John Henry having seen his man, and the orchestra having returned

from their beer, the scenery being in readiness, and the ubiquitous

call-boy having again summoned the fish and other people to be up

for the second act, the wings are full of fish. That little wasp,

Venturola, is to have a solo, and that there may not be anything to

offend her dainty feet, she seizes the broom and sweeps the bottom of

the Rhine clear of all obstructions, for she is going to try to outdo

Westmael to-night. The curtain rises, and my friends, the demons,

have the stage. Kuhleborn, like a shot from a cannon ball, flies

up through the star trap. Had there been a slight variation in the

working of the nice machinery of the trap, poor Kuhleborn's brains

would have been dashed out by the heavy counter-weights, which, in

their descent, force him up; but the working is so well graduated

that Kuhleborn is in no danger of injury, save from the apices of

the triangular sections of the trap, which upon every exit manage to

take off a small piece of his nose, whereupon, being a demon, he is

excusable for indulging in slight expletives, such as are used by

the Rhine demons. As the square trap, through which he shuts himself

up like a jack-knife and disappears, also manages to take off a small

piece of his back and shoulders, it would prove an interesting study

to calculate how much of Kuhleborn will be left at the expiration of

the allotted six weeks.

The preliminary scene over, the Fish Ballet commences. This is

Venturola's opportunity. A little more resin on her pretty feet. A

little impatiently she waves aside the Amazons and Naiads, who have

congregated in her wing to see the dance, and bounds upon the stage

like a ball hot from the striker, amid the applause of the audience.

But not even her own fine effort, nor the graceful posturing of the

coryphees, nor the acrobatic and unique dancing of Kuhleborn, in his

oil-cloth fish-skin, secure for her an encore. She does not even get

a bouquet.

Frantic young man! Where were you at this critical moment?

She comes off the stage, and there is a snapping of those black eyes

as she brushes through the crowd down stairs to her dressing-room and

slams the door. Westmael must look out for her laurels in the grand

ballet of the next act, when the solo tests come.

I pass to the grand ballet. The stage is full of the Amazons and

coryphees, and all the premiers are in the wings, Westmael looking

sadder and more weary than ever; Venturola full of determination and

talking chain-lightning at the ballet master; Fontana quietly walking

about, and now and then rising on her toes; Mazzeri, Adrian, Oberti,

Negri and Guerrero, all anxious, for thunderbolts have fallen ere

this out of the clear sky, and who knows but one of them may get an

encore? Little Schlager has already had her encore and gone off the

stage with an approving pat on the head from the ballet-master, with

her mother's face beaming with satisfaction, and her own lit up with

triumph. Encore is the magic word which incites them all.

The ballet is drawing to a close. Only Venturola and Westmael are

left. Venturola has outdone herself, and her fine _diminuendo_ whirl

has gained for her not only a bouquet but the coveted encore. She

is satisfied, and in her nervous manner she chatters French, German

and English to everybody. The familiar music of Westmael's brief

closing solo strikes up. She is standing, as at the first, quietly in

the wing. She has paid no attention to the dance. By a stranger she

would have been taken only for a listless observer. She is evidently

in pain and very sick to-night, and the hard, dry cough grates upon

the ear, but at the first bar of the music her face lights up and

she springs upon the stage with no trace of trouble. Every movement

is perfect, from the dainty, spirited, bold walk upon the toes to

the final pose, and there is no mistaking the encore that follows.

The encore does not seem to have any charm for her to-night, but

the audience compel it, and by a tremendous effort of the will

she repeats. I say by a tremendous effort, for as she returns she

instantly relapses into her old state. Her breath comes and goes

spasmodically and her chest is thumping as if a sledge-hammer were

at work within it. She staggers along a few steps and faints, and

pitying hands carry her to her room. To-morrow night she will be

herself again, but to-night it has been a burden.

It would not be proper for me to disclose the workings of the last,

or Transformation Scene; and if it were, I would not strip off the

romance, grace and beauty that surround and pervade it. I can only

admire the skill, taste and knowledge of effects--the genius which

with the slightest of materials can produce an illusion so brilliant

and captivating, both to the eye and ear. It requires a genius akin

to that of the best worker in oils, and a taste and imagination of

the highest order.

The calcium lights are extinguished. The colored fires have burned

down. The prompter closes his book. The figures of the tableaux

descend from their graceful but uncomfortable positions. The property

man is looking after his properties. The manager is thanking "you,

ladies, very well done." The lights are turned off. Rhine land and

Rhine River vanish, and I leave the stage for this upper world.

December 14, 1867.

_A CHRISTMAS CAROL._

In the year 1 of our blessed Lord, a carpenter came with his wife to

Bethlehem to pay his taxes, and it is to be hoped he did not have to

shut his eyes and grit his teeth as I did when I paid mine in the

year 1867 of our blessed Lord.

If the taxes at Bethlehem were on the scale of the taxes at Chicago,

it is no wonder that the carpenter and his wife lodged in a stable.

On that night a Child was born among the cattle, and the angels

opened the doors of Heaven and flooded the whole Bethlehem Plain with

music, what time the shepherds leaned upon their staves to listen,

and the sheep knelt down upon their knees in adoration. And wise,

long-bearded Magi of the Orient came upon their camels, bearing gifts

with them and following the star which never tarried until it stood

over the young Child.

And from that Christmas to this Christmas, do I solemnly believe,

that on each recurrence of the birthday of our blessed Lord, the

angels open wide the doors of Heaven and smile upon each young child,

and that some star still stands over each young child to guide Santa

Claus on his beautiful errand.

Now I know that old Midas, who never had an aspiration of soul that

soared higher than a quintal of codfish, nor an imagination that was

not regularly ruled and indexed with a Dr. on one side, and a Cr. on

the other, and a $ all over it; and that Mrs. Midas, whose theory

of life is bounded by a bonnet-string and colored with the latest

Bismarck shade, will shrug shoulders at the idea. And well they may,

for I think it exceedingly doubtful whether the smallest star in

the canopy would find it worth while to stand over either of them.

And yet do I believe that there are choice spirits over whom a star

stands, raining down blessed influences and ever bringing them closer

together.

And thus the first Christmas was celebrated in that Bethlehem stable

one thousand eight hundred and sixty-seven years ago, and when it

was over, the carpenter took his tax receipt, unvexed by special

assessments for lamp posts, Nicolson pavements, plank sidewalks,

etc., and went on his way rejoicing.

It seems to me, furthermore, that I hang up my stocking--that

stocking which all the rest of the year has held only a foot, terror

to shoemakers, and a bunion worthy its namesake, the immortal

Tinker--on the most beautiful day of the year. It comes set like a

jewel in the very heart of winter; when all nature is at rest; when

the days are shortest and the nights are darkest; when every bird is

silent upon the hillside; when no leaf is green but the holly, and

the ivy, and the winter-green; when the weather is bleakest without

but cheeriest within; when the storms sweep through the streets and

the house-fires glow ruddiest on the hearths; when the grayest sky is

made bright by Santa Claus, Kriss Kringle and the Christ-Kindchen;

and Christmas-tide runs joyfully with wassail and taper-lighted

tree, and song and dance. New Year has come to be hedged in by

fashion. Fourth of July is a matter of buncombe. Thanksgiving is dear

to the stomach. But Christmas is the day of all days--the best and

the brightest of the year.

I would like to be a little child, or an old woman, it matters

little which, to really enjoy Christmas. I would like to have back

all the angles which friction with the world has rubbed off, and to

thoroughly believe in the existence of that Laplander who drives his

team of reindeer athwart the housetops, tethers them to the chimneys,

and fills up the small stockings on the bed-posts; and to stand

before a Christmas tree under the firm conviction that there never

was anything so beautiful in the world before.

Or I would like to be an old woman, to sit, with my feet to the

fire, in the arm-chair, with my best cap on, and just one gray curl

escaping from it--that identical curl which played the deuce with

gouty, rheumatic, splenetic, dear old John Anderson, in the chair

opposite, half a century ago, when we were the pride of the whole

country-side; with not a single wrinkle on my smooth face; with my

silk gown on, which will stand alone; with my flock of children,

and grandchildren, and great-grandchildren trooping about me;

with blessed memories of a long and well-spent life: with tender

recollections of eighty Christmases, dead and under the snow, whose

ghosts flit by me in the ashes; with the beautiful privilege of

extending my hands over the young heads and blessing them, as the

Lord Christ stretches his hands in benediction over the earth each

Christmas, and confers upon it the gift of his grace.

Even the crisp brown goose, smoking upon the platter, down whose

streaming sides the little rivulets of rich gravy are trickling, his

breast bursting with all savory essences, happy in his side pieces

and doubly blessed in his second joints, is to be congratulated

on his culinary canonization. The bald eagle, flying from the

Atlantic to the Pacific, gazing at the sun because it don't hurt

him a particle, and stealing chickens and other small deer from

the barnyards; and the strutting turkey of Thanksgiving, with his

shrivelled, chippy breast and stringy legs, are unworthy of mention

by the side of the Christmas goose. Is it not well worth the while

of any feathered biped to be a fool through life, the scoff and

scorn of dogs and men, if haply he may achieve an apotheosis like

that of the Christmas goose? He dies that we may dine. He dies in

the flesh to resurrect in the oven. He passes from mortal sight to

reappear in _pate de foie gras_. He gives his head cheerfully to

the block that his body may be the crowning glory and the holocaust

of Christmas-tide. His life, homely and foolish as it is, is not

altogether in vain. How many of us bipeds without feathers may lay

claim to the same merits?

If there is a sad spot in all the earth, on Christmas morning, it

must be the house where there are no children; over which no star

stops; in which there is no small stocking to be filled; in which no

juvenile carnival will be celebrated. The giving of gifts is one of

the most blessed privileges of the day. Blessed, too, on that day, is

the bachelor uncle or brother, who can confer gifts upon the little

ones, and thrice blessed the good sister of every neighborhood, who

makes glad so many little hearts. If there is a wretched person on

earth, it must be the man who can't or won't make a Christmas gift.

And, in all our Christmas giving, let us remember this, that under

many roofs no Christmas-tree will blaze, and on many hearths the

ashes will be gray and cold; that in many homes the voice of the

angel, proclaiming the Bethlehem message, "Peace on earth, and good

will to men," will be silenced by the wolf at the door; that many

little feet will be cold upon the pavement, wandering about in quest

of food; that many little eyes will peer into the windows and wonder

at the strange sights and sounds; that poverty, hunger and despair

will be the only visitants at many firesides in this Christian land

of ours, filled with feasting and plenty. Let us therefore in all

our giving remember that "the greatest of these is charity." Let us

remember that the abodes of poverty are doubly dear to us on this

day of all the year. Let us cheer them with our bounty, and vivify

them with words of joy and hope. Let us make our star stand over

these homes. Let us remember the poor, for the first Christmas was

celebrated in a stable among the cattle, and the Christ-child was

born in a manger, for the carpenter and his wife, who came down to

pay taxes, were very poor.

My carol would not be closed without my Christmas wishes. And

therefore a merry Christmas-tide to all gentle people, and a blotting

out of all enmities on Christmas morn. A merry Christmas to all,

saints and sinners. A merry Christmas to Aurelia and Celeste basking

in the sunshine, and to Bridget in the shade. A merry Christmas to my

enemy, whom I forgive, and to my friend, in whose heart I live. A

merry Christmas to all children whose little lips will syllable the

sweet utterances of childhood. A merry Christmas to the homeless, and

the outcasts, and the Pariahs--God help them. A merry Christmas to my

creditors, and many returns of the same. A merry Christmas and a full

wassail bowl to all good fellows. A merry Christmas to the TRIBUNE

and all its readers, and, Mr. Editor, a merry Christmas to you upon

your tripod, and may your stockings be well filled.

And "Glory to God in the highest; on earth peace, and good will to

men."

December 25, 1867.

_THE NEW YEAR._

The closing of the year offers some epistolary temptations which it

is hard to resist. One fiend says "write;" the other says "don't."

One fiend shows me the admirable things I might say, as, for

instance: The old man going out sadly, and the young man coming in

gleefully. This, done up with allusions to biers and shrouds and

angels and roses, would be a stunner.

Again, I could make a strong point out of the hour-glass, with the

grains of sand slipping through, skilfully keeping up the interest

until I got to the last grain, which I could manipulate up to a

thrilling denouement.

And then what a touching picture I might draw of 1867 frozen on

his bier, his crown tumbled off and his sceptre broken; and what a

bacchanalian revelry I might paint in introducing the birth of 1868.

And again, I might draw a strong draft on the tears of tender readers

by recalling recollections of the Old year and casting the horoscope

of the New.

And think of the magnificent material I might have to use in doing

all this: the dark shores of Eternity, the waves of Styx, old Charon,

all the cheerful paraphernalia of the undertaker, and the appliances

of the _accoucheur_, which would form the _piece de resistance_, not

to speak of the garnitures of regrets, tears, sighs, resolutions,

prophesies, flowers, cherubs, broken harp-strings and other

properties which might be mixed in indiscriminately, and with a sort

of blue-fire effect, which would be telling.

And as there is nothing else to write about, it shows that I have a

good deal of moral courage when I solemnly assert that I am not going

to say a word about them.

For, _cui bono_?

The world will continue to turn on its axis every twenty-four hours.

Old Midas will continue to crust his soul over with $ marks, until

he gets them on so thickly that he won't be able to give an account

of himself on the Day of Judgment, without referring to his ledger

or sending for his confidential clerk. Mrs. Midas will go on saying

ungracious things about her next-door neighbor, who can "see" her

bonnet and go ten dollars better every time. Celeste will continue

to distract her pretty little empty head in solving the problem

of a new bias. Aurelia and Mr. Peplum will continue to have their

little differences over the muffins, which will begin to abate with

the soup, and disappear in a torrent of regrets over the mediatory

Souchong. Railroads will continue to cook people alive without a pang

of remorse. Men and women will continue to air their dirty linen

and haul each other through the mud of the divorce courts, under

the insane idea that other people will be interested in their small

vices, just as if other people hadn't any of their own which were

just as interesting.

The coming year will be very like the going year, and thus the world

will keep going round the sun for us, until the Great Manager sends

the call-boy to summon us up for the last act. We shall then make our

parting bow--pray God, all of us like gentlemen, and the curtain will

come down.

But because our little stage grows suddenly dark, it does not follow

that the great audience in front of the curtain will break up and

go home, or that other actors will not play their parts on the same

grand stage of life.

And a hundred years hence it is not altogether improbable that our

little ant-hill, over which we have made such a fuss, and up and

down which we have paraded so often, and on which we have expended

so much effort to make it larger than the next hill, will be utterly

forgotten; and that, in those far-off days, we may be blowing down

Clark street on some fine, breezy, spring day, or sold in the form of

cabbage from some itinerant Teuton's cart; or, if we have been good

children, that we may be blossoming in a daisy, or looking out of the

blue eyes of a violet at the great, white, lying slab close by, in a

maze of wonder at the saints we were a hundred years ago.

You see all these things are to be considered in deciding whether to

say anything about New Year's. And as I have before stated that I am

not going to say anything about it, this relieves me from alluding to

New Year's calls.

Because if I were to say anything about them I should have to

hurt the feelings of the Dear Creatures. It would be unkind, for

instance, to go to work deliberately and catalogue Aurelia's callers;

Old Gunnybags, who carries into effect his business regulations,

atoning on that day, by wholesale, his little retail visiting sins

of the year; the bashful young man who remarks that it is a very

fine day to-day, that it was remarkable weather yesterday, and

that he shouldn't be surprised at pleasant weather to-morrow; and

who, having fired off his little speech, falls back in good order

to the refreshments; the mental leisure which Titmouse enjoys, who

does a smashing day's business on a small capital by establishing a

reputation for wit in three hundred families, upon whom he has palmed

off the same brilliant remarks, the same carefully drawn out repartee

and the same conundrum; the young man of florid complexion and rather

heavy build, who makes the duration of his call conditional upon the

character of refreshments, and who will not fail to mention your

sins of omission to Mrs. Brown, next door, who has spread herself on

London sherry and boned turkey; the bore who never calls but once a

year, and then tries to become a permanent boarder; the nuisance whom

you never saw before and never want to see again; old Deacon Glum,

who tenderly inquires after your soul, in a business sort of way

remarks on the brevity of time, and throws in a lot of those pretty

metaphors which I threw out at the commencement of this letter; young

FitzHenry, who has a wine supper for six wagered that he will do his

four hundred calls before six o'clock, and is now on his last heat;

that fellow Boodle, with the long nose and little eyes, who is making

up a collection of small gossip which he will dish up for the next

six months. It would be unfair to catalogue all these nice people,

and I will spare Aurelia's feelings by refusing to do it.

Neither do I propose on this occasion to allude to the astounding

number of resolutions which I make on the first day of the year and

break regularly before I reach the second week of January. If I have

one faculty better developed than another, it is that of making and

breaking resolutions. Didn't I firmly resolve the first of last

January that I would be very temperate in the use of the King's

English for the space of three hundred and sixty-five days? And when

two hours later I slipped down on the sidewalk, and in the operation

sat down on my new hat and looked up to see a thoughtless young man

laughing at me, didn't I break that resolution and address some

remarks to that thoughtless young man which were rather more emphatic

than elegant?

I fancy I did.

Equally when I was a little boy did I not resolve one New Year's Day

that I would keep the whole Ten Commandments, and was I not caught

in the preserve closet the same day and subjected to a degree of

corporal punishment which made me break nearly all the rest of them

before night?

I never saw but one person who succeeded in keeping a New Year's

resolution, and he had pined away so rapidly in his physical and

grown so abnormally in his moral man, that it was really painful to

look at him. He was the nearest approach to an angel on half rations

I ever expect to see. A good meal would have made him sick, but I

really believe he would have bolted at one gulp the entire nine tons

of tracts which some New York individual has kindly forwarded to the

Young Men's Christian Association.

I cannot but admire the theological cheek of this man. His brass is

of no ordinary description. It is sonorous, stately, magnificent.

Nine tons of tracts! Twenty thousand one hundred and sixty pounds of

appeal to the ungodly! Three hundred and twenty-two thousand five

hundred and sixty ounces of the essence of doctrine! About thirty

miles of grace!

December 28, 1867.

_OLE BULL._

My last recollection of Farwell Hall is connected with a tall,

graceful, sweet-faced old man, his head lovingly bending over a

violin that old Stradivarius made centuries ago, his eyes closed,

transfigured in a vision of music, until he seemed to me to wear the

face that Beethoven, the Master, might have worn. In his hands the

dull wood was again in life. It was part of an organism, and it told

the old man of the rustle of leaves in the summer gales; of the songs

of birds in the branches; of the brawling waters of the brooks that

moistened the roots; of the rude winds that smote the tree on Italian

hills; of the star that looked down upon it in delicious Italian

nights; of the vernal thrill, the summer glow, the autumnal decay,

and the wintry death in life--the great miracle which Nature performs

for us each year; and the old man interpreted it in bewitching

strains to some who gave themselves up to the spell and were drawn

nearer together by the sympathy which music produces, to some who

heard the sound and not the soul, and to some who heard neither, in

the sound of their own small gabble.

And the next day, when a heap of smoking bricks, and charred beams,

and twisted iron was all that was left of the beautiful hall, it

seemed to me that I had met with an irreparable loss--that some

friend had suddenly vanished.

January 11, 1868.

* * * * *

One of the most charmingly chatty things Leigh Hunt ever wrote was

his "Earth Upon Heaven," in which he imagined himself following out

his earthly occupations in the upper world; dining with all the good

fellows of past ages; reading new plays of Shakspeare and new novels

of Scott; eating sugar that was not sanded, and drinking milk from

celestial cows in the Milky Way.

It is to be hoped the earthly concert nuisances will be abated there

also, and that we may hope to hear the Malibrans and the Linds,

Beethoven, Mendelssohn, Mozart, Bach and Gluck in new and diviner

symphonies and songs (think of that!), without being annoyed by a

garrulous angel behind us commenting on the cut of this angel's

wings, the color of that angel's feathers, and the awkward manner in

which some other angel flies to her seat, and the dreadfully stupid

way in which young Highflier sat down upon Blanche's wings. It would

be horrible to think of an eternity of music with an eternity of

nuisance.

Ibid.

_SMALL TALK._

There are two kinds of small talk--one which is very silly, and when

it does not run to twaddle, takes the worse form of slander and cruel

gossip. These two phases are not inconsistent with each other, for it

takes a very silly person to be a good gossiper. The greater amount

of nonsense that a woman can talk to your face, the worse will be the

gossip that she will talk behind you. Her wits may be very small in

one direction, but they will be very sharp in the other.

The other kind of small talk is very delightful. It is chatty, sunny,

spicy and brilliant. It may not be as deep as the ocean, but is not a

little brook, singing over the pebbles, flashing in the sunlight, and

whispering pretty little stories it learned from the naiads in the

fountain where it was born, to the scarlet cardinals and golden-rods

that lean over to listen, just as delightful as the uncertain depths

of the ocean with dim suggestions of dirty sea-weed, slimy monsters,

ribs of argosies and dead men's bones? Is not the little brook

which can take the most distant star right into its heart, just as

beautiful as the heavy ocean into whose depths no star beam can

penetrate?

Letters of Peregrine Pickle · 第 4 / 20 段