After lunch, she allowed Robert to take his first stroll
through Paris alone, reminding him to come back for an early dinner at
half past six. According to her plan, the evening was to be spent in a
general confab and merrymaking.
Unluckily, she forgot to announce this plan in so many words, but took
it for granted that no move involving Robert would be made that day
without first consulting her. Her overconfidence defeated her. In one
of the few moments when she was off guard, Janet contrived to get Robert
by himself and secured his joyful acceptance of an invitation to a
concert in the evening, for which she chanced to have two tickets.
When Cornelia heard of it, she was in turn astounded and furious.
Privately, to Harry and Mazie, she described Janet concisely as a
selfish beast. In public, she kept herself commendably in hand.
The dinner passed off without much hilarity and with no incidents other
than one or two casual allusions, on Cornelia's part, to M. St. Hilaire.
As Janet went out with Robert, Kelly, full of mournful resignation,
hoped that their purses would survive the brigandage, and their lives
the epileptic locomotion, of the Paris taxi-cab drivers. Mazie called
out:
"Janet, my gentle pet, don't let Rob land by mistake into the _Miroir de
Venus_." (This was a cafe notorious for its high jinks.)
"Why not?"
"He might reform the joint, before the joint reforms him."
*II*
They got into an Odeon bus.
On their way via the Boulevard des Italiennes to the Seine, she named a
few of the sights they passed, such as the Theatre Francais and the
Tuileries. Crossing the Pont du Carrousel, the bus jounced him against
her and, as she thrilled to the touch, she felt his magnetic response.
Yet, outwardly, a year and a half had not changed him greatly, she
thought. There was the same fire in his eyes (but wasn't there perhaps
a shade less of friendliness?). He listened as politely as ever to
routine chit-chat, and exhibited the same impetuous candor when the
conversation flung up a new idea.
"_You_ haven't changed much, either," he said, rather suddenly, as
though he had divined her reflections. "Your contours are a little
rounder, that's all, and I think your chin is much firmer."
"And my big nose?"
He pretended to appraise it judicially.
"It's a size smaller. Perhaps a size and a half."
She laughed delightedly. It was a new thing for Robert to pay attention
to such physical details.
"Well, as long as you say it's a change for the better--"
"I don't," he said, affecting a stern tone. "Not in the least. Do you
know what? I'm afraid you're fast turning yourself into one of these
popular Paul Helleu beauties, a Parisian version of the Penrhyn Stanlaws
girl."
"I wish I could. But I'm not a magician, Robert."
"Oh, there's no magic about it. Any girl can do it, if--"
"If, of course. Let's hear the gigantic _if_."
"If she has a very moderate allotment of brains and looks, and a
single-minded passion for beautifying herself."
"If this is praise, give me dispraise," she said, with a mischievous
gleam in her eyes.
His senses were assailed by the tone and timbre of her voice. In
self-protection he somewhat rudely remarked:
"The fact is I didn't come to Europe to tell you how beautiful you are."
"No, you came over on business," she said, drily. "You always do come
on business. We all assumed that. You needn't fear that we're any of
us flattering ourselves that you came specially to see him or her. You
were sent as a delegate to some labor conference or other, weren't you?"
"Not as a delegate, but as a staff correspondent of the Confederated
Press."
She learned that the Confederated Press was a new venture backed by
several radical newspapers and designed to supply its clients with the
news of the world, the straightforward news, before it was cooked or
adulterated by the old established press services. Robert's assignment
gave him an enormously valuable experience, although his position was
not a lucrative one.
"That's what brought me to Geneva," he concluded. "But I came to Paris
to see you."
Just before he left New York, he had seen Pryor, he told her. Of course
Pryor had let out one or two startling bits of news gathered from the
four quarters of the earth. About Hutchins Burley and Lydia
Dyson--things he would tell her later. Pryor had all the town talk
(Kips Bay talk) at his fingers' ends. The man was a regular human
wireless station. Did Janet recall how he always spoke of information
drifting his way? Well, it was from Pryor that he first had heard that
Cornelia and the famous Madame Paulette were one and the same person.
"You see I'd lost complete track of Cornelia after she left the model
tenements," he said. "I'm pretty sure that she wanted to sponge the
Kips Bay connection clean off the slate. Naturally, my turning up now
isn't in the least to her liking. I can feel that, in spite of her
tremendous surface cordiality. But I had to come. Finding her was
finding you."
("A pity you didn't look me up a little sooner," said Janet, to herself,
not stopping to enlighten him as to the subtle cause of Cornelia's
displeasure.)
"Look, here's the Ecole des Beaux Arts," she said aloud. "We'll be in
the Boulevard St. Germain in a minute."
*III*
Whilst he obediently turned his gaze from the sparkle of the arc lights
and the glitter of the shops and streets, his thoughts were preoccupied
by her puzzling manner. She was friendly, of course. Janet was always
that. An equable, agreeable temper was the very essence of her. But
what was this disconcerting aloofness of hers which was cleaving the air
between them! Her generous eyes and her low clear voice were sending
out vibrations that penetrated to his very soul; yet her mind was
stubbornly withholding the confidence which in the old Lorillard days
she had given him without reserve. What did the paradox of her behavior
mean? Was this a new Janet at the opposite pole to the candid,
unaffected Janet of Barr and Lloyd? He supposed that the Claude episode
might furnish the answer. Had it changed her spiritually for the worse
as it had changed her physically for the better?
Well, that episode had certainly changed him, though not precisely in
any way that he could have predicted. Changed him! For one thing it had
opened his eyes to the fact that he had been a good deal of a prig, as
his Outlaw acquaintances were so fond of intimating. He blushed to
recall his _ex cathedra_ pronouncements on the subject of free love.
With what assurance he had asserted that he did not object to free love
as a matter of prejudice but only as a point of expediency. Hypocrite!
The very reverse had been the case. When Janet ran away with Claude,
the Old Adam had risen within him and almost smothered him with
possessive emotion.
Like any common jealous man! To be sure, he had stoutly told himself
that the Claude adventure made no difference in his estimate of Janet's
worth. Absolutely none. She was, as always, a prize for any man. For
any man? Well, he himself, on the sole ground that his life's work
might suffer, would not consider himself eligible for the prize. That
was how he had put it. That was where the prig had shown the cloven
hoof.
Still, he could say this for himself. When he had met Janet face to
face again, all these piffling considerations of expediency had
instantly, along with his vulgar prejudices, gone by the board. The
moment he set eyes on her in Paris, he felt himself at one with her as
he had never felt at one with any other human being (save perhaps a
certain long-lost friend of his own sex).
The cause was not far to seek. Janet could pull the trigger that
released and expanded his faculties as no one else had ever been able to
do. In her presence, not merely his better self, but his more
adventurous self, his more aspiring self, his more poetic self, and his
more heroic self--the several Roberts that other people were too dull to
perceive, or too futile, ignorant, or base to cultivate--all these
craving selves came into their own and grew in stature. What was a
previous love affair, what were a dozen previous love affairs, in the
teeth of this miracle? Claude Fontaine! One look into the depth of
Janet's eyes, and all theories, prejudices, principles, expediencies,
and conflicting emotions went up in smoke.
Meanwhile, Janet's thoughts had been taking a very different shape.
She did not know that Robert had never seen the long letter to Cornelia
in which she had described her journey with Claude and had given her
European address. Cornelia had withheld this letter from Robert for
reasons scarcely admitted to herself; and what Cornelia did not admit to
herself she was little likely to admit to an interested friend. In fact,
in her letter to Janet and in casual conversations since their recent
reunion, Cornelia had so often allowed it to be inferred that Robert had
had access to the letter, that she ended by making this convenient
inference herself.
Not unnaturally then, Janet reasoned that Robert's failure to
communicate with her had been deliberate. What dovetailed with this
conclusion was the memory of his dictum on free love. How well she
remembered the relentless words: "I can never have anything to do with
free love or with a woman who has had a free lover. It would defeat my
purpose in life."
His purpose in life! He was the sort of man who took more joy in
finding and working _that_ out than in loving any woman. True, she no
longer concurred in Cornelia's view that Robert was a fanatic. No. He
just escaped fanaticism by the skin of his teeth. This view explained
both his long silence and his sudden reappearance. That is, she knew
quite well that he had borne her no grudge on account of the past, had
indulged in no theatrical repudiation of her friendship because of her
liaison with Claude. He had simply found it profitless to pursue a
friendship with a woman in her situation. That would be enough to
commit him to silence.
Nor did she take too seriously his assertion that he had made a special
trip to Paris to see her. Why shouldn't he pay her or Madame Paulette a
visit if the ordinary course of his business brought him almost to their
doorstep? After all, a representative of labor interests could hardly
come to Europe without visiting Paris. Paris, where a lurid,
underground drama of industrial insurrection, half smothered by gold
dust, was going on!
Was there any sensible reason why Robert shouldn't pick up the thread of
an old friendship, if it was all in the day's work? It might even be
useful to a labor man to get in touch with people who knew the ropes of
the French capital. Anyhow, Robert would be the last person in the
world to abstain from such a course if it promised to advance his
principles.
His hateful principles! The worst of it was, she was beginning to have
sympathy for his conviction that the drudgery which served a purpose you
believed in might be a real pleasure, compared with which the pleasure
that served no purpose worth believing in would be an intolerable pain.
Well, all these speculations were as nothing against the fact of the
moment. The fact of the moment was that the swaying of the bus crushed
Robert's arm against hers in an impact that was poignantly delightful.
Nor was this all. Robert, his imperious principles notwithstanding,
acted in every respect as if he liked having his arm against her; no as
if he would like to have his arm _around_ her. Robert Lloyd amorous?
She gave him a sidelong glance. Her senses provided her with abundant
evidence that her surmise was correct. But this was a world of sensory
illusions as she had learned to her cost; and she reminded herself
sharply that she had more than one decisive reason for trusting neither
to his feelings nor to her own.
*IV*
"You're not doing your duty," she said to him. "We've just passed the
church of St. Germain-des-Pres. Quick look back. Even darkness can't
subdue those imposing walls. Doesn't it look solid and impregnable?
Just like my mother and like your convictions. It's a structure that
commands your faith, though you have it not. You'll miss the silhouette
of St. Sulpice, too, if you don't look out."
"Janet, I didn't come to Paris to look at churches. I came to look at
you."
"Well, you came, you saw, and--you conquered."
"I saw more than you think," he went on, smiling at her flippancy. "As
I said before, you've changed physically. But the physical change is of
no importance."
"I knew it. Those fine compliments were all bunk."
"Not at all. You've changed physically for the better. But what is more
important is that you've changed spiritually--"
"For the worse, of course. Now we're coming to it."
"I didn't say it. I'm not at all sure."
"This may be candor, Robert. But it sounds like revenge."
"You may as well be serious, Janet. I've got volumes to pour out to
you, and pour them out I will. When I'm with you, I'm like the Ancient
Mariner. I want to tell you everything."
"Everything?"
"Well, almost everything, as they say in the comic opera. What do you
suppose was the most wonderful companionship I ever formed?"
"I can't guess."
"Barr and Lloyd. Do you know why? Because, for one thing, there was
nothing in reason that I couldn't talk to you about, with the most
unvarnished frankness. I still feel that way."
"I'm glad you do. We were very good pals, weren't we?"
"Yes, and I hope we still are. Anyhow, I want to speak of something I
heard about you from Mark Pryor."
"What was that?"
"Pryor seems to have kept in touch with Cornelia right along. You know
Pryor."
"Not a sparrow falleth but his eye doth see," she quoted.
"Exactly. He has been keeping tabs on this rich Alsatian. And, by the
way, I ought to mention that he repeated to me what you told him about
Monsieur St. Hilaire."
"That's a nice way to treat my confidence," said Janet, seriously
annoyed. "Pryor of all people. And I took him to be the only original
human clam!"
"Well, I think he was fully justified--"
"In what way, I'd like to ask?"
"Please don't make me go into that now, Janet. The thing I'm driving at
is this. Pryor heard that you were on the point of--of forming a free
alliance with this Alsatian gentleman. Chiefly to escape Cornelia and
this horrible business of clothes."
"You've been misinformed," she retorted coldly. "Not about the clothes.
I _do_ loathe them. But I've no intention of forming a free alliance
with anybody. Certainly not with Monsieur St. Hilaire. Why should I?
I don't love him. But I don't mind telling you that he has asked me to
marry him."
"Oh, then, that's what you're considering?"
"Yes," she said concisely.
And "put that in your pipe and smoke it," added a defiant glance from
her half-parted long-lashed eyes.
If he had any notion of playing the medieval knight, plunging through
fire and water for the damsel in distress, she would spoil that
chivalrous pose in a jiffy.
"Janet, I don't understand you," he said, with quite unnecessary
vehemence. "You said you wouldn't marry Claude, your reason being that
you loved him. Now you say you will marry Monsieur St. Hilaire, and
your reason is that you don't love him."
His eyes added: "You are inexplicable, exasperating, maddening--and yet
adorable: in short, you are Janet."
The bus came to a full stop, and a few minutes later they were in the
concert hall.
*V*
The concert was one of a special series given by an orchestra from
Rouen. Janet's attention had been drawn to the series by two
circumstances. One was that a third of the members of the orchestra
were women. The other was that the inclusion of women in a first-class
orchestra had plunged musical circles into a controversy which the
newspapers eagerly seized upon and played up with caricature or abuse,
satire or eulogy, according to the partisanship, but never the merits of
the case.
Robert knew nothing of this controversy until he ventured on a remark
during the first intermission.
"The tone and workmanship of the orchestra are splendid," he said. "I
don't feel qualified to judge, but it strikes me that the women are
doing every whit as well as the men."
"As well? They're doing far better. Do you see that first violin in
the front row, the third from the left? I could tell he was slacking
all through the Cesar Franck number. And there were four or five others
as bad. You couldn't say that of one of the women."
"No. Their performance is amazing, isn't it?"
"Why amazing?" asked Janet, still detecting an echo of masculine
superciliousness.
"Well, women don't generally reach the top-notch in the fine arts, do
they?"
"How can they," said Janet warmly, "when the patronizing disparagement
and merciless rivalry of men hold them back at every turn!"
"Well, they've managed to break into this crack orchestra. That doesn't
look like merciless rivalry."
"Ah, but wait till I tell you the facts, Robert. As the war went on,
managers found it impossible to deny women the privilege of playing in
high-class bands. But the men are now recovering their monopoly as fast
and as unscrupulously as possible. How? They have set up a hue and cry
against the women and have won the musical pundits to their side. I am
told that the management of this Rouen orchestra is almost certain to
yield to masculine pressure, which means that the women will be
dislodged at the end of the current series."
Did Robert appreciate the injustice of this abominable proceeding? It
was a fact that the women brought a fire, intensity and freshness to
their work which improved the tone and effectiveness of every band they
played in. They were twice as keen as the men and worked fifty times
harder. Several of the younger, more liberal musical critics both in
Paris and in London fully admitted this. Not so the old-timers who sat
in the seats of the mighty. And yet the men who were doing their
vicious best to elbow their rivals out of the way were the very men who
fluttered about town and with crocodile regret assured the public that,
no matter what _equal chances_ the weaker sex received, the final
incapacity of women to reach the top was beyond dispute.
Janet's shot went home. But the resumption of the program made it
impossible for Robert to offer a defense. He was annoyed at himself for
having spoken tactlessly on a topic which Janet might well be touchy
about. Still, he considered that her rebuke was far too severe to fit
the crime, especially in view of his genuine equalitarian feeling toward
women, a feeling that Janet ought to have been the last to deny him.
It occurred to him that, if she was capable of regarding him, of all
men, with so much detachment (not to say indifference) as to make him
the target for a sharp anti-hominist fire, she might be deeper in the M.
St. Hilaire entanglement than he or Mark Pryor had suspected.
By the time the concert was over, Janet was sorry for the way she had
pitched into her guest. Would he forgive her for letting the heat of
argument carry her away? Not that she retracted a word she had said.
Far from it. It was impossible to say too much on that score. Had he
noticed the wide publicity which the Paris newspapers had given to an
assertion appearing in one of Arnold Bennett's recent books? It was the
assertion that women are inferior to men in intellectual power and that
"no amount of education or liberty of action will sensibly alter this
fact." This gesture of finality with which men, even men of genius like
Bennett, invariably polished off the future of women and consigned them
to an eternity of subordination! When would this superficial
generalization ever stop, if avowed feminists like Robert fell to using
the language of their opponents even while avoiding their errors?
"I'm only taking the words out of your mouth, Robert," she concluded, in
her softest pacifying tones. "I'm only repeating what you've told me a
hundred times over in the past."
He smiled at this sop to his vanity, which none the less helped to
restore good feeling.
*VI*
Janet had taken him towards the river. They walked arm in arm along the
Quai Voltaire and the Quai d'Orsay, the tranquil Seine and the starry
skies almost their sole companions.
The dispute of the evening still fresh in his mind, Robert alluded to
Janet's former ambition to create a new profession for women of the
middle class. A branch of law, wasn't it? Authorship law, so to speak.
Had she given it any thought of late? What a nuisance it was that money
should have to be the root of all experiment as well as the root of all
evil. In the absence of enough capital, it was probably just as well
that she deferred another attempt to realize her dream. Still, it was a
pity. She had made such a good beginning with the firm of Barr & Lloyd,
humble though the scale of its operations had been.
"Well, Robert, are you ready to renew the partnership?" she challenged
him.
"Is this a strictly business proposal?" he replied, in a hesitating
manner.
She was chilled by his clumsiness.
"Barr & Lloyd was always a 'strictly business' affair, wasn't it?" she
said, in a cool, quiet voice.
He wanted to burst out with: "No, I never believed it was wholly that.
If you'd had my sort of partnership in mind, I'd give a very swift and a
very different answer." But the words stuck in his throat. For two
reasons. Her sudden return to the almost hostile manner that had
baffled him earlier, was one. His knowledge that the limited and
precarious means he disposed of would make an offer of marriage from him
seem ridiculous, if not insane, was the second.
Had he voiced his thoughts, they might then and there have thrashed
their differences out in half an hour. But he could not voice them.
For the first time in their friendship, neither of them was candid when
candor was the sensible course. "This comes of caring for a woman not
wisely but too well," thought Robert. He was amazed and incredulous to
find that he cared so much; he was also a little indignant with himself,
for he had vowed never to do that very thing.
"Don't be alarmed," he heard Janet saying. "I'm not going to impress
you into the cause. You have bigger fish to fry than the feminist
movement. As for me, I've had a very good offer from Mrs. R. H. L.
Jerome."
She sketched a picture of this whimsical lady, and gave a short account
of Mrs. Jerome's interest in the organized effort to rid women of their
professional disabilities. Robert learned that Mrs. Jerome had
repeatedly expressed a desire to put Janet to some use in the cause she
had at heart.
"The work would be quite in line with my old plans," added Janet.
"Then why don't you accept her offer at once?"
"I wish I knew," she said, evasively. "Perhaps I can do all I've wanted
to do, and more, if I follow the beaten track, if I buy cheap and sell
dear in the marriage market; in short, give as little of myself as I can
to the richest bidder that offers. What do you think?"
"I think a cynical step of that sort would do very well for Mazie, whose
words you appear to be repeating."
"Oh, don't underrate Mazie's cynicism. It has been hammered into a
durable, serviceable instrument by some very hard knocks. Knocks that
she got from men. Her flippant manner often obscures some very sound
remarks, like the one that there'll be no equality between the sexes
until women exploit men as shamelessly as men exploit women."
"Doesn't the modern woman do this, already?" asked Robert, with a smile.
"How often does she get the same chance? It's equality of chances that
I'm aiming for, you know."
"So am I for that matter," said Robert. "I hope we'll get your equality
of chances before long. Then we can work together for decency."
It was close upon midnight when they took a taxi back to the Boulevard
Haussman.
Not a soul was stirring in the Maison Paulette. Robert and Janet walked
through the corridor on the _rez-de-chausee_ to the rear building, the
one used for sleeping quarters. For a few minutes they stopped in the
vestibule at the foot of the staircase.
Now, as throughout the evening, their instincts swayed them one way,
their reason another. Each misunderstood the motives of the other; and,
what with this misunderstanding and the economic insecurity of their
circumstances, the scales were tipped in favor of discretion. Besides,
Janet mistrusted her impulses far more than formerly. True, Robert
mistrusted his far less. In spite of his better judgment, he was
succumbing to her ensnaring voice and eyes, was surrendering to an
intense longing to tempt her into a betrayal, an unambiguous betrayal,
of her real feelings.
But he proceeded in a manner too inadequate.
"I'm no clearer about your plans than before," he said, awkwardly. "You
haven't really taken me into your confidence."
"About Monsieur St. Hilaire?"
"Yes."
A marked pause. She did not interrupt it. Discouraged, he lamely
continued: "Still, I'm glad you've changed your point of view about men
and women. It's something to find out that marriage, like adversity,
has its uses."
"Robert, what I've found out is that marriage, like honesty, may be the
best policy. I've learned that woman cannot live by principle alone."
"I protest I never urged it."
"No. And if it's the least satisfaction to you, I'll admit that I don't
intend to repeat any of my Kips Bay experiments--free love, outlawry,
and so on--you know the sort of thing. Why should I? There are few
moments in the old Lorillard tenement life that I regret; yet there are
none that I'd live over again."
"None?"
"Not one. Wait. There is a single moment--it just occurs to me--it was
so like this one--"
"Like this one?"
"Yes, 'when my heart was a free and a fetterless thing, a wave--'"
The line was completed without words, Robert, swept away by her
enchantment, having seized heir in his arms and kissed her.
"Don't marry Monsieur St. Hilaire," he said, beseeching rather than
commanding her, "whatever you do."
She disengaged herself almost brutally, and went up the stairs. Pausing
a few steps up, she turned and, in a tone supremely dispassionate, said:
"Whatever I do! Well, whatever I do, I can't marry a poor man, can I?"
*CHAPTER TWENTY-EIGHT*
*I*
Hoping to have a few words alone with Harry Kelly, Robert went down to
breakfast early. But if he expected to learn anything further in regard
to Janet or M. St. Hilaire, he was disappointed. Extracting teeth would
have been easier than pumping Harry who, besides being more taciturn
than ever, had developed a vein of pessimism quite out of keeping with
his material prosperity.
Robert was actually relieved when the appearance of Mazie Ross at the
breakfast table put an end to his efforts to draw Kelly out.
"Her Ladyship was sweetly singing 'My Rosary' when I passed her bedroom
door," said Mazie, alluding to Cornelia. "Things'll be humming in the
Maison Paulette this morning, if I know the Indian sign."
Mazie was getting to be very chipper of late. Whether from the force of
association or not, the presence of Robert and Janet had given her a
chance to recover some of her old position.
Kelly appeared to agree with Mazie's inference, though he was not so
cheerful about it. He wished Mark Pryor were somewhere within reach.
That fellow was a regular clairvoyant, and could tip you off about the
most astonishing things. A tip would be handy at this time.
"Something's going to happen," added Harry, gloomily. "I feel it in my
bones."
"I'd feel it in my bones," volunteered Mazie, "if I nearly killed myself
like you do, Harry. You fairly chew up work. What's the use? Let the
Empress do some of the worrying."
"She's got enough to worry about, Mazie. She carries the whole
responsibility for the artistic work of the house, and you know it."
"You bet I do! The chief joy of my declining days is to watch her
Ladyship curl up on a cozy sofa in the office and hug the responsibility
while you do the work. When the weight is too much for her, she
staggers over to the house switchboard, rings up each department in
turn, and interferes with everybody impartially. Say, if you could
limber up her knee action a bit--"
At this point, poor Harry, after an ineffectual attempt to stare Mazie
into silence, got up and went out, unable to listen any longer.
"The goof!" said Mazie, pitying him contemptuously. "She only married
him as a sure salvation from work."
She was so manifestly unjust to Cornelia (who, however much of a shirker
she might have been in Kips Bay, was now busy enough making her talent
for line and color productive) that Robert refrained from argument.
"What's the matter with Harry?" he said, attempting to change the
subject. "He was always monosyllabic, but never as gloomy as this."
"He wants a son and heir."
"Oh!"
"Do you remember how Cornelia used to tell every man who paid us a call
in Number Fifteen that the dearest wish of her life was to hold a
che-ild to her maternal heart? Every brutal Outlaw that came along would
offer to oblige on the spot. Except Harry. He melted right into putty
when she sprang that mother gag; and then she gave the cue for the wild
wedding bells to ring out. But now she's married, it's different. The
muffler is on the maternal urge. On tight! And she's strong for the
birth control propaganda. She's so strong for it that--"
Here Cornelia entered and Mazie was put to instant flight.
*II*
Cornelia's hour with Robert had come. She lost no time in giving him to
understand that his arrival in Paris had, to put it mildly, been
inopportune. Not that it was his fault. Naturally, he couldn't very
well have foreseen the rapidly approaching crisis in Janet's life. But
there it was! M. St. Hilaire, a man of parts and of wealth, was anxious
to marry Janet, who had just begun to see that the match was greatly to
her advantage. Here was Janet's golden opportunity to redeem the past--
"To redeem the past or to redeem Monsieur St. Hilaire?"
"Don't be flippant, Cato. You know very well what I mean."
"I'm quite serious. _Redeem_ is a curious word to use in connection
with Janet. It implies atonement for sin. Did you apply this word to
your own case after your return from England to the model tenements?"
She stared at him icily. Did he intimate that Janet's affair with
Claude Fontaine was spiritually comparable to her affair with Percival
Houghton? She would show him the difference. True, she had believed in
free love ("a hundred years ahead of my time, Cato!") and Janet had
followed suit. But when she, Cornelia, had taken up the gauntlet
against the irrational knot, she had let herself be pilloried for her
convictions. Had Janet done as much? Let his own fairness be his tutor.
Not that she held Janet to blame. Oh, no. She would have Robert know
that he and his principles had been the disturbing influence in Janet's
destiny. This had been the case in Kips Bay. She feared it would again
be the case in Paris.
"I the disturbing influence? Absurd, Cornelia. When did I ever demand
that you, or Janet, or anybody else live up to my vaunted principles?"
"Cato, there's something about you, some Satanic magnetism, that gives
you a strange hold upon a woman's soul. It makes her strive to appear
before you always in her loftier, sublimer flights, to put on her
Sabbath character, so to speak."
"Why do you call this Sabbath magnetism _Satanic_?"
"Because it's unnatural to ask a woman to assume her Sabbath character
seven days a week. She's bound to come to grief."
She assured him that this Satanic faculty of his was what caused him to
pique or fascinate women, though it seldom inspired them with passion.
And, in the long run, it always threw them out of gear. As in the case
of Janet! What had his intoxicating mixture of visionary theories and
expedient compromises done for her in the Claude Fontaine affair? It had
brought her out at the pitifully small end of the horn.
"I may remind you, Robert, that _I_ was ready to ruin myself for
Percival Houghton, ready to stand, upright and reckless, facing the
world with him. _I_ didn't go slinking from one hotel to another, as
his pretended _wife_."
Cornelia's heroics would have amused Robert but for the jibe flung at
Janet. Thank heaven, Janet never declaimed about having faced a whole
world or having ruined herself for anyone. After listening to such
windy phrases, who would not be biased towards any course that seemed
right to Janet and wrong to Cornelia?
He hung on her lips with rapt absorption, hoping by this look of
intenseness to mask his thoughts.
In this hope he was deceived.
"Why on earth don't you marry Charlotte Beecher?" she cross-questioned
him abruptly.
"I don't know."
"You don't know! Do you suppose a girl with position, wealth and brains
turns up every day in the week? A girl who really _wants_ you! I'm
sure I can't imagine _why_ she does."
"Nor can I."
She repeated her question. Had he given Charlotte Beecher up merely
because she loved him so much more than he loved her?
He couldn't very well answer this question in the affirmative. So he
said:
"Charlotte is a very intellectual girl, the most intellectual girl I
know. She never met a man whom she regarded as her equal in point of
brains until she met me. The regard was mutual. She mistook her
admiration for love. I might have made the same mistake--if I hadn't
met you."
"You can't blarney me, Cato," she said, highly flattered none the less.
"It's too late in the day!"
"I mean it, Cornelia. Meeting you, made me alive to the full force of
the attraction between the sexes."
"It is the one thing needful," said Cornelia, in low siren tones. "For
without it, love is as the dry stubble."
"I, too, used to think so," replied Robert, turning a cold douche on
this sentiment. "We've all had that notion rammed down our throats
since childhood. But can we be certain that sexual attraction is the
only road to love? The poets assure us that pity is a famous short-cut.
In the case of very young people, _all_ roads seem to lead to love. For
older folk, mutual admiration may be as good a road as any. Speaking
for myself, I'm still considering a proposal to Charlotte Beecher--"
"Oh, you're still considering her? And Janet is still considering M.
St. Hilaire. For ice-cold calculation, give me a one-hundred per cent
enthusiast like you or Janet."
"Are you suggesting that Janet is so well-suited to me that I ought to
propose to her?"
She rose, with a growing sense of contempt for him. If he did anything
so insane--and he was doubtless capable of it--the results would be on
his own head. He had already made a mess of his newspaper career, he
had been too proud to cultivate the Fontaine influence, he had
gratuitously antagonized his only well-to-do relation in California,
even now he could barely make a hand-to-mouth living out of his
connection with the radical press. And he actually proposed to lengthen
this catalog of disasters! Well, he'd better remember one thing. His
friends could pull him out of a hole, but not out of a bottomless abyss.
Really, did he believe in miracles? To put it bluntly: did he suppose
that two failures added together made a success? Yes, two failures! He
was an impecunious journalist or a discredited labor propagandist--which
was it? And Janet! What had she to offer? A pirated soul (this to
remind him of Claude Fontaine) and shattered prospects.
"Really, Cornelia, these phrases belong to the screen grade of fiction,
not to the facts of the twentieth century."
Here Mazie interrupted with an urgent message from the exhibition room.
"Stay and talk to Robert," said Cornelia with frigid disdain. "He's a
great salvager of damaged reputations."
Mazie looked inquiringly Robert's way, while Cornelia swept towards the
door. In a mock-heroic tone, he explained:
"Cornelia says that Janet _went wrong_; therefore, unless M. St. Hilaire
marries her, she'll be _ruined for life_."
Mazie caught the drift of the situation at once.
"Ruined!" she cried out, in a steaming torrent of slang. "Say, people in
the States won't believe a girl is 'ruined' nowadays, even when she's
committed to the House of the Good Shepherd. Ruined! Who's to ruin
her? Why, the average American is such a hokey-pokey, near-beer,
Sunday-school man of straw, he wouldn't ruin Cleopatra if she begged him
on her bended knees! Take it from me. If Janet's people at the
cemetery end of Brooklyn heard Claude described as the Duc de la
Fontaine, they might give her the glassy eye. They might. They'll
believe cruel things about a foreigner. But she mustn't let on that
he's a gent from the U.S.A., or they'll think she's stringing them.
Think! They'll know it. Why, my brown-eyed cherub, there's only one way
a girl can go wrong in little old New York. And that's to have somebody
break into her bank account."
Of the latter part of this choicely sustained opinion, Robert was the
exclusive audience, Cornelia having already closed the door with a bang.
*III*
A little later in the morning Janet, glancing through a copy of _Le
Matin_ three days old, caught sight of a familiar name in a telegraphic
despatch from New York. The name was Fontaine. According to the brief
news report, headed _C'est fini de rire!_ (the fun is over!), Fontaine
and Company, the most noted of the Fifth Avenue dealers in precious
stones, were charged with complicity in a sensational attempt at
smuggling.
Piecing the somewhat disjointed details together, Janet gathered that
secret agents of the Department of Justice on the lookout for spies had
inadvertently found thousands of dollars' worth of diamonds concealed in
the bottom boards of what purported to be cases of Japanese books. The
cases, which had been opened by the Secret Service agents shortly after
the "Ionic" docked in Hoboken, were ostensibly consigned to a San
Francisco book dealer for whom one Hutchins Burley, a New York editor
and foreign correspondent, appeared as the representative.
Burley was held, and the newspapers featured him as the "master mind" of
a very clever band. On examination he confessed that the book dealer
was a mere dummy for Fontaine and Company, whose stock rooms were the
real destination of the diamonds. A warrant for the arrest of Mr. Rene
Fontaine, head of the firm, was at once issued. Officials of the customs
house alleged that the operations of the smugglers, whose ingenuity had
baffled detection for years, reached gigantic proportions, the
government's loss being estimated at many millions.
News so startling had to be told without delay. Janet excitedly
reported it to Harry Kelly and then descended to the exhibition room
where as a rule Cornelia held sway at this hour.
Entering the salon somewhat precipitately, she saw the young Duchess of
Keswick seated in great state and surrounded by deferential minions.
But no Cornelia visible. Janet beat a swift retreat. The Duchess
reminded her, not altogether pleasantly, of Marjorie Armstrong at the
Mineola Aerodrome. The two young ladies had the same fashionable
contours, the same self-conscious pride of position, the same
patricianism of the made-to-order rather than of the inborn type.
Hastening up a flight of stairs to Cornelia's office, Janet was brought
to a stop outside the door by the sound of voices, which she recognized
at once as those of her friend and of the Duchess's mother, Mrs. R. H.
L. Jerome.
It was easy to overhear the conversation. Mrs. Jerome announced her
departure for London the next day to inspect an apartment house
restricted exclusively to professional women who, besides being mothers,
were the sole supporters of their children. She intended to open a
similar house (as a humanitarian, not a charitable undertaking) in New
York. She had already offered Janet the post of resident business
manager. Naturally, she would like to take the young lady with her to
England at once, but she wouldn't insist on this. If the inconvenience
to the Maison Paulette was too great, Janet could follow later, as soon
as she had wound up her affairs.
Cornelia's reply was couched in a low voice so tense with emotion that
Janet could distinguish only a word or two here and there. These words
were ample. _M. St. Hilaire, woman-with-her-back-to-the-wall,
Henriette, redemption, iron-law-of-retribution_, etc., such proper names
and stagey phrases showed quite clearly that Cornelia was delivering her
customary rigmarole about the sacrifices she was making to the end that
Janet might cover up her past and glorify her future.
To Janet's ears, this rigmarole was now so stale as no longer to invite
even remonstrance. But to declaim it to a comparative outsider! And to
embroider it with all sorts of sticky innuendoes! Janet grew hot and
cold by turns. So this was how one's name was buffeted about after an
episode like hers with Claude Fontaine! If one's best friends talked
this way behind one's back, what might not less intimate associates say
or take for granted?
She had tried to steel herself against inevitable collisions with public
opinion; yet this first impact, though only an oblique one, had given
her a much nastier shock than any she had anticipated.
_M. St. Hilaire, the Chateau in Normandy, the prestige that was to cover
a multitude of past sins_--Cornelia was going it again!
Mrs. Jerome replied that these matters were none of her affair. She
needed Janet and she believed Janet needed her. Surely, the decision lay
with the young woman herself?
While Janet was still debating whether or not she should walk straight
in and interrupt, Cornelia shifted the attack, her diplomatic allusions
to Janet's love affair being replaced by blunter speech. She effected
the change with a great show of diffidence and hesitation. Her sense of
loyalty alike to her friend and to Mrs. Jerome obliged her, etc.--Claude
Fontaine, the _beau ideal_ of the Junior smart set, etc.--the
transatlantic honeymoon to which the newspaper troubadours had given a
far-flung notoriety, etc.--But doubtless Mrs. Jerome recalled these
particulars well enough?
Came the tart rejoinder:
"No, I never do read newspaper scandal! The fact is, when I'm not
gambling in Paulette frocks, I'm a very busy woman. If it wasn't for
the Duchess, the Magpie Club in Mayfair would make short work of me.
But the Duchess reads me some of the necessary tittle-tattle at
breakfast so as to keep me _au fait_. She's a great newspaper fan, is
the Duchess."
When Janet finally opened the door, walked in, and electrified the room,
Cornelia had just been sweetly remarking:
"But about the managership of this house, a house for unattached
mothers--widows and feminist women I presume?--about such projects
public curiosity is simply insatiable,' isn't it? Do you really think
that Janet is exactly the person for such a delicate position--?"
Ignoring Cornelia and her innuendo, Janet spoke directly to Mrs. Jerome.
"I'm sorry you didn't let me tell you everything last week, Mrs.
Jerome," she said, keeping herself well in hand. "You see, all this
would have been superfluous then."
"My policy, child, is never to learn more than it's good for me to know.
But perhaps I was in the wrong this time."
"I had no idea you could overhear us, Janet," said Cornelia, with as
much acerbity as if she were the injured party.
Janet scorned to reply on the level of this remark.
"I came to show you a piece of news in the Matin," was all she deigned
to say.
Pointing out the place, she handed Cornelia the newspaper.
"I'd like to speak to Mrs. Jerome alone for a few minutes," she said.
"Would you very much mind?"
"Oh, by no means," replied Cornelia, trying hard to be superior and
authoritative. "Make any arrangements you like to suit your own
interests. Never mind the Maison Paulette. Don't think that _I_ shall
stand in your light."
And as she went out, unabashed, she offered the flowery remark that she
had only done her poor best to follow the impulses of her heart, her
sole desire having been to help both Janet and Mrs. Jerome to a mutual
understanding, in the absence of which any joint project they might
embark on would be only too likely to suffer shipwreck.
*IV*
Mrs. Jerome drew Janet down to a place beside her on the leather settee.
"Now, my dear," she said, "I'd just as soon you didn't dig up ancient
history. Unless it's going to relieve your mind. But I shan't be any
the wiser for it when you've finished, trust me. Why, if you told me
that you were a new version of the Old Nick himself, one look into your
lovely gray eyes would convince me that it wasn't true."
None the less, Janet, not wishing to sail under false colors, gave a
very short resume of her life from the time she went to the Lorillard
tenements in Kips Bay to the day she left M. St. Hilaire.
Throughout this narrative, Mrs. Jerome's round little face was
sphinx-like, becoming animated only at the point of Janet's separation
from Claude.
"He left you in the lurch, then?" she had interposed, much affected.
"Oh, no, he would have kept on providing for me," said Janet, evasively,
and after a moment's hesitation.
Nobody had really believed the story that she had left Claude. Even
Robert appeared to take the reverse for granted. Perhaps, on the whole,
she had better fall into a view that people would be sure to adopt in
any case, and that she was almost beginning to adopt herself.
"But of course you didn't let him," said Mrs. Jerome.
"No."
"Good. We mustn't be under any obligation of that sort to the selfish
sex. Now don't worry about the matter any more. You're a plucky girl,
my dear. Keep your pluck, and your pluck will keep you."
Mrs. Jerome added that she hoped Claude Fontaine had not behaved any
worse than Janet had represented. She knew the young man. Who in New
York didn't? As regards possible criticism, Janet should be comforted
with the reflection that glass houses made the whole world kin, human
architecture being nowhere complete without them. Why, most of the girls
in the Younger Set had lost their heads over Claude, which was all they
had had a chance to lose. She herself, meeting him once at a costume
ball of the Junior League, had been knocked silly by his dashing airs
and Apollo curls, not to mention the best pair of calves she had ever
beheld.
"So you see, my dear, an old woman can be quite as feeble-minded as a
debutante. Nobody has ever had a monopoly of making mistakes."
Janet pointed out that the world did not take quite so liberal a view.
This being so, might she not prove a source of embarrassment to Mrs.
Jerome? As people looked at it, running away with a man was--
"Child, for every woman who runs away with a man, there's a man who runs
away with a woman."
This obvious truth had been lost sight of, and the time had come for its
emphatic reassertion. Did Janet imagine that Claude had lost any
credit? Well, let her look at the facts. Mr. Fontaine, senior, had
just got himself into a very bad mess, one that involved the Fontaine
firm in a case of diamond smuggling. The Duchess had read her the story
from the papers. And only last night _Le Temps_ had reported that Mr.
Fontaine was believed to have jumped his bail, leaving his son Claude
behind to pull the firm out of the hole. And everybody felt so sorry
for Claude! Not that he had anything to fear. He could not be held
personally accountable. Still, there were the court proceedings, which
were reckoned a terrible load for his handsome young shoulders to bear.
And so bankers and clubmen and "sealskin" artists were rushing to his
aid; matrons from upper Fifth Avenue were pulling wires; Colonel
Armstrong, the great financier, was on the job behind the scenes; and it
was freely whispered that when the storm had blown over, Claude and
Marjorie Armstrong were to be married in St. Thomas'. Here was
retribution! If you judged from the international tidal wave of
sympathy and helpfulness that was sweeping towards Claude, you might be
pardoned for thinking that he was Galahad, Parsifal, and Lohengrin
rolled into one.
"But men stand by one another," added Mrs. Jerome, pointing the moral
succinctly.
Women would have to take this lesson to heart and stand by one another
just as men did. If Janet joined the Jerome forces, she could depend on
one thing, and that was her support through thick and thin.
Janet felt inexcusably ungrateful at not accepting the managership on
the spot, and frankly said so. She made no attempt to explain her
indecision, her motives at the time being far from clear to herself.
Mrs. Jerome, blissfully unaware of the existence of Robert Lloyd as a
factor in this hesitation, took it in very good part. Janet should make
up her mind when she pleased. But surely, she wasn't again playing with
the thought of marrying M. St. Hilaire? After her emphatic assertion
that she didn't love him!
"Yet I don't dislike him, by any means," said Janet. "I was very fond
of him in Brussels, before he lost his head."