If we broadly define civil engineering as the art of construction, then

the birth of the art is as old as the emergence of man from savagery.

The savage who hollows out a log of wood in order to construct a canoe

has taken the first step in the art of shipbuilding; and when he has

constructed a hut, however rude, to take the place, as an abode, of

the cave hollowed out by nature, he has moved one step nearer to those

triumphs of building construction which satisfy man’s necessities,

comforts, and æsthetic desires. From this standpoint civil engineering

is as old as the oldest of the arts and sciences. Not only is civil

engineering an ancient art, but when the archæologist points to some

of the masterpieces of building construction which have been literally

hidden from view by the débris of centuries, and describes the old

roads which the disintegrating forces of nature, working for centuries,

have not been able to destroy, it is natural to assume that in many

features the civil engineering of the present day is but a copy of

ancient work, or, at least, that there has been comparatively little

real progress. It may be claimed that bridges are very old, that

canals, lighthouses, and roads antedate the Christian era, and that

even the ancient Egyptians knew that the earth is round, and had made

a rough computation of its diameter. But it will be shown that even

in these cases there has been an enormous advance, not only in the

character and magnitude of the work done, but also in another feature

of civil engineering which is frequently overlooked, namely, the

_economy_ of labor and material. Civil engineering has been defined as

the art of doing well with one dollar what any bungler can do somehow

with two dollars. This definition, although very loose and one-sided,

nevertheless contains a very important truth. If by improved methods a

canal or a bridge can be constructed for one half to one third of what

it would have cost by older methods, then the world has advanced, in

that it may have two or three canals or bridges at the same cost of

labor as would have been previously required for the construction of

one. When we add to this a vast improvement in quality, an improvement

that would have been previously impossible at any cost, the world’s

advance is hardly measurable by any standard. It is a well-known fact

that many engineering works, justly considered masterpieces at the

time of their construction, could now be replaced by a much better

structure for a comparatively small part of their original cost. This

statement not only applies to very old constructions, but even to some

of the great engineering works of the latter half of this century. Some

of these reconstructions have actually occurred, as is illustrated in

the Victoria tubular bridge at Montreal, or the Roebling suspension

bridge at Niagara Falls,—described later. In fact, the progress in

civil engineering during the nineteenth century is chiefly made up of

the enormous advances which have been made during the latter half of

the century. It should not be argued that these recent constructions

are cheaper, because “everything is cheaper now.” The general scale

of wages has advanced, and the total cost of construction is cheaper,

only because improved methods of work have reduced the labor required

to produce finished building material from the raw product and to erect

that material into a structure. Therefore in considering in detail

the construction of the great masterpieces of this century, we should

not lose sight of the enormous advance in general methods of work,

which has rendered it possible to have all of these structures which

so minister to the prosperity of the world, at such a reduced cost in

labor.

A complete discussion of the century’s progress in civil engineering

would require a treatise on all modern practice as well as a

description of nearly all of the great engineering masterpieces in

existence, but the limitations of this article utterly preclude the

possibility of even a short discussion of all the branches of the

science, to say nothing of a detailed description of all of the

examples. The following discussion will therefore be confined to those

branches in which the advance has been most notable, even to the

unscientific reader, the progress being illustrated by brief statements

regarding the most typical constructions.

II. BRIDGES.

Not only is there evidence that bridges of the simplest forms have

been used from prehistoric times, but the engineering world has been

frequently surprised at the discovery, in semi-barbarous lands where

there was evidently no scientific knowledge of bridge construction,

of a bridge which, in its mechanical analysis, is a rude example of

some one of the more complicated types now in use. But these bridges

are always small, and are constructed with an utter disregard of that

economy of construction which is one of the great triumphs of modern

bridge engineering, being uselessly strong in some parts, considering

their weakness in others. At the beginning of this century there was

not a wrought-iron or steel bridge in existence. Disregarding stone

arches for the present, all other bridges were made of wood—with the

exception of a few bridges of cast iron, which were constructed during

the latter part of the eighteenth century. But cast-iron is unsuitable

for pieces requiring tensile strength; it is also difficult to cast

very large pieces with any assurance of uniformity. The best existing

examples of cast-iron bridges are, therefore, those of the arch type;

but these are very heavy in proportion to their real strength, and

would now be much more costly than, as well as inferior to, steel

bridges of equal strength. Therefore the great advance in bridge

work during this century consists in the development of steel bridge

construction, and a brief description will be given of a few bridges

which represent the chief types.

[Illustration: BROOKLYN SUSPENSION BRIDGE.]

BROOKLYN BRIDGE.—The suspension bridge between New York and Brooklyn

is the largest bridge of its kind in existence, and, until the

construction of the “Forth” bridge, was the longest clear span ever

built. Every one is so familiar with this stupendous structure that

only a few statements will be made, which may give a better idea of

the unprecedented problem which confronted the great engineer, John

A. Roebling. When looking at the exceedingly graceful design of the

towers, one is apt to forget that a large part of the structure

of each tower is hidden from view. The bottom of the foundation of

the pier, on the New York side, is 78 feet below mean high tide, and

spreads over an area 172 feet long and 102 feet wide. The pressure

exerted by the caisson on its base is about 114,000 tons, or 6½ tons

per square foot. This great area, 354 feet below the parapet of the

towers, is a surface consisting partly of bed-rock and partly of a

material so compact that it was found, to be almost impossible to drive

an iron bar into it. Down below the mud, below all danger of scour,

far below the depth where the dreaded _teredo navalis_ can destroy the

timber in the caissons, these piers rest on an immovable foundation,

and are an imperishable monument of man’s skill. The floor of the

bridge is supported by four cables, each containing 6300 wires. Each

wire is supposed to be subjected to a stress of about 570 pounds, and

to have an ultimate strength of 3400 pounds. To say that each cable

is pulled by a force of 3,591,000 pounds conveys but little real

impression to the mind—as little as to say that it would require a

pull of over 21,000,000 pounds to break it. And there are four such

cables! The main span, including the weight of the cables, weighs about

5000 tons. Some interesting facts concerning the caissons under the

piers of this bridge will be given under the heading of “Caissons.”

[Illustration: THE NIAGARA RAILWAY ARCH.]

NIAGARA RAILWAY ARCH.—The railway suspension bridge, constructed by

Mr. John A. Roebling across the Niagara gorge in 1853–55, was justly

considered a monument to the skill of a great engineer, a monument of

the world’s progress; and yet so rapid has been the advance in the art

of bridge engineering, that this great structure is already a thing

of the past, and has now been replaced by another bridge which better

fulfills the increased requirements. It was not that Roebling’s bridge

was an engineering failure, but that the large increase in the weight

and length of trains now requires a much stronger bridge. There were

several formidable conditions confronting the engineer who designed the

steel arch which has now replaced the suspension bridge. For one thing,

a heavy railroad traffic was using the old bridge. The interruption

of railroad traffic for even a few day’s is a serious matter. Extend

the time to several months, and the consequences are too serious for

toleration. And thus it became necessary to so plan and construct the

arch that both structures would occupy the same site, not interfere

with each other, and not interfere with the running of trains. It is

an amazing, almost inconceivable, triumph of constructive skill that

this was accomplished so that “_not a single train was delayed_, and

traffic on the highway floor was suspended only for about two hours

each day, while the upper floor system was being put in.” The second

rigid requirement was the necessity for constructing the arch without

any “false works” underneath. Of course it was not practicable to

suspend the various members of the arch during construction, from the

old bridge, as it was not designed for such a load. Nor would it have

been possible to plant false works in the deep and swift current of

the Niagara River. And so it became necessary to make each half of

the bridge self-supporting, as it hung out over the raging torrent a

distance of about 275 feet from the abutments, until the two projecting

arms could be joined in the centre. The illustration does not show the

independence of the arch from the old bridge. If the old bridge had

not been there (as was virtually the case, so far as support given by

it is concerned), the independence of those arms reaching out over

the river would have been more apparent. Add to all these rigorous

conditions the marvelous fact that the erection of this great arch was

begun on September 17, 1896, and that the bridge was tested on July 29,

1897 (only 315 days afterward), and we have here one of the greatest

triumphs of engineering which could be imagined.

PECOS RIVER VIADUCT.—The original location of the Galveston,

Harrisburg, and San Antonio Railway included a section of about 25

miles which was very difficult to operate, on account of its very heavy

grades and sharp curvature. After some years of study and surveying,

a line was found which would save 11.2 miles in distance, 378 feet

of rise and fall, and 1933 degrees of curvature, besides being free

from land slides which threatened the old line at many points. But the

great economic advantages in the expenses of operating could only be

obtained at the cost of an almost unprecedented structure,—a viaduct

2180 feet long, which should cross the Pecos River at an elevation of

320 feet 10½ inches above the water surface. There are two bridges in

Europe which span very deep gorges by _arches_, which are higher above

the water than this viaduct, but in such cases the depth of gorge is of

no engineering importance. There is also a viaduct, for a narrow-gauge

railway in Bolivia, 800 feet long and with a height of 336 feet from

the rails to the water. But the Pecos viaduct is built to carry

standard-gauge railway traffic over a valley nearly half a mile wide,

and at such a height that a train moving over it appears diminutive.

The stone towers in the illustration appear small, but they are

constructed to a height of over 50 feet above the ordinary level of the

water, to allow for possible floods. The longest “bents” have a height

of 241 feet 0¾ inches. No “false works” were used in erecting the

bridge. The “traveler,” shown in the illustration, had an arm 124 feet

6 inches long. After completing the construction on one side of the

river (including one half of the “suspended” span immediately over the

river), the traveler was taken apart, loaded on cars and transported by

rail a distance of nearly 40 miles, in order to reach the other side

of the valley. Then the construction was carried on as before, until

the two halves of the suspended span met in the centre. The work of

erection began November 3, 1891, and on February 20, 1892 (only 108

days later), the two halves of the suspended span were connected. A

portion even of this time was lost by inclement weather and unavoidable

delays. This light “spider-web” method of construction for crossing

very high valleys was originated by American engineers, the first

notable instance of it being the construction of the “Kinzua” viaduct,

on the N. Y. L. E. & W. R. R., which has a length of 2050 feet and a

height of 302 feet above the water—figures which are only slightly

less than the above.

[Illustration: THE FIRTH OF FORTH BRIDGE. GENERAL VIEW.]

FORTH BRIDGE.—The next type of bridge to be considered has for its

example the largest bridge in the world—the “cantilever” crossing the

Firth of Forth, in Scotland. The economic design of bridges of this

type, on the basis of the mechanical principles involved, is not only

an achievement of this century, but of the latter part of the century.

Nevertheless, we may find illustrations of the fundamental principle

in the stone lintels in an Egyptian temple; in a rough wooden bridge

erected by Indians in Canada, near the line of the Canadian Pacific

Railroad; and in a bridge erected over two hundred years ago in

Thibet, and discovered in 1783 by Lieutenant Davis, of the English

embassy to the court of the Teshoo Lama. The principle of these bridges

is very graphically shown by a photograph made at the time of the

construction of the Forth bridge.

[Illustration: PECOS RIVER VIADUCT.]

This bridge joins two sections of Scotland which had been previously

separated by an arm of the sea, which could only be crossed by a

tedious ferry. Even this ferry was frequently tied up by fog or by

the strong gales which so often blow up the channel. The prevalence

of heavy wind pressure demanded that special attention should be

given to this feature, and the most elaborate tests ever made of the

effect of wind on a bridge structure formed a part of the preliminary

work. The estuary, for a distance of nearly fifty miles, is never

less than two miles wide, except at this one place, where it is but

little more than one mile wide, with the added advantage of having the

island of Inchgarvie nearly in the centre of the channel. The channel

on both sides is about two hundred feet deep, which would forbid the

location of a pier at any place except on this island, which, being

composed of basaltic trap rock, furnished a sufficient foundation at

a comparatively slight depth below the surface. To secure the maximum

rigidity consistent with economy in weight, the “vertical columns”

of the towers were spaced 120 feet apart at the base, but only 33

feet apart at the top. The towers are 330 feet high. As shown in

the illustration, the cross-sectional dimensions of the cantilevers

diminish rapidly both in width and height, so that although the weight

of the steel per running foot at the towers is 23 tons, it becomes

only a little over two tons per foot at the centre. The structure is

exceptionally rigid.

The picture of any gigantic structure, especially when well

proportioned, utterly fails to give an adequate idea of the size of its

component parts. It is difficult to realize from the illustration that

the four tubular “vertical columns” on each main pier are twelve feet

each in diameter at the base—large enough for “a coach and four” to

drive into, if they were laid horizontally. Over 50,000 tons of steel

were used in the main spans. The total cost of the whole structure was

over £3,200,000 ($16,000,000).

STONE ARCHES.—The nineteenth century has but little to claim as

to the development of stone arches. The mechanical theory of their

stresses is perhaps better understood now than ever, and the largest

masonry arch in existence (the Cabin John arch, having a span of 220

feet, carrying the Washington aqueduct over a creek) is a piece of

American work of this century. But it should not be forgotten that

more than five hundred years ago there was constructed at Trezzo,

Italy, a granite arch of 251 feet span. This arch was unfortunately

destroyed in 1427. One of the most remarkable arches in existence was

designed and built by an “uneducated” stone-mason at Pont-y-Prydd,

Wales, in 1750. A rigorous analysis of its strains—of which the

designer probably knew nothing—shows that the “line of resistance”

passes almost exactly through the centre of the arch ring. The most

highly educated engineer of the present day could do no better. On

the other hand, the development of the theory has been shown by the

successful construction of an exceedingly bold design for a bridge on

the Bourbonnais Railway, in France. The span is 124 feet, and the rise

only 6.92 feet. The design was considered so very bold that a model of

the arch was first constructed and tested before the design was finally

adopted. The extension of the use of stone arches, especially those

of very large size, is doubtless prevented by their excessive initial

cost over the cost of a steel structure of equal span and strength.

Since a stone arch is generally considered more beautiful than a steel

bridge, the æsthetical element often demands the construction of stone

arches in public parks in situations where a metal structure would be

more economical. The great reduction in the cost of steel during the

past few years, due to improved processes of manufacture, generally

renders the cost of a steel bridge, even with a proper allowance for

maintenance, repairs, and renewals, cheaper than a stone arch, unless

the span is short.

III. CAISSONS.

The use of compressed air to keep back the water that would naturally

flow through the soil into a deep excavation is a comparatively recent

idea. In 1839 M. Triger, a French engineer, conceived the idea of

sinking an iron cylinder through twenty metres of quicksand in the

valley of the Loire River, in order to reach a valuable coal deposit

which was known to be located beneath the river. A chamber with doors,

such as is now called an air-lock, was constructed at the top of the

cylinder. To pass into the cylinder the lower door, opening downward,

was closed, and when the air in the chamber was at atmospheric

pressure, the upper door, also opening downward, was opened. Upon

entering the chamber the upper door was shut, and air was pumped in

until the pressure equaled the pressure in the cylinder underneath,

which was also the pressure necessary to keep back the water from

the excavation. The lower door could then be opened and the working

chamber entered. To pass out, the reverse process in inverse order was

necessary. This was the first pneumatic caisson ever sunk, although

such plans had been proposed and even patented in England several years

before. The idea was essentially the present plan, but the process has

been improved and enlarged. The required pressure is substantially that

due to the weight of a column of water as high as the depth of the base

of the caisson below the water surface. In the case of the St. Louis

bridge, the bottom of the caisson was sunk to 109 feet 8½ inches below

the water surface, which required an air pressure of about 47 pounds

per square inch in the working chamber. Such a pressure is dangerous to

those working in it. The men literally “live fast.” Great exertion is

easily made, but is followed by corresponding exhaustion after leaving

the caisson. Those having heart disease, or who have been debilitated

by previous excesses, are liable to be seriously affected—generally

by a form of paralysis which has been specifically named by physicians

the “caisson disease.” At the St. Louis bridge, when working at the

greatest depths, the men were only worked four hours per day, in

two-hour shifts. Facilities were likewise provided to have them bathe,

rest, and take hot coffee on coming out of the working chamber. Healthy

men, who observed these and similar precautions, were not permanently

affected by the work.

[Illustration: FORMAL OPENING OF SUEZ CANAL.

Procession of Ships in Canal, November 16, 1869.]

The caissons of the New York and Brooklyn suspension bridge are the

largest ever constructed, and a bald account of some of the experiences

encountered is fairly dramatic. Under such air pressures the flame

of a candle will return when blown out, and so the danger of fire

inside the wooden caissons became very serious. One evening a fire

was discovered in one of the caissons, caused presumably by a workman

holding a candle temporarily against the wooden roof while searching

for his dinner pail. When discovered it was apparent that the fire

had burned out a cavity in the solid timber roof, and the supply of

compressed air was fast turning those timbers into a mass of living

coal. Two pipes capable of throwing one and one half inch streams had

been provided for this express contingency, and the two streams were

turned on as quickly as possible. All night the fight went on. At 4

A. M., when the water was pouring out of the orifice of the cavity as

fast as it was sent in by the hose, it seemed as if the cavity must

have been thoroughly flooded and the fire out. To make sure of the

absolute extinction of the fire, borings were made, which showed that

the fire had worked its way along individual timbers, especially those

which were “fat” with resin, and that the fourth roof course was still

a mass of burning timber. It was then decided that the caisson must be

flooded, which was done by pumping in 1,350,000 gallons of water. After

flooding the caisson for two and one half days, it was pumped out and

the work examined. It required the services of eighteen carpenters,

working day and night for two months, to repair the damage caused by

that fire.

When the Brooklyn caisson was twenty-five feet below the water

level, the boulders encountered became so large that blasting became

necessary. But blasting inside of a caisson was hitherto an untried

experiment. It was feared that the men would be injured; that their

ear-drums would break by a sudden explosion in that confined space

under heavy air pressure; that a “blow out” might occur, i. e., that

the compressed air might suddenly escape past the edges, and that an

inflow of water would then drown the men. At first a pistol was fired,

gradually using heavier charges; then a small blast was set off.

Encouraged by their freedom from resulting complications, the blasts

were gradually increased, until they finally used as heavy blasts as

was desired, the men simply stepping into an adjoining chamber to avoid

flying fragments; and an increase in the rate of progress was at once

apparent, the caisson being lowered from twelve to eighteen inches,

rather than only six inches, per week.

The caissons of the bridge across the Firth of Forth, Scotland, are

examples of the great development of the caisson idea. The pneumatic

caisson of Triger, in 1839, had but one air lock, through which must

pass men, excavated material, and constructive material for linings,

etc. This plan meant slow and expensive work. The caissons of the

Brooklyn bridge were a vast improvement over this plan, both on the

score of economy and safety. In the Forth bridge the caissons were

made almost wholly of iron, thus avoiding the danger of the fire which

so nearly wrecked the caisson of the Brooklyn bridge. The careless or

premature opening of the doors of air locks, which once nearly caused a

serious accident on the Brooklyn caisson, was rendered impossible by a

very elaborate system of interlocking. The efficiency of the apparatus

for removing excavated material from the compressed air chamber was

also greatly increased. Electric lights were used instead of gas or

candles.

“FREEZING PROCESS.”—This process is mentioned here on account of the

analogy of its object to that of pneumatic caissons—sinking a shaft

through excessively soft wet soil. The process is very recent, it

having been invented by Dr. F. H. Poetsch, of Prussia, in 1883. It has

been used only in a very few cases up to the present time, but where

it has been used it has accomplished results which were practically

unattainable by ordinary methods. A very brief description of one

instance of its use will explain the general idea. For many years

engineers had been baffled in their attempts to sink a shaft through

107 feet of quicksand at the Centrum mine, near Berlin, Germany. Dr.

Poetsch sunk sixteen pipes in a circle around the proposed location

of the shaft, and in thirty-three days had succeeded in producing a

frozen circular wall six feet thick, within which the excavation was

readily made and the shaft suitably lined. The freezing is accomplished

by circulating a freezing liquid (chloride of calcium) through the

tubes. After the shaft is completed the pipes can be thawed loose from

the wall of ice by simply circulating a hot liquid instead of a cold

one. The pipes can then be redrawn uninjured, and used over again—a

consideration of no small advantage. The process is not cheap. It would

seldom, if ever, be used where the more common methods are practicable;

but for passing through very soft and wet soils it is frequently the

only possible method.

[Illustration: MANCHESTER SHIP CANAL.]

IV. CANALS.

History records the construction of a ship canal across the Suez

Isthmus as early as 600 B. C.; that it continued in use for about 1400

years and was then abandoned. It was very small; all traces of it are

now utterly lost. The authentic records of it are very meagre, and

they serve only to show the great antiquity of the canal idea. The

nineteenth-century progress on this line, therefore, consists in the

enormously greater magnitude of the works accomplished in the solution

of the great subsidiary problems involved, and in the improvement in

methods of work which has rendered these great structures possible. The

limitations of this article utterly forbid even a brief description of

all the great canals which have been constructed during this century,

and it must therefore be confined to a few statements regarding the

more important and typical constructions. It might be thought that

no discussion of nineteenth-century canals would be complete without

a mention of the Nicaragua and Panama canal projects. But these

stupendous works, which will eclipse anything of the kind which the

world has ever seen, are not yet accomplished facts. The twentieth

century will be well under way before a trip “around the Horn” will

become unnecessary. The successful completion of one of these canals

will, very probably, so reduce the demand for the other that its

construction will be indefinitely postponed. These canals will not be

further considered.

Triumphs and Wonders of the 19th Century: The True Mirror of a Phenomenal Era A volume of original, entertaining and instructive historic and descriptive writings, showing the many and marvellous achievements which distinguish an hundred years of material, intellectual, social and moral progress · 第 36 / 76 段