With the following melancholy passage this Journal concludes:--

"In the weather for this tour (of 13 days), I have been very

fortunate--fortunate in a companion (Mr. H.)--fortunate in our

prospects, and exempt from even the little petty accidents and delays

which often render journeys in a less wild country disappointing. I was

disposed to be pleased. I am a lover of nature and an admirer of beauty.

I can bear fatigue and welcome privation, and have seen some of the

noblest views in the world. But in all this--the recollection of

bitterness, and more especially of recent and more home desolation,

which must accompany me through life, have preyed upon me here; and

neither the music of the shepherd, the crashing of the avalanche, nor

the torrent, the mountain, the glacier, the forest, nor the cloud, have

for one moment lightened the weight upon my heart, nor enabled me to

lose my own wretched identity in the majesty, and the power, and the

glory, around, above, and beneath me."

* * * * *

Among the inmates at Sécheron, on his arrival at Geneva, Lord Byron had

found Mr. and Mrs. Shelley, and a female relative of the latter, who had

about a fortnight before taken up their residence at this hotel. It was

the first time that Lord Byron and Mr. Shelley ever met; though, long

before, when the latter was quite a youth,--being the younger of the two

by four or five years,--he had sent to the noble poet a copy of his

Queen Mab, accompanied by a letter, in which, after detailing at full

length all the accusations he had heard brought against his character,

he added, that, should these charges not have been true, it would make

him happy to be honoured with his acquaintance. The book alone, it

appears, reached its destination,--the letter having miscarried,--and

Lord Byron was known to have expressed warm admiration of the opening

lines of the poem.

There was, therefore, on their present meeting at Geneva, no want of

disposition towards acquaintance on either side, and an intimacy almost

immediately sprung up between them. Among the tastes common to both,

that for boating was not the least strong; and in this beautiful region

they had more than ordinary temptations to indulge in it. Every evening,

during their residence under the same roof at Sécheron, they embarked,

accompanied by the ladies and Polidori, on the Lake; and to the feelings

and fancies inspired by these excursions, which were not unfrequently

prolonged into the hours of moonlight, we are indebted for some of those

enchanting stanzas[116] in which the poet has given way to his

passionate love of Nature so fervidly.

"There breathes a living fragrance from the shore

Of flowers yet fresh with childhood; on the ear

Drips the light drop of the suspended oar.

* * * * *

At intervals, some bird from out the brakes

Starts into voice a moment, then is still.

There seems a floating whisper on the hill,

But that is fancy,--for the starlight dews

All silently their tears of love instil,

Weeping themselves away."

A person who was of these parties has thus described to me one of their

evenings:--"When the _bise_ or north-east wind blows, the waters of the

Lake are driven towards the town, and with the stream of the Rhone,

which sets strongly in the same direction, combine to make a very rapid

current towards the harbour. Carelessly, one evening, we had yielded to

its course, till we found ourselves almost driven on the piles; and it

required all our rowers' strength to master the tide. The waves were

high and inspiriting--we were all animated by our contest with the

elements. 'I will sing you an Albanian song,' cried Lord Byron; 'now, be

sentimental and give me all your attention.' It was a strange, wild

howl that he gave forth; but such as, he declared, was an exact

imitation of the savage Albanian mode,--laughing, the while, at our

disappointment, who had expected a wild Eastern melody."

Sometimes the party landed, for a walk upon the shore, and, on such

occasions, Lord Byron would loiter behind the rest, lazily trailing his

sword-stick along, and moulding, as he went, his thronging thoughts into

shape. Often too, when in the boat, he would lean abstractedly over the

side, and surrender himself up, in silence, to the same absorbing task.

The conversation of Mr. Shelley, from the extent of his poetic reading,

and the strange, mystic speculations into which his system of philosophy

led him, was of a nature strongly to arrest and interest the attention

of Lord Byron, and to turn him away from worldly associations and topics

into more abstract and untrodden ways of thought. As far as contrast,

indeed, is an enlivening ingredient of such intercourse, it would be

difficult to find two persons more formed to whet each other's faculties

by discussion, as on few points of common interest between them did

their opinions agree; and that this difference had its root deep in the

conformation of their respective minds needs but a glance through the

rich, glittering labyrinth of Mr. Shelley's pages to assure us.

In Lord Byron, the real was never forgotten in the fanciful. However

Imagination had placed her whole realm at his disposal, he was no less a

man of this world than a ruler of hers; and, accordingly, through the

airiest and most subtile creations of his brain still the life-blood of

truth and reality circulates. With Shelley it was far otherwise;--his

fancy (and he had sufficient for a whole generation of poets) was the

medium through which he saw all things, his facts as well as his

theories; and not only the greater part of his poetry, but the political

and philosophical speculations in which he indulged, were all distilled

through the same over-refining and unrealising alembic. Having started

as a teacher and reformer of the world, at an age when he could know

nothing of the world but from fancy, the persecution he met with on the

threshold of this boyish enterprise but confirmed him in his first

paradoxical views of human ills and their remedies; and, instead of

waiting to take lessons of authority and experience, he, with a courage,

admirable had it been but wisely directed, made war upon both. From this

sort of self-willed start in the world, an impulse was at once given to

his opinions and powers directly contrary, it would seem, to their

natural bias, and from which his life was too short to allow him time to

recover. With a mind, by nature, fervidly pious, he yet refused to

acknowledge a Supreme Providence, and substituted some airy abstraction

of "Universal Love" in its place. An aristocrat by birth and, as I

understand, also in appearance and manners, he was yet a leveller in

politics, and to such an Utopian extent as to be, seriously, the

advocate of a community of property. With a delicacy and even romance of

sentiment, which lends such grace to some of his lesser poems, he could

notwithstanding contemplate a change in the relations of the sexes,

which would have led to results fully as gross as his arguments for it

were fastidious and refined; and though benevolent and generous to an

extent that seemed to exclude all idea of selfishness, he yet scrupled

not, in the pride of system, to disturb wantonly the faith of his

fellowmen, and, without substituting any equivalent good in its place,

to rob the wretched of a hope, which, even if false, would be worth all

this world's best truths.

Upon no point were the opposite tendencies of the two friends,--to

long-established opinions and matter of fact on one side, and to all

that was most innovating and visionary on the other,--more observable

than in their notions on philosophical subjects; Lord Byron being, with

the great bulk of mankind, a believer in the existence of Matter and

Evil, while Shelley so far refined upon the theory of Berkeley as not

only to resolve the whole of Creation into spirit, but to add also to

this immaterial system some pervading principle, some abstract

non-entity of Love and Beauty, of which--as a substitute, at least, for

Deity--the philosophic bishop had never dreamed. On such subjects, and

on poetry, their conversation generally turned; and, as might be

expected, from Lord Byron's facility in receiving new impressions, the

opinions of his companion were not altogether without some influence on

his mind. Here and there, among those fine bursts of passion and

description that abound in the third Canto of Childe Harold, may be

discovered traces of that mysticism of meaning,--that sublimity, losing

itself in its own vagueness,--which so much characterised the writings

of his extraordinary friend; and in one of the notes we find Shelley's

favourite Pantheism of Love thus glanced at:--"But this is not all: the

feeling with which all around Clarens and the opposite rocks of

Meillerie is invested, is of a still higher and more comprehensive order

than the mere sympathy with individual passion; it is a sense of the

existence of love in its most extended and sublime capacity, and of our

own participation of its good and of its glory: it is the great

principle of the universe, which is there more condensed, but not less

manifested; and of which, though knowing ourselves a part, we lose our

individuality, and mingle in the beauty of the whole."

Another proof of the ductility with which he fell into his new friend's

tastes and predilections, appears in the tinge, if not something deeper,

of the manner and cast of thinking of Mr. Wordsworth, which is traceable

through so many of his most beautiful stanzas. Being naturally, from his

love of the abstract and imaginative, an admirer of the great poet of

the Lakes, Mr. Shelley omitted no opportunity of bringing the beauties

of his favourite writer under the notice of Lord Byron; and it is not

surprising that, once persuaded into a fair perusal, the mind of the

noble poet should--in spite of some personal and political prejudices

which unluckily survived this short access of admiration--not only feel

the influence but, in some degree, even reflect the hues of one of the

very few real and original poets that this age (fertile as it is in

rhymers _quales ego et Cluvienus_) has had the glory of producing.

When Polidori was of their party, (which, till he found attractions

elsewhere, was generally the case,) their more elevated subjects of

conversation were almost always put to flight by the strange sallies of

this eccentric young man, whose vanity made him a constant butt for Lord

Byron's sarcasm and merriment. The son of a highly respectable Italian

gentleman, who was in early life, I understand, the secretary of

Alfieri, Polidori seems to have possessed both talents and dispositions

which, had he lived, might have rendered him a useful member of his

profession and of society. At the time, however, of which we are

speaking, his ambition of distinction far outwent both his powers and

opportunities of attaining it. His mind, accordingly, between ardour and

weakness, was kept in a constant hectic of vanity, and he seems to have

alternately provoked and amused his noble employer, leaving him seldom

any escape from anger but in laughter. Among other pretensions, he had

set his heart upon shining as an author, and one evening at Mr.

Shelley's, producing a tragedy of his own writing, insisted that they

should undergo the operation of hearing it. To lighten the infliction,

Lord Byron took upon himself the task of reader; and the whole scene,

from the description I have heard of it, must have been not a little

trying to gravity. In spite of the jealous watch kept upon every

countenance by the author, it was impossible to withstand the smile

lurking in the eye of the reader, whose only resource against the

outbreak of his own laughter lay in lauding, from time to time, most

vehemently, the sublimity of the verses;--particularly some that began

"'Tis thus the goîter'd idiot of the Alps,'--and then adding, at the

close of every such eulogy, "I assure you when I was in the Drury Lane

Committee, much worse things were offered to us."

After passing a fortnight under the same roof with Lord Byron at

Sécheron, Mr. and Mrs. Shelley removed to a small house on the

Mont-Blanc side of the Lake, within about ten minutes' walk of the villa

which their noble friend had taken, upon the high banks, called Belle

Rive, that rose immediately behind them. During the fortnight that Lord

Byron outstaid them at Sécheron, though the weather had changed and was

become windy and cloudy, he every evening crossed the Lake, with

Polidori, to visit them; and "as he returned again (says my informant)

over the darkened waters, the wind, from far across, bore us his voice

singing your Tyrolese Song of Liberty, which I then first heard, and

which is to me inextricably linked with his remembrance."

In the mean time, Polidori had become jealous of the growing intimacy of

his noble patron with Shelley; and the plan which he now understood them

to have formed of making a tour of the Lake without him completed his

mortification. In the soreness of his feelings on this subject he

indulged in some intemperate remonstrances, which Lord Byron indignantly

resented; and the usual bounds of courtesy being passed on both sides,

the dismissal of Polidori appeared, even to himself, inevitable. With

this prospect, which he considered nothing less than ruin, before his

eyes, the poor young man was, it seems, on the point of committing that

fatal act which, two or three years afterwards, he actually did

perpetrate. Retiring to his own room, he had already drawn forth the

poison from his medicine chest, and was pausing to consider whether he

should write a letter before he took it, when Lord Byron (without,

however, the least suspicion of his intention) tapped at the door and

entered, with his hand held forth in sign of reconciliation. The sudden

revulsion was too much for poor Polidori, who burst into tears; and, in

relating all the circumstances of the occurrence afterwards, he declared

that nothing could exceed the gentle kindness of Lord Byron in soothing

his mind and restoring him to composure.

Soon after this the noble poet removed to Diodati. He had, on his first

coming to Geneva, with the good-natured view of introducing Polidori

into company, gone to several Genevese parties; but, this task

performed, he retired altogether from society till late in the summer,

when, as we have seen, he visited Copet. His means were at this time

very limited; and though he lived by no means parsimoniously, all

unnecessary expenses were avoided in his establishment. The young

physician had been, at first, a source of much expense to him, being in

the habit of hiring a carriage, at a louis a day (Lord Byron not then

keeping horses), to take him to his evening parties; and it was some

time before his noble patron had the courage to put this luxury down.

The liberty, indeed, which this young person allowed himself was, on

one occasion, the means of bringing an imputation upon the poet's

hospitality and good breeding, which, like every thing else, true or

false, tending to cast a shade upon his character, was for some time

circulated with the most industrious zeal. Without any authority from

the noble owner of the mansion, he took upon himself to invite some

Genevese gentlemen (M. Pictet, and, I believe, M. Bonstetten) to dine at

Diodati; and the punishment which Lord Byron thought it right to inflict

upon him for such freedom was, "as he had invited the guests, to leave

him also to entertain them." This step, though merely a consequence of

the physician's indiscretion, it was not difficult, of course, to

convert into a serious charge of caprice and rudeness against the host

himself.

By such repeated instances of thoughtlessness (to use no harsher term),

it is not wonderful that Lord Byron should at last be driven into a

feeling of distaste towards his medical companion, of whom he one day

remarked, that "he was exactly the kind of person to whom, if he fell

overboard, one would hold out a straw, to know if the adage be true that

drowning men catch at straws."

A few more anecdotes of this young man, while in the service of Lord

Byron, may, as throwing light upon the character of the latter, be not

inappropriately introduced. While the whole party were, one day, out

boating, Polidori, by some accident, in rowing, struck Lord Byron

violently on the knee-pan with his oar; and the latter, without

speaking, turned his face away to hide the pain. After a moment he

said, "Be so kind, Polidori, another time, to take more care, for you

hurt me very much."--"I am glad of it," answered the other; "I am glad

to see you can suffer pain." In a calm suppressed tone, Lord Byron

replied, "Let me advise you, Polidori, when you, another time, hurt any

one, not to express your satisfaction. People don't like to be told that

those who give them pain are glad of it; and they cannot always command

their anger. It was with some difficulty that I refrained from throwing

you into the water; and, but for Mrs. Shelley's presence, I should

probably have done some such rash thing." This was said without ill

temper, and the cloud soon passed away.

Another time, when the lady just mentioned was, after a shower of rain,

walking up the hill to Diodati, Lord Byron, who saw her from his balcony

where he was standing with Polidori, said to the latter, "Now, you who

wish to be gallant ought to jump down this small height, and offer your

arm." Polidori chose the easiest part of the declivity, and leaped;--but

the ground being wet, his foot slipped, and he sprained his ankle.[117]

Lord Byron instantly helped to carry him in and procure cold water for

the foot; and, after he was laid on the sofa, perceiving that he was

uneasy, went up stairs himself (an exertion which his lameness made

painful and disagreeable) to fetch a pillow for him. "Well, I did not

believe you had so much feeling," was Polidori's gracious remark,

which, it may be supposed, not a little clouded the noble poet's brow.

A dialogue which Lord Byron himself used to mention as having taken

place between them during their journey on the Rhine, is amusingly

characteristic of both the persons concerned. "After all," said the

physician, "what is there you can do that I cannot?"--"Why, since you

force me to say," answered the other, "I think there are three things I

can do which you cannot." Polidori defied him to name them. "I can,"

said Lord Byron, "swim across that river--I can snuff out that candle

with a pistol-shot at the distance of twenty paces--and I have written a

poem[118] of which 14,000 copies were sold in one day."

The jealous pique of the Doctor against Shelley was constantly breaking

out; and on the occasion of some victory which the latter had gained

over him in a sailing-match, he took it into his head that his

antagonist had treated him with contempt; and went so far, in

consequence, notwithstanding Shelley's known sentiments against

duelling, as to proffer him a sort of challenge, at which Shelley, as

might be expected, only laughed. Lord Byron, however, fearing that the

vivacious physician might still further take advantage of this

peculiarity of his friend, said to him, "Recollect, that though Shelley

has some scruples about duelling, _I_ have none; and shall be, at all

times, ready to take his place."

At Diodati, his life was passed in the same regular round of habits and

occupations into which, when left to himself, he always naturally fell;

a late breakfast, then a visit to the Shelleys' cottage and an excursion

on the Lake;--at five, dinner[119] (when he usually preferred being

alone), and then, if the weather permitted, an excursion again. He and

Shelley had joined in purchasing a boat, for which they gave twenty-five

_louis_,--a small sailing vessel, fitted to stand the usual squalls of

the climate, and, at that time, the only keeled boat on the Lake. When

the weather did not allow of their excursions after dinner,--an

occurrence not unfrequent during this very wet summer,--the inmates of

the cottage passed their evenings at Diodati, and, when the rain

rendered it inconvenient for them to return home, remained there to

sleep. "We often," says one, who was not the least ornamental of the

party, "sat up in conversation till the morning light. There was never

any lack of subjects, and, grave or gay, we were always interested."

During a week of rain at this time, having amused themselves with

reading German ghost-stories, they agreed, at last, to write something

in imitation of them. "You and I," said Lord Byron to Mrs. Shelley,

"will publish ours together." He then began his tale of the Vampire;

and, having the whole arranged in his head, repeated to them a sketch

of the story[120] one evening,--but, from the narrative being in prose,

made but little progress in filling up his outline. The most memorable

result, indeed, of their story-telling compact, was Mrs. Shelley's wild

and powerful romance of Frankenstein,--one of those original conceptions

that take hold of the public mind at once, and for ever.

Towards the latter end of June, as we have seen in one of the preceding

letters, Lord Byron, accompanied by his friend Shelley, made a tour in

his boat round the Lake, and visited, "with the Heloise before him," all

those scenes around Meillerie and Clarens, which have become consecrated

for ever by ideal passion, and by that power which Genius alone

possesses, of giving such life to its dreams as to make them seem

realities. In the squall off Meillerie, which he mentions, their danger

was considerable[121]. In the expectation, every moment, of being

obliged to swim for his life, Lord Byron had already thrown off his

coat, and, as Shelley was no swimmer, insisted upon endeavouring, by

some means, to save him. This offer, however, Shelley positively

refused; and seating himself quietly upon a locker, and grasping the

rings at each end firmly in his hands, declared his determination to go

down in that position, without a struggle.[122]

Subjoined to that interesting little work, the "Six Weeks' Tour," there

is a letter by Shelley himself, giving an account of this excursion

round the Lake, and written with all the enthusiasm such scenes should

inspire. In describing a beautiful child they saw at the village of

Nerni, he says, "My companion gave him a piece of money, which he took

without speaking, with a sweet smile of easy thankfulness, and then with

an unembarrassed air turned to his play." There were, indeed, few

things Lord Byron more delighted in than to watch beautiful children at

play;--"many a lovely Swiss child (says a person who saw him daily at

this time) received crowns from him as the reward of their grace and

sweetness."

Speaking of their lodgings at Nerni, which were gloomy and dirty, Mr.

Shelley says, "On returning to our inn, we found that the servant had

arranged our rooms, and deprived them of the greater portion of their

former disconsolate appearance. They reminded my companion of

Greece:--it was five years, he said, since he had slept in such beds."

Luckily for Shelley's full enjoyment of these scenes, he had never

before happened to read the Heloise; and though his companion had long

been familiar with that romance, the sight of the region itself, the

"birth-place of deep Love," every spot of which seemed instinct with the

passion of the story, gave to the whole a fresh and actual existence in

his mind. Both were under the spell of the Genius of the place,--both

full of emotion; and as they walked silently through the vineyards that

were once the "bosquet de Julie," Lord Byron suddenly exclaimed, "Thank

God, Polidori is not here."

That the glowing stanzas suggested to him by this scene were written

upon the spot itself appears almost certain, from the letter addressed

to Mr. Murray on his way back to Diodati, in which he announces the

third Canto as complete, and consisting of 117 stanzas. At Ouchy, near

Lausanne,--the place from which that letter is dated--he and his friend

were detained two days, in a small inn, by the weather: and it was

there, in that short interval, that he wrote his "Prisoner of Chillon,"

adding one more deathless association to the already immortalised

localities of the Lake.

On his return from this excursion to Diodati, an occasion was afforded

for the gratification of his jesting propensities by the avowal of the

young physician that--he had fallen in love. On the evening of this

tender confession they both appeared at Shelley's cottage--Lord Byron,

in the highest and most boyish spirits, rubbing his hands as he walked

about the room, and in that utter incapacity of retention which was one

of his foibles, making jesting allusions to the secret he had just

heard. The brow of the Doctor darkened as this pleasantry went on, and,

at last, he angrily accused Lord Byron of hardness of heart. "I never,"

said he, "met with a person so unfeeling." This sally, though the poet

had evidently brought it upon himself, annoyed him most deeply. "Call

_me_ cold-hearted--_me_ insensible!" he exclaimed, with manifest

emotion--"as well might you say that glass is not brittle, which has

been cast down a precipice, and lies dashed to pieces at the foot!"

In the month of July he paid a visit to Copet, and was received by the

distinguished hostess with a cordiality the more sensibly felt by him

as, from his personal unpopularity at this time, he had hardly ventured

to count upon it.[123] In her usual frank style, she took him to task

upon his matrimonial conduct--but in a way that won upon his mind, and

disposed him to yield to her suggestions. He must endeavour, she told

him, to bring about a reconciliation with his wife, and must submit to

contend no longer with the opinion of the world. In vain did he quote

her own motto to Delphine, "Un homme peut braver, une femme doit se

succomber aux opinions du monde;"--her reply was, that all this might be

very well to say, but that, in real life, the duty and necessity of

yielding belonged also to the man. Her eloquence, in short, so far

succeeded, that he was prevailed upon to write a letter to a friend in

England, declaring himself still willing to be reconciled to Lady

Byron,--a concession not a little startling to those who had so often,

lately, heard him declare that, "having done all in his power to

persuade Lady Byron to return, and with this view put off as long as he

could signing the deed of separation, that step being once taken, they

were now divided for ever."

Of the particulars of this brief negotiation that ensued upon Madame de

Staël's suggestion, I have no very accurate remembrance; but there can

be little doubt that its failure, after the violence he had done his own

pride in the overture, was what first infused any mixture of resentment

or bitterness into the feelings hitherto entertained by him throughout

these painful differences. He had, indeed, since his arrival in Geneva,

invariably spoken of his lady with kindness and regret, imputing the

course she had taken, in leaving him, not to herself but others, and

assigning whatever little share of blame he would allow her to bear in

the transaction to the simple and, doubtless, true cause--her not at all

understanding him. "I have no doubt," he would sometimes say, "that she

really did believe me to be mad."

Another resolution connected with his matrimonial affairs, in which he

often, at this time, professed his fixed intention to persevere, was

that of never allowing himself to touch any part of his wife's fortune.

Such a sacrifice, there is no doubt, would have been, in his situation,

delicate and manly; but though the natural bent of his disposition led

him to _make_ the resolution, he wanted,--what few, perhaps, could have

attained,--the fortitude to _keep_ it.

The effects of the late struggle on his mind, in stirring up all its

resources and energies, was visible in the great activity of his genius

during the whole of this period, and the rich variety, both in character

and colouring, of the works with which it teemed. Besides the third

Canto of Childe Harold and the Prisoner of Chillon, he produced also his

two poems, "Darkness" and "The Dream," the latter of which cost him many

a tear in writing,--being, indeed, the most mournful, as well as

picturesque, "story of a wandering life" that ever came from the pen and

heart of man. Those verses, too, entitled "The Incantation," which he

introduced afterwards, without any connection with the subject, into

Manfred, were also (at least, the less bitter portion of them) the

production of this period; and as they were written soon after the last

fruitless attempt at reconciliation, it is needless to say who was in

his thoughts while he penned some of the opening stanzas.

"Though thy slumber must be deep,

Yet thy spirit shall not sleep;

There are shades which will not vanish,

There are thoughts thou canst not banish;

By a power to thee unknown,

Thou canst never be alone;

Thou art wrapt as with a shroud,

Thou art gather'd in a cloud;

And for ever shalt thou dwell

In the spirit of this spell.

"Though thou see'st me not pass by,

Thou shalt feel me with thine eye,

As a thing that, though unseen,

Must be near thee, and hath been;

And when, in that secret dread,

Thou hast turn'd around thy head,

Thou shalt marvel I am not

As thy shadow on the spot,

And the power which thou dost feel

Shall be what thou must conceal."

Besides the unfinished "Vampire," he began also, at this time, another

romance in prose, founded upon the story of the Marriage of Belphegor,

and intended to shadow out his own matrimonial fate. The wife of this

satanic personage he described much in the same spirit that pervades his

delineation of Donna Inez in the first Canto of Don Juan. While engaged,

however, in writing this story, he heard from England that Lady Byron

was ill, and, his heart softening at the intelligence, he threw the

manuscript into the fire. So constantly were the good and evil

principles of his nature conflicting for mastery over him.[124]

The two following Poems, so different from each other in their

character,--the first prying with an awful scepticism into the darkness

of another world, and the second breathing all that is most natural and

tender in the affections of this,--were also written at this time, and

have never before been published.

[Footnote 116: Childe Harold, Canto iii.]

[Footnote 117: To this lameness of Polidori, one of the preceding

letters of Lord Byron alludes.]

[Footnote 118: The Corsair.]

[Footnote 119: His system of diet here was regulated by an abstinence

almost incredible. A thin slice of bread, with tea, at breakfast--a

light, vegetable dinner, with a bottle or two of Seltzer water, tinged

with vin de Grave, and in the evening, a cup of green tea, without milk

or sugar, formed the whole of his sustenance. The pangs of hunger he

appeased by privately chewing tobacco and smoking cigars.]

[Footnote 120: From his remembrance of this sketch, Polidori afterwards

vamped up his strange novel of the Vampire, which, under the supposition

of its being Lord Byron's, was received with such enthusiasm in France.

It would, indeed, not a little deduct from our value of foreign fame, if

what some French writers have asserted be true, that the appearance of

this extravagant novel among our neighbours first attracted their

attention to the genius of Byron.]

[Footnote 121: "The wind (says Lord Byron's fellow-voyager) gradually

increased in violence until it blew tremendously; and, as it came from

the remotest extremity of the Lake, produced waves of a frightful

height, and covered the whole surface with a chaos of foam. One of our

boatmen, who was a dreadfully stupid fellow, persisted in holding the

sail at a time when the boat was on the point of being driven under

water by the hurricane. On discovering this error, he let it entirely

go, and the boat for a moment refused to obey the helm; in addition, the

rudder was so broken as to render the management of it very difficult;

one wave fell in, and then another."]

[Footnote 122: "I felt, in this near prospect of death (says Mr.

Shelley), a mixture of sensations, among which terror entered, though

but subordinately. My feelings would have been less painful had I been

alone; but I knew that my companion would have attempted to save me, and

I was overcome with humiliation, when I thought that his life might have

been risked to preserve mine. When we arrived at St. Gingoux, the

inhabitants, who stood on the shore, unaccustomed to see a vessel as

frail as ours, and fearing to venture at all on such a sea, exchanged

looks of wonder and congratulation with our boatmen, who, as well as

ourselves, were well pleased to set foot on shore."]

[Footnote 123: In the account of this visit to Copet in his Memoranda,

he spoke in high terms of the daughter of his hostess, the present

Duchess de Broglie, and, in noticing how much she appeared to be

attached to her husband, remarked that "Nothing was more pleasing than

to see the developement of the domestic affections in a very young

woman." Of Madame de Staël, in that Memoir, he spoke thus:--"Madame de

Staël was a good woman at heart and the cleverest at bottom, but spoilt

by a wish to be--she knew not what. In her own house she was amiable; in

any other person's, you wished her gone, and in her own again."]

[Footnote 124: Upon the same occasion, indeed, he wrote some verses in a

spirit not quite so generous, of which a few of the opening lines is all

I shall give:--

"And thou wert sad--yet I was not with thee!

And thou wert sick--and yet I was not near.

Methought that Joy and Health alone could be

Where I was _not_, and pain and sorrow here.

And is it thus?--it is as I foretold,

And shall be more so:--" &c. &c.

]

* * * * *

"EXTRACT FROM AN UNPUBLISHED POEM.

"Could I remount the river of my years

To the first fountain of our smiles and tears,

I would not trace again the stream of hours

Between their outworn banks of wither'd flowers,

But bid it flow as now--until it glides

Into the number of the nameless tides. * * *

What is this Death?--a quiet of the heart?

The whole of that of which we are a part?

For Life is but a vision--what I see

Of all which lives alone is life to me,

And being so--the absent are the dead,

Who haunt us from tranquillity, and spread

A dreary shroud around us, and invest

With sad remembrances our hours of rest.

"The absent are the dead--for they are cold,

And ne'er can be what once we did behold;

And they are changed, and cheerless,--or if yet

The unforgotten do not all forget,

Since thus divided--equal must it be

If the deep barrier be of earth, or sea;

It may be both--but one day end it must

In the dark union of insensate dust.

"The under-earth inhabitants--are they

But mingled millions decomposed to clay?

The ashes of a thousand ages spread

Wherever man has trodden or shall tread?

Or do they in their silent cities dwell

Each in his incommunicative cell?

Or have they their own language? and a sense

Of breathless being?--darken'd and intense

As midnight in her solitude?--Oh Earth!

Where are the past?--and wherefore had they birth?

The dead are thy inheritors--and we

But bubbles on thy surface; and the key

Of thy profundity is in the grave,

The ebon portal of thy peopled cave,

Where I would walk in spirit, and behold

Our elements resolved to things untold,

And fathom hidden wonders, and explore

The essence of great bosoms now no more." * *

* * * * *

"TO AUGUSTA.

"My sister! my sweet sister! if a name

Dearer and purer were, it should be thine.

Mountains and seas divide us, but I claim

No tears, but tenderness to answer mine:

Go where I will, to me thou art the same--

A loved regret which I would not resign.

There yet are two things in my destiny,--

A world to roam through, and a home with thee.

"The first were nothing--had I still the last,

It were the haven of my happiness;

But other claims and other ties thou hast,

And mine is not the wish to make them less.

A strange doom is thy father's son's, and past

Recalling, as it lies beyond redress;

Reversed for him our grandsire's[125] fate of yore,--

He had no rest at sea, nor I on shore.

"If my inheritance of storms hath been

In other elements, and on the rocks

Of perils, overlook'd or unforeseen,

I have sustain'd my share of worldly shocks,

The fault was mine; nor do I seek to screen

My errors with defensive paradox;

I have been cunning in mine overthrow,

The careful pilot of my proper woe,

"Mine were my faults, and mine be their reward.

My whole life was a contest, since the day

That gave me being, gave me that which marr'd

The gift,--a fate, or will that walk'd astray;

And I at times have found the struggle hard,

And thought of shaking off my bonds of clay:

But now I fain would for a time survive,

If but to see what next can well arrive.

"Kingdoms and empires in my little day

I have outlived, and yet I am not old;

And when I look on this, the petty spray

Of my own years of trouble, which have roll'd

Like a wild bay of breakers, melts away:

Something--I know not what--does still uphold

A spirit of slight patience; not in vain,

Even for its own sake, do we purchase pain.

"Perhaps the workings of defiance stir

Within me,--or perhaps a cold despair,

Brought on when ills habitually recur,--

Perhaps a kinder clime, or purer air,

(For even to this may change of soul refer,

And with light armour we may learn to bear,)

Have taught me a strange quiet, which was not

The chief companion of a calmer lot.

"I feel almost at times as I have felt

In happy childhood; trees, and flowers, and brooks,

Which do remember me of where I dwelt

Ere my young mind was sacrificed to books,

Come as of yore upon me, and can melt

My heart with recognition of their looks;

And even at moments I could think I see

Some living thing to love--but none like thee.

"Here are the Alpine landscapes which create

A fund for contemplation;--to admire

Is a brief feeling of a trivial date;

But something worthier do such scenes inspire:

Here to be lonely is not desolate,

For much I view which I could most desire,

And, above all, a lake I can behold

Lovelier, not dearer, than our own of old.

"Oh that thou wert but with me!--but I grow

The fool of my own wishes, and forget

The solitude which I have vaunted so

Has lost its praise in this but one regret;

There may be others which I less may show;--

I am not of the plaintive mood, and yet

I feel an ebb in my philosophy,

And the tide rising in my alter'd eye.

"I did remind thee of our own dear lake[126],

By the old hall which may be mine no more.

Leman's is fair; but think not I forsake

The sweet remembrance of a dearer shore:

Sad havoc Time must with my memory make

Ere _that_ or _thou_ can fade these eyes before;

Though, like all things which I have loved, they are

Resign'd for ever, or divided far.

"The world is all before me; I but ask

Of nature that with which she will comply--

It is but in her summer's sun to bask,

To mingle with the quiet of her sky,

To see her gentle face without a mask,

And never gaze on it with apathy.

She was my early friend, and now shall be

My sister--till I look again on thee.

"I can reduce all feelings but this one;

And that I would not;--for at length I see

Such scenes as those wherein my life begun.

The earliest--even the only paths for me--

Had I but sooner learnt the crowd to shun,

I had been better than I now can be;

The passions which have torn me would have slept;

_I_ had not suffer'd, and _thou_ hadst not wept.

"With false ambition what had I to do?

Little with love, and least of all with fame;

And yet they came unsought, and with me grew,

And made me all which they can make--a name.

Yet this was not the end I did pursue;

Surely I once beheld a nobler aim.

But all is over--I am one the more

To baffled millions which have gone before.

"And for the future, this world's future may

From me demand but little of my care;

I have outlived myself by many a day;

Having survived so many things that were;

My years have been no slumber, but the prey

Of ceaseless vigils; for I had the share

Of life which might have fill'd a century,

Before its fourth in time had pass'd me by.

"And for the remnant which may be to come

I am content; and for the past I feel

Not thankless,--for within the crowded sum

Of struggles, happiness at times would steal,

And for the present, I would not benumb

My feelings farther.--Nor shall I conceal

That with all this I still can look around

And worship Nature with a thought profound.

"For thee, my own sweet sister, in thy heart

I know myself secure, as thou in mine:

We were and are--I am, even as thou art--

Beings who ne'er each other can resign;

It is the same, together or apart,

From life's commencement to its slow decline

We are entwined--let death come slow or fast,

The tie which bound the first endures the last!"

[Footnote 125: "Admiral Byron was remarkable for never making a voyage

without a tempest. He was known to the sailors by the facetious name of

'Foul-weather Jack.'

"But, though it were tempest-tost,

Still his bark could not be lost.

He returned safely from the wreck of the Wager (in Anson's Voyage), and

subsequently circumnavigated the world, many years after, as commander

of a similar expedition."]

[Footnote 126: The lake of Newstead Abbey.]

* * * * *

In the month of August, Mr. M.G. Lewis arrived to pass some time with

him; and he was soon after visited by Mr. Richard Sharpe, of whom he

makes such honourable mention in the Journal already given, and with

whom, as I have heard this gentleman say, it now gave him evident

pleasure to converse about their common friends in England. Among those

who appeared to have left the strongest impressions of interest and

admiration on his mind was (as easily will be believed by all who know

this distinguished person) Sir James Mackintosh.

Soon after the arrival of his friends, Mr. Hobhouse and Mr. S. Davies,

he set out, as we have seen, with the former on a tour through the

Bernese Alps,--after accomplishing which journey, about the beginning of

October he took his departure, accompanied by the same gentleman, for

Italy.

The first letter of the following series was, it will be seen, written a

few days before he left Diodati.

Life of Lord Byron, Vol. 3 With His Letters and Journals · 第 136 / 165 题