PREFACE.

As the invaluable present I am making to the world may not please all

tastes, from the gravity of the matter, the solidity of the reasoning,

and the deep learning contained in the ensuing sheets, it is necessary

to make some apology for producing this work in so trifling an age, when

nothing will go down but temporary politics, personal satire, and idle

romances. The true reason then for my surmounting all these objections

was singly this: I was apprehensive lest the work should be lost to

posterity; and though it may be condemned at present, I can have no

doubt but it will be treated with due reverence some hundred ages hence,

when wisdom and learning shall have gained their proper ascendant over

mankind, and when men shall only read for instruction and improvement of

their minds. As I shall print an hundred thousand copies, some, it may

be hoped, will escape the havoc that is made of moral works, and then

this jewel will shine forth in its genuine lustre. I was in the greater

hurry to consign this work to the press, as I foresee that the art of

printing will ere long be totally lost, like other useful discoveries

well known to the ancients. Such were the art of dissolving rocks with

hot vinegar, of teaching elephants to dance on the slack rope, of making

malleable glass, of writing epic poems that any body would read after

they had been published a month, and the stupendous invention of new

religions, a secret of which illiterate Mahomet was the last person

possessed.

Notwithstanding this my zeal for good letters, and the ardour of my

universal citizenship, (for I declare I design this present for all

nations) there are some small difficulties in the way, that prevent my

conferring this my great benefaction on the world compleatly and all at

once. I am obliged to produce it in small portions, and therefore beg

the prayers of all good and wise men that my life may be prolonged to

me, till I shall be able to publish the whole work, no man else being

capable of executing the charge so well as myself, for reasons that my

modesty will not permit me to specify. In the mean time, as it is the

duty of an editor to acquaint the world with what relates to himself as

well as his author, I think it right to mention the causes that compel

me to publish this work in numbers. The common reason of such proceeding

is to make a book dearer for the ease of the purchasers, it being

supposed that most people had rather give twenty shillings by sixpence a

fortnight, than pay ten shillings once for all. Public spirited as this

proceeding is, I must confess my reasons are more and merely personal.

As my circumstances are very moderate, and barely sufficient to maintain

decently a gentleman of my abilities and learning, I cannot afford to

print at once an hundred thousand copies of two volumes in folio, for

that will be the whole mass of Hieroglyphic Tales when the work is

perfected. In the next place, being very asthmatic, and requiring a free

communication of air, I lodge in the uppermost story of a house in an

alley not far from St. Mary Axe; and as a great deal of good company

lodges in the same mansion, it was by a considerable favour that I could

obtain a single chamber to myself; which chamber is by no means large

enough to contain the whole impression, for I design to vend the copies

myself, and, according to the practice of other great men, shall sign

the first sheet my self with my own hand.

Desirous as I am of acquainting the world with many more circumstances

relative to myself, some private considerations prevent my indulging

their curiosity any farther at present; but I shall take care to leave

so minute an account of myself to some public library, that the future

commentators and editors of this work shall not be deprived of all

necessary lights. In the mean time I beg the reader to accept the

temporary compensation of an account of the author whose work I am

publishing.

The Hieroglyphic Tales were undoubtedly written a little before the

creation of the world, and have ever since been preserved, by oral

tradition, in the mountains of Crampcraggiri, an uninhabited island,

not yet discovered. Of these few facts we could have the most authentic

attestations of several clergymen, who remember to have heard them

repeated by old men long before they, the said clergymen, were born.

We do not trouble the reader with these attestations, as we are sure

every body will believe them as much as if they had seen them. It is more

difficult to ascertain the true author. We might ascribe them with great

probability to Kemanrlegorpikos, son of Quat; but besides that we are

not certain that any such person ever existed, it is not clear that he

ever wrote any thing but a book of cookery, and that in heroic verse.

Others give them to Quat's nurse, and a few to Hermes Trismegistus,

though there is a passage in the latter's treatise on the harpsichord

which directly contradicts the account of the first volcano in the

114th. of the Hieroglyphic Tales. As Trismegistus's work is lost, it

is impossible to decide now whether the discordance mentioned is so

positive as has been asserted by many learned men, who only guess at the

opinion of Hermes from other passages in his writings, and who indeed

are not sure whether he was speaking of volcanoes or cheesecakes, for

he drew so ill, that his hieroglyphics may often be taken for the most

opposite things in nature; and as there is no subject which he has not

treated, it is not precisely known what he was discussing in any one

of them.

This is the nearest we can come to any certainty with regard to the

author. But whether he wrote the Tales six thousand years ago, as we

believe, or whether they were written for him within these ten years,

they are incontestably the most ancient work in the world; and though

there is little imagination, and still less invention in them; yet there

are so many passages in them exactly resembling Homer, that any man

living would conclude they were imitated from that great poet, if it was

not certain that Homer borrowed from them, which I shall prove two ways:

first, by giving Homer's parallel passages at the bottom of the page;

and secondly, by translating Homer himself into prose, which shall make

him so unlike himself, that nobody will think he could be an original

writer: and when he is become totally lifeless and insipid, it will be

impossible but these Tales should be preferred to the Iliad; especially

as I design to put them into a kind of style that shall be neither verse

nor prose; a diction lately much used in tragedies and heroic poems, the

former of which are really heroic poems from want of probability, as an

antico-moderno epic poem is in fact a meer tragedy, having little or no

change of scene, no incidents but a ghost and a storm, and no events but

the deaths of the principal actors.

I will not detain the reader longer from the perusal of this invaluable

work; but I must beseech the public to be expeditious in taking off the

whole impression, as fast as I can get it printed; because I must inform

them that I have a more precious work in contemplation; namely, a new

Roman history, in which I mean to ridicule, detect and expose, all

ancient virtue, and patriotism, and shew from original papers which

I am going to write, and which I shall afterwards bury in the ruins of

Carthage and then dig up, that it appears by the letters of Hanno the

Punic embassador at Rome, that Scipio was in the pay of Hannibal, and

that the dilatoriness of Fabius proceeded from his being a pensioner

of the Same general. I own this discovery will pierce my heart; but as

morality is best taught by shewing how little effect it had on the best

of men, I will sacrifice the most virtuous names for the instruction of

the present wicked generation; and I cannot doubt but when once they

have learnt to detest the favourite heroes of antiquity, they will

become good subjects of the most pious king that ever lived since David,

who expelled the established royal family, and then sung psalms to the

memory of Jonathan, to whose prejudice he had succeeded to the throne.

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