Speaking of the best and most characteristic of them, I would say, that

scarcely any compositions of the art, in whatever class, are calculated

to excite a greater variety of deep and serious feelings; feelings, it

is true, so uniformly tempered and modified by a calm and delightful

satisfaction, that they can scarcely be considered without calling up a

_smile_ to the countenance. But the smile arising from inward delight is

as different from the laughter excited by strangeness and drollery as

any one thing can be from another. It is, in fact, the very essence of

Wilkie’s pictures, that there is literally nothing strange, and

consequently nothing droll and laughter-moving about them.

From the works of no one English artist have I received so much pure and

unmixed pleasure and instruction as I have from those of Sir David

Wilkie. He differs from all the great old masters, inasmuch as I think

he possesses more vigor of pencil, and more natural and characteristic

truth of expression than any of them. His style cannot, indeed, be said

to possess the airy and enchanting graces of Claude, or the classic

power and beauty of the Poussins, or the delicious sweetness of Paul

Potter, or the sunny brightness of Wynants, or the elegant warmth of

Both, or the delightfully rural and country-fied air of Hobbima. In

fact, he has no peculiar or distinguishing style of _his own_; and this

is his great and characteristic beauty. There is nothing in his pictures

but what belongs positively and exclusively to the scene they profess to

represent. When any of the above qualities are required in his pictures,

they are sure to be found there; not because they are part of _his_

style, but because they are part of _Nature’s_, in the circumstances

under which he is representing her. The _artist_ never obtrudes himself

to share with nature the admiration of the spectator. And this is a very

rare and admirable quality to possess in these days of pretence and

affectation; when _subject_ is usually but a _secondary_ consideration,

and is kept in submission to the display of style, manner, and what is

called _effect_.

* * * * *

TO AMIE—UNKNOWN.

BY L. J. CIST.

They tell me, lady! thou art fair

As pale December’s driven snow;

That thy rich curls of golden hair

Are bright as summer-sunset’s glow;

That on the coral of thy lips

Dwells nectar such as Jove ne’er sips;

And in thy deep cerulean eye

A thousand gentle graces lie;

While lofty thought, all pure as thou,

Sits throned upon thy queen-like brow!

Lady! I love thee! though I ne’er

Have seen that form of faultless grace;

Though never met mine eyes the fair

And perfect beauty of thy face:

Yet not for that thy face is fair—

Nor for thy sunny golden hair—

Nor for thy lips of roseate hue—

Nor for those eyes of Heaven’s own blue—

Nor swan-like neck—nor stately brow—

I love thee:—not to _these_ I bow!

I love thee for the gifts of mind

With which they tell me thou’rt endow’d;

And for thy graceful manners—kind,

And gently frank, and meekly proud!

And for thy warm and gushing heart,

And soul, all void of guileful art,

And lofty intellect, well stored

With learning’s rich and varied hoard;

For gifts like _these_ (gifts all thine own)

I love thee!—BEAUTIFUL UNKNOWN!

* * * * *

EDITH PEMBERTON.

BY MRS. EMMA C. EMBURY.

Oh! days of youth and joy long clouded,

Why thus forever haunt my view?

While in the grave your light lay shrouded,

Why did not memory die there too?

Moore.

“My dear,” said Mrs. Pemberton, drawing her needle through a very

dilapidated stocking which she was darning, “my dear, do you know how

much your old friend Ellis is worth?”

Mr. Pemberton looked up from his newspaper with some surprise, as he

replied, “I can’t tell exactly, but I should think his property cannot

fall short of one hundred thousand dollars.”

“That will be twenty thousand a piece for each of his five children,”

said Mrs. Pemberton, apparently pursuing some hidden train of thought.

“I am not so sure of that,” returned her husband, with a smile, “it is

difficult to calculate the fortune of a child during the life of a

parent. Mr. Ellis is a hale hearty man, and may live long enough to

double his fortune or perhaps to _lose_ it all. But why are you so

interested in his affairs just now, Sarah?”

“To tell you the truth, husband, I have been thinking that Edward Ellis

would be a good match for Caroline.”

“Pooh! pooh! Carry is but sixteen, it will be time enough three years

hence, to think of a husband for her.”

“But if a good opportunity should offer, it would be the height of folly

to let it slip only on account of her youth. Edward is certainly very

constant in his visits.”

“His intimacy with Charles, sufficiently accounts for his frequent

visits, and his attentions, if they mean anything, are rather directed

to Edith, as far as I can judge,” said Mr. Pemberton.

“Oh that is only because Edith is the eldest. I could easily manage to

keep her out of the way, if she were to interfere with Caroline’s

prospects.”

“But why not secure him for Edith, if you are so desirous of allying him

to the family?”

“Mercy on me, husband, what should I do without Edith? I would not, upon

any account, put such a notion into her head; nobody could supply her

place if she were to marry just now.”

“Rotation in office, my dear, is the true and just system in family

government, whatever it may be in politics; it is time that Caroline

shared some of Edith’s manifold duties,” said Mr. Pemberton.

“How little men know of domestic affairs,” exclaimed Mrs. Pemberton; “do

you suppose that such a giddy creature as Carry could ever be taught the

patience, industry and thoughtfulness which seem so natural to Edith?

No, no, I must keep Edith at home as long as possible.”

“So you have come to the conclusion that she is too useful to be allowed

to seek her own happiness.”

“Oh, Mr. Pemberton how can you talk so? I am sure if Edith really loved

any body I would never throw any obstacle in her way. She is quite

contented now and I don’t believe marriage is necessary to the happiness

of every body.”

“Why then are you so anxious to make matches for your girls? Why not

wait and see whether Carry is not also content to be single?”

“Because Caroline is such a hare-brained, thoughtless girl, that nothing

but domestic duties will ever give her steadiness of character, and

therefore I am anxious to see her settled in life.”

“Well I don’t think you need waste any feminine manœuvres upon Edward

Ellis, for whatever fortune his father may possess, he will never

support his sons in idleness. He means that they shall work for

themselves as he has done, and though he has given Edward a liberal

education, he intends to make him a thorough merchant.”

“Edward wishes to study a profession.”

“I know old Ellis well enough to believe that he sets too high a value

on time and money to consent to such a plan. He would never be willing

to maintain Edward during the next ten years, as must necessarily be the

case, if he adopted a profession.”

“Edward is a remarkably fine young man.”

“Yes, he possesses excellent talents and an amiable disposition, but his

character is yet to be formed by time and circumstance.”

“He is two and twenty, husband; and you were married when you were not

that age.”

“I know it, Sarah,” said Mr. Pemberton, drily, “and we both married five

years too soon. I became burdened with the support of a family at the

outset of life, and you were weighed down with domestic cares, while yet

in your girlhood; the consequence to me has been, that I am now obliged

to labour as hard for a living at forty-five as I did at twenty, and

with as little prospect of making a fortune; while the result to you has

been broken health and wearied spirits.”

“I am sure I never repented our marriage, my dear,” said Mrs. Pemberton

half reproachfully.

“Nor I, my dear Sarah,” replied her husband kindly, “it would be but an

ill requital for all your affection and goodness; but should we not be

equally happy and less care-worn now, if we had deferred our union until

we had been a little older and wiser?”

“Ah well,” sighed Mrs. Pemberton, feeling the truth of her husband’s

remark, but unwilling to confess it, “there is no use in such

retrospection; we have a large family around us, and there are no finer

children than ours in the whole circle of our acquaintance. If I am

broken down with the care of bringing them up, I can forget all my

trouble, when I have so much cause to be proud of them. A better

daughter than Edith, a more steady boy than Charley, and prettier girls

than Caroline and Maria, are not to be found anywhere in society; and I

dare say I shall be just as proud of the little ones in the nursery as

they grow up.”

“I dare say you will, my dear,” said her husband, smiling

good-humoredly, “it would be very strange if you were not, and quite as

strange if I had not similar opinions; Edith is as good as she is

handsome and I only wish young Ellis was in circumstances to marry her.”

“Don’t speak of such a thing, husband, I cannot consent to part with her

for the next four or five years.”

“Yet you want to get rid of Caroline.”

“I have already told you my motives; there never were two sisters more

unlike.”

“Edith has all the prudence and kindliness which befits a good wife, and

therefore deserves to be well mated.”

“She does not seem to think of such a thing as marriage, and I am truly

glad she is so indifferent about it, indeed I almost believe that Edith

is destined to be an old maid.”

“It needs no great prophetic skill to predict that, if you keep her

forever in the back-ground.”

“I am sure I do no such thing,” said Mrs. Pemberton, warmly.

“I don’t pretend to know much about these matters but I have noticed

that when the girls are invited to a party it is generally Edith who is

left at home.”

“It is not my fault, Mr. Pemberton, if she takes no pleasure in gay

society.”

“Are you certain she always stays at home from choice?”

“I dare say she does, at least she is never controlled by me.”

“But you know as well as I do, that the slightest expression of a wish

is sufficient to influence her. The truth is, Edith has made herself so

useful in the family that we all depend upon her for a large portion of

our comforts, and are too apt to forget that she often sacrifices her

own. Do you suppose that she actually preferred staying at home to nurse

little Margaret, the other night, to going to Mrs. Moore’s grand ball?”

“No, I can’t say she did, for she seemed rather anxious to attend that

ball, and had trimmed a dress beautifully for the occasion.”

“The child was certainly not so ill as to require her attendance in

addition to yours, and why, therefore, was she obliged to remain?”

“No, the baby was not very sick, but she cried so bitterly when she saw

Edith dressed for the party, that I was afraid she would bring on a

fever.”

“Therefore you disappointed Edith merely to gratify the whim of a petted

infant.”

“I left her to do as she pleased; she immediately changed her dress, to

pacify Margaret, and took her usual place by the cradle.”

“Yes, you left her to do as she pleased, after she had been allowed to

discover exactly what you wished she should do. This is always the way,

Sarah; the incident just mentioned, is only one out of hundreds, where

Edith’s kind feelings have been made to interfere with her pleasures. I

have long seen in the family a disposition to take advantage of her

unselfish character, and it seems to me exceedingly unjust. I do not

want to part with Edith, and should give her to a husband with great

reluctance, but I insist that she should have a fair chance, and not be

compelled to join the single sisterhood whether she will or not. You had

better let match-making alone, Sarah; leave the girls to choose for

themselves; only be careful that they have the right sort of admirers,

from which to select their future master.”

Edith Pemberton was the eldest of a large family. Her father, immersed

in business like most of our American merchants, spent the working days

of every week at his counting room, only returning at evening, jaded and

fatigued, to read the newspaper, and to doze upon the sofa till bed

time. Governed by the erroneous ideas, which led men, in our country, to

attempt the accumulation of a rapid fortune, in the vain hope of

enjoying perfect leisure in their later years, Mr. Pemberton had become

little more than a money-making machine. He loved his family but he had

little time to devote to them. He spared no expense in the education of

his children, liberally provided them with comforts, and punctually paid

all the family bills, but he left all the management of household

matters to his wife, who soon found it utterly useless to consult him on

any domestic arrangement. His purse was always open to her demands, but

his time he could not give. The consequence was that Mrs. Pemberton

while endeavoring conscientiously to perform her duties, made the usual

mistake, and fell into those habits which often convert our good wives

into mere housekeepers and nurse maids; “household drudges” as our

grumbling cousin Bull calls them. A rapidly increasing family, and her

utter ignorance of her husband’s business prospects, induced her to

practise the strictest economy which was consistent with comfort.

Abandoning the elegant accomplishments which she had acquired with so

much expense of time and labor at school, she secluded herself in her

nursery, and in the care of her children and the duties of housekeeping

found full employment.

In childhood, Edith was what old ladies call ‘a nice quiet little girl.’

Her delicate features, fair complexion, and blonde hair, established her

claim to infantile beauty, while her bright smile, sweet voice and

graceful gentleness seemed to win the love of all who knew her. Endowed

with no remarkable intellect, no decided genius, she yet managed, by

dint of good sense, industry and perseverance, to maintain her place at

the head of her classes, and to leave school, which she did at fifteen,

with the reputation of a very good scholar. A plain, but thorough

English education, a little French, a few not very ill done drawings in

water colors; some velvet paintings and a profound knowledge of the art

of stitching in all its varieties, were the fruits of Edith’s studies.

Gentle reader, do not despise the scanty list of accomplishments which

she could number. It comprised the usual course of education at that

time, and perhaps, in point of real usefulness, would bear a fair

comparison with the more imposing “_sciences_” and “_ologies_” which are

now _presumed_ to be taught in schools of higher pretensions. Her skill

in _needlecraft_ was a most valuable acquisition to the eldest daughter

of so numerous a family, and Mrs. Pemberton availed herself fully of its

aid. Edith returned from school only to take her place as an assistant

to her mother in the nursery. The maid whose business it was to take

care of the children, was not trustworthy, and it became the duty of

Edith to watch over the welfare of the little ones, while she employed

her busy fingers in shaping and sewing their multifarious garments.

Kindly in her feelings, affectionate in her disposition, gentle and

patient in temper, she was dearly loved by the children. It was soon

discovered that her influence could do more than the clamor of an

impatient nursemaid, or the frown of a mother whose natural good temper

had been fretted into irritability. If a child was refractory, sister

Edith alone could administer medicine, or smooth the uneasy pillow,—and

in short Edith became a kind of second mother to her five sisters and

three brothers.

Had her nature been in the slightest degree tainted with selfishness,

she might have reasonably murmured against the heavy burdens which were

laid upon her at so early an age. But Edith never thought of herself. To

contribute to the happiness of others was her chief pleasure, and she

seemed totally unconscious of the value of her daily sacrifices. If any

particularly disagreeable piece of work was to be done, it was always

concluded that Edith would not refuse to undertake it; if any one was

compelled to forego some anticipated pleasure, the lot was sure to fall

on Edith; and in short the total absence of selfishness in her seemed to

be the warrant for a double allowance of that ingredient in the

characters of all around her. Have you never met, friend reader, with

one of those kind, affectionate, ingenuous persons who have the knack of

doing every thing well, and the tact of doing every thing kindly? and

did you never observe that with this useful and willing person, every

body seemed to claim the right of sharing their troubles? Such an one

was Edith Pemberton.

But Edith was not proof against that passion which is usually libelled

as selfish and engrossing. Edward Ellis had cultivated an intimacy with

her young and studious brother, solely on her account, and the patience

with which the gifted “senior,” assisted the efforts of the zealous

“sophomore,” might be attributed less to friendship than to a warmer

emotion. Ellis was talented, ambitious and vain, but he was also

warm-hearted, and susceptible to virtuous impressions. The perfect

gentleness, the feminine delicacy, the modest beauty of Edith had

charmed the romantic student, and her unaffected admiration of his

superior mental endowments, completed the spell of her fascination. His

parents, well knowing how strong a safeguard against evil influences, is

a virtuous attachment, rather encouraged his intimacy with the Pemberton

family, without enquiring closely into his motives; and Edward was

content to enjoy the present, leaving the future to take care of itself.

In compliance with his wishes, his father had given him a liberal

education, but when, upon leaving college he requested permission to

study some profession, he met with a decided negative. “I wish you to be

a merchant, Edward,” said his father, “I have given you an education

which will enable you to be an enlightened and intelligent one, but upon

yourself it depends to become a rich one. Talents and learning without

money are of as little use as rough gems; they are curiosities for the

cabinet of the virtuoso, not valuables to the man of sense; they must be

polished and set in a golden frame before they can adorn the possessor,

or seem precious in the eyes of the multitude. If you are wealthy, a

little wisdom will procure you a great reputation; if you are poor your

brightest talents only serve as a farthing rush-light to show you your

own misery!” Such were the views of Mr. Ellis, and though his son

differed widely from him in feeling, yet he dared not gainsay the

assertions which he deemed the result of experience and worldly wisdom.

It was but a few days after the conversation just narrated that another

of a different character took place between two of the parties

interested. Edith was returning from a visit to a sick friend, just as

evening was closing in, when she was met at her door, by Edward Ellis.

“Come with me, Edith,” said Edward hurriedly, “wrap your shawl about

you, and walk with me on the Battery.”

“Not now, Mr. Ellis,” replied Edith, “it is quite late, and little Madge

is waiting for me to sing her to sleep.”

“Psha! Edith, you are always thinking of some family matter; do you ever

think of your own wishes?”

“Yes,” replied Edith, laughing, “and I confess I should prefer a

pleasant walk with you to a warm and noisy nursery.”

“Then come,” said Edward, drawing her arm through his, “I have something

of great consequence to say to you.”

Edith looked surprised, but the expression of Edward’s countenance was

anxious and troubled, so she offered no further opposition. They entered

the Battery, and walked along the river side, for some minutes in

perfect silence, before Edward could summon courage to enter upon the

subject nearest his thoughts. At length as they turned into a less

frequented path, he abruptly exclaimed, “Do you know, Edith, that I am

going away?”

Edith’s heart gave a sudden bound, and then every pulsation seemed as

suddenly to cease, as with trembling voice she uttered a faint

exclamation of astonishment.

“You are surprised, Edith, I knew you would be so, but have you no other

feeling at this announcement of my departure? Nay, turn not your sweet

face from me; I must know whether your heart responds to mine.”

Edith blushed and trembled as she thus listened, for the first time, to

the voice of passionate tenderness. Feelings which had long been growing

up unnoticed in her heart, and to which she had never thought of giving

a name—fancies, beautiful in their vagueness,—emotions undefined and

undetermined, but still pleasant in the indulgence,—all the

“countless things

That keep young hearts forever glowing,”

found in that instant their object and their aim. Edith had never

thought of Edward as a lover, she had never looked into her heart to

discover whether she really wished him to be such, but at the magic

voice of affection, the mystery of her own heart was revealed to her,

its secret recesses were unveiled to her gaze, and she knew that his

image had long been there unconsciously enshrined. Her lover saw not all

her emotions in her expressive countenance, but he read there no

repulsive coldness, and as he clasped the little hand, which lay on his

arm, he said:

“Listen to me, dear Edith; my father informed me, to-day, that he has

made an arrangement with my uncle, (whom, as you know, has long resided

at Smyrna,) by which I am to become the junior partner in the house, and

he has directed me to be ready in three weeks, to sail in one of his

ships, now lading for that port. How long I shall be absent, is

uncertain, but as my uncle is desirous of returning to America, I

presume that it is intended I shall take his place abroad. Years,

therefore, may elapse ere I again behold my native land, and I cannot

depart without telling you how dear you have long been to my heart. Yet

let me not deceive you Edith: I have confessed to my father my affection

for you,—he acknowledges your worth, and does not disapprove my choice,

but he has positively forbidden me to form any engagement for the

future. I am violating his commands in thus expressing my feelings to

you.”

“What are his objections, Edward?” faltered the trembling girl.

“Oh it is the old story of over-prudent age; he says we may both change

long before I return, and that it is best to be unfettered by any

promise; then no harm can happen to either, and if you love me you will

wait my return, without requiring any engagement to confirm your faith.

Thus he argues and I can make no reply. I have no means of supporting a

wife, therefore I dare not ask you of your parents, and my father’s

caution deprives me of the only comfort which hope might have afforded

me in my exile.”

Edith was deeply agitated, and her cheek grew pale, as she murmured:

“You are right in obeying your father, Edward; happiness never yet

waited on one who was deficient in filial duty.”

“And is this all you can say, Edith,” exclaimed Edward passionately. “Is

this cold approval all I can hope to receive from the object of my first

and only love? Have not my every look and tone told you how deeply I

loved you, and can you let me depart without one word of tenderness or

regret? Must I remember your gentle face but as a dream of boyhood?

Shall your low, sweet voice be but as the melody of by-gone years? May I

not bear with me, in my banishment, a hope, faint and cold it may be as

the winter sunbeam, yet lighting up my dreary path with something like a

promise of future happiness? Edith I ask no plighted faith; I wish you

not to pledge me your hand till I can come forward and claim it openly;

but I would fain know whether my love is but as incense flung upon the

winds. If you can offer no return to my affection, dearest, let me at

once know my fate, and with all the force of an over-mastering will,

shall my heart be silenced, if not subdued. Say that you love me not,

Edith, and though the stream of my life must forever bear your image on

its surface, yet you shall never know how dark has been the shadow it

has cast. Say that you love me not, and you shall never hear a murmur

from my lips, nor shall your peaceful existence be saddened by the gloom

which must ever pervade mine. You are silent Edith—you cannot bear to

utter the words which must condemn me to despair.”

Ellis paused, and strove to read in Edith’s face, the feelings to which

she could not give utterance. But her eyes were bent upon the ground,

while the big tears fell like rain from beneath the drooping lids and in

her flushed cheek he saw only displeasure.

Graham's Magazine, Vol. XX, No. 5, May 1842 · 第 5 / 10 段