FAREWELL.
“Fair wert thou in the dreams
Of early life, thou land of glorious flowers,
And summer winds, and low-toned silvery streams,
Dim with the shadow of thy laurel bowers.
“Fair wert thou, with the light
On thy blue hills and sleepy waters cast
From purple skies, soft deepening into night,
Yet slow as if each moment was their last
Of glory waning fast!”—_Hemans._
The sun was rising in cloudless splendour, on the morning on which Mark
Sutherland paused upon an eminence, to throw a farewell glance over the
beautiful scenes of his childhood and youth—the fair valley of the
Pearl. East lay the dark boundary of the pine forest, pierced by the
golden, arrow-like rays of the level sun, or casting long, spear-like
shadows athwart the green alluvion—south and west, belts of forest
alternated with gaudy cotton-fields, and rolling green hills,
interspersed with graceful groves, until in softly-blended hues they met
the distant horizon. From this beautifully-variegated circumference, his
eye returned to gaze upon the centre of the scene—the Pearl—the lovely
river which took its name from the semi-transparent hues of clouded
saffron, rose, and azure, that seemed not only caught from the glorious
sky above, and the gorgeous hills, and fields, and grove, around, but
flashed up from the deep channel of the stream, as if its clear waters
flowed through a bed of opal.
At some distance below him, encircled by a bend of the river, lay—like
some rich mosaic on the bosom of the vale—“Cashmere,” the almost
Oriental scene of his youthful love-dream. There was the pebbly beach,
with its miniature piers and fairy boats—the lawn, with its flowering
and fragrant groves, its crystal founts, its shaded walks and vine-clad
arbours; and, nearer the house, the rose terrace, with its millions of
odoriferous budding and blooming roses, surrounding as within a crimson
glow, that white villa and its colonnade of light Ionic shafts. At this
distance, he could see distinctly the bay window, with its purple
curtains, of India’s boudoir; and, at its sight, the image of the
beautiful India arose before him. Again he saw her in that poetic
harmony of form and colouring that had so ravished his artist soul—the
slender, yet well-rounded figure—the warm, bright countenance, with its
amber-hued ringlets, and clear olive complexion deepening into crimson
upon cheeks and lips—a beauty in which there was no strong contrast, but
all rich harmony—a form that he once had fondly thought clothed a soul
as harmonious as beautiful. They were lost! all lost—home, and bride,
and lovely dreams of youth! Do not despise him, or blame him, when I
tell you, in the touching words of Scripture, “that he lifted up his
voice and wept.” He was but twenty-one, and this was the first
despairing passionate sorrow of his youth.
It is very easy to talk and write of the “rewards of virtue,” the
comfort of a good conscience, the delights of duty. Alas! I am afraid
the delights of duty are seldom believed in, and seldomer experienced.
Be sure, when a great sacrifice of interest, of affection, of hope, is
made, and a great sorrow is felt—nothing—_nothing_ but a loving,
Christian faith can console.
And Mark Sutherland was not a Christian man.
Here, then, even a philanthropist might reasonably inquire _why_ all
this was done? _Why_ a youth, born and brought up a slaveholder, should,
against preconceived ideas, against prudence, against self-interest,
against hope, with doubtful good even to the beneficiaries of his
self-devotion, beggar himself for the sake of their emancipation? Why
he, being no Christian, should make such an immense sacrifice of wealth,
position, affection, hope—in short, of all temporal and earthly
interests?
We are all able to answer, that, had a scientific phrenologist examined
the moral organs of Mark Sutherland’s head, he would have found his
answer in the predominant CONSCIENTIOUSNESS. It was, therefore, only a
severe sense of justice that laid its iron hand upon him, obliging him
to do as he had done—a single sense of justice, such as might have
influenced the actions of a Pagan or an Atheist—a hard, stern sense of
justice, without faith, hope, or love—an uncompromising sense of
justice, without self-flattery, promise, or comfort.
He is not as yet a Christian, but he may become one, he must become one,
for no great sacrifice was ever made to duty, without Christ claiming
that redeemed soul as his own.
After all, perhaps, there is but one sin and sorrow in the
world—IDOLATRY—and all forms of evil are compromised within it. It
includes all shades of sin, from the lightest error that clouds the
conscience, to the darkest crime that brings endless night upon the
soul; and all degrees of suffering, from the discontent that disturbs
the passing hour, to the anguish and despair that overwhelms and
swallows up all the hopes of life. We are all idolaters. Some
god-passion of the heart is ever the deity we worship. Ambition,
avarice, love—“the world, the flesh, or the devil,” in some form, is
always the idol. Perhaps, love; the first, the most disinterested,
self-devoted, of all the forms of idolatry, comes nearest to the true
worship. But it is not the true worship—by all the anguish that it
brings, it is not the true worship.
Oh! if but for a moment we could raise our souls to God, in the
self-surrender wherewith, in passionate devotion, we throw our hearts
beneath the feet of some weak and perishable form of clay—_that_ were
conversion—that were regeneration—that were a great deliverance—that
were eternal life, and full of joy!
And are there not moments when we catch a glimpse of such a possibility?
when brain and heart stand still, thoughtless, breathless? when life
itself pauses in the transient revelation of such unsufferable light?
And we know that some have entered in and lived this light all the days
of their lives. To many of us, alas! and in most of our moods, they seem
to live in an unknown world—to speak in an unknown tongue.
Who of us has not occasionally experienced these thoughts and emotions,
in reading and meditating on the lives and characters of Christians of
_any name_?—it matters little what; for there is a unity of spirit in
all regenerated children of God, of every nation, rank, or _sect_.
Fenelon and George Whitefield—the Frenchman and the Briton—the mitred
archbishop and the poor field preacher—the Roman Catholic and the
Methodist, dwelt in the same light, spoke the same language, because
both were one in spirit. What if through the medium of each separate
brain, the theology look different? The heart is greater than the brain;
or, in other words, the affections are higher than the intellect. “Out
of the _heart_ are the issues of life;” and “_this_ is life eternal,
that we should know the true God, and Jesus Christ whom he hath sent.”
With their hearts, their affections, they discerned Him. And in love
they were one with each other, and one with Christ and God. And who, in
communing with their fervent souls—in meditating on their perfect faith
and love—perfect devotion to God, has not been startled by some such
light as this let in upon the mind?—“Why, if this unfailing love—this
unwavering faith—this unreserved devotion—this total self-surrender—be
the worship we owe to our Creator, then have we been idolaters; for all
this instinct and power, and _necessity_ of loving, sacrificing, and
worshipping has been ours, and has been lavished, wasted, only on the
creature.”
Akin to this was the feeling that impelled the dying Wolsey to exclaim,
“Had I but served God as diligently as I have served the king, He would
not have given me over in my grey hairs.”
And as Mark Sutherland stood gazing in bitterness of spirit upon the
beautiful scene of his love and joy, the maddening scene of his trial
and suffering, these words escaped from his bursting heart: “Oh, God! if
I had worshipped thee as I worshipped _her_, Thy beautiful work, I had
not been now alone—alone in my sorrow.”
It was the sincere, earnest cry of a stricken, penitent, suffering
heart.
It was answered then and there. Around him fell an influence sober and
more genial than sunshine—more refreshing than dew—a spiritual
influence, warming, renewing, supporting—a Divine influence, kindling
and strengthening the soul within him.
The Comforter had come, and was acknowledged. With uncovered head, and
uplifted heart, then and there Mark Sutherland consecrated his life to
the service of God, and His work on earth.
From the beautiful vale he turned, and, inspired by new strength and
courage, put spurs to his horse, and galloped rapidly on towards the
road leading to the town of C——, where, six weeks since, he had parted
with Lauderdale. He reached C—— in time for an early breakfast. Here—not
wishing to leave his family in ignorance of his fate, and by his
departure thus to cut down the bridge of communication between them and
himself—he addressed a letter to his bachelor uncle, Paul Sutherland,
informing him that his destination was some north-western town, whence,
as soon as he should become settled, he should write. He gave this
letter in charge of the landlord, to be forwarded as soon as his uncle
should return from the North. He then mounted his horse, and took the
road to Natchez, whence he intended to embark in a steamboat up the
Mississippi. He reached the city by nightfall, and found his baggage,
sent by the stage-coach, had arrived in safety. He took the boat that
passed that night; and the next morning he found himself many miles on
his way up the river.
“The world was all before him, where to choose
His place of rest, and Providence his guide.”
And to a young, adventurous, hopeful spirit, this uncertainty, joined to
liberty, was not without its peculiar charm. During the greater part of
the day he remained on deck, with a spy-glass in his hand, examining the
face of the country on either side of the river. The lawns and villages
on the Lower Mississippi did not attract him in the least degree. Their
situations were low—their beach sluggishly washed by the thick and murky
water—their thoroughfare wet and muddy—their general aspect unwholesome
to the last degree.
But, farther up the river, and above the mouth of the Ohio, the country
and the colour of the water began to change. High bluffs, gray old
rocks, and gigantic woods, diversified the shores—crystal creeks and
verdant islets varied the river. He approached the fine “Rock River
country.”
Beautiful as a poetic vision of Elysium, had seemed the luxurious valley
of the Pearl.
But this gigantic scene—Rock River, Rock Island, with the opposite
shores of the Mississippi, widening here into a lake-like expanse—had a
breadth of grandeur, a Titanic vigour and vitality of beauty, the most
consonant, the most imposing and encouraging, to his own young energetic
spirit.
The boat stopped opposite the village of S——, just as the morning mist
was rolling away before the sun, and revealing the scene in all its
picturesque beauty, and fresh life. The young city was but two years
old—yet, infant of the Titaness West, it was growing and thriving most
vigorously. Here, then, Mark Sutherland determined to take up his
abode—here to live and labour. He ordered his baggage into the boat, and
stepped in after it, and was swiftly rowed to the shore. Here, too, in
order to begin aright and betimes, he shouldered his own trunk, while a
porter followed with his box of books, and wended his way to the hotel
on the hill.