PAGE

WORSHIP . . . . . . . . . . . . . . . . . . . . . 7

THE CHURCH, THE PLACE OF WORSHIP . . . . . . . . . 11

SYMBOLISM OF THE CHURCH BUILDING . . . . . . . . . 17

ARRANGEMENT AND FURNITURE OF THE CHURCH . . . . . 37

SYMBOLIC ORNAMENTS OF THE CHURCH . . . . . . . . . 51

HOW TO USE THE PRAYER-BOOK . . . . . . . . . . . . 92

DEVOUT CUSTOMS AND USAGES . . . . . . . . . . . . 103

LIST OF BOOKS FOR REFERENCE . . . . . . . . . . . 119

INDEX . . . . . . . . . . . . . . . . . . . . . . 121

{7}

_The Beauty of Holiness_

_Worship_

The worship of Almighty God is one of the characteristic acts of

humanity. The brute looks up to heaven, but man alone looks up with

thought of God and to adore. "The entire creation grew together to

reflect and repeat the glory of God, and yet the echo of God slumbered

in the hollow bowels of the dumb earth until there was one who could

wake up the shout by a living voice. Man is the first among the

creatures to deliver back from the rolling world this conscious and

delicious response, the recognition of the Father who begat him. He,

and he alone, is nature's priest, her spokesman, her mediator."

{8}

The idea of worship, in which the crown and glory of manhood thus has

expression, "includes all those acts which make up the devotional duty

of the soul to Almighty God." Our private and family devotions are

acts of worship. They enter into its obligation, are comprehended by

it, but do not fill it out. They are not sufficient alone. The due

acknowledgment before others of our belief in and reverence for God,

the blessings which attend only upon the use of united praise and

prayer and of Sacraments, the honor of God, the rendering of "thanks

for the great benefits that we have received at His hands," the setting

forth of "His most worthy praise,"--all demand the public act of

worship.

The obligation and privilege of such worship cannot be too greatly

exalted. It is not a matter of inclination merely; it is an imperative

duty, the discharge of which may not be regulated by considerations of

convenience, or indolence, or pleasure. To neglect it, is to dishonor

God, to withhold what is His due. It is also to dishonor ourselves, to

violate our own noblest instincts. No other act of which we as men are

capable is so dignified or so worthy of ourselves. Not to worship is

to debase ourselves.

This duty and privilege of worship the church and the Prayer-Book help

us to perform. Just as {9} other buildings about us--homes, stores,

factories, schools, libraries--stand for and represent certain

interests and departments of our lives, so the church as a building

makes its claim and reminds us that there must also be room--a large

place and sacred--in our lives for worship, and supplies the hallowed

means and helpful associations for its right discharge. And what the

church supplies the means of doing fittingly, the Prayer-Book directs.

It comes with the reminder that while Sunday brings the great

opportunity of worship, the obligation is not a thing of one day only,

but of every day, and that our public worship should be "daily," if

possible. It enables every one who comes into the church to be a

worshiper. It gives to each one his part. It makes no distinctions.

High and low, rich and poor, have equal share in the service. It

teaches to worship reverently, and in spirit and in truth. "Everything

in the Prayer-Book is solemn, humble, reverential, as it respects man,

and ennobling and glorifying as it respects God." And this is meet and

right. For, as has been truly said, "Worship is the concentration and

consecration of whatever is noble in the world. It is the dedication

to the Most High of all that is best in what the eye can see, the ear

hear, the voice sing, the hand execute, {10} and the mind conceive. It

is the sanctification of color, sound, and skill, of intellect,

imagination, and emotion. It is devotion--devotion of what is

excellent in man, devotion of what symbolizes the loveliness of nature.

Therefore it is that worship calls for art; therefore, too, it is that

art so often finds its noblest use in worship. Worship and art

together take the beauty of the world and offer it up as a tribute at

the feet of God."

{11}

_The Church, the Place of Worship_

It would seem that at first Christians worshiped in any place which

they could use with safety. "But soon the Lord revealed Himself to the

world as the King of it, until in a few generations the earth was

covered with His shrines, and mines and forests and human skill offered

to Him their best gifts." "The custom of setting apart places and

houses as holy and dedicated to God's worship was ever a part of the

faith of God's people." Thus it was said to Israel in the wilderness,

"Let them make Me a sanctuary; that I may dwell among them." Of the

building of the Temple Solomon says, "Behold, I purpose to build a

house unto the name of the Lord my God, as the Lord spake unto David my

father, saying, Thy son, {12} whom I will set upon thy throne in thy

room, he shall build a house unto My name." Our Lord confirms this

practice as one of sound and true religion. He called the Temple "My

Father's house," and by cleansing it of buyers and sellers showed that

it was to be used for no other purpose than the worship of God.

Christians from the earliest days have had consecrated places which

were held in reverence as distinct from the home. And so the

Prayer-Book says, "Devout and holy men, as well under the Law as under

the Gospel, moved either by the express command of God, or by the

secret inspiration of the blessed Spirit, and acting agreeably to their

own reason and sense of the natural decency of things, have erected

houses for the public worship of God, and separated them from all

unhallowed, worldly, and common uses, in order to fill men's minds with

greater reverence for His glorious Majesty, and affect their hearts

with more devotion and humility in His service; which pious works have

been approved of and graciously accepted by our heavenly Father."

It is an ancient custom to dedicate churches to the glory of God and in

honor of some special saint. This custom probably arose from the fact

that in early days churches were commonly built over the {13} graves of

martyrs, or in the place of their martyrdom, and hence were called by

their names. Sometimes the church is named from some fact in the

sacred history of our redemption, as the Incarnation, the Annunciation,

the Nativity, the Epiphany, the Transfiguration, the Crucifixion, the

Resurrection, the Ascension. Or it may take its name from the Holy

Trinity, or from some title of our Lord or of the Holy Ghost. Or it

may be named for one or all of the holy angels. It must be felt to be

a decided advantage to have the place of the worship of God designated

by a dignified name, and one non-secular and religious in its

associations.

The word "church," by which we designate the place of divine worship,

being derived from the Greek _kuriakón_, the Lord's house, embodies the

idea of its sacred character.

A canon, or law, of the Church forbids consecration so long as a debt

remains on the building. It may, however, before consecration be used

for worship.

As consecrated and set apart for the holy offices of religion, the

church is the proper place for the ministration of the Sacraments, and,

preferably, for marriages and burials. The Church's rule in reference

to Holy Baptism is that even children shall {14} not be baptized at

home "without great cause and necessity." This rule is laid down

because the decency and solemnity suited to so great a Sacrament can be

had better in the church, set apart and arranged for the purpose, than

in any private house, and in order that by the public ministration

others may be instructed by the service.

Of the Solemnization of Matrimony the Church says, "The persons to be

married shall come into the body of the church, or shall be ready in

some proper house, with their friends and neighbors." That the church

is named first as the proper place shows that it is to be preferred for

a marriage. It can be solemnized there in a more seemly and dignified

way than elsewhere, and those coming to plight their vows may be more

deeply impressed with the solemnity and importance of the step.

In the Office for the Burial of the Dead the church only (or the

churchyard) is named as the place. The Church evidently has no thought

of any other place as appropriate for the burial of her children. It

is the spiritual home of all the baptized. Christian consolations are

preëminently there imparted. These considerations, in addition to

those of reverence and convenience, mark this as the proper place for

the Burial Office.

{15}

The consecrated character of the church should have distinct

recognition in use and conduct. The building has been thereby

"separated from all unhallowed, worldly, and common uses." It is wrong

to use it for purposes of amusement or business. It has been given to

God. It has been consecrated for religious purposes. It is sacrilege

to treat it as a common thing.

It should be recognized also in personal conduct. A prayer should

always be said on entering. The manner should be reverent and quiet.

All light and useless talk should be restrained.

It should be recognized in conduct in reference to others. As "God's

house," all of His children have a rightful place there. This right

should be recognized by courtesy to others, especially to strangers and

to people in humble station.

Wherever possible, the church should be open every day and all day for

private prayer and meditation. Many must of necessity live in crowded

dwellings, or in circumstances in which quiet and privacy are hard to

obtain. But to all, whatever their circumstances, the open church

offers opportunities not afforded at home. Sacred associations and

objects greatly aid thought and devotion; and in the quiet church,

where there is so much to {16} remind of God and sacred things, and so

little of the world and of sin, we can think and pray better than

elsewhere. It has been found a very helpful thing in the Christian

life to form the habit of stopping in the church, whenever in its

neighborhood, for a few moments of prayer, and to use it also as a

place of refuge in time of trial and temptation.

{17}

_Symbolism of the Church Building_

"As soon as the early Christians were at liberty to build churches

according to their own mind, they took pains to make them significant

of their religion. Probably at first the Christians took for the

purposes of their worship such buildings as they could get, adapting

them to their uses as best they might. But when they grew strong

enough and independent enough to build as the heart and imagination

dictated, then they showed themselves careful to make their houses of

God in shape and dimension suggestive of what they believed." These

old builders were Churchmen, and made their Churchmanship and their

belief felt in their work. A deep and true symbolism was carried out

in the plan and construction of their {18} churches. Thus Christian

churches at an early day came to be built in the form of a cross. This

was not only the most ornamental form of structure; it was much more:

it made the very fabric of the church the symbol of our faith in Christ

crucified. Some chancels of old churches were even built with a slight

deflection from the line of direction of the nave, thus representing

the inclination of our Saviour's head upon the Cross. It made also the

gathering together of each congregation of His Church--which is His

mystical Body--the symbol of that body itself: that part in the nave

representing His body, that in the transepts His outstretched arms,

that in the choir His head. And so, also, "the united prayers and

praises of the congregation make, as it were, in their very sound the

sign of the Cross."

This plan of constructive symbolism affects not only the fabric of the

church as a whole, but each separate part of the church has its

religious character and meaning.

Let us linger for a moment on the outside. The spire points upward and

teaches its lesson of aspiration. "Lift up your hearts," it seems to

say, and holds up the Cross as that by which alone we are to be

"exalted unto everlasting life." Whenever we {19} lift up our eyes to

it, it ought to repeat for us that lesson--rebuke downward thoughts and

desires, and point up to spiritual and heavenly things.

In the tower are the bells, and what the spire with its uplifted Cross

says to us in silent eloquence these say in sound and music.

The office of the bell in calling to prayer and holy worship was

regarded in olden time with much reverence. The use of bells for the

purpose of gathering people together in large numbers appears to be of

Christian origin. "Large bells hung in a tower seem to have been

unknown before A.D. 500. They were first made in Campania in Italy,

whence the Italian name _campana_, a bell, and _campanile_, a

bell-tower. Bells were anciently supposed to have considerable powers,

especially against evil spirits. Their use for religious purposes

probably originated this belief. The hand-bells of the British

apostles, St. Patrick, St. Columba, St. David, etc., are said to have

been long preserved, if not existing even now. They are four-sided

bronze bells, sometimes of several plates fused into one. St. Patrick

is said by an old legend to have dispersed a host of demons, who were

too bold to be scared by the mere ringing of the bell, by flinging it

into the midst of them.

"Bells in the middle ages were sometimes {20} dedicated to saints.

They were christened with all the usual ceremonies and with much pomp;

sponsors were provided, the bell was sprinkled at the font, anointed

with oil, and robed in a chrisom. Superstitious as these customs would

seem now, there is something fine in the simple faith which thus, in

those more poetic days, consecrated to God's service the voices which

should proclaim Him far and wide over the land." In simpler form, the

custom is still frequently observed of setting apart by solemn prayer

and benediction the bells which are to call men to prayer or to ring

out the praises of God.

Church bells are frequently marked by appropriate inscriptions. The

following, for instance, was very common in the middle ages, all these

powers being attributed to bells:

"Funera plango, Fulgura trango, Sabbata pango,

Excito lentos, Dissipo ventos, Paco cruentos."

"I mourn the dead, I break the lightning, I announce the Sabbath,

I excite the slothful, I disperse the winds, I appease the cruel."

As instances of modern inscriptions we have the following: "Bethlehem,

Calvary, Bethany." "We welcome the infant to the Font. We invite the

{21} youth to Confirmation. We invoke the faithful to the Holy

Communion." "Joyful our peal for the bridal; mournful our plaint for

the dead."

Let us turn now to the inside of the church and inquire as to the

spiritual significance which has become associated with its several

parts.

The church is divided into two main portions--the body of the church

and the chancel. This represents the whole Catholic Church, divided

into those on earth and those who have passed into Paradise. The body

of the church, representing those on earth, is divided again into two

parts--the nave and transepts. And these have each their special

religious associations and suggestiveness.

_The Nave._--The nave is that part which extends from the door to the

choir. It is the place where the congregation is gathered, in the

fellowship of Christ's religion, for the purpose of worship. It is

most probably called the nave from the Latin _navis_, signifying a

ship, the same word from which we get our English "navy" and "naval."

The ship was the favorite symbol of the Church in primitive times. We

have the idea preserved for us in the first prayer in the Offices for

Holy Baptism: "Received into the ark of Christ's Church ... may so pass

the waves of this troublesome world" as {22} finally to "come to the

land of everlasting life." The thought was so much in mind that some

old churches were built with the timbers of the roof modeled like the

ribs of a ship, and in some cases the walls were made irregular to

represent the sides of the ship beaten and pressed upon by the waves.

The nave, then, as representing the Church into which God in His love

gathers us together in order to bring us in safety through the storms

of life to the "land of everlasting life," stands for the idea of

_fellowship_ in Christ.

We may come to that same idea in connection with the main body of the

church in other ways. Notice how it is made up of several parts,

divided, in many churches, by pillars and arches. There is the central

part, what is called, strictly speaking, the nave, and the two side

parts, called the aisles. Now this threefold division of the main body

of the church into nave and aisles may speak to us of the same

thing--fellowship. These divisions do not make up three separate

churches, but unite in the one church.

So, again, the idea of fellowship may come to us in another way. The

special service of the nave is the Litany. This solemn service has

been said from very early times from the Litany-desk, placed {23} at

the head of the nave, before the entrance to the chancel. "Its

position there refers to a Litany, and a place for it to be said, of

God's own appointing. 'Let the priests, the ministers of the Lord,

weep between the porch and the altar, and let them say, Spare Thy

people, O Lord.' Our Litany, retaining the same words of supplication,

is said, in allusion to this, in the midst of the church," the priest

taking his place with the people, and, in fellowship of sinfulness and

need, leading their supplications.

This truth of fellowship in Christ which the nave suggests, we confess

our belief in when we say, "I believe in the holy Catholic Church; The

Communion of Saints." The pictures of the saints of the Old and the

New Testament, of the angels who worship Christ our Saviour, and of the

men blessed by Him when on earth, which shine for us in the windows,

may help to give it reality in our thought. The four main walls of the

church, which are supposed to represent the four Evangelists, and the

pillars, "which, as the chief supports of the fabric, are said to

represent the Apostles, prophets, and martyrs," may remind us also of

the holy and glorious fellowship into which we have been brought.

This fellowship in Christ is one of the means which God's love uses for

helping and saving men. {24} We are helped by it. We must by it help

others. Let us build, it, then, into the daily life, as it is built

into the very stones of the church.

_The Transepts._--The transepts are the part of the church which gives

to the building the cruciform shape. Crossing the nave before the

entrance to the chancel, running the one to the north, the other to the

south, they complete the outline of the cross. Upon the arms of such a

cross our Saviour hung as He died for us.

The transepts may bring us, then, as we remember this, the thought of

_sacrifice_, that our lives to be truly Christian must have the spirit

of the Cross worked into them. It was by offering Himself in sacrifice

that Christ redeemed us, and it is by offering ourselves to Him in

sacrifice, by self-denial for His cause, and by doing good (at some

cost to ourselves) to others for His sake, that we make the response He

asks to His love. That offering of ourselves must be made not only by

our lips in the act of worship, but also by our lives, in deeds.

So, also, the spirit of Christ is the spirit of service, through love,

in behalf of others--the spirit of true fellowship. Now we cannot

realize that spirit without sacrifice of selfish inclination and

desire. We saw that the main body of the church {25} represents that

portion of Christ's Church which is on earth, and that the nave

suggests the idea of fellowship as the very spirit and law of the

Christian life. Now the transepts, making the cross, tell us that

fellowship expresses itself truly, that is, after Christ's example,

through sacrifice. "A new commandment I give unto you, That ye love

one another; as I have loved you, that ye also love one another." The

true Christian life of loving fellowship, after the example of our

Saviour who died upon the Cross for us, must get somehow, in

self-denial for Christ and self-forgetful work for others, the sign of

the Cross worked into it.

_The Chancel._--The body of the church, as we have seen, is regarded as

representing the "Church militant," that part of the Church which is

here on earth and still in conflict. The chancel represents that part

of the Church which is made up of those who have passed through death

to the state beyond.

The word "chancel" is derived from the Latin word for the lattice-work

which formerly parted this portion of the church from the nave. It is

the same word from which we get our word "to cancel," that is, to

destroy a writing by crossing it out with the pen, which makes

something like the figure of a lattice. The lattice was part of the

screen {26} (sometimes called the "rood-screen," from the rood or

crucifix upon it) which in some churches stood in the arch and divided

the chancel from the nave. The screen signified death. Men passed

through it from the nave into the chancel, as they must pass through

death from the part of the Church which is on earth to the part which

is in the world of spirits.

In the chancel itself we have two parts--the choir and the sanctuary.

_The Choir._--As its name denotes, the choir is that part appropriated

to those who lead the worship. It is cut off by the screen, or chancel

arch, from the nave, and is elevated above it by several steps. In the

symbolism of the church building it represents that part of the holy

Catholic Church which is known as the "Church expectant"--those who

have passed through death into the rest and waiting of Paradise.

Let us see what the Prayer-Book says of those who are in Paradise. In

the Burial Office we have this prayer: "Almighty God, with whom do live

the spirits of those who depart hence in the Lord, and with whom the

souls of the faithful, after they are delivered from the burden of the

flesh, are in joy and felicity; We give Thee hearty thanks for {27} the

good examples of all those Thy servants, who, having finished their

course in faith, do now rest from their labors. And we beseech Thee,

that we, with all those who are departed in the true faith of Thy holy

Name, may have our perfect consummation and bliss, both in body and

soul, in Thy eternal and everlasting glory; through Jesus Christ our

Lord. Amen."

Note how the closing portion reminds us that while the departed "do now

rest from their labors," they have not yet received their "perfect

consummation and bliss"; that they wait for this till the coming of our

Lord and the Resurrection, when it shall be "both in body and soul,"

"in eternal and everlasting glory." We speak of them, therefore, as

composing the "Church expectant."

Now observe what the same prayer tells us of their state while thus

resting and waiting in expectation of their perfect consummation and

bliss. It says, "The souls of the faithful, after they are delivered

from the burden of the flesh, _are in joy and felicity_."

This same symbolic meaning for this part of the chancel may come to us

in another way, that is, from the services which are conducted from it,

Morning and Evening Prayer, which are commonly {28} known, therefore,

as the "Choir Offices." These look beyond the choir, which represents

the "Church expectant" in Paradise, to the sanctuary, with its Altar,

which represents, as we shall see, heaven and the "Church triumphant."

The central point of the Church's worship is the great sacrificial act

of the oblation of the Holy Eucharist. Upon this the other services of

Morning Prayer and the Litany, which precede, and of Evening Prayer,

which follows, depend for their significance; the first as preparation

for it, and the second as an act of thanksgiving and praise; just as

the "felicity" of those in Paradise is a felicity not perfect in

itself, but one of anticipation of, and preparation and thankfulness

for, the "perfect consummation and bliss" which await them.

And the dominant note of these services is keyed to that same idea. It

is a note of "joy." There are indeed strongly marked features of

penitence and need. We come before God in our worship as those who are

sinful and needy. We ever make approach through the sacrifice of the

Cross. But we come also as those who have confidence in divine love

and mercy. So praise, joyous praise, predominates. The _Te Deum_, the

_Benedicite_, the _Benedictus_, the _Jubilate_, all ring out this note

and give {29} joyousness to the service, while _Magnificat_ and _Nunc

Dimittis_ tell of rejoicing and hope in what Christ has brought us by

His Incarnation.

It is all a worship of preparation and joy. The choir may remind us,

then, by its suggestiveness as related to the other parts of the

church, and by the dominant note of joy which rings through its

services, how the faithful departed go at death into the "joy and

felicity" of Paradise, there to wait, as the "Church expectant," for

the Resurrection and their "perfect consummation and bliss", that the

"Church expectant" and the "Church militant" are not two Churches, but

the one Church of Christ in two places and in two states, on earth and

in Paradise, fighting and waiting; that they have still "mystic sweet

communion" in praise and worship and prayer--the Church in Paradise

leading our worship as the choir leads the worship of the congregation.

So, again, the choir may impress upon our minds how joy has place in

the Christian life: that Christianity is not a religion of gloom, but

of joy; that if Christ says, "Come, take up the cross, and follow Me,"

He says also, "My yoke is easy, and My burden is light," because the

way of the Cross is the way into true joy.

{30}

So we pass through the transepts, which speak to us of self-sacrifice,

into the choir, which speaks to us of joy. So long as self is first,

the best and truest joy is shut out of our lives; but when self has

been crucified, and love is first,--love that delights to serve, and

that believes still in the absolute and perfect goodness of God even

when the cross is laid upon its shoulders,--then joy comes in, the joy

which is a foretaste of that which those in Paradise know, even as that

is a foretaste of the perfect joy of heaven.

_The Sanctuary._--The chancel, as we have seen, represents in the

symbolism of God's house that part of the life of His Church which is

reached through death. The choir tells us of the worship and the "joy

and felicity" of the "Church expectant." The sanctuary tells us of

that for which the Church in Paradise is waiting in expectation. It

represents heaven, into whose blessedness the Church shall enter as the

"Church triumphant" at the second coming of our Lord.

When we enter a church, the part which is the center of attention is

always the sanctuary--the place of the Altar. To this the other parts

all lead up. It is the most elevated part, and here the dignity and

beauty of the decorations center, just as {31} all our life in the

fellowship of Christ's Church here on earth, our cross-bearing, and the

worship by which we are prepared and trained on earth and in Paradise,

all lead us heavenward.

The sanctuary is made the place of the greatest dignity and beauty, and

is most richly decorated, because it is the place of the Altar; and it

is through thoughts which come to us from the solemn service of the

Holy Eucharist, which is celebrated at the Altar, that this part of the

chancel is made the symbol of heaven.

Let us see from Holy Scripture what it is that our Lord, who in His

love did so much for us on earth, is still doing for us in heaven. "We

have a great high priest, that is passed into the heavens, Jesus the

Son of God, ... called of God a high priest after the order of

Melchisedec.... Because He continueth ever, He hath an unchangeable

priesthood. Wherefore He is able also to save them to the uttermost

that come unto God by Him, seeing He ever liveth to make intercession

for them." This is finely presented in one of our Eucharistic hymns:

"O Thou, before the world began

Ordained a sacrifice for man,

And by the eternal Spirit made

An offering in the sinner's stead;

{32}

Our everlasting Priest art Thou,

Pleading Thy death for sinners now.

"Thy offering still continues new

Before the righteous Father's view;

Thyself the Lamb forever slain,

Thy priesthood doth unchanged remain;

Thy years, O God, can never fail,

Nor Thy blest work within the veil."

Now if we turn to the Office for the Holy Communion, we shall see how

the oblation in the Holy Eucharist is linked in with this present work

of our "great High Priest" in heaven.

In the Prayer of Consecration we say: "All glory be to Thee, Almighty

God, our heavenly Father, for that Thou, of Thy tender mercy, didst

give Thine only Son Jesus Christ to suffer death upon the Cross for our

redemption; who made there (by His one oblation of Himself once

offered) a full, perfect, and sufficient sacrifice, oblation, and

satisfaction, for the sins of the whole world; and did institute, and

in His holy Gospel command us to continue, a perpetual memory of that

His precious death and sacrifice, until His coming again....

Wherefore, O Lord and heavenly Father, according to the institution of

Thy dearly beloved Son our Saviour Jesus Christ, we, Thy humble

servants, do celebrate {33} and make here before Thy Divine Majesty,

with these Thy holy gifts, which we now offer unto Thee, the memorial

Thy Son hath commanded us to make." What is done as we thus "celebrate

and make before the Divine Majesty," in the commemorative sacrifice of

the Holy Eucharist, the "memorial" ("in remembrance of Me") of Christ's

"precious death and sacrifice," is beautifully and strongly expressed

in another of our Eucharistic hymns:

"And now, O Father, mindful of the love

That bought us, once for all, on Calvary's tree,

And having with us Him that pleads above,

We here present, we here spread forth to Thee,

That only offering perfect in Thine eyes,

The one true, pure, immortal sacrifice.

"Look, Father, look on His anointed face,

And only look on us as found in Him;

Look not on our misusings of Thy grace,

Our prayer so languid, and our faith so dim,

For lo! between our sins and their reward,

We set the Passion of Thy Son our Lord."

This is one way in which the sanctuary of the church reminds us of

heaven--by reminding us of what is done in the heavenly "holy place,"

and also there.

Then, again, the sanctuary has the same {34} suggestiveness as the

place of Communion. To have the communion of the presence and life of

God, through Christ, this is the very center of the blessedness of

heaven. What it is that we have here on earth in the "Holy Communion

of the Body and Blood of our Saviour Christ" we will let our Lord

Himself tell us. "In the night in which He was betrayed, He took

Bread; and when He had given thanks, He brake it, and gave it to His

disciples, saying, Take, eat, this is My Body, which is given for you;

Do this in remembrance of Me. Likewise, after supper, He took the Cup;

and when He had given thanks, He gave it to them, saying, Drink ye all

of this; for this is My Blood of the New Testament, which is shed for

you, and for many, for the remission of sins; Do this, as oft as ye

shall drink it, in remembrance of Me."

So before He had said, anticipating this Sacrament of Communion which

He thus ordained: "I am the living bread which came down from heaven:

if any man eat of this bread, he shall live forever: and the bread that

I will give is My flesh, which I will give for the life of the

world.... Whoso eateth My flesh, and drinketh My blood, hath eternal

life; and I will raise him up at the last day. For My flesh is meat

indeed, and My blood is drink {35} indeed. He that eateth My flesh,

and drinketh My blood, dwelleth in Me, and I in him. As the living

Father hath sent Me, and I live by the Father; so he that eateth Me,

even he shall live by Me."

And so we pray in the Holy Eucharist: "Grant us, ... gracious Lord, so

to eat the flesh, of Thy dear Son Jesus Christ, and to drink His blood,

that our sinful bodies may be made clean by His body, and our souls

washed through His most precious blood, and that we may evermore dwell

in Him, and He in us."

It all speaks of a foretaste here, in a Sacrament, of what heaven shall

give in its fullness.

The sanctuary tells us of heaven in another way.

What the soul that gains its blessedness shall find in it we may put

into one small but very sweet word--"peace."

Now the Altar in the sanctuary of the church, with its "perpetual

memory" of Christ's "precious death and sacrifice," stands for peace

between God and us. The aim and purpose of that sacrifice was to bring

about atonement, that is, at-one-ment, the setting at one, at peace.

Christ "loved us, and gave Himself for us," and by this sacrifice

brought reconciliation between us and God, "having made peace through

the blood of His cross."

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And so at the close of the Holy Eucharist celebrated in the sanctuary,

after the "memorial" has been made before God which His Son "hath

commanded us to make," and we have been "partakers of His most blessed

Body and Blood," this is the Blessing with which the Church lets us

depart--a blessing which carries the thought up to what, in its

fullness, waits for us in heaven: "The Peace of God, which passeth all

understanding, keep your hearts and minds in the knowledge and love of

God, and of His Son Jesus Christ our Lord."

The oblation, the communion, the peace, of the sanctuary, these all

tell us thus of heaven and the "Church triumphant."

Of Christ's "mystical body," with its fellowship and cross-bearing on

earth, its passage through death to the joy of Paradise, and, waiting

beyond, heaven, with its communion and peace through the Cross--it is

of this that the church as a building may speak to devout hearts.

{37}

_Arrangement and Furniture of the Church_

A person coming into one of our churches would recognize at once a

difference between its interior arrangement and that of many other

places of worship. If he thought out the purpose of this arrangement,

its adaptation to various forms of divine service and religious uses,

he would feel that "here is a place where people are taught to worship

the Lord in holy rites, and where forms and spaces and objects are

themselves teachers of holy truths."

From the door a broad alley (commonly but improperly called an aisle),

running lengthwise of the building, leads to the chancel. It suggests

that the approach of the people, for the blessings and {38}

consolations which are dispensed there, is made convenient and is

invited.

The place of prominence in the furnishing of the church is given to the

_Altar_--a table of stone or wood on which the sacrament of the Holy

Eucharist is celebrated. It is raised several steps above the level of

the choir and is railed in. Covering the Altar is an _Altar-cloth_,

embroidered, and varying in color with the seasons of the Christian

Year. The portion covering the front of the Altar is called the

_frontal_; that covering the top of the Altar and simply a few inches

of the front is called the _super-frontal_.

Back of the Altar, and raised above it, is a narrow shelf, called the

_retable_, upon which the several ornaments of the Altar are placed.

In the center is the _Altar-cross_, that this holy symbol of our Faith

may be constantly before the eyes of all who worship. The _vases_ to

hold the flowers with which the Altar is beautified on festal occasions

stand at either side of the Cross. The _candlesticks_, in churches

where lights at the Holy Communion are used, stand at the ends of the

retable.

Behind the Altar, in many churches, is the _reredos_--a carved or

sculptured screen of wood or stone, frequently extending the whole

width of the {39} sanctuary. Sometimes a painting takes its place, or

a _dossal_--a decorated curtain of as rich material as circumstances

will allow.

On the south side of the Altar is a small table or shelf, called the

_credence_, on which are placed the elements of bread and wine until

such time in the service as they are offered for consecration on the

Altar. Here also the _alms-basin_ is placed before the Offertory, and

the _cruets_ containing the wine and the water for the ablutions at the

close of the service. When the communicants are not too many, a part

of the wine from the cruet is poured into the chalice at the proper

time; but if a large number are to communicate, the _flagon_, a large

vessel of silver, is used to hold the wine and is placed on the

credence.

Nothing should be placed on the Altar itself but the _Altar-desk_, for

holding the book of the Altar-service, and the Altar-vessels. These

are usually the _paten_, or plate for holding the bread at the

Celebration, and the _chalice_, the cup for the wine. There is

sometimes a spoon with a perforated bowl to use in case any foreign

substance is found in the chalice. If possible these vessels should be

of precious metal. They are sometimes adorned with jewels.

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A rubric directs that at the time of the Communion the Altar shall be

covered with a "fair white linen cloth" ("fair," that is, not only

clean, but beautiful). Another "fair linen cloth," commonly called the

"linen chalice veil," is also directed to be used for covering the

consecrated elements after the communion of the people. To these

custom has added other convenient and seemly appointments of linen and

silk.

The "chalice veil" is a square of silk, embroidered and often fringed,

used to cover the vessels before the consecration.

The "pall" is a square of cardboard covered with linen, used to cover

the chalice during the Celebration.

The "corporal" is a square of linen spread upon the Altar at the

Celebration, upon which the vessels are placed.

The "purificators" are small napkins of linen for cleansing the vessels

after the service.

The "burse" is a square, stiff pocket of silk over cardboard, in which

the Altar-linen is carried to and from the Altar.

The color of the chalice veil and the burse follows that of the season.

The linen pieces are always white. They are supposed to represent the

cloths {41} which were wound around our Lord's sacred body and wrapped

about His head at His burial.

You will see the reason for thus making the Altar a place of dignity

and beauty, and for these various provisions for reverence in the

sacred rite celebrated there, if you will recall what we have already

seen of its meaning. We show honor to and reverence the Altar and its

worship as the place and the performance of the highest act of divine

worship, in which, by the ministry of His Church and according to His

own appointment, "a continual remembrance of the sacrifice of the death

of Christ" is "celebrated and made before the Divine Majesty," and as

the place where God "vouchsafes to feed us with the spiritual food of

the most precious Body and Blood of His Son our Saviour Jesus Christ."

All is done for His honor.

"'Tis for Thee we bid the frontal

Its embroidered wealth unfold;

'Tis for Thee we deck the reredos

With the colors and the gold;

Thine the floral glow and fragrance,

Thine the vesture's fair array,

Thine the starry lights that glitter

Where Thou dost Thy light display."

_The font._--The reverent administration of Holy Baptism, the other of

the two great Sacraments {42} ordained by Christ as generally necessary

to salvation, is provided for by the presence of the Font. As its name

indicates (from the Latin word for a fountain or spring), this is the

repository for the pure water which in this holy Sacrament is

"sanctified to the mystical washing away of sin." It is generally of

fine stone and often richly carved. Sometimes a separate room is

marked off from the rest of the church for it and called a

_baptistery_. There should always be, for proper protection, a cover

for the Font. A _ewer_ for the water to be used, and a _baptismal

shell_ with which to dip from the Font the water poured upon the head

of the person baptized, are frequently provided as seemly appointments.

The Font is often, following ancient custom, octagonal in form. The

symbolism of this form is this,--that "as the whole creation was

completed in seven periods of time, the number next following, eight,

may well be significative of the new creation," and, again, that the

octave, as a repetition of the first, is a symbol of Christ's

resurrection, and therefore of the "death unto sin and new birth unto

righteousness" in Holy Baptism.

The Font is usually placed near a door of the church. Its position

thus symbolizes the truth that Baptism is the outward form of admission

into the {43} Christian Church. It expresses what the child is taught

in the Church Catechism to say of Holy Baptism: "wherein I was made a

member of Christ, the child of God, and an inheritor of the kingdom of

heaven."

Always in sight, the Font is a constant invitation by its very

presence, and shows that the Church is always ready to receive, and

desires to receive, new members "into the congregation of Christ's

flock."

It should always remind those who have been baptized of the grace of

their second birth, when they were made "members of Christ," and of

their duty, "being made the children of God, to walk answerably to

their Christian calling."

It should call to remembrance that "baptism doth represent unto us our

profession; which is, to follow the example of our Saviour Christ, and

to be made like unto Him; that as He died, and rose again for us, so

should we, who are baptized, die from sin, and rise again unto

righteousness." That is the main profession or business of a Christian

man, and the Font, where Baptism constantly represents our Lord's death

and rising again for us, should ever remind us of it and call us afresh

to "mortify all our evil and corrupt affections, and daily proceed in

all virtue and godliness of living."

{44}

_The Lectern._--The lectern, supporting the large Bible from which the

Lessons are read, bears witness to the esteem in which our Church holds

the Sacred Scriptures. It is worthy of note that our Church makes

larger provision for the people "to hear God's most holy Word" than any

other religious body in the world. Almost the whole Bible--some parts

of it several times--is read publicly every year. Lessons from the Old

Testament were read in the service of the synagogue. Our Lord's

example shows how properly we follow this ancient custom of reading

Scripture lessons in public worship: "As His custom was, He went into

the synagogue on the Sabbath day, and stood up for to read. And there

was delivered unto Him the book of the prophet Esaias."

The selection of suitable Lessons for each day is a matter of careful

arrangement on the part of the Church. There will be found in the

front of the Prayer-Book "The Order how the Psalter is Appointed to be

Read," and also "The Order how the Best of the Holy Scripture is

Appointed to be Read." Four "Tables of Lessons" are given--for

Sundays, for Holy-Days, for the forty days of Lent and the Rogation and

Ember-Days, and for all the days of the year not otherwise provided for.

{45}

Of the two Lessons appointed, one is from the Old, the other from the

New Testament. Both are "God's most holy Word," and taking the Lessons

from both enables us to see the unity of thought and purpose in the

two, and how the promises and predictions of the Old Testament are

fulfilled in the New.

The most common and, perhaps, the most appropriate lectern is that made

in the form of an eagle, standing often upon a globe, bearing the Bible

upon its outspread wings. The eagle, because of its lofty heavenward

flight, is the symbol of inspiration, and its position upon the globe

and its outspread wings remind us how the Word of God is to be carried

into all the world.

There are, then, certain thoughts which the lectern should bring us:

the reverent honor which "God's most holy Word" should ever receive

from us; the privilege of its use as "a lantern unto my feet and a

light unto my paths"; our missionary obligations and privileges--to

make the outspread wings of the eagle a reality and not merely a symbol.

_The Pulpit._--The pulpit suggests the thought of the sacred and

important work of the Christian Ministry as preachers of the Word of

God.

{46}

It is a common thing to hear persons say that they care little for the

sermon and speak lightly of preaching. They forget that the preacher

is one "sent," that our Lord Himself made preaching one of the great

means for the spread of the Gospel and for the salvation of men. And

as such persons do not reflect, in this disparagement of preaching, the

mind of our Lord, so neither do they represent the estimate of the

Church. The Church takes care to provide for it, and that, too, in

connection with her most solemn act of worship, the celebration of the

Holy Communion. Among the rubrics following the Creed in the Communion

Office is this: "Then shall follow the Sermon." So, also, the Church,

through the Bishop, demands of the man who comes to be ordained, "Are

you determined, out of the Scriptures, to instruct the people committed

to your charge?" And when he is ordered a Priest, this is a part of

the authority given to him: "Take thou authority to preach the Word of

God."

The discharge of this work, to do which the Minister is placed under

vow, and for which he is given authority, is one of his most solemn

obligations. The pulpit should, then, ever remind us of the loving

care on the part of Christ and His Church for {47} our soul's health

and our growth in grace, which is thus expressed.

But it should remind us of something else, also,--of a duty on our part.

In "The Form and Manner of Ordering Priests" there is a prayer just

before the Benediction, of which this is a part: "Grant that we may

have grace to hear and receive what they shall deliver out of Thy most

holy Word, or agreeable to the same, as the means of our salvation."

And so, again, we pray in the Litany, "That it may please Thee to give

to all Thy people increase of grace to hear meekly Thy Word, and to

receive it with pure affection, and to bring forth the fruits of the

Spirit." This is the way the Church teaches us to think and to pray

concerning our duty and privilege in reference to the instruction and

exhortation which divine love sends to us from the pulpit.

The pulpit stands, then, for something God's love does for us: "Preach

the gospel." It stands also for something God's love demands from us:

"Take heed how ye hear."

_The Choir- and Clergy-Stalls._--It will be observed that the stalls

for the clergy and choristers are generally placed on the two sides of

the choir and face each other. The south side is called the {48}

"decani side" and the north the "cantoris side," as being, in

cathedrals, the respective sides of the dean and the cantor (or

precentor).

By this arrangement proper provision is made for the clergy as leaders

of the worship of the congregation and for the choir as leaders of its

praise in song. The singing in our churches is intended to be "common

praise," and this arrangement of the choristers marks their office as

simply to lead it. They do not sing _to_ the congregation; they sing

_with_ or _for_ them _to_ Almighty God. The people should sing with

them, and not listen merely, as if attending a concert. Even when, as

in a _Te Deum_ or anthem, the music is too difficult for the

congregation to join in it, the singers are still rendering to God the

praises of all present, and all should take part in it in thought and

in heart.

Because of this ministry as leaders of praise the choir are vested.

Their vestments are the cassock and the cotta--a modification of the

surplice worn by the clergy.

Of the _Litany-desk_ we have already learned in the section in

reference to the nave.

_The Bishop's Chair._--In many churches there is found a "Bishop's

Chair." It has been felt as proper, in view of the dignity of the

office of the {49} Bishop, to provide a special seat for him, and to

have it occupied by no one else. In parish churches it is placed

within the sanctuary at the north or "gospel" side of the Altar, facing

the people. In cathedrals it is called a "Throne," and its place is

just without the rail on the decani side of the choir, facing like the

choir-stalls.

Wherever placed, it is a reminder of the highest order in the Christian

Ministry, and of the doctrine of Holy Orders our Church holds and acts

upon. In the Preface to the Ordinal the Church makes this declaration:

"It is evident unto all men, diligently reading Holy Scripture and

ancient Authors, that from the Apostles' time there have been these

Orders of Ministers in Christ's Church,--Bishops, Priests, and

Deacons.... No man shall be accounted or taken to be a lawful Bishop,

Priest, or Deacon, in this Church, or suffered to execute any of the

said Functions, except he be called, tried, examined, and admitted

thereunto, according to the Form hereafter following, or hath had

Episcopal Consecration or Ordination." What the Church here insists

upon is what is commonly called the "Apostolic Succession." This rule

she rigorously applies. No minister of any of the denominations, no

matter how learned and pious he may be, can {50} serve at her Altars

until he has been ordained by a Bishop and is therefore commissioned by

that Episcopal or Apostolic authority upon which the Church has always

insisted.

The Bishop's Chair may remind us, then, of the Bishop's office and

authority to ordain and to govern, of its essential importance in the

life of the Church, and of how our Church's lineage and the authority

of her Ministry are traced, through the succession of Bishops, directly

back to the Apostles, and through them to Christ Himself, "the Bishop

and Shepherd of our souls."

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The worship of the Church, and the beauty of holiness · 第 7 / 13 题