The Four Fists

At the present time no one I know has the slightest desire to

hit Samuel Meredith; possibly this is because a man over fifty

is liable to be rather severely cracked at the impact of a

hostile fist, but, for my part, I am inclined to think that all

his hitable qualities have quite vanished. But it is certain

that at various times in his life hitable qualities were in his

face, as surely as kissable qualities have ever lurked in a

girl's lips.

I'm sure every one has met a man like that, been casually

introduced, even made a friend of him, yet felt he was the sort

who aroused passionate dislike--expressed by some in the

involuntary clinching of fists, and in others by mutterings

about "takin' a poke" and "landin' a swift smash in ee eye." In

the juxtaposition of Samuel Meredith's features this quality was

so strong that it influenced his entire life.

What was it? Not the shape, certainly, for he was a pleasant-looking

man from earliest youth: broad-bowed with gray eyes that

were frank and friendly. Yet I've heard him tell a room full of

reporters angling for a "success" story that he'd be ashamed to

tell them the truth that they wouldn't believe it, that it

wasn't one story but four, that the public would not want to

read about a man who had been walloped into prominence.

It all started at Phillips Andover Academy when he was fourteen.

He had been brought up on a diet of caviar and bell-boys' legs

in half the capitals of Europe, and it was pure luck that his

mother had nervous prostration and had to delegate his education

to less tender, less biassed hands.

At Andover he was given a roommate named Gilly Hood. Gilly was

thirteen, undersized, and rather the school pet. From the

September day when Mr. Meredith's valet stowed Samuel's clothing

in the best bureau and asked, on departing, "hif there was

hanything helse, Master Samuel?" Gilly cried out that the

faculty had played him false. He felt like an irate frog in

whose bowl has been put goldfish.

"Good gosh!" he complained to his sympathetic contemporaries,

"he's a damn stuck-up Willie. He said, 'Are the crowd here

gentlemen?' and I said, 'No, they're boys,' and he said age

didn't matter, and I said, 'Who said it did?' Let him get fresh

with me, the ole pieface!"

For three weeks Gilly endured in silence young Samuel's comments

on the clothes and habits of Gilly's personal friends, endured

French phrases in conversation, endured a hundred half-feminine

meannesses that show what a nervous mother can do to a boy, if

she keeps close enough to him--then a storm broke in the aquarium.

Samuel was out. A crowd had gathered to hear Gilly be wrathful

about his roommate's latest sins.

"He said, 'Oh, I don't like the windows open at night,' he said,

'except only a little bit,'" complained Gilly.

"Don't let him boss you."

"Boss me? You bet he won't. I open those windows, I guess, but

the darn fool won't take turns shuttin' 'em in the morning."

"Make him, Gilly, why don't you?"

"I'm going to." Gilly nodded his head in fierce agreement.

"Don't you worry. He needn't think I'm any ole butler."

"Le's see you make him."

At this point the darn fool entered in person and included the

crowd in one of his irritating smiles. Two boys said, "'Lo,

Mer'dith"; the others gave him a chilly glance and went on talking

to Gilly. But Samuel seemed unsatisfied.

"Would you mind not sitting on my bed?" he suggested politely to

two of Gilly's particulars who were perched very much at ease.

"Huh?"

"My bed. Can't you understand English?"

This was adding insult to injury. There were several comments on

the bed's sanitary condition and the evidence within it of animal

life.

"S'matter with your old bed?" demanded Gilly truculently.

"The bed's all right, but---"

Gilly interrupted this sentence by rising and walking up to

Samuel. He paused several inches away and eyed him fiercely.

"You an' your crazy ole bed," he began. "You an' your crazy---"

"Go to it, Gilly," murmured some one.

"Show the darn fool--"

Samuel returned the gaze coolly.

"Well," he said finally, "it's my bed--"

He got no further, for Gilly hauled off and hit him succinctly in

the nose.

"Yea! Gilly!"

"Show the big bully!"

"Just let him touch you--he'll see!"

The group closed in on them and for the first time in his life

Samuel realized the insuperable inconvenience of being

passionately detested. He gazed around helplessly at the

glowering, violently hostile faces. He towered a head taller

than his roommate, so if he hit back he'd be called a bully and

have half a dozen more fights on his hands within five minutes;

yet if he didn't he was a coward. For a moment he stood there

facing Gilly's blazing eyes, and then, with a sudden choking

sound, he forced his way through the ring and rushed from the

room.

The month following bracketed the thirty most miserable days of

his life. Every waking moment he was under the lashing tongues

of his contemporaries; his habits and mannerisms became butts

for intolerable witticisms and, of course, the sensitiveness of

adolescence was a further thorn. He considered that he was a

natural pariah; that the unpopularity at school would follow him

through life. When he went home for the Christmas holidays he

was so despondent that his father sent him to a nerve

specialist. When he returned to Andover he arranged to arrive

late so that he could be alone in the bus during the drive from

station to school.

Of course when he had learned to keep his mouth shut every one

promptly forgot all about him. The next autumn, with his

realization that consideration for others was the discreet

attitude, he made good use of the clean start given him by the

shortness of boyhood memory. By the beginning of his senior year

Samuel Meredith was one of the best-liked boys of his class--and

no one was any stronger for him than his first friend and

constant companion, Gilly Hood.

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