CHAPTER III

Description of the Materials and Tools required for Block-cutting

The wood most commonly used by the Japanese for their printing-blocks is

a cherry wood very similar to that grown in England. The Canadian cherry

wood, which is more easily obtained than English cherry, is of too open

a grain to be of use. The more slowly grown English wood has a closer

grain and is the best for all the purposes of block cutting and

printing. Well-seasoned planks should be obtained and kept ready for

cutting up as may be required.

When a set of blocks is to be cut for a given design, the size of the

printing surface of each block should be made equal to the size of the

design plus 1 inch or, for large prints, 1-1/2 inch in addition long

ways, and 1/4 or 1/2 inch crossways. The thickness of the plank need not

be more than 5/8 or 3/4 inch. It is best for the protection of the

surfaces of the printing blocks and to prevent warping, also for

convenience in storing and handling them, to fix across each end a piece

of wood slightly thicker than the plank itself. These cross-ends should

be mounted as shown in fig. 2.

[Illustration: FIG. 2.--Block mounted with cross ends to

prevent warping.]

Both surfaces of the plank should be planed smooth and then finished

with a steel scraper, but not touched with sand-paper.

It is understood that the face of the plank is used for the printing

surface, and not the end of the grain as in blocks for modern wood

engraving.

The tools needed for cutting the blocks are the following:

1. THE KNIFE

[Illustration: FIG. 3.--Drawing of the knife.]

With this knife the most important and delicate work is done. All the

lines of the key-block as well as the boundaries of the colour masses

are cut with it, before the removal of intervening spaces.

The blade lies in a slot and is held tight by the tapered ferrule. This

can be pulled off by hand and the blade lengthened by pulling it

forward in the slot.

2. CHISELS

These are used for removing the wood between the cut lines or colour

masses, and should be ordinary carvers' chisels of the following sizes:

[Illustration: FIG. 4.--Sizes of chisels.]

except those under No. 9, which are short-handled chisels for small

work.

The Japanese toolmakers fit these small chisels into a split handle as

shown in fig. 5. The blade is held tightly in its place by the tapered

ferrule when the handle is closed, or can be lengthened by opening the

handle and pulling forward the blade in its slot. In this way the blade

can be used down to its last inch.

3. MALLET

This is needed for driving the larger chisels.

[Illustration: FIG. 5.--Short chisel in split handle.]

[Illustration: FIG. 6.--Mallet.]

These are all the tools that are needed for block cutting. For keeping

them in order it is well to have oilstones of three grades:

1. A carborundum stone for rapidly re-covering the shape of a chipped

or blunt tool.

2. A good ordinary oil stone.

3. A hard stone for keeping a fine edge on the knife in cutting line

blocks. The American "Washita" stone is good for this purpose.

[Illustration: Plate IV. Colour block of a print of which the key-block

is shown on page 5.]

(_To face page 23._)

Wood-Block Printing A Description of the Craft of Woodcutting and Colour Printing Based on the Japanese Practice · 第 3 / 8 章