Show-and-Tell Expert

An elder, whether he or she is a biological grandparent or not, can be an

excellent show-and-tell for a youngster. If you haven't tried it, give it

thought, the experience is one of the best antidotes for the 'blahs.' The

experiences range from the hilarious to the poignant, and deserve being

shared.

During a visit to my distant grandchildren they invited me to accompany

them to school to tell a few stories. On the appointed day, waiting in line

with my granddaughter to enter her classroom, she glanced around to see

if I was still there. Seeing me, she waggled her thumb at me over her

shoulder and loudly proclaimed for all to hear, 'That's my Grandpa. He's

my show-and-tell today!'

Acknowledging students' stares and giggles with dignified bows to left

and right, I trailed along into the classroom, was graciously received, told

stories, responded to questions about how the stories came to be, and

asked questions in return. I then repeated my performance in my

grandson's class. Both sessions went well.

During the storytelling and the discussions that followed, the youngsters

were fascinated: they were sharing their thoughts with someone who

really wrote stories and, equally important, they were talking with an

elder and a grandpa (grandpa-surrogate?) who had come to visit with

them from beyond their everyday routines. I was reminded once more

that grandparents were nearby for relatively few children, the reasons

include circumstances as well as geography. For most, grandparents

were distant, deceased, or unknown.

***

Some time previously, a friend invited me to accompany him to a

children's day care center in his city. He, along with several other elders,

visited the center occasionally to interact with the youngsters.

Conforming to the center's schedule, we arrived about half an hour

before lunch. The children, about 25 three-to-four year olds, were still in

the play yard. With permission from the play yard supervisor, we

circulated from one group to another and participated in their activities

where we could safely do so.

After a while, the attendant assembled the children to return indoors, and

we followed. Inside, the youngsters and elders took seats in a circle, the

elders spacing themselves about equidistant from each other. To my

surprise, it was story time, and we elders were to be the storytellers.

The first storyteller told of a voyage she had taken as a child with her

parents, and the second described a winter sleigh ride along a country

lane. My friend, a retired aeronautical engineer, spoke of airplanes and

spaceships and stars in the skies. Throughout, the youngsters

concentrated on the speaker, asked questions, voiced opinions, and, in

many ways expressed their wonder and interest. The adults were getting

as much from the telling as the children.

I had been engrossed in observing the reaction of the children to the

stories being told and I was unprepared for my part. Suddenly, it was

my turn. What could I say that would have meaning to these young

children? Searching my memory, I recalled that, when my children were

young, I had often baked bread for our family. My story would be

about baking braided bread, and I would pantomime the process and

have all present join in.

The children, and the adults as well, quickly entered the spirit of the

story. When, with elaborate motions, I drew forth baking pans and

supplies from an imaginary cupboard and placed them on a phantom

work table, they did. When I cracked pretend-eggs into an enormous

bowl that wasn't really there, they did. Together, we vigorously mixed

the invisible ingredients, dumped, floured, and kneaded the phantom

mess, centered it on the ghostly table, and raised our arms grandly above

our heads and touched fingertips high up to match the height to which

our magic dough had risen. Solemnly, we pounded the non-existent

lump flat, cut it into unseen chunks, and rolled each chunk into an

invisible branch. Watching closely as I solemnly went about it, each

child braided their three symbolic branches into their personal loaf,

placed it in the shadow oven, and drew it out a moment later, sniffing the

fragrance of freshly baked bread.

Faces reflecting their deep concentration, the children were involved.

Elders and youngsters had shared an experience, and it had been good.

Having worked up our appetites, we were also ready for lunch.

***

I've told this story on several other occasions. Preparing for one telling,

I rolled three packages of play dough of contrasting colors into eighteen-

inch sticks, wrapped each in the clear plastic used for food storage, and

secured the plastic with adhesive tape. At the proper moment in the

telling, and in elaborate pantomime, I withdrew each colored length, one

at a time, from a mysterious-looking case beside me. Youngsters

crowded forward, eyes wide and riveted. I held each colored wrap aloft

for all to see, and continued with the game. The contrasting colors made

the braiding process clearly visible and more understandable.

***

I was invited by the Resource Teacher of a local elementary school to

participate in their Authors and Illustrators Invitational. Each appearance

would be a one man or woman show: a visiting writer or artist and an

audience of children. Arrangements fell into place and each of the five

sessions I conducted found me in the school library, seated in an ancient

wooden grandpa-style rocking chair, with twenty-five to thirty second- to

fourth-graders spread out before me in a half circle with their listeners

on and tuned in.

To each group I told a story or two, and encouraged questions about

how my stories came to be. Planet Jupiter was the setting for one story

(told here in another chapter), and I mentioned that the plot and

characters had been created by working out details with my

grandchildren. Discussing collaboration in writing a story got us into

long distance interaction between grandkids and grandparents. With

another, middle school group, I dragged out one of my book-length

manuscripts and explained the why and how of manuscript preparation

and independent publishing and what might happen if (the big IF) the

manuscript was accepted by a trade publisher. Questions, lots of

questions, no two sessions alike.

***

During a visit to my distant grandchildren, then nine-year old Joshua

invited me to read a story to his class of about fifteen students during the

lunch period. I would have about half an hour, following which the class

would break for the schoolyard. Most of the youngsters knew me, as I'd

read or told stories to them during previous visits. I was greeted with

'Hi' smiles and hand waves.

The tables had been arranged in a U with me at the open end. Except for

the few who hadn't seen me before, they knew I had difficulty hearing.

As a reminder I pointed to my two hearing aids and asked the students to

speak up when offering opinions or asking questions. This immediately

brought comments from several that their grandmothers or grandfathers

also wore hearing aids and they knew what was expected of them. To a

few, my hearing device was something new. I removed the aid from my

ear, opened the battery clip, and walked along the inside of the U to point

out up close its major parts and their purpose, then demonstrated how

the aid was installed and removed. I activated the acoustic feedback

whistle by cupping the device in my palm and rendering a 'shave-and-a-

haircut' whistle and this brought several laughs as well as questions. I

was off to a good start.

Rather than read or tell a story, I moved on to talk about the United

States programs for exploring space, plans for a permanent space station

and, in time, a base on the Moon and unmanned and manned flights to

Mars. We speculated about the origin of the planets in the light of their

relative sizes and orbits along the solar plane. I sketched a rough

diagram on the blackboard. The students reeled off the planets' names,

and recalled what they knew about this or that planetary satellite. One

youngster wanted to be certain that the class was aware that Pluto's orbit

was unusual in that it cut across the solar plane inside Neptune's orbit

and back out into interstellar space. They knew a lot about the solar

system and were proud and pleased to share their knowledge. It was a

'high tech' discussion.

The last item on my agenda was to read several single-page stories, each

closing with a dilemma confronting the lead character. The author's

answers to the puzzles were included in the text, but before disclosing it I

invited the class to suggest their own. They didn't hesitate, and

supported their ideas with logic.

As in our previous sessions which, for some students, were as far back

as preschool, they felt that they were exchanging views with an elderly

adult who had arrived from outside, who wrote stories as well as being a

storyteller, and someone who was grandpa to a fellow student. The half-

hour passed much too soon.

Talks and readings I've attended over the years gave ample evidence of

their value to speakers and listeners. Whether a show-and-tell visitor to

a class presents a story, a memoir, an artifact, a skill, or an art form,

almost all have something worth sharing with children. The problem is

often in bringing the two distant age groups into each other's presence so

that the dynamics of their interaction and mutuality can take place.

Preparations, as well as the main event, add zest to the experience. A

show-and-tell takes many forms, however they occur, one constant

prevails: each youngster, while you and I are with him or her, is 'the

grandchild.'

Introducing yourself to a distant grandchild as a teller of stories or of

family, cultural, or other anecdotes, or as someone who cares about him

or her, calls for some initial groundwork. For instance, does your

grandchild know you or only of you?

With increased life expectancy and life experience, grandparents of this

era have more to offer youngsters than ever before. As life expectancy

increases, our children and grandchildren, in their turn, will have more to

offer their succeeding generations.

Grandchildren need easy access to grandparents. Casting the elderly

into physically remote and psychologically passive roles works against

the interests of grandchildren and their parents, as well as their

grandparents.

For grandparent-grandchild interaction to flourish, if it is to exist at all,

grandparents, themselves, need to take initiatives to reach out. This could

call for unusual assertiveness to open lines of communication where

there are none, and at keeping them open for a two-way flow.

A Grandpa's Notebook Ideas, Models, Stories and Memoirs to Encourage Intergenerational Outreach and Communication · 第 36 / 105 题