Plain rugs with mottled borders, or mottled rugs with plain borders, are

the delight of the children. Adjust the frame for the size required, and

decide how wide the border is to be. It is necessary to have an extra

pair of rods, if one desires a smooth and well-finished rug. The border

of the rug represented in the illustration is two inches. This should be

woven with a tape needle. Weave the border at the foot of the loom. This

extends the entire width. Place the extra rods two inches toward the

center from the side rods on the outside of the rug, keeping them _back_

of the border already woven at the foot. This will outline the sides of

the plain oblong in the center. Weave the left and right hand borders up

to a point two inches from the head piece, taking care to go around the

rods just placed. Then begin the plain center. As you come to the border

on each side, run your tape needle _through_ the loops of mottled

silkoline which are around the rod, but do not go around the rod itself

with the plain silkoline, since doing so would make a ridge in the rug.

Draw the woof strips tightly and firmly, so that the work will lie flat

and smooth when removed from the loom. Be sure to weave the center far

enough, remembering that the upper woof strips in the border will crowd

it down. When the center is finished, remove the extra rods and finish

weaving the border to the head piece. In selecting a color for the

center, match one of the colors in the figured silkoline. The color for

the center in the rug of the illustration on page 90 is green, and the

same color appears also in the mottled border, with yellow and brown.

The ends should be left plain, the warp strings being concealed as

directed. These rugs are very beautiful, and can be made in an infinite

variety through the use of different colors, and by reversing the center

and border. They can be made of carpet or Germantown wool, in two colors

or in two tones of one color. In weaving rugs with centers and borders,

weave a little farther than the exact measure, because the next woof

threads will push down the woof already made, and you may find that you

have not woven the correct measure. These rugs are useful as "heel

rugs"; they are placed under the piano near the pedal to protect the

carpet from the pressure of the heel. (See also page 82.)

[Illustration: _A plain silkoline rug, with a mottled border_]

[Sidenote: _Holder or mat_]

[Sidenote: _Many squares joined together_]

[Sidenote: _Small rug with fringe_]

[Sidenote: _Stair and hall carpets_]

Adjust the loom for the size required. The plaid effect in the holder

illustrated on page 92 is obtained by stringing a close warp with green

and white carpet wool, alternating two of white with four of green. In

weaving, use two woof threads of white and _four_ of green to make the

square correct. The kindergarten designs make pretty holders. If you

have woven a holder, it will be finished when it is removed from the

loom and the warp strings have been fastened. If you wish your holder to

be very thick, weave two of these pieces, lay a square of felt or

flannel between and sew or crochet the edges together. If the work is to

be a mat, knot a pretty fringe all around it. Many of these squares can

be joined to make sofa pillows, afghans, slumber robes, and other dainty

articles. With a continuous warp, one can weave long strips for the same

articles. If a small rug for Miss Dolly's bedroom is desired, string the

warp so that the two ends will have a fringe. Stair and hall carpets for

the doll house can be woven in these pretty designs by adjusting the

loom for a narrow strip, and, if necessary, a continuous warp.

[Illustration: _Holder of green and white carpet wool_]

Chapter Nine

HAMMOCKS

[Illustration: _Back of loom, showing method of stringing warp through

rings for a hammock_]

[Sidenote: _Method of adjustment_]

[Sidenote: _Use of stripes for various colors_]

[Sidenote: _Lengthwise stripes_]

To weave a hammock, one must first adjust the loom to its full size. Tie

two rings together and fasten them at the back of the loom, to head,

foot, and sides, as in the illustration. One must then decide how close

the warp is to be strung. Measure the string, which should be

continuous, allowing enough to go to the rings at the back and make a

buttonhole stitch each time. Then wind on a long thin stick or dress

steel, in such a way that it will pass easily through the rings. In

stringing the hammock in the illustration, a penholder was used. The

rings are tied, with white cord, to the four sides of the loom. By doing

this, all tangling of the warp string is avoided, and it is far

preferable to splicing. Tie the first warp string to the top ring. Draw

it tightly through the first groove, over the face of the loom to the

opposite groove, then to the back of the loom through the bottom ring.

Make a buttonhole stitch and return in the same manner over the face of

the loom, around to the top ring, where you make a buttonhole stitch and

return, until the whole warp is strung. Care should be taken to make it

firm and tight. Hold the string and ring firmly in the left hand while

making the buttonhole stitch with the right. Cut the woof cords long

enough to allow a fringe on each side of the hammock. Weave each cord

separately, tying in pairs around the rods. Stripes of one or more

colors can be woven at each end or at intervals through the hammock. By

weaving two colors alternately, the stripes will be lengthwise instead

of crosswise. Knot the fringe at each side. To fasten the top and bottom

woof cords so that they will not pull out of place, thread a tape needle

with cord and tie each warp string close to the woof. Another way to

secure the top and bottom woof cords is to weave two cords at one time,

twisting one over the other between the warp strings. The bottom one

should be woven before the hammock is commenced. The top one can be

woven before the hammock is finished, and pushed up close to the head

piece. Then fill up the space.

[Illustration: _A hammock made from strings of different colors in

lengthwise stripes_]

[Sidenote: _Making the fringe_]

[Sidenote: _The stretcher_]

[Sidenote: _The head-rest_]

[Sidenote: _Hammock with lengthwise colored stripes_]

[Sidenote: _Knotted hammocks_]

Instead of knotting the fringe as suggested, two cords can be twisted at

each side of the hammock in the same way that the woof cords are secured

at the top and bottom. This forms a heading for the fringe. Take up

_two_ cords of the fringe at a time. If desired, the strings which

extend from the rings to the hammock may be woven for the space of an

inch or so close to the rings instead of making a buttonhole stitch.

Make a stretcher for the head by covering a piece of rattan with

buttonhole stitch. Fasten this to the hammock. A head-rest can also be

woven and adjusted. To remove the hammock from the loom, cut the two

rings apart, and then lift the warp strings from the grooves. A very

pretty hammock can be made by stringing the warp of different colors, in

order to make _lengthwise_ stripes. Weave a neutral color through them.

In this case, have a close warp. Pretty hammocks can be made by knotting

instead of weaving.

[Sidenote: _To string warp for hammock in order to have the sides

shorter than the center_]

Cut two semi-circular pieces from light wood or pasteboard. These should

suit the width of the hammock to be made. If this is the width of the

loom, then 9-1/2 inches long and two inches at the widest part. Cut the

curved edge in notches to correspond with the number taken in the head

piece. These pieces will be firmer and more satisfactory if made of wood

and finished at the lower edges like the metal head piece. This can be

easily done by glueing them to a narrow piece of wood so that they will

stand. If furnished with perforations, they can be laced to the head and

foot pieces or the rods can be run through them. By stringing the warp

in this way, the sides of the hammock will be shorter than the center,

and there will be no danger of Miss Dolly falling out.

The warp can be strung more quickly and easily if hammock hooks similar

to those in the two illustrations below are used. Measure the right

length--22 warp strings 31 inches long for the metal loom, or 29 the

same length for the wooden loom--and wind as before.

[Illustration: _Hook No. 1_]

[Illustration: _Hook No. 2_]

[Sidenote: _Hammock hooks_]

[Sidenote: _Weaving_]

In using hammock hook No. 1, knot half the number of warp strings in the

left-hand ring and half in the right-hand ring. If hook No. 2 be used,

unpin the part at the right, knot the warp strings along the straight

edge at the bottom, and then pin the right-hand part again. Weaving each

cord separately across the loom makes a heavy fringe at the sides. If a

lighter fringe be desired, cut the woof cords twice the width of the

loom plus twice the length of the fringe. Weave across the loom, leaving

enough for the fringe at the side, then _around_ the rod and back again,

drawing the cord through to the same length as the part left at first.

Weave in the same way with the second color, having the loop on the

_same_ rod and the fringe at the _same_ side as the other. Weave the

next two cords with loops on the _opposite_ rod and fringe on the

_opposite_ side. Continue in this way until the hammock is finished.

Make a heading at the sides as described, only carry the two cords

_through_ the loops, crossing them between on top of the rods. The warp

strings can be passed through the rings without buttonholing. A firm

pretty finish can be made at the sides by cutting two cords--one of each

color two yards long and buttonholing around the rods on _top_ of the

woof cords which extend at each side. Fasten these long cords at the

bottom of the loom. After two pairs of woof cords have been tied,

buttonhole the edge over them and around the rods and continue this

until the hammock is finished.

[Illustration: _A square of silk canvas_]

Chapter Ten

FACE AND DISH CLOTHS AND BATH RUGS

[Illustration: _A face cloth made from cheese cloth_]

[Sidenote: _Materials_]

The materials for making face and dish cloths are: cheese cloth cut

bias, darning or knitting cotton, or candle-wicking. Those made from

cheese cloth resemble the Turkish rags. Cut and splice the cheese cloth

according to directions on page 83. The face cloth in the illustration

is made from white cheese cloth, cut bias. String the warp 3/16 inch

with white twine. It being desirable to have face and dish cloths as

soft as possible, do not push the woof threads too closely together.

When the cloth is removed from the loom, conceal the ends of the warp

strings as previously directed. Fine white thread should be used. If

preferred, the edges can be bound with tape. Cloths of candle-wicking

are very quickly woven, but they are not so soft.

Face cloths of cheese cloth with borders of knitting cotton would be

durable and satisfactory. Make them according to directions given for

rugs with centers and borders.

Cross-barred face cloths made of knitting cotton No. 4, in two colors,

are very pretty.

[Sidenote: _Bath rug made with continuous warp_]

Serviceable bath rugs can be made by making three strips as long as

desired, and then fastening together. They are made of cheese cloth cut

bias, but the woof threads are packed much tighter than in the face

cloths. Finish the edges by stitching a white tape all around. Floor

rugs of any kind can be made firmer by finishing in this way with tape

of the same color.

[Illustration: _A pattern for a floor rug_]

Chapter Eleven

RAFFIA MATS

[Illustration: _Method of weaving a raffia mat on the loom, showing

colored stripes_]

[Sidenote: _Method of making raffia mats_]

[Sidenote: _The rods and the warp strings in kindergarten patterns_]

Mats of raffia are made like all the other mats. The warp may be of

twine or carpet thread. In this case, the mat should be woven of raffia

in the natural color, with stripes of bright color at each end; or, it

may be of some dark tone with stripes of a contrasting color. By using

a warp of raffia, many of the beautiful kindergarten designs can be

produced. Use one color for the warp and another for the woof. The

method of stringing a warp of raffia is described in "Methods of

Stringing Warp," on page 45. The illustration shows a raffia mat in

process of making. The natural color of raffia is used, with stripes of

cardinal, and the method of stringing color in the warp to obtain this

effect is clearly seen. The children will have no difficulty in carrying

out the pattern, if they remember that the _rods_ correspond to the

_border_ of the paper mat. Before stringing the warp for a kindergarten

pattern, count the strips in the paper mat and begin to count on the

loom _from_ the rods. In this kind of work the string on top of the rod

does not count. It forms the _border_ of the mat.

[Illustration: _A woven mat of raffia, from a kindergarten pattern in

green and the natural color of the raffia_]

[Sidenote: _Stringing the warp_]

In making mats, or matting, of raffia, the material can be carried over

the rods as in wool-weaving, or it can be finished on the edges in the

same way as the real matting is done. This will be easily understood by

examining a piece of matting. In stringing the warp, have three strings

over each bar instead of one. Cut the woof strips several inches longer

than the width of the loom. Weave the first strip, leaving a piece at

each side. Thread a tape needle with one end and weave it in and out the

three warp threads on the rod. Then cut it off close to the edge. Finish

off all the ends in this way. When the work is removed from the loom,

press the edges flat with a warm iron. It is a little easier to keep the

pattern right by weaving in this way, and the work resembles the real

matting more nearly. Use a tape needle for weaving raffia.

[Sidenote: _Porch curtains_]

If the doll house which we are fitting is a large one with porches, one

could complete the furnishings with a porch curtain, for sunny

afternoons.

[Sidenote: _Glove, trinket, and mouchoir boxes_]

Boxes of all kinds can be made of raffia woven in panels. It will make

the box stronger and firmer to overhand a piece of rattan around the

edges of the panels before joining them in the form of a box. Thread a

worsted needle with a narrow strip of raffia and buttonhole the edges of

the panels together; or, sew them over and over and cover with a braid

of raffia. Spiral-weaving is pretty for this finishing. It is described

in an article entitled "Straw-Weaving," in "American Homes" for

September, 1900, a magazine published in Knoxville, Tenn. Glove,

trinket, and mouchoir boxes are pretty for holiday gifts. By using

different patterns and colors a great variety of them can be made.

[Sidenote: _Rugs of carpet wool_]

For rugs made of carpet wool, string a three-eighths-inch warp of twine,

or oriental cord, the color of the body of the rug. Use a deep tone of

red, olive green, or any preferred color, with a stripe at each end. A

study of rugs will soon enable one to get the right proportion of rug

and stripe. Beautiful rugs are made with a succession of Roman stripes

separated by a narrow one of deep red, green, or blue, the ends of the

rug being woven of the same color. Center and corner patterns can be

woven by placing the pattern under the warp. By stringing a close warp

of the same material all the designs for paper-weaving can be easily

reproduced. Lengthwise stripes are also pretty. String the warp with

different colors and weave a neutral color through them. The rug in the

frontispiece is woven of heavy carpet wool, some of which is seen on the

table.

[Sidenote: _Patterns for rugs_]

[Sidenote: _Fundamental form No. 1_]

Beautiful patterns for rugs can be made by cutting squares and triangles

of paper according to directions given in the "Kindergarten Guides." The

"Paradise of Childhood" has some very pretty ones. There are two

fundamental forms for this paper-cutting. The first is made from a

nine-inch square. Fold one diagonal, place the right acute angle upon

the left so as to produce four triangles resting upon each other. The

form now lies before you with the right angle at the right and two acute

angles (one on top of the other) at the left. Lift one of these acute

angles and place on top of the angle at the back, creasing the fold;

then fold the remaining acute angle _under_ to the same angle at the

back, creasing as before. Now place the form with the right angle at the

back and hold all the open edges to the left while cutting.

Illustrations in the "Kindergarten Guides" show a network drawn on the

triangle at the top as an aid to transferring the pattern.

[Illustration: _A rug pattern from an equilateral triangle_]

[Sidenote: _Fundamental form No. 2_]

The second fundamental form is made from a six-fold equilateral

triangle. Directions for folding and cutting this from the square are

given in the "Paradise of Childhood." It can be cut, also, from a circle

whose diameter is equal to the width of the rug desired. In drawing and

cutting the pattern, hold the form with the entirely _open sides_ toward

you. The whole pattern is cut at once and the unfolding often reveals a

charming design for a rug, which can be woven in tones or contrasting

colors. If cut from colored paper, it can be mounted on white and placed

under the warp. Beautiful original designs in conventional leaf and

flower patterns can also be made.

[Sidenote: _Conventional leaf forms_]

To make a conventional leaf form, use fundamental form No. 1. Cut the

leaf on the mid-rib and lay this part on the base of the triangle with

the point of the leaf on the open edges at the left, and the stem on the

closed part at the right. Draw around the edges of the leaf and cut,

taking care not to separate the leaf forms at the center, which is at

the closed part at your right hand.

Some excellent suggestions for this leaf-cutting in centerpieces and

borders can be found in the "Pratt Institute Monthly" for April, 1900.

[Sidenote: _Dusters_]

Dusters for hardwood floors are best made of strips of old flannel. They

can be made of stocking strips, or cheese cloth. Make two mats the full

size of the loom, sew on three sides and run a gathering-string around

the top. It will fit better if it has a piece of cheese cloth sewn at

the top through which the gathering-string can be run. This makes a fine

duster to slip over a broom. If one prefers, a continuous warp can be

strung--the length to be twice the length of the broom part--and a long

piece woven which will require sewing on two sides only.

[Illustration: _A doll towel with fringed ends_]

[Sidenote: _Doll towels_]

[Sidenote: _Patterns for towel borders_]

[Sidenote: _Lunch cloths_]

[Sidenote: _Bedspreads_]

[Sidenote: _Quilts_]

Doll towels are very fascinating things to make. Adjust the loom for the

required size. The exact proportion can be ascertained from a large

towel. String the close warp with fine darning cotton and have the

strings in pairs with fringe at each end. Allow several inches for

fringe so that it can be knotted easily. The woof threads, which are

also of fine darning cotton, should be pushed very closely and smoothly

together. Plain stripes of red or blue, or fancy stripes made with a

kindergarten design, can be woven. Observe the same directions for

spacing the stripes which are given with the silkoline rug. The towel

in the illustration is made of white darning cotton, with the stripes

and initial of red. The children will be delighted to lay towel borders

with their tablets, and after cutting and pasting with colored paper,

weave them in towels for Miss Dolly's housekeeping. Cross-stitch the

initial as previously directed. Lunch cloths and bedspreads can be made

in the same way. These should be fringed all around. A cross-barred

cloth or spread can be made by putting the color in the warp at regular

intervals and weaving across with color and white to form squares.

Pretty quilts of coarse cotton can be made with kindergarten designs. By

weaving many squares, a large quilt can be made. See directions on page

50.

[Sidenote: _Bed and carriage blankets_]

Bed and carriage blankets are best made of single zephyr, although

Germantown wool will do. The heavy carpet wools are also pretty. Some

suggestions for this work have already been given under the head of

Materials. These blankets are really mats, but made only for another

use, and are to be woven in a similar way. Those with centers and

borders are pretty, and the plaid ones are always attractive. (See

illustration of the holder on page 92.)

[Sidenote: _Doll shawls_]

For doll shawls choose a pretty Scotch plaid and match the colors in

fine wool. String a close warp with wool, copying the Scotch plaid

exactly. Weave the colors across so that a "truly" plaid shawl may grace

Miss Dolly's shoulders on the cold winter mornings. A striped shawl is

pretty, or one having one color for the center and another for the

border.

[Sidenote: _Doll skirt_]

Miss Dolly may have a lovely petticoat, too. String a continuous warp

long enough for the width of the skirt. Adjust the rods for the length.

By using a little color in the warp near the right edge of the weaving,

the skirt will have some stripes. Twist a cord of the wool and run in

the top for a draw-string.

[Sidenote: _Reins_]

To make reins, adjust for a narrow strip and string a close, continuous

warp the length desired. Make a piece, also, to go across the front. Use

Germantown knitting yarn. A black warp with a bright red woof is pretty.

[Sidenote: _A square Tam O'Shanter_]

In order to obtain a Tam O'Shanter for Dolly, first weave a square the

required size. String a close warp with wool and weave a kindergarten

pattern with two colors. When completed, remove from the loom, fold four

corners to the center, turn them in to form an opening for the head, and

fasten the edges by sewing, or by lacing with a cord made of the two

colors. Fasten a tassel on the top and it is finished. Angora wool is

pretty for these caps.

[Illustration: _Fringe for a rug in red and black_]

[Sidenote: _Fringe_]

[Sidenote: _Threading the needle_]

[Sidenote: _Making the fringe into tassels_]

[Sidenote: _Removing the fringe from the loom_]

The head piece of the loom should be adjusted for the width of the rug

for which the fringe is required. A rug nine inches wide would require

fringe nine inches long. Adjust the rods one inch apart--that is, with

one perforation between the rods. String the warp in every groove, one

string over each rod and three between, making five in all. Weave over

and under one until the heading is finished. If you have an extra side

rod, place it in the sixth perforation from the right-hand rod. This

will make tassels a little over two inches long. If a shorter fringe is

preferred, adjust accordingly. If you have not an extra side rod remove

the _left_ one and place as directed, leaving the _right_ one in the

heading until the whole fringe is finished. Thread a large tape needle

with two pieces of worsted, as long as the two can be conveniently

managed. If the fringe is made of two colors, take one of each for the

tassels, weaving the heading with the one which predominates in the rug.

Run the ends in the grooves to fasten them. Wind under the right rod,

which was left in the heading, through the first stitch, which includes

the warp string over the rod, then over the extra rod to the right. Wind

under again through the next stitch in the heading (always around the

rod) and so on until the end is reached. To make this fringe into

tassels, separate six strands of each color and tie with the two colors,

running the tape needle and worsted along from one tassel to another, or

tie each one securely and cut. The fringe will need no finishing at the

ends. Run the short ends, which were wound through the grooves in the

beginning in order to fasten them, through a few stitches in the

heading. The fringe can be made of one color, and of any width. To take

the fringe from the loom, first remove the rod at the end of the tassels

and cut the fringe before removing the rods from the heading. This will

insure straight cutting at the ends of the tassels. If one prefers a

knotted fringe, cut and knot before removing the heading. By examining

rug fringes in the furniture stores one can get a very good idea of the

manner of knotting. (See also directions for splicing Germantown wool on

page 84.)

[Sidenote: _Knotting_]

A simple fringe can be knotted quickly and easily in the ends of the

warp strings, after the rug is taken from the loom. First decide upon

the length of the fringe when finished. Add at least two inches to allow

for knotting. Cut each piece of wool twice this length, double, and

thread a tape needle. Pass the needle from the right side of the rug to

the wrong, through the warp strings at the end of the rug. Draw the loop

of wool through and unthread the needle. Pass the two ends of the wool

down through the loop and draw it tight. When this has been done in

every pair of warp strings, knot every other piece of the fringe

together, in the same way that towel fringe is made.

This question of whether a rug should have fringe or not is much

discussed at present. It is largely a personal one. The best way,

perhaps, is to study different kinds of rugs and know which ones are

usually made with fringe and which are not.

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