DALY NEWS, AND DRAMATIC NOTES.

Ere these lines can appear, the _Two Gentlemen of Verona_ and their

two Ladies will have vanished from Daly's Theatre like the baseless

fabric of a dream, leaving, however, a very pleasant recollection of

the play in the minds of all who saw it--and a great many did, for

SHAKSPEARE'S _Two Gents_ is a dramatic curiosity. Prettily

put on the stage as it was, with good music, picturesque costumes

and clever acting, it will dwell in our memories as an exceptionally

attractive revival.

Mr. GEORGE CLARKE, the "stern parient," appeared as something

between a Doge and a Duke, and equally good as either, you bet; that

is, "'lowing," as _Uncle Remus_ has it, that either Doge or Duke

has passed the greater part of his life in the United States. Mr.

FRANK WORTHING (nice seasidey name on a hot night in town)

a gentlemanly-villainous _Proteus_, and Mr. JOHN CRAIG an

equally gentlemanly-virtuous _Valentine_. So "Gents both" are disposed

of. Mr. _James Lewis_, as _Launce_, playing "the lead" to his dog, put

into the part new humour in place of the old which has evaporated by

fluxion of time. _Launce's_ sly dog, very original; part considerably

curtailed.

[Illustration: The Duke discovers the rope-ladder under Valentine's

cloak.

"The Rope Trick exposed."]

I see that a descendant of TYRONE POWER appears as "Mine

Host." I did not gather from his costume that he was "a host in

himself," but thought he was a Venetian Judge or retired Doge; the

latter surmise receiving some confirmation from the fact that, while

the singing was going on, he, being somnolent, "doge'd" (as _Mrs.

Gamp_ would say) in his chair. Sleeping or waking his was a dignified

performance. Miss ELLIOT a graceful _Sylvia_, who, as a

Milanese brunette, is artistically contrasted with Miss ADA

REHAN, of Florentine fairness, as _Julia_. All that is wanting

to this sketchy character Miss REHAN fills in, and makes the

design a finished picture. Improbable that _Proteus_ should never

recognize _Julia_ when disguised as a boy until she herself reveals her

identity. However, it was a very early work of WILLIAM'S: mere

child's play.

* * * * *

[Illustration: Miss Rehan as Julia.

"The Third Page in her Life."]

* * * * *

The most Clement of critics, our learned and ever amiable Scotus of

the _Daily Telegraph_, speaking with authority from his column last

Saturday, recalls to us how many English actors and actresses have

successfully played in French on the Parisian stage, and adds to the

list the name of MARIE HALTON, who, excellent both in singing

and acting as _La Cigale_ at the Lyric, will soon appear at a new

theatre in Paris, where she is to "create" French _rôles_--which,

Mlle. MARIE, is a very pleasant way of making your bread. But

if we have in this actress an English _Chaumont_, why does not some

such astute manager as Mr. EDWARDES, the Universal Theatre

Provider, induce HALTON to Stay on--here, not only for her own

"benefit," but for that of the Light Opera-loving public.

[Illustration]

* * * * *

[Illustration: TRUE HYPERBOLE.

_He._ "What a lovely Frock!... _Worth_, I suppose?" _She._

"MONSIEUR WORTH IS DEAD."

_He._ "Ah! it _looks_ as if it came from Heaven!"]

* * * * *

Punch, or the London Charivari, Vol. 109, July 13, 1895 · 第 14 / 27 题