The Symbolism of the Badge

The badge on a Trade Unionist’s coat is a piece of poetry in the

genuine, lucid, and logical sense in which Milton defined poetry (and

he ought to know) when he said that it was simple, sensuous, and

passionate. It is simple, because many understand the word “badge,”

who might not even understand the word “recognition.” It is sensuous,

because it is visible and tangible; it is incarnate, as all the good

Gods have been; and it is passionate in this perfectly practical sense,

which the man with an eye to business may some day learn more thoroughly

than he likes, that there are men who will allow you to cross a word

out in a theoretical document, but who will not allow you to pull a big

button off their bodily clothing, merely because you have more money

than they have. Now I think it is this sensuousness, this passion, and,

above all, this simplicity that are most wanted in this promising revolt

of our time. For this simplicity is perhaps the only thing in which the

best type of recent revolutionists have failed. It has been our

sorrow lately to salute the sunset of one of the very few clean and

incorruptible careers in the most corruptible phase of Christendom. The

death of Quelch naturally turns one’s thoughts to those extreme Marxian

theorists, who, whatever we may hold about their philosophy, have

certainly held their honour like iron. And yet, even in this instant

of instinctive reverence, I cannot feel that they were poetical enough,

that is childish enough, to make a revolution. They had all the audacity

needed for speaking to the despot; but not the simplicity needed for

speaking to the democracy. They were always accused of being too bitter

against the capitalist. But it always seemed to me that they were (quite

unconsciously, of course) much too kind to him. They had a fatal habit

of using long words, even on occasions when he might with propriety have

been described in very short words. They called him a Capitalist when

almost anybody in Christendom would have called him a cad. And “cad”

is a word from the poetic vocabulary indicating rather a general and

powerful reaction of the emotions than a status that could be defined

in a work of economics. The capitalist, asleep in the sun, let such long

words crawl all over him, like so many long, soft, furry caterpillars.

Caterpillars cannot sting like wasps. And, in repeating that the old

Marxians have been, perhaps, the best and bravest men of our time, I say

also that they would have been better and braver still if they had never

used a scientific word, and never read anything but fairy tales.

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