This kind of small talk is an eloquent art, and fortunate are

the favored few who have mastered it. It may commence with the

weather, which you discover is not threadbare, for it is the weather

which breaks the ice for you, and it runs from the weather to the

opera, from opera to music in general, from music to art, art to

books, and from books to men and women. Neat little criticisms;

characteristic observations; flashes of wit; pleasant satire which

never wounds--fragmentary yet always polished--superficial, perhaps,

yet here and there giving you indications of lower depths which

would be worth exploring at the proper time. These are the main

characteristics of accomplished small talk.

This species of small talk can only exist between the opposite sexes.

Between women, small talk becomes silly or it runs to confidences.

In the one case it is soon exhausted, in the other it is vulgarly

supposed to be eternal; and the amount of smothered grief, of

heart-rending woe, of poignant anguish, of amorous doubts, of

Sphynx-like mysteries, of secret grief which cannot be whispered even

to her pillow, which one young woman will confide to four hundred

other young women, is only equalled by the rapidity with which the

latter will dispossess themselves of _les confidences_ and the

fertile imagination which will clothe them entirely new even before

they are divulged for the second time.

Between men, small talk is simply idiotic.

You pass an evening with Serafina, and you get only simpers and

syllabubs. She will not give you the ghost of a thought, although her

tongue has been running like a mill-clapper for two mortal hours.

She will run the whole gamut of talk, and you shall never once get a

taste of the amber wine beneath the foam.

_Per contra_, in an evening with Blanche, she will dive like a

humming bird into every flower, sweet or bitter, beautiful or ugly,

and extract honey from each. She does not linger long on anything.

She does not go too deep to be tiresome, and yet you are aware

that she would lead you a terrible chase into the real if you gave

the word. With that infinite tact which no one but a clever woman

possesses, she will draw you out and give you cues for conversation

without your ever dreaming of it. If you have a hobby, she will

quietly saddle it and help you to mount, and spur it up to a rattling

pace with little ingenuous confessions of ignorance, and implied

flatteries which show you at once your superiority over the rest of

mankind; and she will take you off your hobby and turn him out to

grass so gracefully that you will be thoroughly satisfied with your

ride. She will read you a charming little homily on her gold cross,

which "Jews might kiss or infidels adore," and she will lead you

with that narrow edge of lace around her pretty throat, which a rude

breath might dissipate, through meadows of talk, where every flower

is "a thing of beauty" and "a joy forever."

But to effectually do this, she must have no hobbies, and she must

assume an ignorance if she have it not. Ignorance is one of the

strongest weapons in the female armory, and if the small talk assumes

the form of an argument, a graceful yielding, especially if one is

obstinate, is also politic.

January 18, 1868.

_FLAT ON THE BACK._

I write to you to-day with a sugar-coated pill and a small bottle of

suspicious-looking fluid, which Æsculapius has designated with the

cabalistic abbreviations "_Aq. Cret. Rhu. Pulv. 2 jiii_," between

myself and the delirious chaos of fever.

My surroundings are not of a character to induce extravagant

cheerfulness, or to resolve a very decided precipitate out of the

mixture of virtue and necessity--a severely chemico-moral test I have

been working at for the past three days.

I think a man might dig into a cucumber for sunbeams or a mushroom

for moonlight, with better chances of success, than I shall have in

attempting to extract humor from the scanty material at hand, viz:

Several wet towels, ice water, a mustard plaster, sundry hot bricks,

pills, potions and lotions _ad libitum_, and a small piece of toasted

cracker.

The last item is the connecting link between myself and the good

goddess Hygeia, and I regard it with an interest I never knew before,

considering the clutch with which Febris has seized me.

Thus, skirting along the shore of Febris, sufficiently near to catch

with full force the burning simooms which blow across its miasmatic

lands--near enough to burn from its equator and to freeze from its

poles, to feel its clamps and hooks, with which it is tugging at

bone and muscle, while the soul has gone visiting, and not even left

the Will at home to resist disease--near enough all night long, as

I sail in the darkness, to see the will-o'-the-wisps, and goblins,

and chimeras, the skeletons of dead fancies, the ghosts of dreams

and the realities of horror which are the only inhabitants of this

land over which Febris reigns--behind me the very bright light of

day, and before, only a very uncertain star--under a red-hot bed

quilt, flanked with a small drug store--the great world outside only

recognizable by a confused hum--isolated from complete sights and

sounds--I vegetate and moralize.

If one should feed luxuriously on almond paste and comfits all his

life, he would never appreciate the products of sour apple trees and

the extracts of much-maligned herbs. So also if one should forever

pursue the beaten track of good health, which is only the case in

perfection among buffaloes and Digger Indians, one would never know

the luxury and the blessing of being sick. We must have, now and

then, a cessation of the good to appreciate the bad.

I can conceive that it would be the height of wretchedness to be

compelled to live with a saint on earth. This world was not made for

saints, and those who have made the foolish attempt to be saints,

have wisely climbed pillars, gone into caves or wandered in deserts,

getting as far out of the world as possible. Those who have persisted

in being saints and remaining in the world, have usually been hanged

or burned by other saints.

Equally, the man who is always well, becomes a nuisance after a

time. His ruddy face hangs out a constant banner of presumptuous

defiance, and the only person who can conscientiously love him is a

life insurance agent. He never knows the soft ministrations of small

female hands, or the hygienic virtue in the hem of an old lady's

robe. Consequently his milk of human kindness is very apt to freeze

up. He can have but small sympathy, for no one can sympathize, who

has not learned sympathy by experience. At this present moment I

fairly burn with pity, and extend a red right hand of sympathy to

every man, woman and child, who has ever had a fever, who has a fever

now, or who is going to have a fever. In his great, strong animal

existence he goes crashing and smashing about like a whale among

minnows, with this difference--that the whale is bent upon legitimate

prey, while your healthy man is simply trying to show that he _is_ a

whale.

As who should say, "Here am I, Mr. Merryman, the great American

Healthist. Any lady or gentleman in the audience, wishing to show

liver, lights or lungs, will please step forward into the arena."

But, of course, there are compensations for all this. In the next

world our healthy friend will probably take twice as much punishment

as some of the poor devils who took half of theirs before they went

there.

A person whose wings have sprouted and grown, and who has become a

precocious angel in the prescribed three score and ten, is certainly

leaving a very narrow margin for angelic growth hereafter, and,

equally, a man who goes through his three score and ten without any

terrene ails, I fancy will need Hippocrates and Galen when he gets to

the other shore.

At least, so it seems to a man flat on his back.

* * * * * * * * *

Which stars are to be considered equivalent to the time consumed in

taking the sugar-coated pill before referred to, reminding one, in

its passage down the æsophagus, of the cathartic literature which St.

John swallowed, sweet above and bitter below.

Which recalls to me that the most of us are more or less

sugar-coated--sweet outside, but quite bitter, or quite sad, or quite

bad inside.

The partition between body and soul with some of us is so thin that

the light shines through easily.

Some of us, again, cover up our little sepulchres so thickly with

vines and roses, and fix such a laughing mask on the door, that we

pass for very Ariels, God help us!

While others of us still, living in ourselves, isolated from all

intimate relations, carry in our faces no sign of the toil and the

weariness and the struggle. It is all blank on the outside; on the

inside, it is isolation, death and expiation.

But, then, there are some of us who get our pills coated so badly

that a child wouldn't touch them. For instance, good Deacon Jones,

who slept all through Parson Primrose's sermon, and told Deacon

Brown, who didn't sleep, that the Parson's doctrine was correct;

Prof. Blather, who hitches himself to the tail of every high-flying

kite, hoping thereby to be brought before the popular eyes; old Mrs.

Peacock, who still persists in being young, making admirers, mincing

through her spavined paces, leering with her faded eyes out of that

painted face, when all Japonicadom knows there is not a genuine

feather about her. And so one might go on for hours, for the number

of these badly coated pills is legion.

At least, so it seems to a man flat on his back.

* * * * * * * * *

More stars for the Doctor who has been to see me. He is a jolly,

sanguine dog, and assures me I shall be up in time for the opera--if

not for the whole season, at least that I shall have two days

off--one for Bellini's _Englishman_ and one for Hermanns' _Mephisto_.

What a blessing these jolly doctors are. They give one an invoice of

moral courage, wherewith to make a stout fight against disease. They

light up your room as beautifully as the sun this morning kindled my

frosty window-panes with burning gold. And my jolly doctor will not

take it unkindly of me if I say that I have more confidence in his

jolliness than in his cabalistic abbreviations.

On the other hand, I can conceive that if I were compelled to receive

the attentions of one of those solemn, owl-like doctors--those

funereal-looking personages in deep black, whose noses and chins

meet--who wear heavy canes, the knobs of which do heavy thinking for

the wearers--whose only remark is an ominous shake of the head, and

the preparation of a bill at the neighboring drug store--who have

made the very sunlight look mercurial, and who cut off the supply of

that delicious Muscat which Blanche sent in--I think, after one visit

from such a walking Bolus, I should say, with Elijah of old: "It

is enough; now let me die. You may call in your friend Sir." For I

should know that as soon as he came into the house Death would sneak

after him, and wait outside the door.

At least, so it seems to a man flat on his back.

* * * * * * * * *

Another night in the darkness, sailing along these shores of Febris,

and this crystal Saturday morning, it seems all bright and clear

ahead. I feel no more the breath of the burning gales, but in its

place an ecstasy of pain. My hand wearies and the head tires with

this trifling work which has run through three days of nullity.

At least, so it seems to a man flat on his back.

January 31, 1868.

_GETTING OUT OF BED._

Getting out of bed is one of the little circumstances which shows

man in his abstract essence. He is then a pure animal with all

his instincts on the surface. There is no dignity in him then, no

majesty, no true religion, no concealment of his nature. In fact he

is worse off than the lower orders of the brute creation, as they

awake in the full plenitude of their life. A butterfly, which has

slept all night in a tulip, rises from his gorgeously curtained

couch just as beautiful as he is under the noonday sun, when he

lazily flutters among the languid roses. Man, when he rises, is a

fragmentary being and has to be set up piece by piece and arrayed in

his conventional garments before he can say good morning to the world.

There are various methods of getting out of bed. One man in a

thousand wakes up all over at once, kicks off his bedclothes and

bounds out of bed as Minerva bounded out of Jupiter's brain, armed

and equipped as the law directs. He never tasted lotus in his life.

He owns no real estate in Spain, but a good deal of outside city

property. He never saw the point of a joke in his life. He never

dreams. He is fiendishly healthy, and will, therefore, have much

to answer for in the next world. He has no idea of the _dolce far

niente_. If he has imagination, he clipped its wings long ago. A

_post mortem_ examination of his internal economy would reveal

nothing to speak of but columns of logarithms, interest tables and

bills of lading in his skull, a complete set of office furniture in

his stomach, and his abdominal canal crowded with cargoes of lumber

and perches of stone. And he is apt to forget to say his prayers.

There are men who get out of bed a little at a time. The first

symptoms of life are uneasy movements and a gentle rustling of the

bedclothes. Slowly one arm appears from under the coverlid, and

is thrown over the head. Then out comes another arm, disposed of

in a similar manner. His legs are uneasy. One eye opens in a very

uncertain manner and blinks, and the other opens and winks, and then

both blink and wink for some minutes. He then commences to uncoil

himself and straighten himself out. This is the stretching process.

He mutters to himself incoherent nothings. He tries to go to sleep

again, but the charm is broken. He yawns, and the process fairly

opens his eyes. He sneezes, and the grand currents of life are once

more in motion. One more stretch all over, and he accepts the hard

necessity of nature which condemns him to quit his lotus to feed on

hash, and he slowly gets out of bed as one utterly disgusted.

There is another class of men who always get out of bed over the

footboard, and are uncomfortable all day after it. Their idea of

happiness is realized in making somebody wretched, and they are

singularly fortunate in the realization of that idea. They are sour

in aspect and in disposition. No one has any rights they are bound

to respect. Mrs. Gilliflower and her daughter, who always come late

and go away early from the concerts, get out over the footboard. The

man who mistakes a horse car for a hog pen and acts accordingly,

although in some respects he is not much mistaken, gets out over

the footboard. The man who worries his butcher or his baker over an

insignificant trifle, and is too mean to have the snow shoveled off

his sidewalk; the man who makes his lady clerks stand on their feet

all day whether engaged or not; the woman who has a keen scent for

ferreting out other persons' foibles and attending to other persons'

business; the woman who is constantly lamenting over the wickedness

and follies of the times; the man whose clumsiness trips him over

and who then anathematizes an innocent curbstone; the man who raises

a domestic war every morning over a lost button which he ripped off

the night before, over an open window which he left open himself,

over the discovery of his boots under the bed, where he placed them

himself, over a dried up beefsteak which has been waiting an hour

for him; the man whose pious nose goes heavenward at the sight of

innocent pleasure, and who doesn't give his clerks time enough

for dinner; the man who is sour himself and sours everything he

touches--all these people get up over the footboard, and they won't

get up any other way. If the footboard was forty feet high they would

go over it with a step ladder, and curse every rung of it all the way

up.

Then, there are men who get up only half awake, and don't fairly wake

up until it is time to go to bed again. These are the unlucky ones,

against whom fate and nature have a grudge. In the grand lottery of

life they draw all the blanks. They usually receive all the broken

limbs and fractured legs. They have come within a hair's breadth of

making a fortune a number of times, but the hair was always too

much. Such a man is always the one killed on a railway train. If he

hears of a case of small-pox in West Wheeling, he will catch it. He

is always the man in the great crowd who loses his pocket-book, and

although he is one of the best of fellows, it will be just his luck

to be overlooked by St. Peter at the gate of Heaven.

My favorite way of getting out of bed is to wake up, bid good morning

to the newly created day, quietly turn over and go to sleep again

without disturbing any one, and sleep the sleep of the just. In that

second nap, I visit my Spanish castles. Their architecture is more

elaborate and ethereal than ever Wren dreamed of, and they float

always in an amber haze just over the Pyrenees. I have leased them

all to a goodly company of ladies and gentlemen, and they are the

best of pay. Among them are the fair Rosamund; poor Beatrice Cenci;

that other Beatrice, who has come down from her shining beatitudes

and occupies one of the best of them with Dante; the yellow-haired

Gretchen and Faust; the rare and radiant Countess Irma; Spenser's

Fairy Queen and Titania; Aspasia, still reclining on beds of roses;

Dame Durden, whose house is no longer bleak; Cinderella, with her

tiny slipper; Joan of Domremy, still talking with the angels; Undine,

bathing in eternal streams; Colonel Newcome, and that prince of good

fellows, George Warrington; Wilkins Micawber and Samuel Weller, who

are living together--(Uriah Heep and Mr. Chadband made application

for one castle, but their references were not good)--Wilhelm Meister

and Nathan the Wise; the Lady of Shallott and Hiawatha, who have

become firm friends; the fair Florinda and the Princess Scherezade,

who amuse each other with rare stories; Sinbad and Aladdin and

Rasselas; and Donatello, who never can agree with Werter. When I

arrive, they hang out the banners, and such music as Malibran and

Sontag sing, which Beethoven, Mendelssohn, and Schubert have been

writing for them, you don't hear in our concert halls. All the

charming women and good fellows, of all times, come in to breakfast

and we drink ambrosial wines, sweeter than the honey of Hymettus,

and breakfast on fruits which have mellowed in the hanging gardens.

There is no such lotus, by the bye, on the Nile banks as grows

in those gardens. Time would fail me to narrate the sonnets that

Dante is writing; the good jokes that George Warrington and Sam

Weller have with each other over Wilkins, who is still waiting for

something to turn up; the philosophical speculations of Rasselas, and

the Munchausenisms of Sinbad; to tell you of a magnificent Spanish

symphony that Beethoven has just finished, and the delight with which

he listens to a new Ave Maria by Schubert, for the grand old master's

hearing has been restored; the songs of Irma, as she looks down upon

the mountains of her transfiguration; and the great joy of Faust

and Gretchen, who have deciphered the vital problem they could not

solve in the baneful shadow of Mephisto. The most beautiful castle is

reserved for the friend who died years ago and passed away from me,

but who is now like the living, because he greets me every morning in

my castle with the warm grip of the hand and the cheery voice and the

pleasant face of old times. He has not grown old since then, and I....

February 15, 1868.

_THE TEAPOT._

We were all sitting at the table together. All told, we were ten,

viz: Celeste and her maiden aunt, who had a sorrow when she was

young, a blighted affection, or something of that sort; Aurelia, now

Mrs. Peplum; Mr. Peplum, who has become much more sedate since his

family affair with Aurelia; Aurelia's mother, who is getting old and

rather fussy; Blanche, and young Boosey, who is sweet on Blanche; Old

Blobbs, the Water street indigo merchant, and Mrs. Blobbs; and myself.

"As I was about to say when I was interrupted, the teapot...."

Here I was again interrupted by young Boosey, who was filling himself

to repletion with brandied peaches, and who rather scornfully

remarked to Old Blobbs that tea might do well enough for old women,

but that, for a steady diet, he preferred champagne punches. Old

Blobbs silenced him by telling him that if he spent less for

champagne punches, it would be for the interest of his landlady.

The rebuke was severe, but just.

As I was about to say when I was interrupted the second time, the

teapot is one of the strongest links in the chain of society. If

my friend Blobbs, across the way, will recall his youthful days, he

will confess that all his subsequent prosperity and happiness are due

to the teapot. He will remember that in those days, when, strange

as it may seem, he was addicted to Byronic collars and bad rhymes,

he accompanied the future Mrs. Blobbs home from singing-school one

June night, and that, as they went across the fields instead of by

the straight road, he felt excessively foolish at the manner in

which the stars winked and blinked at each other. You see, my friend

Blobbs thought that he was the first man in the world who had ever

done that sort of thing; and my dear Mrs. Blobbs will pardon me if I

say that she was excessively sheepish also over the fancy that, for

the first time in the world, she was receiving the attentions of a

young man. But the stars were used to it, and knew what would come

of it. Ever since they peeped through the branches of the Tree of

Knowledge and saw Adam sitting up with Eve, they had been looking at

a young man and a young woman rehearsing this same old story, and, my

dear Blobbs, long after you and I are under the daisies, they will

shine down upon young men and young women, going across the fields

and telling the same old story. It is the only story which can't be

printed fast enough to supply the demand.

And my friend Blobbs will also remember that when they reached

the gate, the air was full of the perfume of apple-blossoms and

roses; that the bell of the village church over on the hill was

striking eleven, and that its tones were borne on the night air,

across the meadows, as softly and soothingly as if they were the

audible pulsations of the moonlight; that an officious little

insect, shrouded in the gloom of the fir tree in the front yard,

was continually informing him that Katy-did; that, before they

parted, they chose a mutual star which should ever be their symbol

and souvenir; and that when at last he took her little white hand

in his--it _was_ a pretty hand in those days, you know, Blobbs--she

said: "Won't you come over to tea to-morrow night, Mr. Blobbs?" Did

you refuse, Mr. Blobbs?

He will furthermore be so good as to remember that he walked on air

as he went home; that he whistled as he went; that all the stars in

Heaven, except that particular one, were laughing at him, and that he

wouldn't have taken a thousand dollars for himself.

Now I put it to you, Mr. Blobbs, as a man of honor, if that teapot,

the next evening, did not do the business and make a man of you all

the rest of your life.

Blobbs looked rather uncomfortable, but I thought I detected

some of the brilliancy of those days shining through all the

conventionalities and financial callouses of his life, as he

assented; and if a tear stood in the corner of Mrs. B.'s eye, as she

looked at her consort in the indigo trade, it dropped immediately

into the quince sauce and dissolved into sweetness.

And as I passed my cup to Aurelia's mother the second time, with a

deprecating look at Boosey, I continued: I know of no pleasanter

sight in the world than a steaming teapot upon the tray and five

or six old ladies gathered about it, who have just dropped over

and brought their knitting. They have all made the voyage of life,

weathered the storms and gone into old age's winter quarters. Life's

spring will never come for them again. The roses will not bloom

for them, and the birds will miss them, but the frosts and the keen

winter winds touch them kindly; and if they sometimes regard the

blue, lichen-covered slate stones with the unutterable thoughts of

old age, it is only because they feel the first breath of the gales

blowing from the eternal springs, inhale the faint perfumes of the

asphodels and the lilies on the banks of the River of Life, and hear,

as in a dream, the sounds of music from the golden harps over the

battlements of Heaven.

Letters of Peregrine Pickle · 第 5 / 20 段