II

At last the welcome jar and creak of the gate awoke her.

"Why, I thought you knew I had to go to the Borough!" began a fretful

voice, forestalling reproach, and a buxom woman resplendent with black

satin and much jewellery came up the tiny garden-path.

"It doesn't matter, mother--I haven't been waiting long."

"Well, you know how difficult it is to get a 'bus in this weather--at

least if you want to sit outside, and it always makes my head ache

frightfully to go inside--I'm not strong and young like you--and such

a long way, I had to change at the Bank, and I made sure you'd get

something to eat at one of the girls', and go straight to the People's

Palace."

Still muttering, Mrs. Brill produced a key, and after some fumbling

threw open the door. Both made a step within, then both stopped,

aghast.

"It's the wrong house," thought Salvina confusedly, conscious of her

power of making such mistakes.

"_Kisshuf_ (witchcraft)!" whispered her mother, terrified into her

native idiom. The passage lay before them, entirely bare of all its

familiar colour and furniture: the framed engravings depicting the

trials of William Lord Russell, in the Old Bailey, and Earl Stafford

in Westminster Hall, the flower-pots on the hall table, the proudly

purchased hat-rack, the metal umbrella-stand, all gone! And beyond,

facing them, lay the parlour, an equally forlorn vacancy striking like

a blast of chilly wind through its wide-open door.

"Thieves!" cried Mrs. Brill, reverting from the supernatural and the

Yiddish. "Murder! I'm ruined! They've stolen my house!"

"Hush! Hush!" said Salvina, strung to calm by her mother's

incoherence. "Let us see first what has really happened."

"Happened! Haven't you got eyes in your head? All the fruit of my

years of toil!" And Mrs. Brill wrung her jewelled hands. "Your father

would have me call on those Sperlings, though I told him they'd be

glad to dance on my tomb. And why didn't Lazarus stay at home?"

"You know he has to be out looking for work."

"And my gilt clock that I trembled even to wind up, and the big vase

with the picture on it, and my antimacassars, and my beautiful couch

that nobody had ever sat upon! Oh my God, oh my God!"

Leaving her mother moaning out a complete inventory in the passage,

Salvina advanced into the violated parlour. It was an aching void. On

the bare mantelpiece, just where the gilt clock had announced a

perpetual half-past two, gleamed an unstamped letter. She took it up

wonderingly. It was in her father's schoolboyish hand, addressed to

her mother. She opened it, as usual, for Mrs. Brill did not even know

the alphabet, and refused steadily to make its acquaintance, to the

ironic humiliation of the Board School teacher.

"You would not let me give you _Get_," [ran the letter

abruptly], "so you have only yourself to blame. I have left the

clothes in the bed-rooms, but what is mine is mine. Good-bye.

"MICHAEL BRILL.

"P.S.--Don't try to find me at the factory. I have left."

Salvina steadied herself against the mantelpiece till the room should

have finished reeling round. _Get!_ Her father had wanted to put away

her mother! Divorce, departure, devastation--what strange things were

these, come to wreck a prosperity so slowly built up!

"Quick, Salvina, there goes a policeman!" came her mother's cry.

The room stood still suddenly. "Hush, hush, mother," Salvina said

imperiously. "There's no thief!" She ran back into the passage, the

letter in her hand.

A fierce flame of intelligence leapt into the woman's face. "Ah, it's

your father!" she cried. "I knew it, I knew he'd go after that painted

widow, just because she has a little money, a black curse on her

bones. Oh! oh! God in heaven! To bring such shame on me, for the sake

of a saucy-nosed slut whose sister sold ironmongery in Petticoat

Lane--a low lot, one and all, and not fit to wipe my shoes on, even

when she was respectable, and this is what you call a father, Salvina!

Oh my God, my God!"

Salvina was by this time dazed, yet she had a gleam of consciousness

left with which to register this culminating destruction of all her

social landmarks. What! That monstrous wickedness of marquises and

epauletted officers which hovered vaguely in the shadow-land of novels

and plays had tumbled with a bang into real life; had fallen not even

into its natural gilded atmosphere, but through the amulet-guarded

doors of a respectable Jewish family in the heart of a Hackney

Terrace, amid the horsehair couches and deal tables of homely reality.

Nay--more sordid than the romantic wickedness of shadowland--it had

even removed those couches and tables! And oddly blent with this

tossing chaos of new thought in Salvina's romantic brain surged up

another thought, no less new and startling. Her father and mother had

once loved each other! They, too, had dawned upon each other, fairy

prince and fairy princess; had laid in each other's hand that warm

touch of trust and readiness to live and die for each other. It was

very wonderful, and she almost forgot their hostile relationship in a

rapid back-glance upon the years in which they had lived in mutual

love before her unsuspecting eyes. Their prosaic bickering selves were

transfigured: her vivid imagination threw off the damage of the years,

saw her coarse, red-cheeked father and her too plump mother as the

idyllic figures on the lamented parlour vase. And when her thought

struggled painfully back to the actual moment, it was with a new

concrete sense of its tragic intensity.

"O mother, mother!" she cried, as she threw her arms round her. The

Greek grammar and the letter fell unregarded to the floor.

The fountain of Mrs. Brill's wrongs leapt higher at the sympathy. "And

I could have had half-a-dozen young men! The boils of Egypt be upon

him! Time after time I said, 'No,' though the Shadchan bewitched my

parents into believing that Michael was an angel without wings."

"But you also thought father an angel," Salvina pleaded.

"Yes; and now he _has_ got wings," said Mrs. Brill savagely.

Salvina's tears began to ooze out. Poor swain and shepherdess on the

parlour vase! Was this, then, how idylls ended? "Perhaps he'll come

back," she murmured.

The wife snorted viciously. "And my furniture? The beautiful furniture

I toiled and scraped for, that he always grumbled at, though I saved

it out of the housekeeping money, without its costing _him_ a penny,

and no man in London had better meals,--hot meat every day and fish

for Sabbath, even when plaice were eightpence a pound,--and no

servant--every scrap of work done with my own two hands! Now he carts

everything away as if it were his."

"I suppose it is by law," Salvina said mildly.

"Law! I'll have the law on him."

"Oh, no, mother!" and Salvina shuddered. "Besides, he has left our

clothes."

Ghetto Tragedies · 第 110 / 142 题