Effundat junctura ungues."

This is not the case with Mr. Croker’s insertions. They are not chosen

as Boswell would have chosen them. They are not introduced as Boswell

would have introduced them. They differ from the quotations scattered

through the original Life of Johnson, as a withered bough stuck in the

ground differs from a tree skilfully transplanted with all its life

about it.

Not only do these anecdotes disfigure Boswell’s book; they are

themselves disfigured by being inserted in his book. The charm of Mrs.

Thrale’s little volume is utterly destroyed. The feminine quickness

of observation, the feminine softness of heart, the colloquial

incorrectness and vivacity of style, the little amusing airs of a

half-learned lady, the delightful garrulity, the “dear Doctor Johnson,”

the “it was so comical,” all disappear in Mr. Croker’s quotations. The

lady ceases to speak in the first person; and her anecdotes, in the

process of transfusion, become as flat as Champagne in decanters,

or Herodotus in Beloe’s version. Sir John Hawkins, it is true, loses

nothing; and for the best of reasons. Sir John had nothing to lose.

The course which Mr. Croker ought to have taken is quite clear. He

should have reprinted Boswell’s narrative precisely as Boswell wrote

it; and in the notes or the appendix he should have placed any anecdotes

which he might have thought it advisable to quote from other writers.

This would have been a much more convenient course for the reader, who

has now constantly to keep his eye on the margin in order {389}to see

whether he is perusing Boswell, Mrs. Thrale, Murphy, Hawkins, Tyers,

Cradock, or Mr. Croker. We greatly doubt whether even the Tour to the

Hebrides ought to have been inserted in the midst of the Life. There is

one marked distinction between the two works. Most of the Tour was seen

by Johnson in manuscript. It does not appear that he ever saw any part

of the Life.

We love, we own, to read the great productions of the human mind as

they were written. We have this feeling even about scientific treatises;

though we know that the sciences are always in a state of progression,

and that the alterations made by a modern editor in an old book on any

branch of natural or political philosophy are likely to be improvements.

Some errors have been detected by writers of this generation in the

speculations of Adam Smith. A short cut has been made to much knowledge

at which Sir Isaac Newton arrived through arduous and circuitous paths.

Yet we still look with peculiar veneration on the Wealth of Nations and

on the Principia, and should regret to see either of those great works

garbled even by the ablest hands. But in works which owe much of their

interest to the character and situation of the writers the case

is infinitely stronger. What man of taste and feeling can endure

_rifacimenti_, harmonies, abridgments, expurgated editions? Who ever

reads a stage-copy of a play when he can procure the original? Who ever

cut open All’s. Siddons’s Milton? Who ever got through ten pages of Mr.

Gilpin’s translation of John Bun-yan’s Pilgrim into modern English? Who

would lose, in the confusion of a Diatessaron, the peculiar charm which

belongs to the narrative of the disciple whom Jesus loved? The feeling

of a reader who has become {390}intimate with any great original work is

that which Adam expressed towards his bride:

“Should God create another Eve, and I

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