Then, turning towards George, she added, "What now?"

A railway employee gave them information.

"The train for Cecchina passes here at half-past four."

"We can manage, then," continued Hippolyte. "It is now half-past two.

Now, from this moment, I declare that I will assume the management of

this journey. You will simply permit yourself to be conducted. Come,

my little George. Keep close to me, and take good care that you don't

lose yourself."

She spoke to him as to a baby, in jest. They both felt full of gayety.

"Where is Segni? Where is Paliano?"

No village could be seen in the neighborhood. The low hills spread

their uncertain verdure beneath a gray sky. Near the road, a single

little tree, knotted and gnarled, swayed in the humid atmosphere.

As it still poured, the two wanderers sought shelter at the station, in

a small room, with a chimney-piece without a fire. On a wall hung an

old map in tatters, its surface a network of black lines. On another

wall hung a square of pasteboard advertising an elixir. Opposite to the

chimney, which had not even the memory of a fire, a couch, covered with

a waxed cloth, was losing its species of stuffing by a thousand wounds.

"Look!" cried Hippolyte, who was reading the _Baedeker_. "At Segni

there is the Gaetanino Hostelry."

This designation made them laugh.

"Suppose we smoke a cigarette?" said George. "It is three o'clock. It

was at this time that I entered the church, two years ago."

And, once more, the memory of the great day occupied his mind. During

several minutes they smoked without speaking, listening to the rain,

which had increased in force. Through the drenched window-panes they

saw the frail little tree, twisting and bending under the squall.

"My love is of older date than yours," said George. "It was born before

that day."

She protested.

He, fascinated by the profound charm of the days irrevocably passed,

continued tenderly: "I can see you again as you passed the first time.

What an ineffaceable impression! It was towards evening, when the lights

begin to be lit, when waves of azure fall on the streets.

"I was alone before the windows of Alinari. I was looking at the

figures, but distinguished them with difficulty. It was an indefinable

sensation--some lassitude, much sadness, with I know not what vague

desire for ideality. That evening I had an ardent thirst for poetry,

elevation, refined and spiritual things. Was it a presentiment?"

He made a long pause; but Hippolyte said nothing, waiting for him to

continue, engrossed in the exquisite pleasure of listening to him among

the light smoke of the cigarettes, which seemed to envelop the veiled

memories in still another veil.

"It was in February. I was paying a visit to Orvieto at that very time.

I even believe that if I was then at Alinari's, it was to ask him for a

photograph of the reliquary. And you passed! Since then, on two or

three other occasions--two or three, not more--I have seen you as pale,

that singular pallor. You cannot imagine, Hippolyte, how pale you were.

Never have I seen its equal. I thought: 'How can that woman keep up?

She cannot have a single drop of blood in her veins.' It was a

supernatural pallor, which in the flood of azure falling from the sky to

the pavement gave you the appearance of a creature without a body. I

paid no attention to the man who accompanied you; I did not wish to

follow you; I did not receive even as much as a look from you. I recall

another detail. You stopped a few steps farther on, because a

lamp-lighter blocked the pavement. Ah! I still see in the air the

scintillation of the small flame at the summit of the staff; I see the

sudden lighting of the gas which bathed you in light."

Hippolyte smiled, but somewhat sadly, with that sadness which oppresses

the heart of women when they regard their portraits taken in former

days.

"Yes, I was pale," she said. "I had only quitted my bed a few weeks

before, after a three months' illness. I had been at death's door."

A gust of rain dashed against the window-panes. The little tree could

be seen bending and twisting under the wind in an almost circular

movement, as if some hand were attempting to uproot it. For several

minutes they both watched the fury of the elements, which, in the

bleakness, nakedness, and inert torpor of the surrounding country, took

on a strange appearance of conscious life. Hippolyte felt almost

compassion. The imaginary suffering of the tree placed them face to

face with their own sufferings. They mentally considered the great

solitude which lay all around the station, a miserable hut before which

passed from time to time a train-load of divers travellers, each of whom

carried in his own bosom a different inquietude. Sad images rapidly

succeeded one another in their thoughts, suggested by the same things

they had seen an hour before with joyous eyes. And when the images

faded away, when their consciences, ceasing to be impressed, returned to

themselves again, they both found, at the bottom of their being, a

unique and inexpressible anguish--a regret for days irrevocably lost.

Their love had behind it a long _past_. It dragged behind it, through

the years, an immense and obscure net, full of dead things.

"What's the matter?" asked Hippolyte, her voice slightly changed.

"What's the matter with you?" asked George, looking fixedly at her.

Neither replied to the question. They remained silent, and renewed

their gaze through the windows. The heavens seemed to smile tearfully.

A faint glimmer lit up a hillock, bathed it in a fugitive golden glow,

died away. Other sun-rays tried to pierce the moisture-laden

cloud-banks, then disappeared.

"Hippolyte Sanzio!" said George, pronouncing the name slowly, as if to

enjoy its charm. "How my heart beat when I finally learned that was

your name! How many things have I seen and felt in that name! It was

the name of one of my sisters, who is dead. That beautiful name was

familiar to me. With profound emotion, I immediately thought, 'Oh! if

my lips could only resume their dear custom.' That day, from morning

until night, the recollections of my dead sister mingled exquisitely

with my secret dream. I did not go in search of you; I forbade myself

such pursuit; I would never be importunate; yet, at heart, I had an

inexplicable confidence. I was sure that, sooner or later, you would

know me and love me. What delicious sensations were mine! I lived

outside of the reality; my soul fed only on music and exalting books.

One day it happened that I saw you at a concert given by Gian Sgambati;

but I saw you only just as you were about to leave the hall. You gave

me a glance. Another time, again, you looked at me--maybe you remember?

It was when we met at the entrance to the Via del Babuino, opposite the

Piale Library."

"Yes, I remember."

"You had a little girl with you."

"Yes; Cecilia--one of my nieces."

"I stopped on the sidewalk--so as to allow you to pass. I noticed that

we were both of the same height. You were less pale than usual. A

momentary feeling of pride flashed through me."

"You had guessed correctly," said Hippolyte.

"You remember? It was towards the end of March. I waited with growing

confidence. I lived from day to day absorbed in thoughts of the great

passion which I felt approaching. As I had seen you twice with a small

bouquet of violets, I filled all my house with violets. Oh! that

beginning of spring I shall never forget! And the morning slumbers, so

light, so transparent! And those slow, dreamy awakenings, in which,

while my eyes were becoming used to the light, my mind still delayed

before resuming the sentiment of reality! I recall that certain

childish artifices sufficed to throw me into a species of illusionary

intoxication. I remember, one day, at a concert, while listening to a

Beethoven sonata, in which a frequent and periodic return of a sublime

and passionate phrase recurred, I exalted myself almost to a state of

madness by the interior repetition of a poetical phrase in which your

name occurred."

Hippolyte smiled; but, hearing him speak with an evident preference for

all the first manifestations of his love, at the bottom of her heart she

felt displeased. Did those days seem sweeter to him than the

present--were those distant recollections his dearest recollections?

George went on: "All the disdain which I have for a commonplace

existence would never have sufficed to inspire me with the dream of an

asylum as fantastic and mysterious as the abandoned oratory of the Via

Belsiana. Do you recall it? The door at the head of the steps, opening

on the street, was shut, and had been for years perhaps. One passed

through a side alley which reeked of wine, and in which there was the

red sign of a cabaret, with a large cork. Do you remember it? The

entrance was at the rear, and one had to pass through a sacristy

scarcely large enough to hold a priest and sacristan. It was the

entrance to the sanctuary of Wisdom. What curious-looking old men, and

women, on all sides, in the worm-eaten stalls! Where had Alexander

Memmi been, to procure his audience? Doubtless you did not know, dear

one, that you personified Beauty in this council of the music-mad. Mr.

Martlet, you see, is one of the most confirmed Buddhists of our epoch;

and his wife has written a book on the _Philosophy of Music_. The lady

seated near you was Margherita Traube Boll, a celebrated doctor who is

carrying on her defunct husband's investigations into the visual

functions. The necromancer, in the long greenish cloak, who entered on

tiptoe, was a Jew--a German physician, Dr. Fleichl, a superb pianist, a

fanatic on Bach. The priest seated beneath the cross was Count

Castracane, an immortal botanist. Another botanist, a bacteriologist, a

microscopist, named Cuboni, was sitting in front of him. And there was

also Jacopo Moleschott, that unforgettable old man, frank, enormous;

also Blaserna, the collaborator of Helmholtz in the theory of sound; and

Mr. Davys, a philosophical painter, a Preraphaelite plunged into

Brahmanism. The others, less numerous, were all superior people, rare

minds given to the highest speculations of modern science, cold

investigators of life and passionate adorers of dreams."

He interrupted himself in order to conjure up the picture, and then went

on:

"These savants listened to the music with religious enthusiasm; one

assumed an inspired attitude; others made unconscious gestures, in

imitation of the chapel-master; others, in low tones, joined in chant

with the choir. The choir, of men and women, occupied the rostrum, the

painted wood of which still showed traces of gilding. In front the young

girls formed a group, with their partitions kept on a level with their

faces. Below, on the roughly made stands of the violinists, burned

candles, spots of gold on a dark blue background. Here and there their

small flames were reflected by the varnished body of an instrument, put

a luminous point on the tip of a bow. Alexander Memmi, somewhat stiff,

bald, with a short black beard and gold spectacles, kept time with

severe and sober gestures. At the close of every piece a murmur arose

in the chapel, and laughs, badly suppressed, descended from the gallery,

amidst the rustling of music-pages being turned. When the sky

brightened, the candle-flames grew pale; and a cross very high up, which

had figured in former years in solemn processions, a cross all

ornamented with golden olives and foliage, seemed as if detached from

the wall, in a burst of light. The white and bald heads of the auditors

shone on the oaken backs. Then all at once, by a new change in the sky,

the shadow again began to creep among these things, like a light mist.

A scarcely perceptible wave of some subtle odor--incense or

benzoin?--invaded the nave.

"On the single altar, in glass vases, two bouquets of violets, somewhat

faded, exhaled the breath of spring; and this double-fading perfume was

like the poesy of dreams which the music evoked in the souls of the old

men, while close by, in quite different souls, there developed another

dream: like an aurora on melting snows."

It pleased him to reconstruct this scene, to render it poetical--to warm

it again with lyric breath.

"Is it not preposterous, unbelievable?" he cried. "At Rome, in the city

of intellectual inertia, a master of music, a Buddhist who has published

two volumes of essays on the philosophy of Schopenhauer, indulges in the

luxury of having a mass by Sebastian Bach executed for his own pleasure,

in a mysterious chapel before an audience of great music-mad savants,

whose daughters sing in the chorus. Is it not a page from Hoffmann? On

an afternoon of a somewhat gray but warm spring--these old philosophers

quit their laboratories, where they have obstinately striven to wrest

from life one of its secrets; and they assemble in a hidden oratory in

order to satisfy, almost to intoxication, the passion that has drawn

together their hearts, to leave their earthly bodies, and live ideally

in dreams. And, in the midst of this old men's gathering, an exquisite

musical idyll unfolds between the cousin of the Buddhist and the friend

of the Buddhist, ideally speaking. And when the mass is finished, the

Buddhist, suspecting nothing, presents the future lover to the divine

Hippolyte Sanzio."

He began to laugh, and then arose. "I have made, it seems to me, a

commemoration according to rule."

For an instant Hippolyte remained somewhat absorbed, then she said: "Do

you remember, it was on a Saturday, the eve of Palm Sunday?"

She also arose, approached George, and kissed his cheek.

"Shall we go now? It is no longer raining."

They went out and strolled along the wet pavement, which reflected the

subdued sunlight. The cold air made them shiver. Roundabout, the

undulating hills were covered with verdure and furrowed with luminous

streaks; here an there large pools of water reflected the pale image of

a sky whose deep azure spread out between the flaky clouds. The little

tree, dripping with rain, was illumined at intervals.

"That little tree will remain as one of our remembrances," said

Hippolyte, stopping to look at it. "It is so lonely, so lonely."

The bell announced the approach of the train, it was a quarter past

four. A railway employee offered to get their tickets. "When shall we

arrive at Albano?" George asked.

"About seven o'clock."

"It will be night," said Hippolyte.

As she felt rather cold, she took George's arm; and she was pleased to

think that they would arrive at a strange hotel this chilly evening, and

that they would dine alone before a bright fire.

George perceived that she trembled, and asked: "Do you wish to go in

again?"

"No," she replied. "You see, the sun's coming out. I shall warm up."

An indefinable desire for intimacy had seized her. She pressed closely

to him, became suddenly caressing, and her voice, look, contact,

gestures--and all her being--were full of seduction. She wished to shed

over the loved one the most feminine of her charms; she wished to

intoxicate him, to dazzle him with a display of present happiness

capable of eclipsing the reflection of bygone happiness. She wished to

appear to him more amiable, more adorable, more desirable than ever

before. A fear assailed her--an atrocious fear--that he might regret

the woman of long ago, sigh for the vanished delights, believe that then

only had he attained the height of intoxication. "His recollections,"

she thought, "have filled my soul with so much melancholy! I have

restrained my tears with difficulty. And he too, perhaps, is sad at

heart. How heavily the past hangs over our love! Perhaps he is tired

of me? Perhaps he is unaware of this weariness, and does not avow it to

himself, willing to live under the illusion? But he is perhaps

incapable now of finding any happiness in me. If I am still dear to

him, it is perhaps only because he recognizes in me an object for his

dear sorrows. Alas! I too, when with him, taste true happiness only at

rare intervals; I suffer too, and yet I love him, and I love my

suffering, and my only desire is to please him, and I cannot imagine

life without this love. Why then are we so sad, since we love one

another?"

She leaned heavily on her lover's arm, gazing at him with eyes to which

the shadow of her thoughts imparted an expression of profound

tenderness.

"Two years ago, about the same hour, we left the chapel together; and he

spoke to me of things in no way connected with love, in a voice which

moved my heart, which touched my soul as if with a caress of the lips;

and this ideal caress I enjoyed like a long kiss. I trembled, I

trembled incessantly, because I felt an unknown feeling born in me. Oh!

it was a divine hour! We have reached our second anniversary to-day,

and we still love one another. Just now he spoke; and if his voice

affected me differently than it used to do, it still moves me to the

bottom of my soul. We have before us a delightful evening. Why regret

the days that are gone? Our liberty, our present intimacy, are they not

worth the incertitude and hesitations of that time? Even our memories,

so numerous, do they not add a new charm to our love? I love him--I

give myself up to him entirely; in the presence of his desire I no

longer know modesty. In two years he has transformed me; he has made of

me another woman; he has given me new senses, a new soul, a new

intelligence. I am creation. He can intoxicate himself through me as he

would through one of his own thoughts. I belong entirely to him, now

and forever."

Then, passionately pressing her form against his, she asked, "Are you

not happy?"

The tone in which she spoke moved him; and, as if suddenly enveloped by

a warm breath, he experienced a thrill of real happiness.

"Yes, I am happy," he answered.

And when the locomotive whistle was heard, their hearts had the same

palpitation.

At last they were alone in their compartment. She closed all the

windows, waited until the train was again in motion; they fell into each

other's arms, kissed each other, and repeated all the caressing names

which their tenderness of the last two years had used.

Then they sat still, side by side, a vague smile on their lips and in

their eyes, and with the sensation that, little by little, the rapid

coursing of their blood was abating. Through the windows they watched

the monotonous country as it rushed by and disappeared into the

violet-colored fog.

"Rest your head on my knees, and lie down," said Hippolyte.

He laid his head on her knee. She said: "The wind has disarranged your

mustache." With her finger-tips she raised several of the light hairs

which had fallen on his mouth. He kissed her finger-tips. She passed

her hand through his hair. She said: "You, too, have very long

eyelashes."

To admire his lashes, she closed his eyes. Then she caressed his brow

and temples; she made him kiss once more each one of her fingers, one

after the other, her head bent over George. And from beneath, George

saw her mouth open with infinite slowness, saw unfold the snowy

whiteness of her teeth. She closed her mouth, then again slowly opened

it, with an almost insensible movement--like a flower with two petals;

and a pearly whiteness shone from within. This delightful sport threw

them into a state of languor; they forgot everything--they were happy.

The monotonous motion of the train soothed them. In low tones they

exchanged terms of adoration.

"This is our first journey together," she said, smiling. "It is the

first time we are alone in a train."

She took delight in repeating that this was a new experience for them.

George, who had already felt the spur of desire, became more animated.

He raised himself up, he kissed her on the neck, just on the Twins; he

whispered something in her ear. An inexpressible light lit up

Hippolyte's eyes, but she answered with vivacity: "No, no, we must be

good until this evening. We must wait."

Once more she saw a vision of the silent hotel, of the furnished

chamber, of the large bed hidden beneath a white mosquito curtain.

"At this season of the year," she said, in order to distract her lover's

attention, "there will scarcely be anyone at Albano. How nice it will

be, all alone in an empty hotel. We shall be taken for a young couple."

She wrapped herself in her mantle with a thrill, and leaned against

George's shoulder.

"It is cold to-day, isn't it? When we arrive we'll light a big fire,

and we'll take a cup of tea."

For them it was an acute pleasure to imagine the approaching

intoxication. They spoke in low tones, communicating the ardor of their

blood, exchanging burning promises. But, as they talked of future

voluptuousness, their present desire grew, became irresistible. They

lapsed into silence, they united their lips; they heard nothing more but

the tumultuous beating of their arteries.

* * * * *

Afterwards, it seemed to them both as if a veil had been torn from

before their eyes, that an internal mist was being dissipated--that the

enchantment was broken. The fire in the imaginary chamber went out; the

bed seemed icy, and the silence of the empty hotel became heavy.

Hippolyte leaned her head against the back of the seat, watching the

vast, monotonous country disappearing in the darkness.

At her side, George had again fallen beneath the empire of his

perfidious thoughts. A horrible vision tortured him, against which it

was impossible for him to contend, because he saw it with the eyes of

his soul, those eyes, pupil-less, that no force of will can shut.

"Of what are you thinking?" asked Hippolyte, uneasy.

"Of you."

He thought of her, of her wedding-trip--of the ways in which the newly

married generally act. "Without the least doubt, she found herself

alone with her husband just as she is now with me. And it is perhaps

this remembrance which causes her sadness." He thought also of the

rapid adventures between two stations, of the sudden disquietude caused

by a look--of the seizures of sensuality during the suffocating length

of an afternoon during the dog-days. "What horror! What horror!" He

started violently, a particular kind of start that Hippolyte knew too

well to be a sure symptom of the malady which afflicted her lover. She

took his hand in hers and asked:

"Are you in pain?"

He nodded, looking at her with an unhappy smile. But she had not the

courage to push her questioning further, because she feared a bitter and

heart-breaking answer. She preferred to remain silent; but she kissed

him on his forehead--a long kiss, as usual, in the hope of unloosening

the tangle of cruel reflections.

"Here we are at Cecchina!" she cried with relief, as she heard the

whistle announcing their arrival. "Quick--quick, love, we must get

down."

In order to amuse him, she affected gayety. She lowered the window and

looked out.

"The evening is cold, but beautiful. Make haste, love. This is our

anniversary. We must be happy."

The sound of her strong and tender voice drove away his gloominess. On

alighting in the fresh air, he felt himself restored to serenity.

A sky, limpid as a diamond, curved like a vault over the country

drenched with water. In the transparent atmosphere there still flitted

beams of crepuscular light. The stars came out one by one, as if shaken

on the staffs of invisible lamp-bearers.

"We must be happy." George heard internally the echo of Hippolyte's

remark; and his soul swelled with indefinite aspirations. On this

solemn and pure night the quiet chamber, the flaming hearth, the bed

with its white-gauze draperies, appeared to him to be elements too

humble for happiness. "It is our anniversary--we must be happy." Of

what had he thought--what was he doing, at this same hour two years ago?

He had wandered aimlessly through the streets, pressed on by an

instinctive desire to seek more deserted spots, yet attracted

nevertheless towards the populous quarters, where his pride and joy

seemed to grow by contrast with the common life; where the ambient

noises of the city sounded in his ears only like a distant murmur.

*CHAPTER V.*

The old hotel of Ludovico Togni, with the walls of its long vestibule

done in stucco and painted to imitate marble, with its landing-places

with green doors, decorated all over with commemorative stones, gave an

immediate impression of quasi-conventional peace. All the furniture had

an aspect of being heirlooms. The beds, the chairs, the sofas, the

couches, the chests of drawers, had the style of another age, now fallen

into disuse. The delicately colored ceilings, bright yellow and

sky-blue, were decorated at their centres with garlands of roses or

other usual symbols, such as a lyre, a torch, or a quiver. On the

paper-hangings and woollen carpet the bouquets of flowers had faded, and

had become almost invisible; the window curtains, white and modest, hung

from poles from which the gilt had worn off; the _rococo_ mirrors, while

reflecting these antique images in a dull mist, imparted to them that

air of melancholy, and almost of unreality, which solitary pools

sometimes give at their edges.

"How pleased I am to be here!" cried Hippolyte, penetrated by the charm

of this peaceful spot. "I wish I could stay here forever."

And she drew herself up in the great armchair, her head leaning against

the back, which was decorated with a crescent, a modest crochet-work in

white cotton.

She thought once more of her dead aunt Jane and of her distant infancy.

"Poor aunt!" she said; "she had, I recall, a house like this--a house in

which, for a century, the furniture had not been moved from its place.

I always recollect her unhappiness when I broke one of those glass

globes beneath which artificial flowers are preserved, you know. I

remember she cried over it. Poor old aunt! I can see her black-lace

cap, with her white curls which hung down her cheeks."

She spoke slowly, pausing from time to time, her gaze fixed on the fire

which flamed in the fireplace; and, every now and then, so as to smile

at George, she raised her eyes, which were somewhat downcast and

surrounded by dark violet rings; while from the street arose the

monotonous and regular noise of pavers beating the pavement.

"In the house, I can recall, there was a large hay-loft with two or

three windows, where we kept the pigeons. You reached the loft by means

of a small, straight stairway, against the wall of which hung, heaven

knows since when, skins of hares, hairless and dried, stretched from two

ends of crossed reeds. Every day I carried food to the pigeons. As soon

as they heard me coming, they clustered around the door. When I

entered, it was a veritable assault. Then I would sit on the floor and

scatter the barley all around me. The pigeons surrounded me; they were

all white, and I watched them pecking up their food. The sound of a

flute stole in from a neighboring house; always the same air at the same

hour. This music seemed delicious to me. I listened, my head raised to

the window, my mouth wide open, as if to drink in the notes which

showered. From time to time a belated pigeon arrived, beating her wings

on my head, and filling my hair with white feathers. And the invisible

flute went on playing. The air still rings in my ears; I could hum it.

That is how I acquired a passion for music, in a dovecote, when a

child."

And she repeated mentally the air of the ancient flute of Albano; she

enjoyed its sweetness with a melancholy comparable to that of the wife

who, after many years, discovers a forgotten sugar-plum at the bottom of

her wedding-box. There was an interval of silence. A bell sounded in

the corridor of the peaceful residence.

"I remember. A lame turtle-dove hopped into the room; and it was one of

my aunt's greatest favorites.

"One day a little girl of the neighborhood came to play with me--a

pretty little blond girl named Clarisse. My aunt was confined to bed by

a cold. We amused ourselves on the terrace, to the great damage of the

vases of pinks. The turtle-dove appeared on the sill, looked at us

without suspicion, and squatted down in a corner to enjoy the sunshine.

Scarcely had Clarisse perceived it, however, when she started forward to

seize it. The poor little creature tried to escape by hopping away, but

it limped so comically that we could not control our laughter. Clarisse

caught it; she was a cruel child. From laughing, we were both as drunk.

The turtle-dove trembled with fear in our hands.

"Clarisse plucked one of its feathers; then (I shudder still when I

think of it) she plucked the dove almost entirely, before my eyes, with

peals of laughter which made me laugh too. One could have believed that

she was intoxicated. The poor creature, despoiled of its feathers,

bleeding, escaped into the house as soon as it was liberated. We

started to pursue it, but, almost at the same moment, we heard the

tinkle of the bell, and the calls of my aunt who was coughing in her

bed. Clarisse escaped rapidly by the stairway; I hid myself behind the

curtains. The turtle-dove died that same night. My aunt sent me to

Rome, convinced that I was guilty of this barbarity. Alas! I never saw

Aunt Jane again. How I have wept! My remorse will last forever."

She spoke slowly, pausing from time to time, fixing her dilated eyes on

the flaming hearth, which almost magnetized her, which began to overcome

her with a hypnotic torpor, while from the street arose the monotonous

and regular noise of pavers beating the pavement.

*CHAPTER VI.*

One day the lovers came back from Lake Nemi somewhat fatigued. They had

dined at the Cesarini Villa, beneath showy camellias in bloom. Alone,

with the emotion felt only by him who contemplates the most secret of

secret things, they had contemplated the Mirror of Diana, as cold, as

impenetrable to the view as the deep blue of a glacier.

As usual, they ordered tea. Hippolyte, who was looking for something in

a valise, turned suddenly towards George, showing him a packet tied with

a ribbon.

"You see, these are your letters. They never leave me."

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