George, with visible satisfaction, cried: "All? have you kept all?"

"Yes, all. I have even the notes--even the telegrams. The only one

missing is the little note which I threw into the fire to prevent its

falling into my husband's hands. But I saved the burnt fragments; you

can still read a few words."

"Let me see, will you?" said George.

But, with a jealous movement, she hid the package. Then, as George

advanced towards her with a smile, she fled into the adjoining room.

"No, no; you shall see nothing. I won't let you."

She refused, partly in jest, partly too because, having always guarded

them preciously as a hidden treasure, with pride and fear, it was

repugnant to her to show them even to him who had written them.

"Let me see them, I beg of you. I am so curious to reread my letters of

two years ago. What did I write you?"

"Words of fire."

"Please let me see them."

She finally consented, laughing, vanquished by her friend's persuasive

caresses.

"Let us wait at least until the tea is brought; then we will reread them

together. Shall I light a fire for you?"

"No," he replied, "it is almost hot to-day."

It was a cloudless day, with silvery reflections diffused through the

inert atmosphere. The waning day was softened in its passage through

the gauze curtains. Fragrant violets, gathered at the Villa Cesarini,

had already perfumed the entire chamber. Someone knocked at the door.

"Here is Pancrazio," said Hippolyte.

The worthy domestic, Pancrazio, brought in his inexhaustible tea, and

his inextinguishable smile. He placed the tea-things on the table,

promised something good for dinner, and withdrew with light and elastic

steps. All bald as he was, he preserved a juvenile air.

Extraordinarily obliging, he had, like certain Japanese gods, eyes that

were laughing, long, narrow, and somewhat oblique.

"Pancrazio is more amusing than his tea," said George.

In fact, the tea had no aroma, but the accessories lent it a strange

taste. The sugar-bowl and cups had a form and capacity never before

seen; the tea-service was decorated with the history of an amorous

pastoral; the plate, garnished with small slices of lemon, bore on its

centre a rhymed enigma, done in black letters.

Hippolyte poured out the tea, and the cups steamed like censers. Then

she untied the package! The letters appeared, properly classified,

divided into small bundles.

"What a quantity!" cried George.

"There are not so many; only two hundred and ninety-four. And in two

years, dear one, there are seven hundred and thirty days."

They both smiled, sat down side by side near a table, and began to read.

In the presence of these documents of his love, George felt come over

him a strange emotion--an emotion delicate yet strong. The first

letters perplexed him.

Such or such an extreme state of mind, of which the letters bore the

imprint, at first seemed to him incomprehensible. The lyric flight of

such and such a phrase filled him almost with stupor. The violence and

tumult of his early passion caused in him a sort of terror, by contrast

with the calm which possessed him now, in this modest and quiet house.

One of the letters said: "How my heart sighed for you that night! A

gloomy anguish overwhelmed me, even during the short intervals of

slumber; and I reopened my eyes in order to escape the phantoms which

rose from the depths of my soul. I have now but one thought--only one

thought, which tortures me--that you might go far away from me. Never,

no, never, has this possibility pierced my soul with a more maddening

pain and terror. At this moment I have the _certitude_, the positive,

clear, evident certitude, that without you life for me is an

impossibility. When I think that I might lose you, the day becomes

suddenly dark--the sunlight becomes odious to me, the earth appears to

me like a bottomless tomb, I enter a state of death." Another letter,

written after Hippolyte's departure, read: "I make an enormous effort to

hold my pen. I have no more energy, no will. I succumb to such

discouragement that the only sensation which remains to me of my

external existence is an insupportable loathing of life. The day is

gray, suffocating, heavy as lead; a day to kill in, so to speak. The

hours pass with inexorable slowness, and my misery grows, second by

second, always more horrible and more savage. It seems to me that at

the bottom of my being are pools of stagnant water, dead, and deadly.

Is this a physical or moral suffering? I do not know. I live on, stupid

and inert beneath a burden which crushes me, without killing me."

Another letter read: "At last, to-day, at four o'clock, when almost

hopeless, I have received your reply. I have read and reread it a

thousand times, to find between your words the inexpressible--what you

could not express--your soul's secret, something more alive and sweeter

than the words written on the soulless paper. I am possessed with a

terrible desire for you."

So the love-letters cried and groaned, on the table covered with a

table-cloth, and loaded with rustic cups in which an innocent infusion

peacefully steamed.

"You remember," said Hippolyte. "It was the first time that I left

Rome, and only for fifteen days."

George was absorbed in the memories of his mad infatuation; he sought to

revive it within him, and to understand it. But the environing comfort

was unfavorable for internal effort.

The sensation of this comfort imprisoned his soul, enveloping it

loosely. The veiled sunlight, the hot drink, the perfume of the

violets, the contact of Hippolyte, benumbed him. "Am I, then, so far

from the ardor of former days?" he thought. "No, because during her

last absence my anguish was not less cruel." But he did not succeed in

filling the interval between the _I_ of long ago and the _I_ of to-day.

In spite of all, he could no longer identify himself with the same man

of whom those written phrases attested such consternation and despair;

he felt that these effusions of his love had become strangers to him,

and he also felt all the emptiness of the words. These letters

resembled the epitaphs which one reads in cemeteries. Just as the

epitaphs give a coarse, false idea of the dead, so these letters

represented inaccurately the divers conditions of the soul through which

his love had passed. He knew well the singular fever which seizes a

lover when writing a love-letter. In the heat of this fever, all the

different waves of sentiment are agitated and mixed in a confused

turmoil. The lover does not know precisely what he wishes to express,

and he is embarrassed by the material insufficiency of the terms of

endearment; so he gives up trying to describe his internal passion such

as it is, and attempts to express its intensity by the exaggeration of

the phrases and by the employment of vulgar rhetorical effects. This is

the reason why all amorous correspondences resemble each other, and why

the language of the most exalted passion is almost as poor as jargon.

"In these letters," thought George, "all is violence, excess,

convulsion. But where are my delicate feelings? Where my exquisite and

complex melancholies? Where my profound and sinuous sorrows, in which

my soul went astray as in an inextricable labyrinth?" He now had the

regret to perceive that his letters lacked the rarest qualities of his

mind--those which he had always cultivated with the greatest care. In

the course of his reading, he began to skip the long passages of pure

eloquence, and sought instead the indication of particulars--the details

of events that had occurred--the allusions to memorable episodes.

He found in one letter: "Towards six o'clock I entered mechanically the

usual place, the Morteo Garden, where I had seen you so many evenings.

The thirty-five minutes that preceded the exact hour of your departure

were a torture for me. You left, yes, you left without my having been

able to bid you good-by, to cover your face with kisses, to repeat to

you once more, 'Don't forget! don't forget!' Towards eleven o'clock a

kind of instinct made me turn round. Your husband entered with his

friend, and the lady who usually accompanies them. Without any doubt,

they had come back from seeing you home. I had then such a cruel spasm

of pain that I was soon forced to rise and go out. The presence of

these three persons, who spoke and laughed as on other evenings, as if

nothing new had happened, exasperated me. Their presence was for me the

visible and indubitable proof that you were gone, irremissibly gone."

He thought over more of the summer evenings, when he had seen Hippolyte

seated at a table, between her husband and a captain of infantry,

opposite to a little, insignificant woman. He did not know any of these

three persons, but he suffered at each of their gestures, at each of

their attitudes, and at all that was vulgar in their appearance; and in

imagination he pictured to himself the imbecility of the talk to which

his refined mistress appeared to pay sustained attention.

In another letter he found: "I am in doubt. To-day I feel hostile

towards you; I am filled with a dull anger."

"That," said Hippolyte, "was the time when I was at Rimini: August and

September--what tempestuous months they were! Do you remember when you

finally arrived on the _Don Juan_?"

"Here is a letter written on board ship: 'To-day at two o'clock we have

anchored at Ancona, having sailed from Porto San Giorgio. Your prayers

and wishes have sent us a favorable wind. Marvellous sailing, which I

will recount to you. At the break of day we shall again make the

offing. The _Don Juan_ is the king of coasters. Your flag floats from

the mast-head. Addio--maybe till to-morrow. September 2d.'"

"We saw one another again; but what days of suffering! Do you remember?

We were watched incessantly. Oh, that good sister! Do you recall our

visit to the Temple of the Malatestas? Do you remember our pilgrimage

to the Church of San Giuliano, the evening before your departure?"

"Here is another from Venice."

They read it together, with equal palpitation.

"Since the ninth, I am at Venice, sadder than ever. Venice stupefies me.

The most radiant of dreams does not equal in magnificence this dream of

marble which emerges from the waves and blossoms in an illusionary sky.

I am dying of melancholy and desire. Why are you not here? Oh! if you

had come! If you had only executed your former project! Maybe we

should have been able to steal one hour from espionage; and in the

treasury of our souvenirs we should have counted one more, the most

divine amongst them all." On another leaf they read again: "I have a

strange thought, which, from time to time, pierces my soul like a

lightning flash, and disturbs my whole being; a foolish thought--a

dream. I think that you could come here, suddenly, alone, to be

entirely mine!" Further on again: "The beauty of Venice is the natural

frame of your beauty. The colors of your complexion, so rich and

warm--all pale amber and dull gold, in which are mixed possibly several

shades of drooping rose--are the ideal colors which harmonize the most

happily with the Venetian air. I do not know how Catherine Cornaro,

Queen of Cyprus, looked; but, I do not know why, I imagine she resembled

you."

"You see," said Hippolyte, "it was a continual seduction, refined and

irresistible. I suffered more than you can imagine. Instead of

sleeping, I passed nights in seeking a means of going out alone, without

awakening the suspicions of my guests. I was a prodigy of cleverness.

I no longer know what I did. When I found myself alone with you in the

gondola, on the Grand Canal, that September dawn, I did not believe that

it was real. Do you recollect? I burst into sobs, unable to say a word

to you."

"But I--I was waiting for you. I was sure that you would come, at any

cost."

"And that was the first of our great imprudences."

"It is true."

"What does it matter?" murmured the young woman. "Was it not better so?

Was it not better so, now that I belong to you entirely? For my part, I

regret nothing."

George kissed her on the temple. She spoke for a long time of this

episode, which was one of the most pleasant and extraordinary among

their souvenirs. They lived over again, minute by minute, the two days

of their secret stay at the Hotel Danieli--two days of oblivion, supreme

intoxication, in which it seemed as if they had both lost all notion of

the world, and all consciousness of their previous being.

Those days had marked the commencement of Hippolyte's ruin. The letters

which followed alluded to her first trials. "When I think that I am the

initial cause of your sufferings and of all your domestic troubles, an

inexpressible remorse torments me; and in order to obtain pardon for the

ill of which I am the cause, I want you to know the entire depth of my

passion. Do you know my passion? Are you sure that my love will be able

to repay you for your long anguish? Are you sure of it--certain--deeply

convinced of it?" The ardor went on increasing page by page. Then,

from April to July, there was an obscure interval without documents. It

was during these four months that the catastrophe happened. The

husband, too weak, not having found any means of conquering Hippolyte's

open and obstinate rebellion, had, so to say, taken flight, and left

behind him very much involved business affairs, in which he had sunk the

greater part of his fortune. Hippolyte had sought refuge with her

mother, then with her sister at Caronno, in a country-house. And then a

terrible malady from which she had already suffered in her infancy--a

nervous malady analogous to epilepsy--seized upon her. The letters

dated in August spoke of it: "No, you could never conceive the fright

that my mind is in. What tortures me above all is the implacable

lucidity of my imaginary vision. I _see_ you writhing--I _see_ your

face become distorted and pallid--I _see_ your eyes roll hopelessly

beneath their lids; I see your hands shrivelled and shrunk, and between

your fingers the curl of torn-out hair; and, whatever effort I make, I

cannot succeed in dispelling the terrible vision. And then, I _hear_

you call me; I have actually in my ears the sound of your voice--a

hoarse and lamentable sound--the voice of a person who calls for help

without the hope of being helped." A little way further on: "You write

me: 'If this illness should seize me when I am in your arms! No, no, I

will not see you again! I do not wish to see you again!' Were you mad

when you wrote that? Did you think of what you wrote? It is as if you

had taken my life, as if I could no longer breathe. Quick, another

letter! Tell me you will recover, that you still hope, that you want to

see me again. _You must_ recover. Do you hear, Hippolyte? _You must_

recover."

During the convalescence, the letters were gentle and playful. "I send

you a flower gathered on the sands. It is a species of wild lily,

marvellous when growing, and of an odor so penetrating that I often find

at the bottom of the chalice an insect in a swoon of intoxication. The

whole coast is covered with these passionate lilies, which, beneath the

torrid sun, on the broiling sand, flower in one minute, and only live a

few hours. See how charming this flower is, even when dead! See how

delicate it is, and fine, and feminine!"

Up to the month of November the letters followed one another without

interruption; but, little by little, they became bitter, full of

suspicions, doubts, reproaches.

"How far you have gone from me! I am tortured by something else than

the chagrin of mere material separation. It seems to me that your soul

has also left and abandoned me. Your fragrance makes others happy. To

look at you, to hear you, is not that--to enjoy you? Write to me; tell

me that you belong entirely to me, in all your acts, in all your

thoughts, and that you desire me, and that you regret me, and that,

separated from me, you find no beauty in any instant of life." Further

on: "I think, I think, and my thought goads me; and the sting of this

thought causes in me an abominable suffering. At times I am seized with

a frenzied desire to pluck from my throbbing temples this impalpable

thing, which is, however, stronger and more inflexible than a dart. To

breathe is an insupportable fatigue for me, and the throbbing of my

arteries goes through me as would the sound of hammer blows that I might

be condemned to hear. Is that love? Oh, no. It is a kind of monstrous

infirmity which can blossom only in me, for my joy and my martyrdom. I

please myself by believing that no other human creature has ever felt as

I do." Further on: "Never, no, never, shall I have complete peace and

complete security. I could be content only on one condition--that I

absorbed all, all your being; that you and I no longer were more than a

single being; that I lived your life; that I thought your thoughts. Or,

at least, I would wish that your senses were closed to all sensations

that did not originate in me. I am a poor, ill patient. My days are but

a long agony. I have rarely desired them to end, as much as I desire

and pray for it now. The sun is about to set, and the night which

descends on my soul envelops me in a thousand horrors. The shadows

issue from every corner of my room and advance towards me as would a

live person whose footsteps and breathing I could hear, whose hostile

attitude I 'could see.'"

To await Hippolyte's return, George had returned to Rome in the first

days of November; and the letters dated at that time alluded to a very

unhappy and dismal episode. "You wrote me: 'I have had great difficulty

in remaining true to you!' What do you mean by that? What were the

_terrible events_ which have upset you? My God! How you are changed!

It makes me suffer inexpressibly, and my pride is irritated at my

suffering. Between my eyebrows is a furrow, deep as the cleft of a

wound, in which is heaped my repressed anger, in which gathers all the

bitterness of my doubts, my suspicions, my disgusts. I believe that

even your kisses would not suffice to rid me of it. Your letters,

trembling with desires, disturb me. I am not grateful to you for them.

For two or three days, I have something _against you_ in my heart. I do

not know what it is. Perhaps a presentiment? Perhaps a divination?"

While he read, George suffered as from a wound reopened. Hippolyte

would have liked to stop him from continuing. She remembered that

evening when her husband had called unexpectedly at the house in

Caronno, with a cold, calm face, but with the look of a madman,

declaring that he had come to take her back; she recalled the moment

when she was alone with him, face to face, in an out-of-the-way room,

the window curtains of which were blown about by the wind--in which the

light abruptly flared up and then decreased--to which the moaning of the

trees was borne up from below; she remembered the silent, savage fight

sustained then against that man who had suddenly clasped

her--horror!--in order to take her by force.

"Enough! enough!" she said, drawing George's head to her. "Enough!

Don't let us read any more."

But he wanted to continue. "I cannot understand the reappearance of

that man, and I cannot prevent a feeling of anger which is directed even

at you, too. But, to spare you pain, I will abstain from writing you my

thoughts on this subject. They are bitter and gloomy thoughts. I feel

that my affection is poisoned for some time. It were better, I think,

if you never saw me again. If you wish to avoid useless pain, do not

return now. Now I am not in a good frame of mind. My soul loves you to

adoration; but my thought rends and sullies you. It is a contrast which

recommences incessantly, and which will never end." In the next day's

letter he wrote: "A pain, an atrocious pain, intolerable, never felt

before! O Hippolyte, come back! come back! I want to see you, to speak

to you, to caress you. I love you more than ever. Yet, spare me the

sight of your bruises. I am incapable of thinking of them without fear

and without anger. I feel that, if I saw the marks impressed in your

flesh by the hands of that man, my heart would break. It is horrible!"

"Enough, George! don't let us read anymore!" begged Hippolyte again,

taking the loved one's head between her hands, and kissing his eyes.

"Please, George!"

She succeeded in drawing him away from the table. He smiled that

indefinable smile, which sometimes invalids have when they yield to the

entreaties of others, knowing full well that the remedy is late and

useless.

*CHAPTER VII.*

On Good Friday evening they started on their return to Rome.

Before their departure, about five o'clock, they took tea. They were

taciturn. The simple existence they had led in this old house appeared

extraordinarily beautiful and desirable to them, now it was about to

end. The intimacy of the modest lodging seemed sweeter and more

profound to them. The places where they had promenaded their melancholy

and their tenderness were illuminated by ideal lights. It was, then,

still another fragment of their love and of their being that fell,

annihilated, into the abyss of time.

"That, too, is past," said George.

"What can I do?" said Hippolyte. "It seems to me as if I could no

longer sleep anywhere than on your heart!"

They looked into each other's eyes, communicating each other's emotion,

feeling the rising wave choking their throats. They remained silent;

they listened to the regular and monotonous sound made by the pavers

beating the pavement. But the irritating noise augmented their

uneasiness.

"That is insupportable," said George, rising.

The measured blows revived in him the sentiment of the flight of time,

which he had already so strongly felt; they inspired in him that sort of

anxious terror which he had already often experienced when listening to

the oscillations of a pendulum. And yet, on the preceding days, had not

the same noise lulled him into a vague state of comfort? He thought: "In

two or three hours we shall separate. I shall recommence my usual life,

which is only a series of petty miseries. My habitual illness will

inevitably seize upon me again. Moreover, I know the troubles that

Spring revives in me. I shall suffer without cease. And I have already

a premonition that one of my most pitiless tormentors will be the idea

that Exili has put in my head. If Hippolyte wished to cure me, could

she? Maybe, at least partly. Why should she not come with me to some

lonely place, not for a week, but for a very long time? She is adorable

in intimacy, full of trifling kind attentions and of childish graces.

Maybe, by her constant presence, she would succeed in curing me, or at

least in making me take life more lightly."

He stopped before Hippolyte, took her two hands in his, and asked: "Have

you been very happy during these few days? Answer me."

His voice was agitated and persuasive. "I was never so happy before,"

she replied.

Feeling a deep sincerity in this answer, George pressed her hands with

force, and continued: "Will it be possible for you to go back to your

every-day existence?"

"I do not know," she answered; "I do not look before me. You know all

is lost."

She lowered her eyes. George seized her in his arms, passionately.

"You love me, do you not? I am the only aim of your existence; you see

only me in your future."

With an unexpected smile, which raised her long eyelashes, she said:

"Yes, you know it."

He added once more in a low voice, his face bowed down: "You know my

malady."

She seemed to have guessed her lover's thought. As if in confidence, in

a whispering voice which seemed to draw closer the circle in which they

breathed and palpitated together, she asked, "What can I do to cure

you?"

They were silent, clasped in each other's arms. But in the silence

their two souls dwelt and decided upon the same thing.

"Come with me," he cried, at length. "Let us go to some unknown

country; let us stay there all Spring, all Summer, as long as we

can--that will cure me."

The Triumph of Death · 第 9 / 15 题