I could see her pale under the lights.

"Oh, Hugo! don't be so ungenerous," she said. "Don't be so--so----"

She hesitated, apparently unable to continue.

"Ungenerous or not," I said, "damn the words, Teresa, this isn't a

time to weigh words. It isn't in flesh and blood to come back. I

can't come back. Put yourself in my place."

"Some day you'll thank me," she said.

"Very possibly," I returned. "Nobody knows what may not happen.

It's conceivable, of course, I might go down on my bended knees,

but really, from the way I feel at this moment, I do not think

it's likely."

"You want to punish me for liking you," she said.

"Teresa," I said, "I have told you already that you are right. You

insist on saving me from a humiliating position. I respect your

courage and your straightforwardness. You remind me of an ancient

Spartan having it out with a silly ass of a stranger who took

advantage of her parents' good-nature. I am as little vain, I

think, as any man, and as free from pettiness and idiotic pride--

but you mustn't ask the impossible. You mustn't expect the whipped

dog to come back. When I go it will be for ever."

"Then go," she said, and looked me straight in the eyes.

"I have only one thing to ask," I said. "Smooth it over to your

father and mother. I am very fond of your father and mother,

Teresa; I don't want them to think I've acted badly, or that I

have ceased to care for them. Tell them the necessary lies, you

know."

"I will tell them," she said.

"Then good-bye," I said, rising. "I suppose I am acting like a

baby to feel so sore. But I am hurt."

"Good-bye, Hugo," she said.

I went to the door and down the stairs. She followed and stood

looking after me the length of the hall as I slowly put on my hat

and coat. That was the last I saw of her, in the shadow of a palm,

her girlish figure outlined against the black behind. I walked

into the street with a heart like lead, and for the first time in

my life I began to feel I was growing old.

I have been from my youth up an easy-going man, a drifter, a

dawdler, always willing to put off work for play. But for once I

pulled myself together, looked things in the face, and put my back

to the wheel. I was determined to repay that nine hundred dollars,

if I had to cut every dinner-party for the rest of the season. I

was determined to repay it, if I had to work as I had never worked

before. My first move was to change my address. I didn't want

Uncle Gingersnaps ferreting me out, and Mrs. Grossensteck weeping

on my shoulder. My next was to cancel my whole engagement book. My

third, to turn over my wares and to rack my head for new ideas.

I had had a long-standing order from Granger's Weekly for a

novelette. I had always hated novelettes, as one had to wait so

long for one's money and then get so little; but in the humour I

then found myself I plunged into the fray, if not with enthusiasm,

at least with a dogged perseverance that was almost as good.

Granger's Weekly liked triviality and dialogue, a lot of fuss

about nothing and a happy ending. I gave it to them in a heaping

measure. Dixie's Monthly, from which I had a short-story order,

set dialect above rubies. I didn't know any dialect, but I

borrowed a year's file and learned it like a lesson. They wrote

and asked me for another on the strength of "The Courting of

Amandar Jane." The Permeator was keen on Kipling and water, and I

gave it to them--especially the water. Like all Southern families

the Dundonalds had once had their day. I had travelled everywhere

when I was a boy, and so I accordingly refreshed my dim memories

with some modern travellers and wrote a short series for The

Little Gentleman; "The Boy in the Carpathians," "The Boy in Old

Louisiana," "A Boy in the Tyrol," "A Boy in London," "A Boy in

Paris," "A Boy at the Louvre," "A Boy in Corsica," "A Boy in the

Reconstruction." I reeled off about twenty of them and sold them

to advantage.

It was a terribly dreary task, and I had moments of revolt when I

stamped up and down my little flat and felt like throwing my

resolution to the winds. But I stuck tight to the ink-bottle and

fought the thing through. My novelette, strange to say, was good.

Written against time and against inclination, it has always been

regarded since as the best thing I ever did, and when published in

book form outran three editions.

I made a thundering lot of money--for me, I mean, and in

comparison to my usual income--seldom under five hundred dollars a

month and often more. In eleven weeks I had repaid Grossensteck

and had a credit in the bank. Nine hundred dollars has always

remained to me as a unit of value, a sum of agonising significance

not lightly to be spoken of, the fruits of hellish industry and

self-denial. All this while I had had never a word from the

Grossenstecks. At least they wrote to me often--telephoned--

telegraphed--and my box at the club was choked with their letters.

But I did not open a single one of them, though I found a pleasure

in turning them over and over, and wondering as to what was within

them. There were several in Teresa's fine hand, and these

interested me most of all and tantalised me unspeakably. There was

one of hers, cunningly addressed to me in a stranger's writing

that I opened inadvertently; but I at once perceived the trick and

had the strength of mind to throw it in the fire unread.

Perhaps you will wonder at my childishness. Sometimes I wondered

at it myself. But the wound still smarted, and something stronger

than I seemed to withhold me from again breaking the ice. Besides,

those long lonely days, and those nights, almost as long in the

retrospect, when I lay sleepless on my bed, had shown me I had

been drifting into another peril no less dangerous than

dependence. I had been thinking too much of the girl for my own

good, and our separation had brought me to a sudden realisation of

how deeply I was beginning to care for her. I hated her, too, the

pitiless wretch, so there was a double reason for me not to go

back.

One night as I had dressed to dine out and stepped into the

street, looking up at the snow that hid the stars and silenced

one's footsteps on the pavement, a woman emerged from the gloom,

and before I knew what she was doing, had caught my arm. I shook

her off, thinking her a beggar or something worse, and would have

passed on my way had she not again struggled to detain me. I

stopped, and was on the point of roughly ordering her to let me

go, when I looked down into her veiled face and saw that it was

Teresa Grossensteck.

"Hugo!" she said. "Hugo!"

Love, the Fiddler · 第 22 / 29 题