Another rib afford, yet loss of thee

Would never from my heart.’”

No substitute, however exquisitely formed, will fill the void left by

the original. The second beauty may be equal or superior to the first;

but still it is not she.

The reasons which Mr. Croker has given for incorporating passages from

Sir John Hawkins and Mrs. Thrale with the narrative of Boswell would

vindicate the adulteration of half the classical works in the language.

If Pepys’s Diary and Mrs. Hutchinson’s Memoirs had been published a

hundred years ago, no human being can doubt that Mr. Hume would have

made great use of those books in his History of England. But would it,

on that account, be judicious in a writer of our times to publish an

edition of Hume’s History of England, in which large extracts from

Pepys and Mrs. Hutchinson should be incorporated with the original text?

Surely not. Hume’s history, be its faults what they may, is now one

great entire work, the production of one vigorous mind, working on such

materials as were within its reach. Additions made by another hand may

supply a particular deficiency, but would grievously injure the general

effect. With Boswell’s book the case is stronger. There is scarcely,

in the whole compass of literature, a book which bears interpolation so

ill. We know no production of the human mind which has so much of what

may be called the race, so much of the peculiar flavour of the soil from

which it sprang. The work could never have been written if the writer

had not been precisely what he was. His character is displayed in every

page, and {391}this display of character gives a delightful interest to

many passages which have no other interest.

The Life of Johnson is assuredly a great, a very great work. Homer is

not more decidedly the first of heroic poets, Shakspeare is not more

decidedly the first of dramatists, Demosthenes is not more decidedly the

first of orators, than Boswell is the first of biographers. He has no

second. He has distanced all his competitors so decided that it is not

worth while to place them. Eclipse r first, and the rest nowhere.

We are not sure that there is in the whole history of the human

intellect so strange a phænomenon as this book. Many of the greatest men

that ever lived have written biography. Boswell was one of the smallest

men that ever lived, and he has beaten them all. He was, if we are to

give any credit to his own account or to the united testimony of all who

knew him, a man of the meanest and feeblest intellect. Johnson described

him as a fellow who had missed his only chance of immortality by not

having been alive when the Dunciad was written. Beauclerk used his name

as a proverbial expression for a bore. He was the laughing stock of the

whole of that brilliant society which has owed to him the greater part

of its fame. He was always laying himself at the feet of some eminent

man, and begging to be spit upon and trampled upon. He was always

earning some ridiculous nickname, and then “binding it as a crown unto

him,” not merely in metaphor, but literally. He exhibited himself, at

the Shakspeare Jubilee, to all the crowd which filled Stratford-on-won,

with a placard round his hat bearing the inscription of Corsica Boswell.

In his Tour, he proclaimed to all the world that at Edinburgh he was

known by the appellation of {392}Paoli Boswell. Servile and impertinent

shallow and pedantic, a bigot and a sot, bloated with family pride, and

eternally blustering about the dignity of a born gentleman, yet stooping

to be a talebearer, an eavesdropper, a common butt in the taverns of

London, so curious to know every body who was talked about, that, Tory

and high Churchman as he was, he manoeuvred, we have been told, for an

introduction to Tom Paine, so vain of the most childish distinctions,

that when he had been to court, he drove to the office where his

book was printing without changing his clothes, and summoned all the

printer’s devils to admire his new ruffles and sword; such was this man,

and such he was contented and proud to be. Every thing which another man

would have hidden, every thing the publication of which would have made

another man hang himself, was matter of gay and clamorous exultation

to his weak and diseased mind. What silly things he said, what bitter

retorts he provoked, how at one place he was troubled with evil

presentiments which came to nothing, how at another place, on waking

from a drunken doze, he read the prayerbook and took a hair of the

dog that had bitten him, how he went to see men hanged and came away

maudlin, how he added five hundred pounds to the fortune of one of his

babies because she was not scared at Johnson’s ugly face, how he was

frightened out of his wits at sea, and how the sailors quieted him as

they would have quieted a child, how tipsy he was at Lady Cork’s one

evening and how much his merriment annoyed the ladies, how impertinent

he was to the Duchess of Argyle and with what stately contempt she put

down his impertinence, how Colonel Macleod sneered to his face at

his impudent obtrusiveness, how his father and the very wife of his

{393}bosom laughed and fretted at his fooleries; all these things he

proclaimed to all the world, as if they had been subjects for pride

and ostentations rejoicing. All the caprices of his temper, all the

illusions of his vanity, all his hypochondriac whimsies, all his castles

in the air, he displayed with a cool self-complacency, a perfect

unconsciousness that he was making a fool of himself, to which it is

impossible to find a parallel in the whole history of mankind. He

has used many people ill; but assuredly he has used nobody so ill as

himself.

That such a man should have written one of the best books in the world

is strange enough. But this is not all. Many persons who have conducted

themselves foolishly in active life, and whose conversation has

indicated no superior powers of mind, have left us valuable works.

Goldsmith was very justly described by one of his contemporaries as an

inspired idiot, and by another as a being

“Who wrote like an angel, and talked like poor Poll."

La Fontaine was in society a mere simpleton. His blunders would not come

in amiss among the stories of Hierocles. But these men attained literary

eminence in spite of their weaknesses. Boswell attained it by reason

of his weaknesses. If he had not been a great fool, he would never have

been a great writer. Without all the qualities which made him the jest

and the torment of those among whom he lived, without the officiousness,

the inquisitiveness, the effrontery, the toadeating, the insensibility

to all reproof, he never could have produced so excellent a book. He

was a slave, proud of his servitude, a Paul Pry, convinced that his

own curiosity and garrulity were virtues, an unsafe companion who

never scrupled to repay the most {394}liberal hospitality by the basest

violation of confidence, a man without delicacy, without shame, without

sense enough to know when he was hurting the feelings of others or when

he was exposing himself to derision; and because he was all this, he

has, in an important department of literature, immeasurably surpassed

such writers as Tacitus, Clarendon, Alfieri, and his own idol Johnson.

Of the talents which ordinarily raise men to eminence as writers,

Boswell had absolutely none. There is not in all his books a single

remark of his own on literature, politics, religion, or society, which

is not either commonplace or absurd. His dissertations on hereditary

gentility, on the slave-trade, and on the entailing of landed estates,

may serve as examples. To say that these passages are sophistical would

be to pay them an extravagant compliment. They have no pretence to

argument, or even to meaning. He has reported innumerable observations

made by himself in the course of conversation. Of those observations we

do not remember one which is above the intellectual capacity of a boy of

fifteen. He has printed many of his own letters, and in these letters he

is always ranting or twaddling. Logic, eloquence, wit, taste, all those

things which are generally considered as making a book valuable, were

utterly wanting to him. He had, indeed, a quick observation and a

retentive memory. These qualities, if he had been a man of sense

and virtue, would scarcely of themselves have sufficed to make him

conspicuous; but, because he was a dunce, a parasite, and a coxcomb,

they have made him immortal.

Those parts of his book which, considered abstractedly, are most utterly

worthless, are delightful when we read them as illustrations of

the character of the {395}writer. Bad in themselves, they are good

dramatically, like the nonsense of Justice Shallow, the clipped

English of Dr. Cains, or the misplaced consonants of Fluellen. Of all

confessors, Boswell is the most candid. Other men who have pretended to

lay open their own hearts, Rousseau, for example, and Lord Byron, have

evidently written with a constant view to effect, and are to be then

most distrusted when they seem to be most sincere. There is scarcely any

man who would not rather accuse himself of great crimes and of dark

and tempestuous passions than proclaim all his little vanities and wild

fancies. It would be easier to find a person who would avow actions like

those of Cæsar Borgia or Danton, than one who would publish a daydream

like those of Alnaschar and Malvolio. Those weaknesses which most

men keep covered up in the most secret places of the mind, not to

be disclosed to the eve of friendship or of love, were precisely the

weaknesses which Boswell paraded before all the world. He was perfectly

frank, because the weakness of his understanding and the tumult of his

spirits prevented him from knowing when he made himself ridiculous. His

book resembles nothing so much as the conversation of the inmates of the

Palace of Truth.

His fame is great; and it will, we have no doubt, be lasting; but it is

fame of a peculiar kind, and indeed marvellously resembles infamy.

We remember no other case in which the world has made so great a

distinction between a book and its author. In general, the book and

the author are considered as one. To admire the book is to admire

the author. The case of Boswell is an exception, we think the only

exception, to this rule. His work is universally allowed to be

interesting, instructive, eminently original: yet it has {396}brought

him nothing but contempt. All the world reads it: all the world delights

in it: yet we do not remember ever to have read or ever to have heard

any expression of respect and admiration for the man to whom we owe so

much instruction and amusement. While edition after edition of his book

was coming forth, his son, as Mr. Croker tells us, was ashamed of it,

and hated to hear it mentioned. This feeling was natural and reasonable.

Sir Alexander saw that, in proportion, to the celebrity of the work,

was the degradation of the author. The very editors of this unfortunate

gentleman’s books have forgotten their allegiance, and, like those

Puritan casuists who took arms by the authority of the king against his

person, have attacked the writer while doing homage to the writings. Mr.

Croker, for example, has published two thousand five Mildred notes on

the life of Johnson, and yet scarcely ever mentions the biographer whose

performance he has taken such pains to illustrate without some

expression of contempt.

An ill-natured man Boswell certainly was not. Yet the malignity of the

most malignant satirist could scarcely cut deeper than his thoughtless

loquacity. Having himself no sensibility to derision and contempt, he

took it for granted that all others were equally callous. He was not

ashamed to exhibit himself to the whole world as a common spy, a common

tattler, a humble companion without the excuse of poverty, and to tell a

hundred stories of his own pertness and folly, and of the insults which

his pertness and folly brought upon him. It was natural that he should

show little discretion in cases in which the feelings or the honour of

others might be concerned. No man, surely, ever published such stories

respecting persons whom he professed {397}to love and revere. He would

infallibly have made his hero as contemptible as he has made himself,

had not his hero really possessed some moral and intellectual qualities

of a very high order. The best proof that Johnson was really an

extraordinary man is that his character, instead of being degraded, has,

on the whole, been decidedly raised by a work in which all his vices and

weaknesses are exposed more unsparingly than they ever were exposed by

Churchill or by Ken-rick.

Johnson grown old, Johnson in the fulness of his fame and in the

enjoyment of a competent fortune, is better known to us than any other

man in history. Every thing about him, his coat, his wig, his figure,

his face, his scrofula, his St. Vitus’s dance, his rolling walk, his

blinking eye, the outward signs which too clearly marked his approbation

of his dinner, his insatiable appetite for fish-sauce and veal-pie with

plums, his inextinguishable thirst for tea, his trick of touching the

posts as he walked, his mysterious practice of treasuring up scraps

of orange-peel, his morning slumbers, his midnight disputations, his

contortions, his mutter-ings, his gruntings, his puffings, his vigorous,

acute, and ready eloquence, his sarcastic wit, his vehemence, his

insolence, his fits of tempestuous rage, his queer inmates, old Mr.

Levett and blind Mrs. Williams, the cat Hodge and the negro Frank, all

are as familiar to us as the objects by which we have been surrounded

from childhood. But we have no minute information respecting those years

of Johnson’s life during which his character and his manners became

immutably fixed. We know him, not as he was known to the men of his own

generation, but as he was known to men whose father he might have been.

That celebrated club of {398}which he was the most distinguished member

contained few persons who could remember a time when his fame was not

fully established and his habits completely formed. He had made himself

a name in literature while Reynolds and the Wartons were still boys. He

was about twenty years older than Burke, Goldsmith, and Gerard Hamilton,

about thirty years older than Gibbon, Beauclerk, and Langton, and about

forty years older than Lord Stowell, Sir William Jones, and Windham.

Boswell and Mrs. Thrale, the two writers from whom we derive most of

our knowledge respecting him, never saw him till long after he was fifty

years old, till most of his great works had become classical, and till

the pension bestowed on him by the Crown had placed him above poverty.

Of those eminent men who were his most intimate associates towards the

close of his life, the only one, as far as we remember, who knew him

during the first ten or twelve years of his residence in the capital,

was David Garrick; and it does not appear that, during those years,

David Garrick saw much of his fellow-townsman.

Johnson came up to London precisely at the time when the condition of

a man of letters was most miserable and degraded. It was a dark night

between two sunny days. The age of patronage had passed away. The age

of general curiosity and intelligence had not arrived. The number of

readers is at present so great that a popular author may subsist in

comfort and opulence on the profits of his works. In the reigns of

William the Third, of Anne, and of George the First, even such men

as Congreve and Addison would scarcely have been able to live like

gentlemen by the mere sale of their writings. But the deficiency of the

natural demand for literature was, at the close of the {399}seventeenth

and at the beginning of the eighteenth century, more than made up by

artificial encouragement, by a vast system of bounties and premiums.

There was, perhaps, never a time at which the rewards of literary merit

were so splendid, at which men who could write well found such easy

admittance into the most distinguished society, and to the highest

honours of the state. The chiefs of both the great parties into which

the kingdom was divided patronised literature with emulous munificence.

Congreve, when he had scarcely attained his majority, was rewarded for

his first comedy with places which made him independent for life. Smith,

though his Hippolytus and Phædra failed, would have been consoled with

three hundred a year but for his own folly. Rowe was not only Poet

Laureate, but also land-surveyor of the customs in the port of London,

clerk of the council to the Prince of Wales, and secretary of the

Presentations to the Lord Chancellor. Hughes was secretary to the

Commissions of the Peace. Ambrose Philips was judge of the Prerogative

Court in Ireland. Locke was Commissioner of Appeals and of the Board of

Trade. Newton was Master of the Mint. Stepney and Prior were employed

in embassies of high dignity and importance. Gay, who commenced life

as apprentice to a silk mercer, became a secretary of legation at

five-and-twenty. It was to a poem on the Death of Charles the Second,

and to the City and Country Mouse, that Montague owed his introduction

into public life, his earldom, his garter, and his Auditorship of the

Exchequer. Swift, but for the unconquerable prejudice of the queen,

would have been a bishop. Oxford, with his white staff in his hand,

passed through the crowd of his suitors to welcome Parnell, when that

ingenious {400}writer deserted the Whigs. Steele was a commissioner of

stamps and a member of Parliament. Arthur Mainwaring was a commissioner

of the customs, and auditor of the imprest. Tickell was secretary to the

Lords Justices of Ireland. Addison was secretary of state.

This liberal patronage was brought into fashion, as it seems, by the

magnificent Dorset, almost the only noble versifier in the court of

Charles the Second who possessed talents for composition which were

independent of the aid of a coronet. Montague owed his elevation to the

favour of Dorset, and imitated through the whole course of his life

the liberality to which he was himself so greatly indebted. The Tory

leaders, Harley and Bolingbroke in particular, vied with the chiefs of

the Whig party in zeal for the encouragement of letters. But soon after

the accession of the house of Hanover a change took place. The supreme

power passed to a man who cared little for poetry or eloquence. The

importance of the House of Commons was constantly on the increase.

The government was under the necessity of bartering for Parliamentary

support much of that patronage which had been employed in fostering

literary merit; and Walpole was by no means inclined to divert any part

of the fund of corruption to purposes which he considered as idle.

He had eminent talents for government and for debate. But he had paid

little attention to books, and felt little respect for authors. One of

the coarse jokes of his friend, Sir Charles Hanbury Williams, was far

more pleasing to him than Thomson’s Seasons or Richardson’s Pamela. He

had observed that some of the distinguished writers whom the favour of

Halifax had turned into statesmen had been mere encumbrances {401}to

their party, dawdlers in office, and mutes in Parliament. During the

whole course of his administration, therefore, he scarcely befriended a

single man of genius. The best writers of the age gave all their support

to the opposition, and contributed to excite that discontent which,

after plunging the nation into a foolish and unjust war, overthrew

the minister to make room for men less able and equally immoral. The

opposition could reward its eulogists with little more than promises and

caresses. St. James’s would give nothing: Leicester house had nothing to

give.

Thus, at the time when Johnson commenced his literary career, a writer

had little to hope from the patronage of powerful individuals. The

patronage of the public did not yet furnish the means of comfortable

subsistence. The prices paid by booksellers to authors were so low that

a man of considerable talents and unremitting industry could do little

more than provide for the day which was passing over him. The lean kine

had eaten up the fat kine. The thin and withered ears had devoured

the good ears. The season of rich harvests was over, and the period of

famine had begun. All that is squalid and miserable might now be

summed up in the word Poet. That word denoted a creature dressed like

a scarecrow, familiar with compters and spunging-houses, and perfectly

qualified to decide on the comparative merits of the Common Side in

the King’s Bench prison and of Mount Scoundrel in the Fleet. Even the

poorest pitied him; and they well might pity him. For if their condition

was equally abject, their aspirings were not equally high, nor their

sense of insult equally acute. To lodge in a garret up four pairs of

stairs, to dine in a cellar among footmen out of place, to translate ten

hours a day for {402}the wages of a ditcher, to be hunted by bailiffs

from one haunt of beggary and pestilence to another, from Grub Street to

St. George’s Fields, and from St. George’s Fields to the alleys behind

St. Martin’s church, to sleep on a bulk in June and amidst the ashes of

a glass-house in December, to die in an hospital and to be buried in a

parish vault, was the fate of more than one writer who, if he had lived

thirty years earlier, would have been admitted to the sittings of the

Kitcat or the Scriblerus club, would have sat in Parliament, and would

have been entrusted with embassies to the High Allies; who, if he

had lived in our time, would have found encouragement scarcely less

munificent in Albemarle Street or in Paternoster Row.

As every climate has its peculiar diseases, so every walk of life has

its peculiar temptations. The literary character, assuredly, has always

had its share of faults, vanity, jealousy, morbid sensibility. To these

faults were now superadded the faults which are commonly found in men

whose livelihood is precarious, and whose principles are exposed to the

trial of severe distress. All the vices of the gambler and of the

beggar were blended with those of the author. The prizes in the wretched

lottery of book-making were scarcely less ruinous than the blanks. If

good fortune came, it came in such a manner that it was almost certain

to be abused. After months of starvation and despair, a full third night

or a well-received dedication filled the pocket of the lean, ragged,

unwashed poet with guineas. He hastened to enjoy those luxuries with the

images of which his mind had been haunted while he was sleeping amidst

the cinders and eating potatoes at the Irish ordinary in Shoe Lane. A

week of taverns soon qualified him for another year of night-cellars.

{403}Such was the life of Savage, of Boyse, and of a crowd of others.

Sometimes blazing in gold-laced hats and waistcoats; sometimes lying

in bed because their coats had gone to pieces, or wearing paper cravats

because their linen was in pawn; sometimes drinking Champagne and Tokay

with Betty Careless; sometimes standing at the window of an eating-house

in Porridge island, to snuff up the scent of what they could not afford

to taste; they knew luxury; they knew beggary; but they never knew

comfort. These men were irreclaimable. They looked on a regular and

frugal life with the same aversion which an old gipsy or a Mohawk hunter

feels for a stationary abode, and for the restraints and securities of

civilised communities. They were as untameable, as much wedded to their

desolate freedom, as the wild ass. They could no more be broken into

the offices of social man than the unicorn could be trained to serve and

abide by the crib. It was well if they did not, like beasts of a still

fiercer race, tear the hands which ministered to their necessities. To

assist them was impossible; and the most benevolent of mankind at length

became weary of giving relief which was dissipated with the wildest

profusion as soon as it had been received. If a sum was bestowed on the

wretched adventurer, such as, properly husbanded, might have supplied

him for six months, it was instantly spent in strange freaks of

sensuality, and, before forty-eight hours had elapsed, the poet was

again pestering all his acquaintance for twopence to get a plate of shin

of beef at a subterraneous cook-shop. If his friends gave him an asylum

in their houses, those houses were forthwith turned into bagnios and

taverns. All order was destroyed; all business was suspended. The most

good-natured host {404}began to repent of his eagerness to serve a man

of genius in distress when he heard his guest roaring for fresh punch at

five o’clock in the morning.

A few eminent writers were more fortunate. Pope had been raised above

poverty by the active patronage which, in his youth, both the great

political parties had extended to his Homer. Young had received the only

pension ever bestowed, to the best of our recollection, by Sir Robert

Walpole, as the reward of mere literary merit. One or two of the many

poets who attached themselves to the opposition, Thomson in particular

and Mallet, obtained, after much severe suffering, the means of

subsistence from their political friends. Richardson, like a man of

sense, kept his shop; and his shop kept him, which his novels, admirable

as they are, would scarcely have done. But nothing could be more

deplorable than the state even of the ablest men, who at that time

depended for subsistence on their writings. Johnson, Collins, Fielding,

and Thomson, were certainly four of the most distinguished persons that

England produced during the eighteenth century. It is well known that

they were all four arrested for debt.

Into calamities and difficulties such as these Johnson plunged in his

twenty-eighth year. From that time till he was three or four and fifty,

we have little information respecting him; little, we mean, compared

with the full and accurate information which we possess respecting his

proceedings and habits towards the close of his life. He emerged at

length from cock-lofts and sixpenny ordinaries into the society of the

polished and the opulent. His fame was established. A pension sufficient

for his wants had been conferred on him: and he came forth to astonish

a generation with which {405}he had almost as little in common as with

Frenchmen or Spaniards.

In his early years he had occasionally seen the great: hut he had seen

them as a beggar. He now came among them as a companion. The demand for

amusement and instruction had, during the course of twenty years, been

gradually increasing. The price of literary labour had risen; and those

rising men of letters with whom Johnson was henceforth to associate were

for the most part persons widely different from those who had walked

about with him all night in the streets for want of a lodging. Burke,

Robertson, the Wartons, Gray, Mason, Gibbon, Adam Smith, Beattie, Sir

William Jones, Goldsmith, and Churchill, were the most distinguished

writers of what may be called the second generation of the Johnsonian

age. Of these men Churchill was the only one in whom we can trace the

stronger lineaments of that character which, when Johnson first came up

to London, was common among authors. Of the rest, scarcely any had felt

the pressure of severe poverty. Almost all had been early admitted into

the most respectable society on an equal footing. They were men of quite

a different species from the dependents of Curll and Osborne.

Johnson came among them the solitary specimen of a past age, the last

survivor of the genuine race of Grub Street hacks; the last of that

generation of authors whose abject misery and whose dissolute manners

had furnished inexhaustible matter to the satirical genius of Pope. From

nature, he had received an uncouth figure, a diseased constitution,

and an irritable temper. The manner in which the earlier years of his

manhood had been passed had given to his demeanour, and even to his

moral character, some peculiarities appalling {406}to the civilised

beings who were the companions of his old age. The perverse irregularity

of his hours, the slovenliness of his person, his fits of strenuous

exertion, interrupted by long intervals of sluggishness, his strange

abstinence, and his equally strange voracity, his active benevolence,

contrasted with the constant rudeness and the occasional ferocity of his

manners In society, made him, in the opinion of those with whom he

lived during the last twenty years of his life, a complete original. An

original he was, undoubtedly, in some respects. But if we possessed full

information concerning those who shared his early hardships, we should

probably find that what we call his singularities of manner were, for

the most part, failings which he had in common with the class to which

he belonged. He ate at Streatham Park as he had been used to eat behind

the screen at St. John’s Gate, when he was ashamed to show his ragged

clothes. He ate as it was natural that a man should eat, who, during

a great part of his life, had passed the morning in doubt whether he

should have food for the afternoon. The habits of his early life had

accustomed him to bear privation with fortitude, but not to taste

pleasure with moderation. He could fast; but, when he did not fast, he

tore his dinner like a famished wolf, with the veins swelling on his

forehead, and the perspiration running down his cheeks. He scarcely

ever took wine. But when he drank it, he drank it greedily and in large

tumblers. These were, in fact, mitigated symptoms of that same moral

disease which raged with such deadly malignity in his friends Savage and

Boyse. The roughness and violence which he showed in society were to be

expected from a man whose temper, not naturally gentle, had been long

tried by the bitterest {407}calamities, by the want of meat, of fire,

and of clothes, by the importunity of creditors, by the insolence of

booksellers, by the derision of fools, by the insincerity of patrons, by

that bread which is the bitterest of all food, by those stairs which are

the most toilsome of all paths, by that deferred hope which makes the

heart sick. Through all these things the ill-dressed, coarse, ungainly

pedant had struggled manfully up to eminence and command. It was natural

that, in the exercise of his power, he should be “eo immitior, quia

tolera-verat,” that, though his heart was undoubtedly generous and

humane, his demeanour in society should be harsh and despotic. For

severe distress he had sympathy, and not only sympathy, but munificent

relief. But for the suffering which a harsh world inflicts upon a

delicate mind he had no pity; for it was a kind of suffering which he

could scarcely conceive. He would carry home on his shoulders a sick

and starving girl from the streets. He turned his house into a place

of refuge for a crowd of wretched old creatures who could find no other

asylum; nor could all their peevishness and ingratitude weary out his

benevolence. But the pangs of wounded vanity seemed to him ridiculous;

and he scarcely felt sufficient compassion even for the pangs of wounded

affection. He had seen and felt so much of sharp misery, that he was

not affected by paltry vexations; and he seemed to think that every body

ought to be as much hardened to those vexations as himself. He was

angry with Boswell for complaining of a headache, with Mrs. Thrale for

grumbling about the dust on the road, or the smell of the kitchen. These

were, in his phrase, “foppish lamentations,” which people ought to be

ashamed to utter in a world so full of sin and sorrow. Goldsmith crying

because the Good-natured {408}Man had failed, inspired him with no

pity. Though his own health was not good, he detested and despised

valetudinarians. Pecuniary losses, unless they reduced the loser

absolutely to beggary, moved him very little. People whose hearts had

been softened by prosperity might weep, he said, for such events; but

all that could be expected of a plain man was not to laugh. He was not

much moved even by the spectacle of Lady Tavistock dying of a broken

heart for the loss of her lord. Such grief he considered as a luxury

reserved for the idle and the wealthy. A washerwoman, left a widow with

nine small children, would not have sobbed herself to death.

A person who troubled himself so little about small or sentimental

grievances was not likely to be very attentive to the feelings of others

in the ordinary intercourse of society. He could not understand how

a sarcasm or a reprimand could make any man really unhappy. “My dear

doctor,” said he to Goldsmith, “what harm does it do to a man to call

him Holofernes?”

“Pooh, ma’am,” he exclaimed to Mrs. Carter, “who is the worse for being

talked of uncharitably?” Politeness has been well defined as

benevolence in small things. Johnson was impolite, not because he wanted

benevolence, but because small things appeared smaller to him than to

people who had never known what it was to live for fourpence halfpenny a

day.

The characteristic peculiarity of his intellect was the union of great

powers with low prejudices. If we judged of him by the best parts of

his mind, we should place him almost as high as he was placed by the

idolatry of Boswell; if by the worst parts of his mind, we should

place him even below Boswell himself. Where {409}he was not under the

influence of some strange scruple, or some domineering passion, which

prevented him from boldly investigating a subject, he was a

wary and acute reasoner, a little too much inclined to scepticism, and a

little too fond of paradox. No man was less likely to be imposed upon

by fallacies in argument or by exaggerated statements of fact. But if,

while he was beating down sophisms and exposing false testimony, some

childish prejudices, such as would excite laughter in a well managed

nursery, came across him, he was smitten as if by enchantment. His

mind dwindled away under the spell from gigantic elevation to dwarfish

littleness. Those who had lately been admiring its amplitude and

its force were now as much astonished at its strange narrowness and

feebleness as the fisherman in the Arabian tale, when he saw the Genie,

whose stature had overshadowed the whole sea-coast, and whose might

seemed equal to a contest with armies, contract himself to the

dimensions of his small prison, and lie there the helpless slave of the

charm of Solomon.

Johnson was in the habit of sifting with extreme severity the evidence

for all stories which were merely odd. But when they were not only odd

but miraculous, his severity relaxed. He began to be credulous precisely

at the point where the most credulous people begin to be sceptical. It

is curious to observe, both in his writings and in his conversation,

the contrast between the disdainful manner in which he rejects

unauthenticated anecdotes, even when they are consistent with the

general laws of nature, and the respectful manner in which he mentions

the wildest stories relating to the invisible world. A man who told him

of a water-spout or a meteoric stone generally had the lie {410}direct

given him for his pains. A man who told him of a prediction or a dream

wonderfully accomplished was sure of a courteous hearing. “Johnson,”

observed Hogarth, “like King David, says in his haste that all men are

liars.”

“His incredulity,” says Mrs. Thrale, “amounted almost to disease.”

She tells us how he browbeat a gentleman, who gave him an account of a

hurricane in the West Indies, and a poor quaker who related some strange

circumstance about the red-hot balls fired at the siege of Gibraltar.

“It is not so. It cannot be true. Don’t tell that story again. You

cannot think how poor a figure you make in telling it.” He once said,

half jestingly we suppose, that for six months he refused to credit the

fact of the earthquake at Lisbon, and that he still believed the extent

of the calamity to be greatly exaggerated. Yet he related with a grave

face how old Mr. Cave of St. John’s Gate saw a ghost, and how this ghost

was something of a shadowy being. He went himself on a ghost-hunt, to

Cock Lane, and was angry with John Wesley for not following up another

scent of the same kind with proper spirit and perseverance. He rejects

the Celtic genealogies and poems without the least hesitation; yet he

declares himself willing to believe the stories of the second sight. If

he had examined the claims of the Highland seers with half the severity

with which he sifted the evidence for the genuineness of Fingal, he

would, we suspect, have come away from Scotland with a mind fully made

up. In his Lives of the Poets, we find that he is unwilling to give

credit to the accounts of Lord Roscommon’s early proficiency in his

studies; but he tells with great solemnity an absurd romance about some

intelligence preternaturally impressed on the mind of that nobleman. He

avows {411}himself to be in great doubt about the truth of the story,

and ends by warning his readers not wholly to slight such impressions.

Many of his sentiments on religious subjects are worthy of a liberal and

enlarged mind. He could discern clearly enough the folly and meanness

of all bigotry except his own. When he spoke of the scruples of the

Puritans, he spoke like a person who had really obtained an insight

into the divine philosophy of the New Testament, and who considered

Christianity as a noble scheme of government, tending to promote the

happiness and to elevate the moral nature of man. The horror which the

sectaries felt for cards, Christmas ale, plum-porridge, mince-pies, and

dancing bears, excited his contempt. To the arguments urged by some very

worthy people against showy dress he replied with admirable sense and

spirit, “Let us not be found, when our Master calls us, stripping the

lace off our waistcoats, but the spirit of contention from our souls and

tongues. Alas! sir, a man who cannot get to heaven in a green coat will

not find his way thither the sooner in a grey one.” Yet he was himself

under the tyranny of scruples as unreasonable as those of Hudibras

or Ralpho, and carried his zeal for ceremonies and for ecclesiastical

dignities to lengths altogether inconsistent with reason or with

Christian charity. He has gravely noted down in his diary that he once

committed the sin of drinking coffee on Good Friday. In Scotland, he

thought it his duty to pass several months without joining in public

worship, solely because the ministers of the kirk had not been ordained

by bishops. His mode of estimating the piety of his neighbours was

somewhat singular. “Campbell,” said he, “is a good {412}man, a pious

man. I am afraid he has not been in the inside of a church for many

years; but he never passes a church without pulling off his hat: this

shows he has good principles.” Spain and Sicily must surely contain many

pious robbers and well-principled assassins. Johnson could easily see

that a Roundhead who named all his children after Solomon’s singers,

and talked in the House of Commons about seeking the Lord, might be

an unprincipled villain whose religious mummeries only aggravated

his guilt. But a man who took off his hat when he passed a church

episcopally consecrated must be a good man, a pious man, a man of good

principles. Johnson could easily see that those persons who looked on

a dance or a laced waistcoat as sinful, deemed most ignobly of the

attributes of God and of the ends of revelation. But with what a storm

of invective he would have overwhelmed any man who had blamed him for

celebrating the redemption of mankind with sugarless tea and butterless

buns.

Nobody spoke more contemptuously of the cant of patriotism. Nobody saw

more clearly the error of those who regarded liberty, not as a means,

but as an end, and who proposed to themselves, as the object of their

pursuit, the prosperity of the state as distinct from the prosperity

of the individuals who compose the state. His calm and settled opinion

seems to have been that forms of government have little or no influence

on the happiness of society. This opinion, erroneous as it is, ought

at least to have preserved him from all intemperance on political

questions. It did not, however, preserve him from the lowest, fiercest,

and most absurd extravagances of party-spirit, from rants which, in

every thing but the diction, resembled those of Squire {413}Western.

He was, as a politician, half ice and half fire. On the side of his

intellect he was a mere Pococurante, far too apathetic about public

affairs, far too sceptical as to the good or evil tendency of any form

of polity. His passions, on the contrary, were violent even to slaying

against all who leaned to Whiggish principles. The well-known lines

which he inserted in Goldsmith’s Traveller express what seems to have

been his deliberate judgment:

“How small, of all that human hearts endure,

That part which kings or laws can cause or cure!”

He had previously put expressions very similar into the mouth of

Rasselas. It is amusing to contrast these passages with the torrents of

raving abuse which he poured forth against the Long Parliament and the

American Congress. In one of the conversations reported by Boswell this

inconsistency displays itself in the most ludicrous manner.

“Sir Adam Ferguson,” says Boswell, “suggested that luxury corrupts a

people, and destroys the spirit of liberty. Johnson: ‘Sir, that is all

visionary. I would not give half a guinea to live under one form of

government rather than another. It is of no moment to the happiness of

an individual. Sir, the danger of the abuse of power is nothing to

a private man. What Frenchman is prevented passing his life as he

pleases?’ Sir Adam: ‘But, sir, in the British constitution it is surely

of importance to keep up a spirit in the people, so as to preserve a

balance against the crown.’ Johnson: ‘Sir, I perceive you are a vile

Whig. Why all this childish jealousy of the power of the crown? The

crown has not power enough.’”

One of the old philosophers, Lord Bacon tells us, used to say that life

and death were just the same to {414}him. “Why then,” said an objector,

“do you not kill yourself?” The philosopher answered, “Because it is

just the same.” If the difference between two forms of government be

not worth half a guinea, it is not easy to see how Whiggism can he

viler than Toryism, or how the crown can have too little power. If the

happiness of individuals is not affected by political abuses, zeal for

liberty is doubtless ridiculous. But zeal for monarchy must be equally

so. No person would have been more quick-sighted than Johnson to such a

contradiction as this in the logic of an antagonist.

The judgments which Johnson passed on books were, in his own time,

regarded with superstitious veneration, and, in our time, are generally

treated with indiscriminate contempt. They are the judgments of a strong

but enslaved understanding. The mind of the critic was hedged round

by an uninterrupted fence of prejudices and superstitions. Within his

narrow limits, he displayed a vigour and an activity which ought to have

enabled him to clear the barrier that confined him.

How it chanced that a man who reasoned on his premises so ably, should

assume his premises so foolishly, is one of the great mysteries of human

nature. The same inconsistency may be observed in the schoolmen of the

middle ages. Those writers show so much acuteness and force of mind in

arguing on their wretched data, that a modern reader is perpetually at

a loss to comprehend how such minds came by such data. Not a flaw in

the superstructure of the theory which they are rearing escapes

their vigilance. Yet they are blind to the obvious unsoundness of the

foundation. It is the same with some eminent lawyers. {415}Their legal

arguments are intellectual prodigies, abounding with the happiest

analogies and the most refined distinctions. The principles of their

arbitrary science being once admitted, the statute-book and the reports

being once assumed as the foundations of reasoning, these men must be

allowed to be perfect masters of logic. But if a question arises as to

the postulates on which their whole system rests, if they are called

upon to vindicate the fundamental maxims of that system which they have

passed their lives in studying, these very men often talk the language

of savages or of children. Those who have listened to a man of this

class in his own court, and who have witnessed the skill with which he

analyses and digests a vast mass of evidence, or reconciles a crowd of

precedents which at first sight seem contradictory, scarcely know him

again when, a few hours later, they hear him speaking on the other side

of Westminster Hall in his capacity of legislator. They can scarcely

believe that the paltry quirks which are faintly heard through a storm

of coughing, and which do not impose on the plainest country gentleman,

can proceed from the same sharp and vigorous intellect which had excited

their admiration under the same roof, and on the same day.

Johnson decided literary questions like a lawyer, not like a legislator.

He never examined foundations where a point was already ruled. His whole

code of criticism rested on pure assumption, for which he sometimes

quoted a precedent or an authority, but rarely troubled himself to give

a reason drawn from the nature of things. He took it for granted that

the kind of poetry which flourished in his own time, which he had been

accustomed to hear praised from his childhood, and which he had

himself written with success, {416}was the best kind of poetry. In

his biographical work he has repeatedly laid it down as an undeniable,

proposition that during the latter part of the seventeenth century,

and the earlier part of the eighteenth, English poetry had been in a

constant progress of improvement. Waller, Denham, Dryden, and Pope, had

been, according to him, the great reformers. He judged of all works

of the imagination by the standard established among his own

contemporaries. Though he allowed Homer to have been a greater man

than Virgil, he seems to have thought the Æneid a greater poem than the

Iliad. Indeed he well might have thought so; for he preferred Pope’s

Iliad to Homer’s. He pronounced that, after Hoole’s translation of

Tasso, Fairfax’s would hardly be reprinted. He could see no merit, in

our fine old English ballads, and always spoke with the most provoking

contempt of Percy’s fondness for them. Of the great original works of

imagination which appeared during his time, Richardson’s novels alone

excited his admiration. He could see little or no merit in Tom Jones,

in Gulliver’s Travels, or in Tristram Shandy. To Thomson’s Castle

of Indolence, he vouchsafed only a line of cold commendation, of

commendation much colder than what he has bestowed on the Creation of

that portentous bore, Sir Richard Blackmore. Gray was, in his dialect, a

barren rascal. Churchill was a blockhead. The contempt which he felt for

the trash of Macpherson was indeed just; but it was, we suspect, just by

chance. He despised the Fingal for the very reason which led many men

of genius to admire it. He despised it, not because it was essentially

common-place, but because it had a superficial air of originality.

He was undoubtedly an excellent judge of compositions {417}fashioned on

his own principles. But when a deeper philosophy was required, when he

undertook to pronounce judgment on the works of those great minds which

“yield homage only to eternal laws,” his failure was ignominious.

He criticized Pope’s Epitaphs excellently. But his observations on

Shakspeare’s plays and Milton’s poems seem to us for the most part as

wretched as if they had been written by Rymer himself, whom we take to

have been the worst critic that ever lived.

Some of Johnson’s whims on literary subjects can be compared only to

that strange nervous feeling which made him uneasy if he had not

touched every post between the Mitre tavern and his own lodgings. Hiss

preference of Latin epitaphs to English epitaphs is an instance. An

English epitaph, he said, would disgrace Smollett. He declared that he

would not pollute the walls of Westminster Abbey with an English epitaph

on Goldsmith. What reason there can be for celebrating a British writer

in Latin, which there was not for covering the Roman arches of triumph

with Greek inscriptions, or for commemorating the deeds of the heroes of

Thermopylæ in Egyptian hieroglyphics, we are utterly unable to imagine.

On men and manners, at least on the men and manners of a particular

place and a particular age, Johnson had certainly looked with a most

observant and discriminating eye. His remarks on the education of

children, on marriage, on the economy of families, on the rules of

society, are always striking, and generally sound. In his writings,

indeed, the knowledge of life which he possessed in an eminent degree is

very imperfectly exhibited. Like those unfortunate chiefs of the middle

ages who were suffocated by their own chain-mail and cloth of gold,

his maxims perish under that {418}load of words which was designed! for

their defence and their ornament. But it is clear from the remains of

his conversation, that he had more of that homely wisdom which nothing

but experience and observation can give than any writer since the time

of Swift. If he had been content to write as he talked, he might have

left books on the practical art of living superior to the Directions to

Servants.

Yet even his remarks on society, like his remarks on literature,

indicate a mind at least as remarkable for narrowness as for strength.

He was no master of the great science of human nature. He had studied,

not the genus man, but the species Londoner. Nobody was ever so

thoroughly conversant with all the forms of life and all the shades of

moral and intellectual character which were to be seen from Islington

to the Thames, and from Hyde-Park corner to Mile-end green. But his

philosophy stopped at the first turnpike-gate. Of the rural life of

England he knew nothing; and he took it for granted that every body

who lived in the country was either stupid or miserable. “Country

gentlemen,” said he, “must be unhappy; for they have not enough to keep

their lives in motion;” as if all those peculiar habits and associations

which made Fleet Street and Charing Cross the finest views in the world

to himself had been essential parts of human nature. Of remote countries

and past times he talked with wild and ignorant presumption. “The

Athenians of the age of Demosthenes,” he said to Mrs. Thrale, “were a

people of brutes, a barbarous people.” In conversation with Sir Adam

Ferguson he used similar language. “The boasted Athenians,” he said,

“were barbarians. The mass of every people must be barbarous where there

is no printing.” The fact was {419}this: he saw that a Londoner who

could not read was a very stupid and brutal fellow: he saw that great

refinement of taste and activity of intellect were rarely found in a

Londoner who had not read much; and, because it was by means of books

that people acquired almost all their knowledge in the society with

which he was acquainted, he concluded, in defiance of the strongest and

clearest evidence, that the human mind can be cultivated by means of

books alone. An Athenian citizen might possess very few volumes; and the

largest library to which he had access might be much less valuable than

Johnson’s bookcase in Bolt Court. But the Athenian might pass every

morning in conversation with Socrates, and might hear Pericles speak

four or five times every month. He saw the plays of Sophocles and

Aristophanes: he walked amidst the friezes of Phidias and the paintings

of Zeuxis: he knew by heart the choruses of Æschylus: he heard the

rhapsodist at the corner of the street reciting the shield of Achilles

or the Death of Argus: he was a legislator, conversant with high

questions of alliance, revenue, and war: he was a soldier, trained under

a liberal and generous discipline: he was a judge, compelled every

day to weigh the effect of opposite arguments. These things were in

themselves an education, an education eminently fitted, not, indeed,

to farm exact or profound thinkers, but to give quickness to the

perceptions, delicacy to the taste, fluency to the expression, and

politeness to the manners. All this was overlooked. An Athenian who did

not improve his mind by reading was, in Johnson’s opinion, much such a

person as a Cockney who made his mark, much such a person as black

Frank before he went to school, and far inferior to a parish clerk or a

printer’s devil. {420}Johnson’s friends have allowed that he carried to

a ridiculous extreme his unjust contempt for foreigners. He pronounced

the French to be a very silly people, much behind us, stupid, ignorant

creatures. And this judgment he formed after having been at Paris about

a month, during which he would not talk French, for fear of giving the

natives an advantage over him in conversation. He pronounced them, also,

to be an indelicate people, because a French footman touched the sugar

with his fingers. That ingenious and amusing traveller, M. Simond, has

defended his countrymen very successfully against Johnson’s accusation,

and has pointed out some English practices which, to an impartial

spectator, would seem at least as inconsistent with physical cleanliness

and social decorum as those which Johnson so bitterly reprehended. To

the sage, as Boswell loves to call him, it never occurred to doubt that

there must be something eternally and immutably good in the usages to

which he had been accustomed. In fact, Johnson’s remarks on society

beyond the bills of mortality, are generally of much the same kind with

those of honest Tom Dawson, the English footman in Dr. Moore’s Zeluco.

“Suppose the king of France has no sons, but only a daughter, then, when

the king dies, this here daughter, according to that there law, cannot

be made queen, but the next near relative, provided he is a man, is

made king, and not the last king’s daughter, which, to be sure, is very

unjust. The French footguards are dressed in blue, and all the marching

regiments in white, which has a very foolish appearance for soldiers;

and as for blue regimentals, it is only fit for the blue horse or the

artillery.”

Johnson’s visit to the Hebrides introduced him to a state of society

completely new to him; and a salutary {421}suspicion of his own

deficiencies seems on that occasion to have crossed his mind for the

first time. He confessed, in the last paragraph of his Journey, that his

thoughts on national manners were the thoughts of one who had seen but

little, of one who had passed his time almost wholly in cities. This

feeling, however, soon passed away. It is remarkable that to the last

he entertained a fixed contempt for all those modes of life and those

studies which tend to emancipate the mind from the prejudices of a

particular age or a particular nation. Of foreign travel and of history

he spoke with the fierce and boisterous contempt of ignorance. “What

does a man learn by travelling? Is Beauclerk the better for travelling?

What did Lord Charlemont learn in his travels, except that there was a

snake in one of the pyramids of Egypt?” History was, in his opinion, to

use the fine expression of Lord Plunkett, an old almanack: historians

could, as he conceived, claim no higher dignity than that of

almanack-makers; and his favourite historians were those who, like Lord

Hailes, aspired to no higher dignity. He always spoke with contempt of

Robertson. Hume he would not even read. He affronted one of his friends

for talking to him about Catiline’s conspiracy, and declared that he

never desired to hear of the Punic war again as long as he lived.

Assuredly one fact which does not directly affect our own interests,

considered in itself, is no better worth knowing than another fact.

The fact that there is a snake in a pyramid, or the fact that Hannibal

crossed the Alps, are in themselves as unprofitable to us as the fact

that there is a green blind in a particular house in Threadneedle

Street, or the fact {422}that a Mr. Smith comes into the city every

morning on the top of one of the Blackwall stages. But it is certain

that those who will not crack the shell of history will never get at the

kernel. Johnson, with hasty arrogance, pronounced the kernel worthless,

because he saw no value in the shell. The real use of travelling

to distant countries and of studying the annals of past times is to

preserve men from the contraction of mind which those can hardly escape

whose whole communion is with one generation and one neighbourhood, who

arrive at conclusions by means of an induction not sufficiently copious,

and who therefore constantly confound exceptions with rules, and

accidents with essential properties. In short, the real use of

travelling and of studying history is to keep men from being what Tom

Dawson was in fiction, and Samuel Johnson in reality.

Johnson, as Mr. Burke most justly observed, appears far greater in

Boswell’s books than in his own. His conversation appears to have been

quite equal to his writings in matter, and far superior to them in

manner. When he talked, he clothed his wit and his sense in forcible and

natural expressions. As soon as he took his pen in his hand to write for

the public, his style became systematically vicious. All his books are

written in a learned language, in a language which nobody hears from

his mother or his nurse, in a language in which nobody ever quarrels,

or drives bargains, or makes love, in a language in which nobody ever

thinks. It is clear that Johnson himself did not think in the dialect

in which he wrote. The expressions which came first to his tongue were

simple, energetic, and picturesque. When he wrote for publication, he

did his sentences out of English into {423}Johnsonese. His letters from

the Hebrides to Mrs. Thrale are the original of that work of which the

Journey to the Hebrides is the translation; and it is amusing to compare

the two versions. “When we were taken up stairs,” says he in one of his

letters, “a dirty fellow bounced out of the bed on which one of us was

to lie.” This incident is recorded in the Journey as follows: “Out of

one of the beds on which we were to repose started up, at our entrance,

a man black as a Cyclops from the forge.” Sometimes Johnson translated

aloud. “The Rehearsal,” he said, very unjustly, “has not wit enough

to keep it sweet;” then, after a pause, “it has not vitality enough to

preserve it from putrefaction.”

Mannerism is pardonable, and is sometimes even agreeable, when the

manner, though vicious, is natural. Few readers, for example, would

be willing to part with the mannerism of Milton or of Burke. But a

mannerism which does not sit easy on the mannerist, which has been

adopted on principle, and which can be sustained only by constant

effort, is always offensive. And such is the mannerism of Johnson.

The characteristic faults of his style are so familiar to all

our readers, and have been so often burlesqued, that it is almost

superfluous to point them out. It is well known that he made less use

than any other eminent writer of those strong plain words, Anglo-Saxon

or Norman-French, of which the roots lie in the inmost depths of our

language; and that he felt a vicious partiality for terms which, long

after our own speech had been fixed, were borrowed from the Greek and

Latin, and which, therefore, even when lawfully naturalised, must be

considered as born aliens, not entitled to rank with the king’s English.

His constant practice {424}of padding out a sentence with useless

epithets, till it became as stiff as the bust of an exquisite, his

antithetical forms of expression, constantly employed even where there

is no opposition in the ideas expressed, his big words wasted on little

things, his harsh inversions, so widely different from those graceful

and easy inversions which give variety, spirit, and sweetness to the

expression of our great old writers, all these peculiarities have been

imitated by his admirers and parodied by his assailants, till the public

has become sick of the subject.

Goldsmith said to him, very wittily and very justly, “If you were to

write a fable about little fishes, doctor, you would make the little

fishes talk like whales.” No man surely ever had so little talent

for personation as Johnson. Whether he wrote in the character of a

disappointed legacy-hunter or an empty town fop, of a crazy virtuoso or

a flippant coquette, he wrote in the same pompous and unbending style.

His speech, like Sir Piercy Shafton’s Euphuistic eloquence, bewrayed him

under every disguise. Euphelia and Rhodoclea talk as finely as Imlac

the poet, or Seged, Emperor of Ethiopia. The gay Cornelia describes her

reception at the country-house of her relations, in such terms as these:

“I was surprised, after the civilities of my first reception, to find,

instead of the leisure and tranquillity which a rural life always

promises, and, if well conducted, might always afford, a confused

wildness of care, and a tumultuous hurry of diligence, by which every

face was clouded, and every motion agitated.” The gentle Tranquica

informs us, that she “had not passed the earlier part of life without

the flattery of courtship, and the joys of triumph; but had danced the

round of gaiety amidst the murmurs of envy and {425}the gratulations of

applause, had been attended from pleasure to pleasure by the great,

the sprightly, and the vain, and had seen her regard solicited by the

obsequiousness of gallantry, the gaiety of wit, and the timidity of

love.” Surely Sir John Falstaff himself did not wear his petticoats with

a worse grace. The reader may well cry out, with honest Sir Hugh Evans,

“I like not when a ‘oman has a great peard: I spy a great peard under

her muffler.” (1)

We had something more to say. But our article is already too long; and

we must close it. We would fain part in good humour from the hero, from

the biographer, and even from the editor, who, ill as he has performed

his task, has at least this claim to our gratitude, that he has induced

us to read Boswell’s book again. As we close it, the club-room is before

us, and the table on which stands the omelet for Nugent, and the lemons

for Johnson. There are assembled those heads which live for ever on the

canvass of Reynolds. There are the spectacles of Burke and the tall thin

form of Langton, the courtly sneer of Beauclerk and the beaming smile of

Garrick, Gibbon tapping his snuff-box and Sir Joshua with his trumpet in

his ear. In the foreground is that strange figure which is as familiar

to us as the figures of those among whom we have been brought up, the

gigantic body, the huge massy face, seamed with the scars of disease,

the brown coat, the black worsted stockings, the grey wig with the

scorched foretop, the dirty hands, the nails bitten and pared to the

quick. We see the eyes and mouth moving with convulsive twitches; we see

the heavy

(1) It is proper to observe that this passage bears a very

close resemblance to a passage in the Rambler (No. 20). The

resemblance may possibly be the effect of unconscious

plagiarism.

{426}form rolling; we hear it puffing; and then comes the “Why, sir!”

and the “What then, sir?” and the “No, sir!” and the “You don’t see your

way through the question, sir!”

What a singular destiny has been that of this remarkable man! To be

regarded in his own time as a classic, and in ours as a companion. To

receive from his contemporaries that full homage which men of genius

have in general received only from posterity! To be more intimately

known to posterity than other men are known to their contemporaries!

That kind of fame which is commonly the most transient is, in his case,

the most durable. The reputation of those writings, which he probably

expected to be immortal, is every day fading; while those peculiarities

of manner and that careless table-talk the memory of which, he probably

thought, would die with him, are likely to be remembered as long as the

English language is spoken in any quarter of the globe.

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