On another occasion I was out shooting in a desolate place in Michigan.

I was accompanied by my friend, A. K. Merritt, now Registrar of Yale

College, who will vouch for the truth of the story. Dusk was falling;

there was no wind. We had wandered into a scene of stagnant desolation.

Dead trees had fallen in rotten ruin across the trail, and the swampy

pools were covered with a green mantle of decay. Merritt was walking in

front and I close behind him. The gloom and depression of the scene in

the deepening dusk had affected our spirits, so that we had not spoken

for some time. Suddenly I thought of the scenery of Browning’s poem,

_Childe Roland_. The lines of that masterpiece of horror would well

describe this place, I thought; and I began to repeat them in my mind

without saying a word aloud. Then methought there was only one thing

needed to make the picture complete. That was the horrible horse, which

in the poem stood alone and sinister in the gathering night. If that

horse were here, I said to myself, this would indeed be the veritable

country of Childe Roland. Something impelled me to look behind my back,

and, to my unutterable surprise and horror, I found myself looking

directly into the eyes of a forlorn old horse. I let out a yell of

sheer uncontrollable terror.

Merritt was as startled by the yell as I had been by its cause. I asked

him if the horse was really there. It was bad to have him there, but

worse if he were not. Merritt reassured me on that point.

I suppose the poor old horse had been pensioned off by some farmer, and

had silently followed us on the spongy ground, either because he was

lonesome or because he wanted salt. But he gave me the shock of my life.

I have thought much about it since, and I am unable to determine

whether the appearance of the horse at the precise moment when I was

thinking of him was a coincidence--or was I all the time subconsciously

aware of his presence? That is to say, did the nearness of the

horse, even though I had no conscious knowledge of it, suggest to my

subconscious mind the lines from the poem? I wish I knew.

XLII

TRIAL BY JURY

When I was an undergraduate at Yale, we were fortunate in having as one

of our professors Edward John Phelps, who was unexpectedly appointed

minister to England by Grover Cleveland, and who, after making a fine

impression at the Court of _St. James_--do you know why it is called

that?--returned to his professorship. He was fond of making general

statements, not only concerned with his specialty, the law, but on

anything that rose to the surface of his mind; so that to take his

course was in itself a liberal education.

I well remember his beginning one lecture by saying emphatically,

“Trial by jury is a good thing which has outlived its usefulness.”

I believe that when he made that statement, he spoke the truth. If

it was true then, it is certainly true now; nothing has happened

since to improve the situation, or to make jury trials fairer or

less expensive to the state. In America, we have two pieces of

obsolete machinery--the electoral college and trial by jury. When I

began university teaching, one of my freshman pupils made the only

interesting contribution to the workings of the electoral college

that I have ever seen. I gave out as a theme subject, “The Electoral

College,” and the first theme handed in opened with this sentence--“I

do not believe in the Electoral College.” Well, neither did I, so

thus far I agreed with my pupil; I read the next sentence to get

his reasons; it was the next sentence that contained the original

contribution to the subject, “The trouble is,” wrote the freshman,

“that in the Electoral College everybody chooses snap courses.”

Now the original idea on which the scheme of trial by jury was founded

was as good as human ingenuity could devise. Any person accused of

anything involving legal punishment was to be tried by a jury of his

peers--twelve average, common-sensible, fair-minded men, who, after

hearing all the evidence and the pleas of the lawyers, would bring in

a verdict, which presumably would be in accordance with the facts, and

therefore just. But in the course of time, although human nature has

not changed, circumstances have, and it is difficult to avoid today the

conclusion that the chief qualification for a member of a jury is that

he should not be fit to serve. Unfitness is the only fitness. Anyone

who has an opinion is barred; in order therefore for one to be eligible

he must be one who knows little of the world in which he lives and

who is curiously insensitive to what everybody is talking about. In a

recent editorial in the _New Haven Journal-Courier_, the point is well

made.

An intelligent man even with prejudice would appear to be a better

person to entrust the decision of life or death with, after the

presentation of the evidence and the interpretation of it by

counsel and the judge’s charge, than an ignorant person who knows

too little of current life to form any opinions whatever upon any

subject.

Furthermore, it frequently happens that after a trial lasting for

months the jury disagree, making another trial necessary, and involving

an enormous waste of public money. There ought to be some better way of

reaching a decision.

Then the very fact that the members of a jury are apt to be below

rather than above the average person in intelligence, makes them

particularly susceptible to emotional response when skilfully handled

by a clever criminal lawyer. Only a short time ago a jealous woman

deliberately murdered her husband and the woman she suspected,

although neither then nor at any time were they caught in a

compromising situation; at the trial the evidence certainly looked

black because it was all against the murderess. She was, however, an

attractive physical specimen. Her lawyer stood her up in front of the

jury, put his arm around her, and defiantly asked the jury if they

were going to put to death this beautiful woman whose only offence was

that she was a defender of the ideals of the home, American ideals.

Should she, who stood so nobly and resolutely for family purity, be

slaughtered? The jury acquitted her.

Furthermore, jury verdicts, instead of being in accordance with the

evidence and with the law, are often determined by local sentiment.

I remember two events in America at the same time, only in widely

separated parts of our country. In the first instance, a husband who

had for some time suspected his wife, happened to stumble upon the

unmistakable proof of guilt; in a transport of rage, he killed his man.

He was convicted of murder in the first degree, but the death sentence

was commuted to imprisonment for life. He is in prison now. In the

second instance, a husband hearing that his wife had gone to a hotel

with another man, deliberately armed himself, went thither and killed

both. The local jury instantly acquitted him, and he was a popular hero.

I do not believe in capital punishment, and should like to see it

abolished. But its sole merit, acting as a deterrent to crime, can be

realised only in a country like England, where trials are conducted

with absolute formality, where a decision is speedily reached, and

where the verdict of guilty is speedily followed by execution. In the

United States the murderer is too often a romantic hero, and has a long

career as a great actor, whether or not he is convicted.

It seems to me that the best judges of any case are those who by

education and training are best qualified to judge. It is significant

that in Connecticut the prisoner may now choose to be tried by three

professional judges rather than by twelve incompetent men. In a recent

famous instance the prisoner did make that choice.

Too often a public trial by jury becomes a public scandal; of greater

harm to the community and to the state than the crime of which the

prisoner is accused.

Mark Twain said: “We have a criminal jury system which is superior to

any in the world; and its efficiency is only marred by the difficulty

of finding twelve men every day who don’t know anything and can’t

read.”

XLIII

ATHLETICS

The whole world, with the exception of India, China, Siberia and

a few other countries, has gone wild over athletics. Although new

stadiums and amphitheatres are in process of construction everywhere,

it is impossible to accommodate the crowds. Millions of people have

apparently the money and the time to devote to these spectacular

contests, and many more millions “listen in” on the radio. In England

last June Wimbledon was not half large enough to hold the frantic crowd

that wished to see the tennis matches; the same is true of France.

At a recent wrestling contest in Austria, after all the seats were

taken, the gates were broken down by the mob of spectators who wished

to enter; about 150,000 people saw a prize fight in Chicago and it is

significant of the times that the only vacant seats were the cheapest.

Every newspaper devotes an immense amount of space to sporting news;

and all the leading daily journals employ a highly paid staff of

experts on sports, who keep the public agog with excitement before

every contest and who endeavour to satisfy its curiosity after the

battle is over.

Now there are some pessimistic philosophers who look upon all this

athletic fever as a sign of degeneration, as evidence of the coming

eclipse of civilisation. They point out that during the decay of the

Roman Empire there was a universal excitement over sports, and they

draw the inference that European and American civilisation is headed

toward disaster.

No one can read the future, although innumerable fakers are paid for

doing so. But it is at least possible that the ever-growing interest

in athletics, instead of being a sign of degeneration, is in reality

one more proof of the gradual domination of the world by Anglo-Saxon

language, customs and ideas.

Extreme interest in athletics, though it cannot be defended on strictly

rational grounds, is not necessarily accompanied by a lack or loss of

interest in intellectual matters. If one had to name the place and the

time when civilisation reached its climax, one might well name Athens

in the fifth century before Christ. If one compares Athenian public

interest in the tragedies of Sophocles with New York public interest

in musical comedy, the contrast is not flattering to American pride.

Yet that intellectual fervour in Athens was accompanied by a tremendous

interest in track athletics. Every Greek city was a separate state;

their only bond of union was the track meet held every four years and

called the Olympic Games, to which the flower of youth from every Greek

town contributed; and the winner of each event--a simon-pure amateur,

receiving as prize only a laurel wreath--was a hero for at least four

years.

From the strictly rational point of view it is impossible to defend or

even to explain the universal ardour over athletics, but it is best to

regard it as a fact, and then see what its causes are.

The majority of Anglo-Saxons have always had sporting blood, and the

Latin races are now being infused with it. I well remember a train

journey near Chicago during the darkest days of the World War. We

were all awaiting the newspapers. Suddenly a newsboy entered and we

bought eagerly. The man sitting next to me was a clergyman in Episcopal

uniform. He looked not at the front part of the paper, but turned

feverishly to the sporting page, which he read carefully. When I called

on the Very Reverend Dean of Rochester Cathedral, in England, Dean

Hole, I was shown into a room containing several thousand books. I

glanced over these and all I saw dealt exclusively with sport.

Many excellent men without sporting blood have protested against the

domination of athletics. The famous English novelist, Wilkie Collins,

published a novel, _Man and Wife_, which was a protest against the

British love of sports, in which both athletes and the public were

ridiculed. Why should thousands pay money to see two men run a race?

What difference did it make to civilisation which man won?

Yet, although it is easy to overdo excitement about athletics, the

growing interest in sport which has been so characteristic of France,

Germany and Italy during the last ten years is a good thing for the

youth of these countries and for their national and international

temper.

Years ago, the space occupied in England and in America by fields

devoted to various outdoor sports was in Germany and France used for

public gardens, where people sat and drank liquor while listening to

a band or watching some vaudeville. When I first travelled on the

Continent, I found only one tennis court and that was at Baden-Baden.

Today one finds everywhere in France and Germany tennis courts, golf

links and football fields.

It is surely not a change for the worse that a German student who used

to test his physical endurance by the number of quarts of beer he could

drink at a sitting tests it today in tennis, rowing and football, and

that the French students with silky beards, who used to strain their

eyes looking at women, now, clean-shaven and alert, are looking at the

tennis ball.

It is, of course, irrational to take an eager interest in a prize

fight, but if you have sporting blood you cannot help it. My father was

an orthodox Baptist minister. As I had never heard him mention prize

fighting, I supposed he took no interest in it.

But the day after a famous battle, as I was reading aloud the newspaper

to him, I simply read the headline, “Corbett Defeats Sullivan,” and was

about to pass on to something important when my father leaned forward

and said earnestly, “Read it by rounds.”

XLIV

A PRIVATE LIBRARY ALL YOUR OWN

A borrowed book is like a guest in the house; it must be treated with

punctiliousness, with a certain considerate formality. You must see

that it sustains no damage; it must not suffer while under your roof.

You cannot leave it carelessly, you cannot mark it, you cannot turn

down the pages, you cannot use it familiarly. And then, some day,

although this is seldom done, you really ought to return it.

But your own books belong to you; you treat them with that affectionate

intimacy that annihilates formality. Books are for use, not for show;

you should own no book that you are afraid to mark up, or afraid to

place on the table, wide open and face down. A good reason for marking

favourite passages in books is that this practice enables you to

remember more easily the significant sayings, to refer to them quickly,

and then in later years, it is like visiting a forest where you once

blazed a trail. You have the pleasure of going over the old ground, and

recalling both the intellectual scenery and your own earlier self.

Everyone should begin collecting a private library in youth; the

instinct of private property, which is fundamental in human beings, can

here be cultivated with every advantage and no evils. One should have

one’s own bookshelves, which should not have doors, glass windows, or

keys; they should be free and accessible to the hand as well as to the

eye. The best of mural decorations is books; they are more varied in

colour and appearance than any wall-paper, they are more attractive

in design, and they have the prime advantage of being separate

personalities, so that if you sit alone in the room in the firelight,

you are surrounded with intimate friends. The knowledge that they are

there in plain view is both stimulating and refreshing. You do not have

to read them all. Most of my indoor life is spent in a room containing

six thousand books; and I have a stock answer to the invariable

question that comes from strangers. “Have you read all of these books?”

“Some of them twice.” This reply is both true and unexpected.

There are of course no friends like living, breathing, corporeal men

and women; my devotion to reading has never made me a recluse. How

could it? Books are of the people, by the people, for the people.

Literature is the immortal part of history; it is the best and most

enduring part of personality. But book-friends have this advantage over

living friends; you can enjoy the most truly aristocratic society in

the world whenever you want it. The great dead are beyond our physical

reach, and the great living are usually almost as inaccessible; as for

our personal friends and acquaintances, you cannot always see them.

Perchance they are asleep, or away on a journey. But in a private

library, you can at any moment converse with Socrates or Shakespeare or

Carlyle or Dumas or Dickens or Shaw or Barrie or Galsworthy. And there

is no doubt that in these books you see these men at their best. They

wrote for YOU. They “laid themselves out,” they did their ultimate best

to entertain you, to make a favourable impression. You are necessary to

them as an audience is to an actor; only instead of seeing them masked,

you look into their inmost heart of heart. The “real Charles Dickens”

is in his novels, not in his dressing-room.

Everyone should have a few reference books, carefully selected, and

within reach. I have a few that I can lay my hands on without leaving

my chair; this is not because I am lazy, but because I am busy.

One should own an Authorised Version of the Bible in big type, a good

one-volume dictionary, the one-volume _Index and Epitome_ to the

_Dictionary of National Biography_, a one-volume History of England

and another of the United States, Ryland’s _Chronological Outlines of

English Literature_, Whitcomb’s _Chronological Outlines of American

Literature_, and other works of reference according to one’s special

tastes and pursuits. These reference books should be, so far as

possible, up to date.

The works of poets, dramatists, novelists, essayists, historians,

should be selected with care, and should grow in number in one’s

private library from the dawn of youth to the day of death.

First editions are an expensive luxury, but are more interesting to

the average mind than luxurious bindings. When you hold in your hand

a first edition of the seventeenth century, you are reading that

book in its proper time-setting; you are reading it as the author’s

contemporaries read it; maybe your copy was handled by the author

himself. Furthermore, unless you have paid too much for it, it is

usually a good investment; it increases in value more rapidly than

stocks and shares, and you have the advantage of using it. It is great

fun to search book-catalogues with an eye to bargains; it is exciting

to attend an auction sale.

But of course most of us must be content to buy standard authors,

living and dead, in modern editions. Three qualities are well to bear

in mind. In getting any book, get the complete edition of that book;

not a clipped, or condensed, or improved or paraphrased version.

Second, always get books in black, clear, readable type. When you are

young, you don’t mind; youth has the eyes of eagles. But later, you

refuse to submit to the effort--often amounting to pain--involved

in reading small type, and lines set too close together. Third, get

volumes that are light in weight. It is almost always possible to

secure this inestimable blessing in standard authors. Some books are so

heavy that to read them is primarily a gymnastic, rather than mental

exercise; and if you travel, and wish to carry them in your bag or

trunk, they are an intolerable burden. Refuse to submit to this. There

was a time when I could tell, merely by “hefting” it, whether a book

had been printed in England or in America; but American publishers have

grown in grace, and today many American books are easy to hold.

Some books must be bought in double column; but avoid this wherever

possible, and buy such books only when economy makes it necessary

to have the complete works of the author in one volume. A one-volume

Shakespeare is almost a necessity; but it should be used for reference,

as we use a dictionary, never for reading. Get Shakespeare in separate

volumes, one play at a time. It is better to have some of an author’s

works in attractive form, than to have them complete in a cumbrous or

ugly shape.

Remember that for the price of one ticket to an ephemeral

entertainment, you can secure a book that will give strength and

pleasure to your mind all your life. Thus I close by saying two words

to boys and girls, men and women: BUY BOOKS.

XLV

THE GREATEST COMMON DIVISOR

Some distinguished novelists are like lofty peaks. Few ascend them

and those who do breathe rarefied air. There are writers whose fame

is apparently secure who have never had many readers, and there are

writers who have an enormous public and no fame. George Meredith and

Henry James were men of genius, and there will always be enough people

of taste to save some of their books from oblivion; but neither of

these authors made much money. Both Meredith and James would have liked

to have a million readers; perhaps it is to their credit that they made

no compromises to increase the sales of their works, perhaps they could

not have succeeded in such an undertaking had they tried.

While in the long run it is popularity that determines a writer’s

fame--not only Shakespeare, but every first rate English poet has today

many thousands of readers--there are also “trashy” books which sell

like gasolene, and there are trashy books which do not sell at all.

It is a comforting thought that the majority of trashy books have a

smaller sale than masterpieces, and that the best book ever written has

had, has, and will have the largest sale of all.

It won’t do to prefer posterity to popularity; posterity is more cruel

to the average writer than are his contemporaries. Shakespeare was the

most popular Elizabethan dramatist; Ben Jonson, the foremost press

agent of his time, said that his friend Shakespeare had surpassed all

the writers of Greece and Rome, which was exactly what John Dryden,

the foremost press agent of his time, said of his contemporary,

Milton. Gray’s _Elegy_, Byron’s _Childe Harold_, Tennyson’s _In

Memoriam_, Kipling’s _Recessional_, were popular two weeks after their

publication, and they are popular now. In the long run the best books

have the largest sales.

In every age, however, there are certain novelists of prodigious vogue,

whose works nevertheless are to readers of good taste negligible.

The common people read them gladly and the Scribes and Pharisees

regard them with scorn. When our high school teachers and junior

college professors wish to relieve their systems of accumulated bile,

they pour out before their sceptical pupils bitter denunciations of

Harold Bell Wright, the late Gene Stratton Porter and Zane Grey.

They try to persuade their flocks that the books by these writers are

not interesting; but the flocks know that they are, and instead of

despising these novelists, they lose confidence in their instructors.

Far be it from me to pretend that Mr. Wright and Mr. Grey are literary

artists, or to enter the lists as a champion of their works. What I

have read of them has not left me with an insatiable appetite for

more. But here is a fact of interest to students of books and of human

nature--of the “works” of Porter and of Wright over nine million copies

have been sold, and as we rate five readers to every copy, each of

these two worthies has an audience of forty-five million readers. What

does this mean? Many will say it means that the public loves trash. I

don’t believe it; the majority of books are trash, and the majority of

books do not sell. Some critics and some unsuccessful writers say that

they could write just the same sort of thing if they would stoop to it;

I don’t believe it. The financial rewards of popularity are so great

that many writers would produce tales of adventure if they were sure of

a million readers.

It is possible that boys and girls read these books because of their

good qualities rather than because of their defects. Why is it that

these authors are Greatest Common Divisors? Why do they make the

largest appeal to the largest number of people?

Essays on things · 第 10 / 12 段