"She was vexed to her soul afterwards to find she was tricke

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Spelling, grammar, and punctuation have been retained as in the original,

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~REMARKS~

~ON~

~_CLARISSA_,~

Addressed to the AUTHOR.

Occasioned by some critical Conversations on the

CHARACTERS and CONDUCT of that Work.

~WITH~

Some Reflections on the Character and Behaviour

of PRIOR'S ~_EMMA_~.

~_LONDON:_~

Printed for _J. Robinson_ in _Ludgate-street_.

M,DCC,XLIX.

[Price One Shilling.]

REMARKS ON _CLARISSA_, &c.

~_SIR_,~

Perhaps an Address of this Nature may appear very unaccountable, and

whimsical; when I assure you, my Design is fairly to lay before you all

the Criticisms, as far as I can remember them, that I have heard on your

History of _Clarissa_; from the Appearance of the two first Volumes, to

the Close of the Work. I have not willingly omitted any one Objection I

have heard made to your favourite Character, from her first Appearance

in the World; nor, on the contrary, have I either diminished or added to

the favourable Construction put on her Words or Actions. If the Grounds

for the Objections are found to be deducible from the Story, I would

have them remain in their full Force; but if the Answers her Admirers

have given to those Objections are found to result from an impartial and

attentive perusal of the Story, I would not have her deny'd the Justice

they have done her. But tho' I seem here to speak only of _Clarissa_, as

she is your principal Character, yet I intend as well to take notice of

what has been said relating to your whole Story, as to her in

particular.

In the first Conversation I heard on this Subject, the whole Book was

unanimously condemned, without the least Glimpse of Favour from any one

present who sat in judgment on it. It was tedious stuff!--low!--Letters

wrote between Misses about their Sweet-hearts!--There was an Uncle

_Anthony_--a Brother _James_!--a Goody _Norton_!--and a Servant

_Hannah_.--In short, _one_ had no Patience to read it, _another_ could

not bear it, a _third_ did not like it, _&c._ Such general Censurers, I

knew, could be very little worth attending to; and this Judgment I

should have formed had I been a Stranger to the Book thus unmercifully

treated; but as I had read _Clarissa_, and observed some Beauties in it,

yet heard not one of them mentioned, I was determined to say nothing,

and to make my Visit as short as possible.

From hence I went to spend the Evening with a Family in whose

Conversation I am always agreeably entertained. There happened, that

Night, to be a pretty large Assembly of mix'd Company. _Clarissa_

immediately became the Subject of our Conversation, when, after a few

general Remarks, one of the Gentlemen said, "His chief Objection was to

the Length of it, for that he was certain he could tell the whole Story

contained in the two first Volumes in a few Minutes; for Example,

(continued he) There is a Family who live in the Country, consisting of

an old, positive, gouty Gentleman, two old Batchelors as positive as

their gouty Brother, a meek Wife, an ambitious Son, an envious elder

Sister, and a handsome younger Sister; who, having refused many offered

Matches, engages the Attention and Liking of one Mr. _Lovelace_, a young

Gentleman of a noble Family; her Brother has an absolute Aversion to

him; a Rencounter follows between them; the Lady corresponds with

_Lovelace_ to prevent farther Mischief; a disagreeable Man is proposed

to her by all her Family; she will not consent; they all combine to

insist on her Compliance; she is lock'd up; forbid all Correspondence

out of the Family, but still persists in her Refusal; they call it

Obstinacy; she calls it Resolution; Mr. _Lovelace_ takes the Advantage

of her Friends cruel Usage of her, and presses her to throw herself on

his Protection: at last, for fear of being forced to marry the Man she

hates, she appoints to go off with _Lovelace_; but fearing the

Consequence of such a rash Step, and thinking it a Breach of her Duty to

leave her Father's House till urged by the last Necessity, she would

have retracted the Appointment, and waited yet a little longer, in hopes

her Friends might be influenced to change their Mind; Mr. _Lovelace_

does not take the Letter she puts in the usual Place for that purpose,

and we see by her last Letter to her Friend, dated at St. _Albans_, that

she is there with _Lovelace_. Now, how is it possible for this Story,

without being exceeding tedious, to be spun out to two Volumes,

containing each above 300 Pages?"

When the Gentleman ceased, a young Lady, whose Name was _Gibson_, took a

little Almanack out of her Pocket, and, turning to the Place where the

Births and Deaths of the Kings of _England_ were marked, gave it to the

Gentleman, and said, "that by his Rule of Writing, that was the best

History of _England_, and Almanack-makers were the best Historians".

Mr. _Johnson_, another of the Company, said, he would engage to relate

the _Roman_ History, in that manner, in as little time as had been

expended in the summing up the Story of _Clarissa_; and then, with a

Monotony in his Voice that expressed more Humour than I can describe, he

began as follows:

"_Romulus_ the Son of _Apulius_, as some say, tho' according to others

the Son of _Mars_ by one of the Vestal Virgins, built the City of

_Rome_, and reign'd there 37 Years; after him reigned six Kings

successively (their Names are of no Consequence) but the Wickedness of

the last King put an end to the regal State, and introduced the

Consular, which we may say lasted about the Space of 427 Years, tho' it

was retrenched in Power by the Tribunes of the People, and had many

Intermissions by the Creation of Dictators, the Decemviri, and the

military Tribuns; during all this time, sometimes there was War,

sometimes there was Peace, foreign Wars in abundance, great Civil Wars,

not a few Contentions for Power amongst all Degrees of Men, vast

Conquests, great Extent or Empire, till at last, in the famous Plains of

_Pharsalia_, was fought a decisive Battel for the Empire, between two

ambitious Men, namely, _Caesar_ and _Pompey_; the latter fled, and was

treacherously slain on the _Egyptian_ Shore, whilst the former remain'd

Master of the Field, and almost of the Universe."

Here Mr. _Johnson_ changed the Tone of his Voice, and said, "I will

pursue this no farther, for to the Death of _Pompey_ makes twenty

Volumes in the History wrote by the Fathers _Catrou_ and _Rouille_,

which is generally allowed to be a very good one, and, I think, one of

its chief Beauties depends on the Length; for to that we owe the

displaying so many various Characters, and the diving into the Motives

of those great Mens Actions, who guided that extensive, powerful, I had

almost said unmanagable Common-wealth.

Mr. _Singleton_ laugh'd, and said, "He was surprised to hear a Man of

Mr. _Johnson's_ Understanding display so much Eloquence to prove, (if he

intended to prove any thing by it) that the knowing the Particulars of

the Family at _Harlow-place_ was of as much Consequence, as the knowing

the Springs and Wheels on which turned the Affairs of the greatest

Commonwealth that was ever heard of since the Creation of the World.

"Indeed, Sir, replied the Lady of the House, (who has bred up three Sons

and three Daughters, who do Honour to her Education of them) I really

think the penetrating into the Motives that actuate the Persons in a

private Family, of much more general use to be known, than those

concerning the Management of any Kingdom or Empire whatsoever: The

latter, Princes, Governors, and Politicians only can be the better for,

whilst every Parent, every Child, every Sister, and every Brother, are

concerned in the former, and may take example by such who are in the

same Situation with themselves.

Mr. _Clark_ said, "that he believed the whole Account of the Mind of

Man, were we only to mention the primary Passions, might be comprised in

a few Words; but (continued he) from those Fountains to trace the

several Channels into which they flow, and to get a Clue to guide us

through all the winding Labyrinths into which they turn themselves, is

no such easy Matter; that

_Life's but a walking Shadow, a poor Player,

That struts and frets his Hour upon the Stage

And then is heard no more,_

perhaps gives us as strong an Image as it is possible to receive, of all

the great Transactions perform'd by Mankind for these 6000 Years; and

yet the celebrated Author, who wrote those Words, has diversify'd and

display'd that strutting and fretting in as many various Lights as he

has drawn Characters throughout his immortal Writings.

"In these two Volumes of _Clarissa_, it plainly appears, the Author's

Intention is to impress deeply on the Reader's Mind, the peculiar

Character of each Person in that Family whence his Heroine is derived;

and in this I think he has succeeded so well, that for my own part I am

as intimately acquainted with all the _Harlows_, as if I had known them

from my Infancy; and if I was to receive a Letter from any one of them,

I am sure I should not want the Name to assist me in assigning it to the

proper Person. Tho', upon the whole, I don't know but there may be some

Exuberances that might have been spared, as they stop the Progress of

the Story, and keep us in anxious doubt concerning _Clarissa's_ Fate,

altho' the scattered Observations have generally the Recommendation of

Novelty to amuse the Curious, Depth to engage the Attention of the

Considerate, and Sprightliness to entertain the Lively; and Story is

considered by the Author, as he says in his Preface, but as the Vehicle

to convey the more necessary Instruction. And _Clarissa_ says to Miss

_How_;

_You will always have me give you minute Descriptions, nor suffer

me to pass by the Air and Manner in which Things are spoken, that

are to be taken notice of; rightly observing, that Air and Manner

often express more than the accompanying Words._

"If this Observation is just, and Air and Manner can be placed before a

Reader's View by writing, I am sure minute Descriptions are necessary;

and I could point out several Places in _Clarissa_, where we may see the

very Look of the Eyes, and Turn of the Countenance of the Persons

mentioned, and hear the Tone of the Voice of the Person speaking."

The next Objection was raised by Mr. _Dobson_, to Mrs. _Harlowe's_

Character, which he said, "It was plain you did not intend as a bad one,

by her Meekness, Submission to her Husband, and her hitherto truly

maternal Care of her Family; and yet, when she joins with violent

overbearing Spirits, to oppress and persecute such a Daughter as

_Clarissa_, because she steadily adhered to a Resolution of refusing

solemnly to vow at the Altar Love and Obedience to such a Wretch as

_Solmes_, what was this but Tameness and Folly instead of Meekness?"

Totally to justify Mrs. _Harlowe_ was not attempted; on the contrary, it

was unanimously agreed, that she was to blame: But Miss _Gibson_ desired

"Mrs. _Harlow's_ Faults might not be thrown on the Author, unless it

could be proved that he himself intended her Conduct should deserve no

Censure. However, (continued she) to preserve any Charity in censuring

her, I think it should be considered, how much a Woman must be

embarassed, who has for many Years accustomed herself to obey the very

Looks of another, where a Point is peremptorily insisted on, which, to

comply with, must gall her to the Heart. Mrs. _Harlowe_ might indeed

have suffered with _Clarissa_, but could not have preserved her from her

Father's Fury, irritated and inflamed by her ambitious violent Brother:

And perhaps she flatter'd herself, that she might gain more Influence by

seeming to comply, than if she had attempted absolutely to resist the

Storm gathering in her Family. And this I think, the many Hints she

gives, that if she was left to herself, it would be otherwise, is a full

Proof of."

A young Lady, who had hitherto been silent, looked pleased at Miss

_Gibson's_ Remarks, and said;

"I think _Clarissa_ herself has made very good Observations on her

Mamma's Meekness, and the Effects of it, in one of her Letters to Miss

_Howe_, where she says--In my Mamma's Case, your Observation is

verifyed, that those who will bear much, shall have much to bear. And

how true is her farther Observation, where she says, that she fears her

Mamma has lost that very Peace which she has sacrificed so much to

obtain."

"Your Remark, Madam, said Miss _Gibson_, is very just, and from this

Character of Mrs. _Harlowe_, we may draw a noble and most useful Moral;

for as in the Body, too rich Blood occasions many Diseases, so in the

Mind, the very Virtues themselves, if not carefully watched, may produce

very hurtful Maladies. Meekness therefore, and a long Habit of

Submission, is often accompanied by a want of Resolution, even where

Resolution is commendable. To be all Softness, Gentleness and Meekness,

and at the same time to be steadily fixed in every Point 'tis improper

to give up, is peculiar to _Clarissa_ herself, and a Disposition of Mind

judiciously reserved by the Author for his Heroine alone."

An old Gentleman who sat in the Corner, and often made wry Faces at the

sudden Attack of Rheumatick Pains, with which he was often afflicted,

objected strongly to Mr. _Harlowe's_ arbitrary Usage of such a Wife, as

being very unnatural. "Nay, Sir, (said Miss _Gibson_) I think _Clarissa_

gives a very good Account of Mr. _Harlowe's_ Behaviour, in a Letter to

her Friend, when she says;

_But my Father was soured by the cruel Distemper I have named,

which seized him all at once, in the very prime of Life, in so

violent a Manner, as to take from the most active Mind, as HIS

was, all Power of Activity, and that in all Appearance for

Life.--It imprison'd, as I may say, his lively Spirits in himself

and turned the Edge of them against his own Peace, his

extraordinary Prosperity adding but to his Impatiency._

"And methinks, it is very easy to imagine, Mr. _Harlowe's_ Pains, and

Mrs. _Harlowe's_ tender Concern for these Pains increasing together: her

Attention to him, and earnest Endeavours to soften and alleviate the

Extremity of his Torments becoming all her Care; till, his Ill-temper

daily growing stronger by the Force of his bodily Disorders, he at last

habituated himself to vent it on the Person who most patiently

submitted, tho' her Heart was most nearly touched and affected by it.

And I appeal to the common Experience of any Persons who have accustomed

themselves to make Observations on the Scenes before them, if they have

not often seen heart-breaking Harshness burst forth on those who

strongest feel the Strokes, and yet submit to them without complaining;

and this practised even by Persons who would take it much amiss to be

thought peculiarly ill-natured."

The old Gentleman, without answering Miss _Gibson_, insisted on what he

had said before; and then turning to his Daughter, in a rough Voice,

accompanied with a fierce Look, bid her not sit so idly, but ring the

Bell, that the Servant might get a Coach, for he would go home. The

young Lady, who was as submissive a Daughter as Mrs. _Harlow_ was a

Wife, immediately obeyed his Commands, tho' it might be read in her

Countenance, that she could have wished that he would have injoined them

in a milder Manner; on which her Father observed, that the Girl was

always out of Humour and sullen when she was employed. Indeed, Sir,

said the young Lady, I love to be honoured with your Commands; I was

only afraid you was angry with me. A Tear stole without her Consent from

her Eyes, and at the same Time she looked at her Father with a

supplicating, instead of a sullen Countenance.

As soon as the Coach came, the old Gentleman, with great Roughness,

commanded his Daughter to attend him, and left us; and we could not help

remarking, how much the Gentleman's Behaviour had added Weight to the

Force of his Criticism.

The next Objection was raised by Mr. _Dellincourt_, who found great

Fault with the Liberties you have taken with the _English_ Language, and

said, you had coined new Words, and printed others as if you was writing

a Spelling-book, instead of relating a Story. We were all silent for a

few Moments, and then Miss _Gibson_ said;

"Indeed, Sir, I do not pretend to be any Judge of the Accuracy of Stile,

but I beg to know, if in the writing familiar Letters, many Liberties

are not allowable, which in other kinds of writing might perhaps be

justly condemned: And as to the printing some of the Words with Breaks

between the Syllables, it certainly makes the Painting the stronger;

however, I submit this entirely to the Judgment of others. But supposing

this to be a failing, surely it is a trifling one, to censure a Book

severely for, in which there are so many striking Beauties to be found.

But to illustrate my Thoughts on this Head, I will tell you a Story that

is really true.

"A Gentleman shewed a Friend of his a Picture of a favourite Horse,

drawn by the celebrated Mr. _Wooten_. The Horse was unexceptionably

beautiful, and the Picture excellently drawn. His Friend regarded it

for some Time with great Attention: When the Gentleman (who was a Lover

of Pictures, and who delighted to share his Pleasures with others)

earnestly asked his Friend's Opinion of the Piece he was viewing; who,

after much Consideration, with a significant Shrug of his Shoulders, and

a contemptuous Toss of his Hand, said, _I don't like the Skirts of the

Saddle_."

The Application of this Story was so very plain, that the whole Company

were diverted with it; and thus, Sir, I think I have sumed up all the

Critisism I heard either against or in favour of your _Clarissa_, on the

Publication of the two first Volumes.

The next Scene of Criticism (if I may so call it) on _Clarissa_ that I

was present at, was on the Publication of the two succeeding Volumes.

The same Company met, with the Addition only of one Gentleman, whom I

shall call _Bellario_; his known Taste and Impartiality made all those

who wished Reason instead of Prejudice might judge of the Subject before

them, rejoice at his Presence. The Objections now arose so fast, it was

impossible to guess where they would end. _Clarissa_ herself was a

Prude--a Coquet--all the Contradictions mentioned some Time ago in a

printed Paper, with the Addition of many more, were laid to her Charge.

She was an undutiful Daughter--too strict in her Principles of Obedience

to such Parents--too fond of a Rake and a Libertine--her Heart was as

impenitrable and unsusceptible of Affection, as the hardest Marble. In

short, the many contradictory Faults that she was at once accused of, is

almost incredible: So many, that those who had attended enough to her

Character, to have an Inclination to justify her, found it difficult to

know where to begin to answer such a complicated Charge. But after a

short Silence, Miss _Gibson_ with her usual Penetration, said;

"Whenever any Person is accused of a Variety of Faults, which are

plainly impossible to dwell in the same Mind, I am immediately convinced

the Person so accused is innocent of them all. A Prude cannot, by an

observing Eye, be taken for a Coquet, nor a Coquet for a Prude, but a

good Woman may be called either, or both, according to the Dispositions

of her resolved Censurers; and hence I believe we may trace the Cause,

why the Characters even of those Persons who do not endeavour to wear

any Disguise are so very liable to be mistaken; for Partiality or

Prejudice generally sit as Judges: If the former mount the

Judgment-seat, how many different Terms do we make use of to express

that Goodness in another, which our own fluctuating Imaginations only

have erected? If the latter, how do we vary Expressions to paint that

Wickedness which we are resolve to prove inhabits the Mind we think

proper to condemn?" "Nay, but (said Mr. _Dellincourt_) how are we

concerned either to justify or accuse _Clarissa_? we cannot be either

partial to, or prejudised against her." "I know not how it is, (replyed

Miss _Gibson_) but those who dread Censure, tho' Circumspection wait on

every Step, will be censured, till there no longer remains in the World

any of those Dispositions that delight in inflicting that Punishment on

others they see they most fear. Now, tho' _Clarissa_ was not so

blameably fearful of Censure, but that her first Care was to preserve

the Innocence of her own Mind, and do no wrong; yet it is plain, she

would very gladly have avoided incurring, as well as deserving,

Reproach; and that she is treated like an intimate Acquaintance by all

her Readers, the Author may thank himself for. I dare say, the Authors

of _Cassandra_, _Clelia_, with numberless others I could name, were

never in any Danger of having their Heroines thought on, or treated like

human Creatures."

_Bellario_, who had hitherto been silent, said, "He thought _Clarissa_

could not justly be accused of any material Fault, but that of wanting

Affection for her Lover; for that he was sure, a Woman whose Mind was

incapable of Love, could not be amiable, nor have any of those gentle

Qualities which chiefly adorn the female Character. And as to her

whining after her Papa and Mamma, who had used her so cruelly, (added

he) I think 'tis contemptible in her."

"But, Sir, (said Miss _Gibson_) please only to consider, first,

_Clarissa_ is accused of want of Love, and then in a Moment she is

condemned for not being able suddenly to tear from her Bosom an

Affection that had been daily growing and improving from the Time of her

Birth, and this built on the greatest paternal Indulgence imaginable.

Affections that have taken such deep Root, are little Treasures hoarded

up in the good Mind, and cannot be torn thence without causing the

strongest convulsive Pangs in the Heart, where they have been long

nourished: And when they are so very easily given up as you now, Sir,

seem to contend for, I confess I am very apt to suspect they have only

been talked of by the Persons who can part with them with so little

Pain, either from Hypocrisy, or from another very obvious Cause, namely,

the using Words we are accustomed to hear, without so much as thinking

of their Meaning. Such Hearts I think may be much more properly compared

to the Hardness of Marble, than could that of the gentle _Clarissa_.

"There is in her Behaviour, I own, a good deal of apparent Indifference

to _Lovelace_; but let her Situation and his manner of treating her be

considered, and I fancy the whole will be seen in a different Light from

what it may appear on the first View. She has confessed to Miss _Howe_,

that she could prefer him to all the Men she ever saw; and that Friend

of her Heart, to whom her very inmost Thoughts were laid open all along,

pronounces her to be in Love with him. It is not from Hypocrisy that she

does not confess the Charge, but from the Reason Miss _Howe_ gives, when

she says;

_I believe you did not intend Reserve to me, for two Reasons, I

believe you did not; first, because you say you did not: Next,

because you have not as yet been able to convince yourself how it

is to be with you; and, persecuted as you are, how so to separate

the Effects that spring from the two Causes (Persecution and Love)

as to give to each its particular Due._

"That _Clarissa_ positively did not intend to go off with _Lovelace_

when she met him, to me is very plain; nor could he have prevailed on

her, had not the Terrors raised in her Mind, by apprehended Murder,

almost robbed her of her Senses, and hurried her away, not knowing what

she did. For the Truth of this, I appeal to that charming painted Scene,

where the Reader's Mind shares _Clarissa's_ Terror, and is kept in one

continued Tumult til.

[A]_The Steeds are smote, the rapid Chariot flies,

The sudden Clouds of circuling Dust arise._

[A] _Pope's Homer._

"She was vexed to her soul afterwards to find she was tricked, as she

calls it, out of herself, when _Lovelace_, instead of comforting and

assuring her Mind, begins such a Train of shufling artful Tricks, as no

one but _Lovelace_ could have thought on: And altho' she did not know

all his Design, for if she had, she would certainly have left him, yet

she sees enough of his _crooked ways_, to be convinced that he acted

ungenerously by her, because she was in _his Power_. Does not

_Lovelace_, in a Letter to _Belford_, writ in four Days after she was

with him, say?

_And do I not see, that I shall want nothing but Patience, in order

to have all Power with me? For what shall we say, if all these

Complaints of a Character Wounded, these Declarations of increasing

Regrets of meeting me, of Resentments never to be got over for my

seducing her away, these angry Commands to leave her,--what shall we

say, if all were to mean nothing but Matrimony?--And what if my

forbearing to enter upon that Subject comes out to be the true Cause of

her Petulance and Uneasiness._

"And then he gives such an Account of his asking her Consent to marry

him, and at the same Time artfully confusing her, so as to prevent her

Consent, as perfectly paints his cunning vile Heart. How is her

Behaviour altered to him from the Time she can write Miss _Howe_ word

that her Prospects are mended, till his returning Shufling convinces her

there is no Confidence to be placed in him! But if, Sir, you cannot

think _Lovelace's_ Usage of _Clarissa_ a full Justification of her in

this Point, I think the Author has a just Right to be heard out before

his Heroine is condemned in so heavy a Charge, as that of being void of

all Affection. You know enough of my Sentiments, Sir, to be convinced

that I do think this the heaviest Charge a Woman can be accused of; for

Love is the only Passion I should wish to be harboured in the gentle

Bosom of a good Woman. Ambition, with all the Train of turbulent

Passions the World is infested with, I would leave to Men: And could I

make my whole Sex of my Opinion, they would be resigned without the

least Grudge or Envy; for Peace and Harmony dwell not with them, but on

the contrary, Discord, Perturbation and Misery are their constant

Companions. But tho' I speak thus with the utmost Sincerity of Love; yet

I cannot think a Woman greatly the Object of Esteem who, like _Serina_

in the _Orphan_, having such a Father as _Acasto_, and such Brothers,

affectionate to her, however blameable in other Respects; while she saw

her whole Family distressed and confused, and _Monimia_, the gentle

Companion of her Infancy, involved in that Confusion, her Lover too

behaving like a Mad-man, yet still, could cry out,

Chamont's _the dearest thing I have on Earth;

Give me_ Chamont, _and let the World forsake me._

"_Clarissa_ would have acted a different Part, I do confess; and yet, if

I can guess any Thing of the Author's Intention by what is already

published, I fancy, when we have read the Conclusion of this Story, we

shall be convinced that Love was the strongest Characteristic of

_Clarissa's_ Mind."

_Bellario_ answered, with that Candor, which is known to be one of the

most distinguishing Marks of his Character by all who have the Pleasure

of his Acquaintance, 'That if it proved so, he should have the greatest

Esteem and highest Veneration for _Clarissa_, and would suspend his

Judgment till he saw the remaining Part of the Story.'

But all the Company were not so candid, for Mr. _Dellincourt_ said, 'He

was sure _Clarissa_ could not in the remaining Part of the Story

convince him, that her Characteristic was Love; for nothing less than

the lovely _Emma's_ Passion for _Henry_ would be any Satisfaction to

him, if he was a Lover.'--Miss _Gibson_ said. 'She had often been sorry

that the Poem of _Henry_ and _Emma_ had not been long ago buried in

Oblivion; for (continued she) it is one of those Things which, by the

Dress and Ornaments of fine Language and smooth Poetry, has imposed on

Mankind so strong a Fallacy, as to make a Character in itself most

despicable, nay I may say most blameable, generally thought worthy

Admiration and Praise: For strip it of the dazzling Beauties of Poetry,

and thus fairly may the Story be told.

An old _English_ Baron retired in his Decline of Life to his

Country-seat, where one only Daughter (left him by a Wife he fondly

loved) was the Care, the Joy, the Comfort of his declining Years: No

sooner had the State of blooming Youth taken place of that of prattling

Infancy, than she became the Object of publick Admiration, and Lovers of

all Degrees with Emulation strove to gain the fair _Emma's_ Favour; but

as yet her Heart was free, and her Father's paternal tender Indulgence

never once endeavoured to force her Choice. At last the happy _Henry_ in

various Disguises found the means to obtain her Favour, and she becomes

passionately in Love with him: But not content with this, he resolves on

a Trial of her Constancy, and therefore tells her, that he is a

Murderer, must fly from Justice, and herd amongst the lowest and basest

of Mankind; that he despised her, and the fond Heart she had given him;

a younger and fairer Nymph now engaging his Pursuit, and that if she

would follow him, she also must herd with Outlaws his Companions, who

like himself were fled from Justice; where Impiety, Blasphemy and

Obscenity would be all the Language she could hear.

_Emma_ on this Trial, ignorant who _Henry_ was, or what Brothel had last

given him up, without one Enquiry whether the Murder he confessed was

not of the blackest Die, remorseless for all the Agonies with which she

must tear her Father's tender Bosom, resolves at all Events, as _Henry_

himself says,

_Name, Habit, Parents, Woman, left behind_.

to follow him through the World; not admitted to share his Fate, but to

be scorned and insulted by him. Thus _victoriously_ she stood her Trial.

_Henry_ turns out a great Man; consequently his Wife is greatly admired;

Success crowns all, and both Grandeur and Love join to reward her

supposed heroic Virtue.

But had the Poet thought proper, that _Henry_ should have turned out the

Murderer, the Vagabond, the insolent and ungrateful Scorner of her Love

he represented himself to be; had her Father's Sorrow for her Fate

shortned his miserable Days; had she been abandoned by the Wretch she

had so much Reason to expect the worst of Treatment from, and, between

Rage, Despair, and a thousand conflicting Passions, been led by a

natural Gradation from one Vice to another, till she had been lost in

the most abandoned Profligacy; instead of being proposed for an Example,

her Name would have been only mentioned to deter others from the like

rash Steps. That this was the natural Consequence of her Actions is very

apparent: Nor do I think from her Behaviour, that _Henry_ had the least

Reason to be convinced that she would not leave him for the first Man

who would try to seduce her, provided the Colour of his Complexion

suited her Fancy.

All the Company were very inclineable to yield up _Emma's_ Cause, if

_Henry had_ indeed been a Villain and a Murderer; only great Part of

them were very apt to forget one Circumstance, namely, that it was

impossible for her to know, but that he was the Wretch he represented

himself to be; and Miss _Gibson_ seemed to be much more inclined to

compassionate her, if extreme Misery had been her Fate, than was the

Gentleman who first mentioned her as an Object of Admiration, only

because the Author of the Poem thought fit to reward her. Miss _Gibson_

then addressing herself to _Bellario_, said, 'Sir, you are a Father,--an

indulgent Father,--would you have your Daughter act in such a

Manner?--_Bellario_ honestly owned he would not. 'Why then, Sir,

(replyed she) please to consider a Moment, and you will see the

Injustice of wishing another Man's Daughter should act so.' _Bellario_

ingenuously confessed, that when he read the Poem of _Henry_ and _Emma_,

the Picture of his Mistress, and not that of his Daughter, was before

his Eyes, and he would have his Mistress _of all Mankind love but him

alone_.----'I wonder not at that, Sir, (said Miss _Gibson_) but then

you would not be the Man _Henry_ represented himself to be. Had _Henry_

had any Misfortunes by which his Heart had not been stained.

[B]_Had it pleased Heav'n

To try_ him _with Affliction, had he rain'd_

_All kind of Sores and Shames on_ his _bare Head,

Steep'd_ him _in Poverty to the very Lips,

Given to Captivity_ him _and_ his _utmost Hopes,_

[B] OTHELLO.

no one would more have applauded _Emma's_ Resolution, _of loving of all

Mankind but him alone_, than I should have done: But yet when I see a

Woman seriously endeavour to conquer a Passion for a Man who proves

himself unworthy her Love, it will always be to me a strong Proof of her

steady Constancy to a Man she has Reason to esteem. I would have had

_Emma_ stood _Henry's_ shocking Tryal as _Macduff_ in the Tragedy of

_Macbeth_ does that of _Malcolm_, and when he had proved himself

unworthy her least Affection; I think, in the Words of _Macduff_ she

might have said,

_----Fare thee well,

These Evils thou repeat'st upon thyself,

Have banish'd me from_ JOY.----_Oh! my Breast,

Thy Hope ends here._

On such a Behaviour, I think the Reward she met with should have been

founded, and such I believe would have been the Behaviour of _Clarissa_

in the like Circumstances.

'The Love that is not judicious, must be as uncertain as its capricious

Foundation: But 'tis one of the distinguishing Marks of _Clarissa's_

Character, to watch her own Mind, that Prejudice may not get Possession

of it, nor her Imagination run away with her Judgment. With what a noble

Contempt does she treat the extravagant Offers _Solmes_ makes her, at

the Expence of Justice, and cruelly leaving his Family to starve? But

how very few People, like _Clarissa_, can poise the Scales with an even

Hand, where one Grain of Self is placed in either Scale?'

The Gentleman, who had at first started the Objection to _Clarissa_ of

her being incapable of any strong Affection, now said, 'that he could

not see any Proof of her Impartiality, in that she could view the

Actions of _Solmes_ in the proper Light: He did not know whether she

would have argued in the same manner With regard to _Lovelace_'. Miss

_Gibson_ said, 'Do you speak this, Sir, as a Proof of the Justice of

your first Objection to _Clarissa_, that her Heart was as impenetrable

as Marble; is it reasonable she should be condemned both ways?' The

Gentleman look'd very grave for a Moment, and then said, he was sure she

had no Affections in her, notwithstand what he had now said.

Mr. _Johnson_ on this, told the following Story.

"I remember (said he) I went some time ago with Mr. _Tonson_ to a

celebrated Painter's, to see a Picture he had drawn of a Gentleman we

were both intimately acquainted with; the Resemblance was very strong;

we were much pleased with the Picture, even to the very Drapery; the

Coat was a fine Crimson Cloth, but Mr. _Tonson_, at first View, took it

for Velvet; he was soon convinced of his Mistake, but yet could never

since mention the Picture, without talking of the Velvet Coat; and when

I have bid him remember it was Cloth, he has always acknowledged it, and

said, it's very true Sir; And yet such a strong Impression had his first

Idea of it made in his Mind, that in two Minutes he could talk again of

the Velvet Coat, with as much Ease as if he had been perfectly ignorant

of his Mistake."

A strong Objection was raised to Mr. _Lovelace's_ being so long without

any Attempt on the Lady's Honour, when she was under the same Roof with

him, and so much in his Power. Mr. _Johnson_ said he thought Mr.

_Belford_ had given a good Reason for this Delay in a Letter to

_Lovelace_, where he says,

_Thou too a Man born for Intrigue, full of Invention, intrepid,

remorseless, able patiently to watch for the Opportunity, not

flurried, as most Men, by Gusts of violent Passion, which often nip

a Project in the Bud, and make the Snail, which was just putting

out its Horns to meet the Inviter, withdraw into its Shell._

So that it seems to be a Maxim, amongst _Lovelace_ and his Club of

Rakes, not to destroy their own Schemes by a too precipitate Pursuit;

and _Lovelace_ gives yet a stronger Reason for it in the following

Words.

_O Virtue, Virtue_, says he, _what is there in thee, that can thus

affect the Heart of such a Man as me against my Will!--Whence these

involuntary Tremors, and fear of giving mortal Offence! What art

thou that, acting in the Breast of a feeble Woman, canst strike so

much awe into a Spirit so intrepid which never before, no, not in

my first Attempt, young as I then was, and frighted at my own

Boldness (till I found myself_ forgiven,) _had such an Effect on

me._

But Quotations from _Lovelace's_ Words to this Purpose, and that he was

resolved to be slow in order to be sure, would be endless.

This, I think, was the last Objection raised; only _Bellario_ said, that

the Report that the Catastrophy was to be unhappy had made a deep

Impression on him; for that he could not avoid thinking that, if it was

true, it must be a great Error, and destroy all the Pleasure a

good-natur'd Reader might already have received: However, he said, he

would keep his Word in not absolutely giving his Judgment till he saw

the Conclusion.

And thus ended the second Scene of Criticism on _Clarissa_; only, as we

went down Stairs, a Lady, who had not spoke one Word the whole Evening,

mutter'd out a strong Dislike, that the agreeable Mr. _Lovelace_ should

not become a Husband.

And now, in the Month of _December_, appears the long expected, much

wished for Conclusion of _Clarissa's_ Story.

The Company we have already mentioned being again assembled, the Lady

who had before grieved that the agreeable Mr. _Lovelace_ should not

become a Husband, now lamented that Miss _Howe_ should be married to so

insipid a Man (that was the Epithet she chose for him) as Mr. _Hickman_.

This passed some little time without any Answer. Miss _Gibson_ was

silent; and I saw by her Looks that she thought there was some Weight in

her Objection. At last an old Lady, who had three Daughters marriagable,

said, she wondered to hear Mr. _Hickman_ called insipid; for she thought

there could be no Reason for giving him that Appellation, unless young

Women would confess what she should be very sorry to hear them confess,

namely, that, in their Opinion, Sobriety intitles a Man to the Character

of Insipidity. Pray remember, continued the Lady, that there is no

Ridicule cast upon Mr. _Hickman_ throughout the whole Story, but by

_Lovelace_ and Miss _Howe_. The former lov'd Ridicule so well, that he

could make Objects of it, by the Help of his gay Imagination, even where

he found none: Besides, he hated any Man should have a fine Woman but

himself; for, in his Opinion, he alone deserved them. And I think Miss

_Howe_ is very censurable for the Liberties she takes with a worthy Man,

whom also it is plain she intends to make her Husband.

Miss _Gibson_ agreed in censuring Miss _Howe_ for the Liberties she

takes with him; but at the same time said, she thought even his bearing

that Usage did lower his Character. Now you see, replied the Lady, how

you are taken in; that you can condemn Miss _Howe_ for her Contempt of

Mr. _Hickman_, and yet at the same time let the lively Strokes that fall

from her Pen have their full force against the abused worthy Man. Yet

Miss _Howe_ herself owns, as early as the second Volume, that Mr.

_Hickman_ is humane, benevolent, generous,--No Fox-hunter--No

Gamester--That he is sober, modest, and virtuous; and has Qualities that

Mothers would be fond of in a Husband for their Daughters; and for

which, perhaps, their Daughters would be the happier, could they judge

as well for themselves as Experience may teach them to judge for their

future Daughters. In other Places he is represented as charitable,

considerate to Inferiors, so obliging and respectful to his

Mother-in-law, that she leaves him at her Death, in Acknowledgment of

it, all that was in her Power: And Miss _Howe_ owns he never disobliged

her by Word or Look. What then is the Objection to Mr. _Hickman_? Why

truly, he has not _Lovelace's_ fine Person!--_Lovelace's_ fine

Address!--_Lovelace's_ impetuous Spirit; and yet he has shewn even

_Lovelace_, that he wants not Courage. He is plain in his Dress!--His

Gait shews him not to be so debonnaire in dancing a Minuit as

_Lovelace_.--But, indeed, I am afraid whoever prefers a _Lovelace_ to a

_Hickman_, will wish all her life-time she could have sooner found out,

that tho' _Lovelace_ was the best Partner at a Ball; yet, when a

Companion for Life was to be chose, that Mr. _Hickman's_ Goodness of

Heart rendered him in all respects more essential to Happiness; much

more eligible than all the gay, fluttering, and parading Spirit of a

_Lovelace_ could possibly have done. And your Favourite _Clarissa_, Miss

_Gibson_, says in a Letter to Miss _Howe_; 'Will you never, my Dear,

give the Weight which you, and all our Sex ought to give to the

Qualities of Sobriety and Regularity of Life and Manners in that

Sex?--Must bold Creatures and forward Spirits for ever, and by the

wisest and best of us, as well as by the indiscretest, be the most

kindly used?--be best thought of'?

Again, in her posthumous Letter--'Your Choice is fallen upon a sincere,

an honest, a virtuous, and what is more than all, a _pious Man_.--A Man

who altho' he admires your Person, is still more in love with the Graces

of your Mind; and as those Graces are improvable with every added Year

of Life, which will impair the transitory ones of Person, what a firm

Basis has Mr. _Hickman_ chosen to build his Love upon.'

The same Man cannot be every thing: A _Hickman_ in Heart, to a

_Lovelace_ in Vivacity and Address, perhaps, is almost impossible to be

met with; Time, Opportunities, and Inclinations are wanting.

Nay, Madam, says Miss _Gibson_, I do not dispute Mr. _Hickman's_ being

preferable for a Husband to Mr. _Lovelace_; the Heart is certainly the

first thing to be considered in a Man to whose Government a Woman

resigns herself; but I should not chuse either _Lovelace_ or _Hickman_.

I must confess I should desire Humour and Spirit in a Man. A married

Life, tho' it cannot be said to be miserable with an honest Husband; yet

it must be very dull, when a Man has not the Power of diversifying his

Ideas enough to display trifling Incidents in various Lights; and 'tis

impossible where this is wanting, but that a Man and his Wife must often

depend on other Company to keep them from sinking into Insipidity. And

for my part, I cannot paint to myself any thing more disagreeable, than

to sit with a Husband and wish some-body would come in and relieve us

from one another's Dulness. Trifles, Madam, become strong Entertainments

to sprightly Minds!--

Ah! Miss _Gibson_, replied the Lady, in every Word you speak, you prove

how necessary the Author's Moral is to be strongly inculcated; when even

_your_ serious and thoughtful Turn of Mind will not suffer you to see

through the Glare of what you call Humour and Spirit with that Clearness

which would enable you to distinguish how very seldom that Humour and

Spirit is bestowed on a Wife. Mr. _Hickman's_ whole Mind being at Home,

would enliven him into a chearful Companion with his Wife; whilst a

_Lovelace's_ Mind, engaged on foreign Objects, would often make him fall

into Peevishness and Ill-humour, instead of this so much dreaded

_Insipidity_.

Indeed, Madam, said Miss _Gibson_, I don't plead for Mr. _Lovelace_; for

I detest him of all the Men I ever read of.

That is true, replied the Lady; but that is because you have _read_ of

him, and know the Villanies he was capable of. But yet, I think, you

have plainly proved, if a _Lovelace_ and a _Hickman_ contended for your

Favour, which would have the best Chance of succeeding.

Miss _Gibson_ blushed, and was silent; when a sprightly Girl, of about

Sixteen, said, She loved Mr. _Hickman_ very much; he was a good, and a

gentle-hearted Man--But indeed she should not like him for her Husband.

The Gentlemen, during this Debate, had all sat silent; but they often

smiled to see how few Advocates Mr. _Hickman_ was likely to have amongst

the Ladies.

At last _Bellario_ said, If I had not thought so before, I should now be

convinced by this Conversation, how judicious the Author of _Clarissa_

was in setting forth so very strongly as he does, the Necessity of

Sobriety and Goodness in a Husband, in order to render a married State

happy. For you have shown clearly, Ladies, how difficult it is for a Man

to be esteemed by you who has those Qualities, since I can see no one

Objection to Mr. _Hickman_, but that he has not that Gaiety of

Disposition which from a vast Flow of animal Spirits, without Restraint

or Curb from either Principles of Religion or Good-nature, shines forth

in _Lovelace's_ wild Fancies. And this Man you find such a Reluctance to

speak well of; tho' a reforming _Belford_ esteems; Colonel _Morden_

highly values him; and says, he is respected by all the World!--And a

_Clarissa_ for ever acknowledges his Merit.--And, in one of the last

Actions of her Life, praises him as he deserves to be praised. And

earnestly recommends it to her best and dear Friend, to give both her

Hand and Heart to so worthy a Man. The steady Principles of Mr.

_Hickman_ was a firm Basis to depend on, for Protection and good Usage.

Miss _Gibson_ was so much pleased with seeing _Bellario_ enter so

heartily into the Design of the Author of _Clarissa_, that she dropp'd

the Argument, (tho' she did not seem quite convinc'd that Mr. _Hickman_

could be an agreeable Husband) and with some Earnestness desired

_Bellario_ to tell her, whether he was not now convinced that _Clarissa_

was capable of the strongest Affection, could she but have found the

least Foundation to have built that Affection on: Yes, replied

_Bellario_, I am convinced of it, and am surprised that I did not before

see how much _Lovelace's_ base unmanly Behaviour justifies her in this

Point; he himself, indeed, in the Letter he writes _Belford_ after he

left _England_, lays the whole Scene before us; to his own Condemnation,

and _Clarissa's_ eternal Honour: He owns her meek and gentle Spirit;

confesses he repeatedly, from the first, poured cold Water on her rising

Flame, by meanly and ingratefully turning upon her the Injunctions

which Virgin Delicacy, and filial Duty induced her to lay him under

before he got her into his Power; he quotes her own Words: _That she

could not be guilty of Affectation or Tyranny to the Man she intended to

marry_; that from the Time he had got her from her Father's House, _he

had a plain Path before him_; that _he had held her Soul in suspense an

Hundred times_; that _she would have had no Reserves, had he not given

her Cause of Doubt_; that she owned to _Belford_, that _once she could

have loved him; and could she have made him Good would have made him

Happy_.

To this Letter, continued _Bellario_, and numerous other Places in the

Book, would I refer all those, if any such there are, who yet doubt her

being capable of Love. Surely we may fairly conclude with _Lovelace_,

that well might she, who had been used to be courted and admired by

every desiring Eye, and worshipped by every respectful Heart--Well might

such a Woman be allowed to draw back, when she found herself kept in

suspence, as to the great Question of all, by a designing and intriguing

Spirit, pretending Awe and Distance, as Reasons for reining in a

Fervour, which, if real, cannot be reined in.

_Clarissa_ seems indeed, as Colonel _Morden_ says, (added the

now-admiring _Bellario_) to have been, as much as Mortal could be, LOVE

ITSELF.

Miss _Gibson_ was highly delighted with what _Bellario_ said, and added

to it, That she thought _Clarissa's_ frankness of Heart was very

apparent, from the manner in which she had treated those Gentlemen her

Heart had obliged her to refuse, and from the generous Advice she in so

many Places gives Miss _Howe_, in relation to her Treatment of Mr.

_Hickman_: And pray, Sir, continued Miss _Gibson_, pardon my asking you

one Question more, namely; whether you are not now satisfied with the

Conduct of the Author in the Management of his whole Story?

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