CHAPTER I

[Transcriber's note: The spelling inconsistencies of the original have

been retained in this etext.]

UNCLE SILAS

A Tale of Bartram-Haugh

By J. S. LeFanu

1899

TO

THE RIGHT HON.

THE COUNTESS OF GIFFORD,

AS A TOKEN OF

RESPECT, SYMPATHY, AND ADMIRATION

_This Tale_

IS INSCRIBED BY

THE AUTHOR

_A PRELIMINARY WORD_

The writer of this Tale ventures, in his own person, to address a very few

words, chiefly of explanation, to his readers. A leading situation in this

'Story of Bartram-Haugh' is repeated, with a slight variation, from a short

magazine tale of some fifteen pages written by him, and published long ago

in a periodical under the title of 'A Passage in the Secret History of an

Irish Countess,' and afterwards, still anonymously, in a small volume under

an altered title. It is very unlikely that any of his readers should have

encountered, and still more so that they should remember, this trifle. The

bare possibility, however, he has ventured to anticipate by this brief

explanation, lest he should be charged with plagiarism--always a disrespect

to a reader.

May he be permitted a few words also of remonstrance against the

promiscuous application of the term 'sensation' to that large school of

fiction which transgresses no one of those canons of construction and

morality which, in producing the unapproachable 'Waverley Novels,' their

great author imposed upon himself? No one, it is assumed, would describe

Sir Walter Scott's romances as 'sensation novels;' yet in that marvellous

series there is not a single tale in which death, crime, and, in some form,

mystery, have not a place.

Passing by those grand romances of 'Ivanhoe,' 'Old Mortality,' and

'Kenilworth,' with their terrible intricacies of crime and bloodshed,

constructed with so fine a mastery of the art of exciting suspense and

horror, let the reader pick out those two exceptional novels in the series

which profess to paint contemporary manners and the scenes of common life;

and remembering in the 'Antiquary' the vision in the tapestried chamber,

the duel, the horrible secret, and the death of old Elspeth, the drowned

fisherman, and above all the tremendous situation of the tide-bound party

under the cliffs; and in 'St. Ronan's Well,' the long-drawn mystery, the

suspicion of insanity, and the catastrophe of suicide;--determine whether

an epithet which it would be a profanation to apply to the structure of

any, even the most exciting of Sir Walter Scott's stories, is fairly

applicable to tales which, though illimitably inferior in execution, yet

observe the same limitations of incident, and the same moral aims.

The author trusts that the Press, to whose masterly criticism and generous

encouragement he and other humble labourers in the art owe so much, will

insist upon the limitation of that degrading term to the peculiar type of

fiction which it was originally intended to indicate, and prevent, as they

may, its being made to include the legitimate school of tragic English

romance, which has been ennobled, and in great measure founded, by the

genius of Sir Walter Scott.

CONTENTS

CHAPTER

I. AUSTIN RUTHYN, OF KNOWL, AND HIS DAUGHTER

II. UNCLE SILAS

III. A NEW FACE

IV. MADAME DE LA ROUGIERRE

V. SIGHTS AND NOISES

VI. A WALK IN THE WOOD

VII. CHURCH SCARSDALE

VIII. THE SMOKER

IX. MONICA KNOLLYS

X. LADY KNOLLYS REMOVES A COVERLET

XI. LADY KNOLLYS SEES THE FEATURES

XII. A CURIOUS CONVERSATION

XIII. BEFORE AND AFTER BREAKFAST

XIV. ANGRY WORDS

XV. A WARNING

XVI. DOCTOR BRYERLY LOOKS IN

XVII. AN ADVENTURE

XVIII. A MIDNIGHT VISITOR

XIX. AU REVOIR

XX. AUSTIN RUTHYN SETS OUT ON HIS JOURNEY

XXI. ARRIVALS

XXII. SOMEBODY IN THE ROOM WITH THE COFFIN

XXIII. I TALK WITH DOCTOR BRYERLY

XXIV. THE OPENING OF THE WILL

XXV. I HEAR FROM UNCLE SILAS

XXVI. THE STORY OF UNCLE SILAS

XXVII. MORE ABOUT TOM CHARKE'S SUICIDE

XXVIII. I AM PERSUADED

XXIX. HOW THE AMBASSADOR FARED

XXX. ON THE ROAD

XXXI. BARTRAM-HAUGH

XXXII. UNCLE SILAS

XXXIII. THE WINDMILL WOOD

XXXIV. ZAMIEL

XXXV. WE VISIT A ROOM IN THE SECOND STOREY

XXXVI. AN ARRIVAL AT DEAD OF NIGHT

XXXVII. DOCTOR BRYERLY EMERGES

XXXVIII. A MIDNIGHT DEPARTURE

XXXIX. COUSIN MONICA AND UNCLE SILAS MEET

XL. IN WHICH I MAKE ANOTHER COUSIN'S ACQUAINTANCE

XLI. MY COUSIN DUDLEY

XLII. ELVERSTON AND ITS PEOPLE

XLIII. NEWS AT BARTRAM GATE

XLIV. A FRIEND ARISES

XLV. A CHAPTER-FULL OF LOVERS

XLVI. THE RIVALS

XLVII. DOCTOR BRYERLY REAPPEARS

XLVIII. QUESTION AND ANSWER

XLIX. AN APPARITION

L. MILLY'S FAREWELL

LI. SARAH MATILDA COMES TO LIGHT

LII. THE PICTURE OF A WOLF

LIII. AN ODD PROPOSAL

LIV. IN SEARCH OF MR. CHARKE'S SKELETON

LV. THE FOOT OF HERCULES

LVI. I CONSPIRE

LVII. THE LETTER

LVIII. LADY KNOLLYS' CARRIAGE

LIX. A SUDDEN DEPARTURE

LX. THE JOURNEY

LXI. OUR BED-CHAMBER

LXII. A WELL-KNOWN FACE LOOKS IN

LXIII. SPICED CLARET

LXIV. THE HOUR OF DEATH

LXV. IN THE OAK PARLOUR

CONCLUSION

UNCLE SILAS

A Tale of Bartram-Haugh

CHAPTER I

_AUSTIN RUTHYN, OF KNOWL, AND HIS DAUGHTER_

It was winter--that is, about the second week in November--and great gusts

were rattling at the windows, and wailing and thundering among our tall

trees and ivied chimneys--a very dark night, and a very cheerful fire

blazing, a pleasant mixture of good round coal and spluttering dry wood, in

a genuine old fireplace, in a sombre old room. Black wainscoting glimmered

up to the ceiling, in small ebony panels; a cheerful clump of wax candles

on the tea-table; many old portraits, some grim and pale, others pretty,

and some very graceful and charming, hanging from the walls. Few pictures,

except portraits long and short, were there. On the whole, I think you

would have taken the room for our parlour. It was not like our modern

notion of a drawing-room. It was a long room too, and every way capacious,

but irregularly shaped.

A girl, of a little more than seventeen, looking, I believe, younger still;

slight and rather tall, with a great deal of golden hair, dark grey-eyed,

and with a countenance rather sensitive and melancholy, was sitting at the

tea-table, in a reverie. I was that girl.

The only other person in the room--the only person in the house related to

me--was my father. He was Mr. Ruthyn, of Knowl, so called in his county,

but he had many other places, was of a very ancient lineage, who had

refused a baronetage often, and it was said even a viscounty, being of a

proud and defiant spirit, and thinking themselves higher in station and

purer of blood than two-thirds of the nobility into whose ranks, it was

said, they had been invited to enter. Of all this family lore I knew but

little and vaguely; only what is to be gathered from the fireside talk of

old retainers in the nursery.

I am sure my father loved me, and I know I loved him. With the sure

instinct of childhood I apprehended his tenderness, although it was never

expressed in common ways. But my father was an oddity. He had been early

disappointed in Parliament, where it was his ambition to succeed. Though a

clever man, he failed there, where very inferior men did extremely well.

Then he went abroad, and became a connoisseur and a collector; took a part,

on his return, in literary and scientific institutions, and also in the

foundation and direction of some charities. But he tired of this mimic

government, and gave himself up to a country life, not that of a sportsman,

but rather of a student, staying sometimes at one of his places and

sometimes at another, and living a secluded life.

Rather late in life he married, and his beautiful young wife died, leaving

me, their only child, to his care. This bereavement, I have been told,

changed him--made him more odd and taciturn than ever, and his temper also,

except to me, more severe. There was also some disgrace about his younger

brother--my uncle Silas--which he felt bitterly.

He was now walking up and down this spacious old room, which, extending

round an angle at the far end, was very dark in that quarter. It was his

wont to walk up and down thus, without speaking--an exercise which used to

remind me of Chateaubriand's father in the great chamber of the Château

de Combourg. At the far end he nearly disappeared in the gloom, and then

returning emerged for a few minutes, like a portrait with a background of

shadow, and then again in silence faded nearly out of view.

This monotony and silence would have been terrifying to a person less

accustomed to it than I. As it was, it had its effect. I have known my

father a whole day without once speaking to me. Though I loved him very

much, I was also much in awe of him.

While my father paced the floor, my thoughts were employed about the events

of a month before. So few things happened at Knowl out of the accustomed

routine, that a very trifling occurrence was enough to set people wondering

and conjecturing in that serene household. My father lived in remarkable

seclusion; except for a ride, he hardly ever left the grounds of Knowl; and

I don't think it happened twice in the year that a visitor sojourned among

us.

There was not even that mild religious bustle which sometimes besets the

wealthy and moral recluse. My father had left the Church of England for

some odd sect, I forget its name, and ultimately became, I was told, a

Swedenborgian. But he did not care to trouble me upon the subject. So the

old carriage brought my governess, when I had one, the old housekeeper,

Mrs. Rusk, and myself to the parish church every Sunday. And my father, in

the view of the honest rector who shook his head over him--'a cloud without

water, carried about of winds, and a wandering star to whom is reserved the

blackness of darkness'--corresponded with the 'minister' of his church, and

was provokingly contented with his own fertility and illumination; and

Mrs. Rusk, who was a sound and bitter churchwoman, said he fancied he saw

visions and talked with angels like the rest of that 'rubbitch.'

I don't know that she had any better foundation than analogy and conjecture

for charging my father with supernatural pretensions; and in all points

when her orthodoxy was not concerned, she loved her master and was a loyal

housekeeper.

I found her one morning superintending preparations for the reception of

a visitor, in the hunting-room it was called, from the pieces of tapestry

that covered its walls, representing scenes _à la Wouvermans_, of falconry,

and the chase, dogs, hawks, ladies, gallants, and pages. In the midst of

whom Mrs. Rusk, in black silk, was rummaging drawers, counting linen, and

issuing orders.

'Who is coming, Mrs. Rusk?'

Well, she only knew his name. It was a Mr. Bryerly. My papa expected him to

dinner, and to stay for some days.

'I guess he's one of those creatures, dear, for I mentioned his name just

to Dr. Clay (the rector), and he says there _is_ a Doctor Bryerly, a great

conjurer among the Swedenborg sect--and that's him, I do suppose.'

In my hazy notions of these sectaries there was mingled a suspicion of

necromancy, and a weird freemasonry, that inspired something of awe and

antipathy.

Mr. Bryerly arrived time enough to dress at his leisure, before dinner. He

entered the drawing-room--a tall, lean man, all in ungainly black, with a

white choker, with either a black wig, or black hair dressed in imitation

of one, a pair of spectacles, and a dark, sharp, short visage, rubbing his

large hands together, and with a short brisk nod to me, whom he plainly

regarded merely as a child, he sat down before the fire, crossed his legs,

and took up a magazine.

This treatment was mortifying, and I remember very well the resentment of

which _he_ was quite unconscious.

His stay was not very long; not one of us divined the object of his visit,

and he did not prepossess us favourably. He seemed restless, as men of busy

habits do in country houses, and took walks, and a drive, and read in the

library, and wrote half a dozen letters.

His bed-room and dressing-room were at the side of the gallery, directly

opposite to my father's, which had a sort of ante-room _en suite_, in which

were some of his theological books.

The day after Mr. Bryerly's arrival, I was about to see whether my father's

water caraffe and glass had been duly laid on the table in this ante-room,

and in doubt whether he was there, I knocked at the door.

I suppose they were too intent on other matters to hear, but receiving no

answer, I entered the room. My father was sitting in his chair, with his

coat and waistcoat off, Mr. Bryerly kneeling on a stool beside him, rather

facing him, his black scratch wig leaning close to my father's grizzled

hair. There was a large tome of their divinity lore, I suppose, open on

the table close by. The lank black figure of Mr. Bryerly stood up, and he

concealed something quickly in the breast of his coat.

My father stood up also, looking paler, I think, than I ever saw him till

then, and he pointed grimly to the door, and said, 'Go.'

Mr. Bryerly pushed me gently back with his hands to my shoulders, and

smiled down from his dark features with an expression quite unintelligible

to me.

I had recovered myself in a second, and withdrew without a word. The last

thing I saw at the door was the tall, slim figure in black, and the dark,

significant smile following me: and then the door was shut and locked, and

the two Swedenborgians were left to their mysteries.

I remember so well the kind of shock and disgust I felt in the certainty

that I had surprised them at some, perhaps, debasing incantation--a

suspicion of this Mr. Bryerly, of the ill-fitting black coat, and white

choker--and a sort of fear came upon me, and I fancied he was asserting

some kind of mastery over my father, which very much alarmed me.

I fancied all sorts of dangers in the enigmatical smile of the lank

high-priest. The image of my father, as I had seen him, it might be,

confessing to this man in black, who was I knew not what, haunted me with

the disagreeable uncertainties of a mind very uninstructed as to the limits

of the marvellous.

I mentioned it to no one. But I was immensely relieved when the sinister

visitor took his departure the morning after, and it was upon this

occurrence that my mind was now employed.

Some one said that Dr. Johnson resembled a ghost, who must be spoken to

before it will speak. But my father, in whatever else he may have resembled

a ghost, did not in that particular; for no one but I in his household--and

I very seldom--dared to address him until first addressed by him. I had no

notion how singular this was until I began to go out a little among friends

and relations, and found no such rule in force anywhere else.

As I leaned back in my chair thinking, this phantasm of my father came, and

turned, and vanished with a solemn regularity. It was a peculiar figure,

strongly made, thick-set, with a face large, and very stern; he wore a

loose, black velvet coat and waistcoat. It was, however, the figure of an

elderly rather than an old man--though he was then past seventy--but firm,

and with no sign of feebleness.

I remember the start with which, not suspecting that he was close by me, I

lifted my eyes, and saw that large, rugged countenance looking fixedly on

me, from less than a yard away.

After I saw him, he continued to regard me for a second or two; and then,

taking one of the heavy candlesticks in his gnarled hand, he beckoned me to

follow him; which, in silence and wondering, I accordingly did.

He led me across the hall, where there were lights burning, and into a

lobby by the foot of the back stairs, and so into his library.

It is a long, narrow room, with two tall, slim windows at the far end, now

draped in dark curtains. Dusky it was with but one candle; and he paused

near the door, at the left-hand side of which stood, in those days, an

old-fashioned press or cabinet of carved oak. In front of this he stopped.

He had odd, absent ways, and talked more to himself, I believe, than to all

the rest of the world put together.

'She won't understand,' he whispered, looking at me enquiringly. 'No, she

won't. _Will_ she?'

Then there was a pause, during which he brought forth from his breast

pocket a small bunch of some half-dozen keys, on one of which he looked

frowningly, every now and then balancing it a little before his eyes,

between his finger and thumb, as he deliberated.

I knew him too well, of course, to interpose a word.

'They are easily frightened--ay, they are. I'd better do it another way.'

And pausing, he looked in my face as he might upon a picture.

'They _are_--yes--I had better do it another way--another way; yes--and

she'll not suspect--she'll not suppose.'

Then he looked steadfastly upon the key, and from it to me, suddenly

lifting it up, and said abruptly, 'See, child,' and, after a second or two,

'_Remember_ this key.'

It was oddly shaped, and unlike others.

'Yes, sir.' I always called him 'sir.'

'It opens that,' and he tapped it sharply on the door of the cabinet. 'In

the daytime it is always here,' at which word he dropped it into his pocket

again. 'You see?--and at night under my pillow--you hear me?'

'Yes, sir.'

'You won't forget this cabinet--oak--next the door--on your left--you won't

forget?'

'No, sir.'

'Pity she's a girl, and so young--ay, a girl, and so young--no

sense--giddy. You say, you'll _remember_?'

'Yes, sir.'

'It behoves you.'

He turned round and looked full upon me, like a man who has taken a sudden

resolution; and I think for a moment he had made up his mind to tell me a

great deal more. But if so, he changed it again; and after another pause,

he said slowly and sternly--'You will tell nobody what I have said, under

pain of my displeasure.'

'Oh! no, sir!'

'Good child!'

'_Except_,' he resumed, 'under one contingency; that is, in case I should

be absent, and Dr. Bryerly--you recollect the thin gentleman, in spectacles

and a black wig, who spent three days here last month--should come and

enquire for the key, you understand, in my absence.'

'Yes, sir.'

So he kissed me on the forehead, and said--

'Let us return.'

Which, accordingly, we did, in silence; the storm outside, like a dirge on

a great organ, accompanying our flitting.

Uncle Silas: A Tale of Bartram-Haugh · 第 1 / 65 章