CHAPTER XI

THE CAMPAIGN AGAINST HATRED

The essay _Au-dessus de la mêlée_ was the first stroke of the woodman's

axe in the overgrown forest of hatred; thereupon, a roaring echo

thundered from all sides, reverberating reluctantly in the newspapers.

Undismayed, Rolland resolutely continued his work. He wished to cut a

clearing into which a few sunbeams of reason might shine through the

gloomy and suffocating atmosphere. His next essays aimed at illuminating

an open space of such a character. Especially notable were _Inter Arma

Caritas_ (October 30, 1914); _Les idoles_ (December 4, 1914); _Notre

prochain l'ennemi_ (March 15, 1915); _Le meutre des élites_ (June 14,

1915). These were attempts to give a voice to the silent. "Let us help

the victims! It is true that we cannot do very much. In the everlasting

struggle between good and evil, the balance is unequal. We require a

century for the upbuilding of that which a day destroys. Nevertheless,

the frenzy lasts no more than a day, and the patient labor of

reconstruction is our daily bread. This work goes on even during an hour

when the world is perishing around us."

The poet had at length come to understand his task. It is useless to

attack the war directly. Reason can effect nothing against the elemental

forces. But he regards it as his predestined duty to combat throughout

the war everything that the passions of men lead them to undertake for

the deliberate increase of horror, to combat the spiritual poison of the

war. The most atrocious feature of the present struggle, one which

distinguishes it from all previous wars, is this deliberate poisoning.

That which in earlier days was accepted with simple resignation as a

disastrous visitation like the plague, was now presented in a heroic

light, as a sign of "the grandeur of the age." An ethic of force, an

ethic of destruction, was being preached. The mass struggle of the

nations was being purposely inflamed to become the mass hatred of

individuals. Rolland, therefore, was not, as many have supposed,

attacking the war; he was attacking the ideology of the war, the

artificial idolization of brutality. As far as the individual was

concerned, he attacked the readiness to accept a collective morality

constructed solely for the duration of the war; he attacked the

surrender of conscience in face of the prevailing universalization of

falsehood; he attacked the suspension of inner freedom which was

advocated until the war should be over.

His words, therefore, are not directed against the masses, not against

the peoples. These know not what they do; they are deceived; they are

dumb driven cattle. The diffusion of lying has made it easy for them to

hate. "Il est si commode de haïr sans comprendre." The fault lies with

the inciters, with the manufacturers of lies, with the intellectuals.

They are guilty, seven times guilty, because, thanks to their education

and experience, they cannot fail to know the truth which nevertheless

they repudiate; because from weakness, and in many cases from

calculation, they have surrendered to the current of uninstructed

opinion, instead of using their authority to deflect this current into

better channels. Of set purpose, instead of defending the ideals they

formerly espoused, the ideals of humanity and international unity, they

have revived the ideas of the Spartans and of the Homeric heroes, which

have as little place in our time as have spears and plate-armor in these

days of machine-gun warfare. Heretofore, to the great spirits of all

time, hatred has seemed a base and contemptible accompaniment of war.

The thoughtful among the non-combatants put it away from them with

loathing; the warriors rejected the sentiment upon grounds of chivalry.

Now, hatred is not merely supported with all the arguments of logic,

science, and poesy; but is actually, in defiance of gospel teaching,

raised to a place among the moral duties, so that every one who resists

the feeling of collective hatred is branded as a traitor. Against these

enemies of the free spirit, Rolland takes up his parable: "Not only have

they done nothing to lessen reciprocal misunderstanding; not only have

they done nothing to limit the diffusion of hate; on the contrary, with

few exceptions, they have done everything in their power to make hatred

more widespread and more venomous. In large part, this war is their war.

By their murderous ideologies they have led thousands astray. With

criminal self-confidence, unteachable in their arrogance, they have

driven millions to death, sacrificing their fellows to the phantoms

which they, the intellectuals, have created." The persons to whom blame

attaches are those who know, or who might have known; but who, from

sloth, cowardice, or weakness, from desire for fame or for some other

personal advantage, have given themselves over to lying.

The hatred breathed by the intellectuals was a falsehood. Had it been a

truth, had it been a genuine passion, those who were inspired with this

feeling would have ceased talking and would themselves have taken up

arms. Most people are moved either by hatred or by love, not by abstract

ideas. For this reason, the attempt to sow dissension among millions of

unknown individuals, the attempt to "perpetuate" hatred, was a crime

against the spirit rather than against the flesh. It was a deliberate

falsification to include leaders and led, drivers and driven, in a

single category; to generalize Germany as an integral object for hatred.

We must join one fellowship or the other, that of the truthtellers or

that of the liars, that of the men of conscience or that of the men of

phrase. Just as in _Jean Christophe_, Rolland, in order to show forth

the universally human fellowship, had distinguished between the true

France and the false, between the old Germany and the new; so now in

wartime did he draw attention to the ominous resemblance between the war

fanatics in both camps, and to the heroic isolation of those who were

above the battle in all the belligerent lands. Thus did he endeavor to

fulfill Tolstoi's dictum, that it is the function of the imaginative

writer to strengthen the ties that bind men together. In Rolland's

comedy _Liluli_, the "cerveaux enchaînés," dressed in various national

uniforms, dance the same Indian war-dance under the lash of Patriotism,

the negro slave-driver. There is a terrible resemblance between the

German professors and those of the Sorbonne. All of them turn the same

logical somersaults; all join in the same chorus of hate.

But the fellowship to which Rolland wishes to draw our attention, is the

fellowship of solace. It is true that the humanizing forces are not so

well organized as the forces of destruction. Free opinion is gagged,

whereas falsehood bellows through the megaphones of the press. Truth has

to be sought out with painful labor, for the state makes it its business

to hide truth. Nevertheless, those who search perseveringly can discover

truth among all nations and among all races. In these essays, Rolland

gives many examples, drawn equally from French and from German sources,

showing that even in the trenches, nay, that especially in the trenches,

thousands upon thousands are animated with brotherly feelings. He

publishes letters from German soldiers, side by side with letters from

French soldiers, all couched in the same phraseology of human

friendliness. He tells of the women's organizations for helping the

enemy, and shows that amid the cruelty of arms the same lovingkindness

is displayed on both sides. He publishes poems from either camp, poems

which exhale a common sentiment. Just as in his _Vie des hommes

illustres_ he had wished to show the sufferers of the world that they

were not alone, but that the greatest minds of all epochs were with

them, so now does he attempt to convince those who amid the general

madness are apt to regard themselves as outcasts because they do not

share the fire and fury of the newspapers and the professors, that they

have everywhere silent brothers of the spirit. Once more, as of old, he

wishes to unite the invisible community of the free. "I feel the same

joy when I find the fragile and valiant flowers of human pity piercing

the icy crust of hatred that covers Europe, as we feel in these chilly

March days when we see the first flowers appear above the soil. They

show that the warmth of life persists below the surface, and that soon

nothing will prevent its rising again." Undismayed he continues on his

"humble pélérinage," endeavoring "to discover, beneath the ruins, the

hearts of those who have remained faithful to the old ideal of human

brotherhood. What a melancholy joy it is to come to their aid." For the

sake of this consolation, for the sake of this hope, he gives a new

significance even to war, which he has hated and dreaded from early

childhood. "To war we owe one painful benefit, in that it has served to

bring together those of all nations who refuse to share the prevailing

sentiments of national hatred. It has steeled their energies, has

inspired them with an indefatigable will. How mistaken are those who

imagine that the ideas of human brotherhood have been stifled.... Not

for a moment do I doubt the coming unity of the European fellowship.

That unity will be realized. The war is but its baptism of blood."

Thus does the good Samaritan, the healer of souls, endeavor to bring to

the despairing that hope which is the bread of life. Perchance Rolland

speaks with a confidence that runs somewhat in advance of his innermost

convictions. But he only who realized the intense yearnings of the

innumerable persons who at that date were imprisoned in their respective

fatherlands, barred in the cages of the censorships, he alone can

realize the value to such poor captives of Rolland's manifestoes of

faith, words free from hatred, bringing at length a message of

brotherhood.

Romain Rolland: The Man and His Work · 第 11 / 23 章