The phantasy of seduction has special interest, because only too often

it is no phantasy but a real remembrance; fortunately, however, it is

still not as often real as it seemed at first from the results of

analysis. Seduction by children of the same age or older is more

frequent than by adults; and when girls who bring forward this event in

the story of their childhood fairly regularly introduce the father as

the seducer, neither the phantastic character of this accusation nor the

motive actuating it can be doubted. When no seduction has occurred, the

phantasy is usually employed to cover the childhood period of

auto-erotic sexual activity; the child evades feelings of shame about

onanism by retrospectively attributing in phantasy a desired object to

the earliest period. Do not suppose, however, that sexual misuse of

children by the nearest male relatives is entirely derived from the

world of phantasy; most analysts will have treated cases in which such

occurrences actually took place and could be established beyond doubt;

only even then they belonged to later years of childhood and had been

transposed to an earlier time.

All this seems to lead to but one impression, that childhood experiences

of this kind are in some way necessarily required by the neurosis, that

they belong to its unvarying inventory. If they can be found in real

events, well and good; but if reality has not supplied them they will be

evolved out of hints and elaborated by phantasy. The effect is the same,

and even to-day we have not succeeded in tracing any variation in the

results according as phantasy or reality plays the greater part in these

experiences. Here again is one of those complemental series so often

referred to already; it is certainly the strangest of all those we have

encountered. Whence comes the necessity for these phantasies, and the

material for them? There can be no doubt about the instinctive sources;

but how is it to be explained that the same phantasies are always formed

with the same content? I have an answer to this which I know will seem

to you very daring. I believe that these _primal phantasies_ (as I

should like to name these, and certainly some others also) are a

phylogenetic possession. In them the individual, wherever his own

experience has become insufficient, stretches out beyond it to the

experience of past ages. It seems to me quite possible that all that

to-day is narrated in analysis in the form of phantasy, seduction in

childhood, stimulation of sexual excitement upon observation of parental

coitus, the threat of castration—or rather, castration itself—was in

prehistoric periods of the human family a reality; and that the child in

its phantasy simply fills out the gaps in its true individual

experiences with true prehistoric experiences. We have again and again

been led to suspect that more knowledge of the primordial forms of human

development is stored up for us in the psychology of the neuroses than

in any other field we may explore.

Now these things that we have been discussing require us to consider

more closely the origin and meaning of that mental activity called

“phantasy-making.” In general, as you know, it enjoys high esteem,

although its place in mental life has not been clearly understood. I can

tell you as much as this about it. You know that the Ego in man is

gradually trained by the influence of external necessity to appreciate

reality and to pursue the reality-principle, and that in so doing it

must renounce temporarily or permanently various of the objects and

aims—not only sexual—of its desire for pleasure. But renunciation of

pleasure has always been very hard to man; he cannot accomplish it

without some kind of compensation. Accordingly he has evolved for

himself a mental activity in which all these relinquished sources of

pleasure and abandoned paths of gratification are permitted to continue

their existence, a form of existence in which they are free from the

demands of reality and from what we call the exercise of ‘testing

reality.’ Every longing is soon transformed into the idea of its

fulfilment; there is no doubt that dwelling upon a wish-fulfilment in

phantasy brings satisfaction, although the knowledge that it is not

reality remains thereby unobscured. In phantasy, therefore, man can

continue to enjoy a freedom from the grip of the external world, one

which he has long relinquished in actuality. He has contrived to be

alternately a pleasure-seeking animal and a reasonable being; for the

meagre satisfaction that he can extract from reality leaves him

starving. “There is no doing without accessory constructions,” said

Fontane. The creation of the mental domain of phantasy has a complete

counterpart in the establishment of “reservations” and “nature-parks” in

places where the inroads of agriculture, traffic, or industry threaten

to change the original face of the earth rapidly into something

unrecognizable. The “reservation” is to maintain the old condition of

things which has been regretfully sacrificed to necessity everywhere

else; there everything may grow and spread as it pleases, including what

is useless and even what is harmful. The mental realm of phantasy is

also such a reservation reclaimed from the encroaches of the

reality-principle.

The best-known productions of phantasy have already been met by us; they

are called day-dreams, and are imaginary gratifications of ambitious,

grandiose, erotic wishes, dilating the more extravagantly the more

reality admonishes humility and patience. In them is shown unmistakably

the essence of imaginary happiness, the return of gratification to a

condition in which it is independent of reality’s sanction. We know that

these day-dreams are the kernels and models of night-dreams;

fundamentally the night-dream is nothing but a day-dream distorted by

the nocturnal form of mental activity and made possible by the nocturnal

freedom of instinctive excitations. We are already familiar with the

idea that a day-dream is not necessarily conscious, that unconscious

day-dreams also exist; such unconscious day-dreams are therefore just as

much the source of night-dreams as of neurotic symptoms.

The significance of phantasy for symptom-formation will become clear to

you in what follows. We said that under privation the Libido

regressively invests the positions it had left, but to which

nevertheless some portions of its energy had remained attached. We shall

not retract or correct this statement, but we shall have to interpolate

a connecting-link in it. How does the Libido find its way back to these

fixation-points? Now the objects and channels which have been forsaken

by the Libido have not been forsaken in every sense; they, or their

derivatives, are still retained to some degree of intensity in the

conceptions of phantasy. The Libido has only to withdraw on to the

phantasies in order to find the way open to it back to all the repressed

fixations. These phantasies had enjoyed a certain sort of toleration; no

conflict between them and the Ego had developed, however sharp an

opposition there was between them, as long as a certain condition was

preserved—a condition of a _quantitative_ nature, now disturbed by the

return of the Libido-stream on to the phantasies. By this accession, the

investment of the phantasies with energy becomes so much augmented that

they become assertive and begin to press towards realization; then,

however, conflict between them and the Ego becomes unavoidable. Although

previously they were preconscious or conscious, now they are subject to

repression from the side of the Ego and are exposed to the attraction

exerted from the side of the Unconscious. The Libido travels from the

phantasies, now unconscious, to their sources in the Unconscious—back to

its own fixation-points again.

The return of the Libido on to phantasy is an intermediate step on the

way to symptom-formation which well deserves a special designation. C.

G. Jung has coined for it the very appropriate name of INTROVERSION, but

inappropriately he uses it also to describe other things. We will adhere

to the position that _introversion_ describes the deflection of the

Libido away from the possibilities of real satisfaction and its

excessive accumulation upon phantasies previously tolerated as harmless.

An introverted person is not yet neurotic, but he is in an unstable

condition; the next disturbance of the shifting forces will cause

symptoms to develop, unless he can yet find other outlets for his

pent-up Libido. The unreal character of neurotic satisfaction and the

disregard of the difference between phantasy and reality are already

determined by the delay at this stage of introversion.

You will doubtless have noticed that in these last remarks I have

introduced a new factor into the concatenation of the ætiological

chain—namely, the _quantity_, the magnitude of the energies concerned;

we must always take this factor into account as well. A purely

qualitative analysis of the ætiological conditions does not suffice; or,

to put it in another way, a purely _dynamic_ conception of these

processes is insufficient, the _economic_ aspect is also required. We

have to realize that the conflict between the two forces in opposition

does not break out until a certain intensity in the degree of investment

is reached, even though the substantive conditions have long been in

existence. In the same way, the pathogenic significance of the

constitutional factor is determined by the preponderance of one of the

component-instincts in _excess_ over another in the disposition; it is

even possible to conceive disposition as qualitatively the same in all

men and only differentiated by this quantitative factor. No less

important is this quantitative factor for the capacity to withstand

neurotic illness; it depends upon the _amount_ of undischarged Libido

that a person can hold freely suspended, and upon _how large_ a portion

of it he can deflect from the sexual to a non-sexual goal in

sublimation. The final aim of mental activity, which can be

qualitatively described as a striving towards pleasure and avoidance of

pain, is represented economically in the task of mastering the

distribution of the quantities of excitation (stimulus-masses) present

in the mental apparatus, and in preventing the accumulation of them

which gives rise to pain.

I set out to tell you as much as this about symptom-formation in the

neuroses. Yes, but I must not neglect to mention once more that

everything said to-day relates only to symptom-formation in hysteria.

Even the obsessional neurosis shows great differences, although the

essentials are the same. The ‘counter-charges’ from the Ego against the

demands made by instincts for satisfaction, mentioned already in

connection with hysteria, are more strongly marked in the obsessional

neurosis and govern the clinical picture in the form of what we call

‘reaction-formations.’ Similar and more extensive deviations still are

found in the other neuroses, in which field researches into the

mechanisms of symptom-formation are not yet complete in any direction.

Before you leave to-day I should like to direct your attention for a

moment to a side of phantasy-life of very general interest. There is, in

fact, a path from phantasy back again to reality, and that is—art. The

artist has also an introverted disposition and has not far to go to

become neurotic. He is one who is urged on by instinctive needs which

are too clamorous; he longs to attain to honour, power, riches, fame,

and the love of women; but he lacks the means of achieving these

gratifications. So, like any other with an unsatisfied longing, he turns

away from reality and transfers all his interest, and all his Libido

too, on to the creation of his wishes in the life of phantasy, from

which the way might readily lead to neurosis. There must be many factors

in combination to prevent this becoming the whole outcome of his

development; it is well known how often artists in particular suffer

from partial inhibition of their capacities through neurosis. Probably

their constitution is endowed with a powerful capacity for sublimation

and with a certain flexibility in the repressions determining the

conflict. But the way back to reality is found by the artist thus: He is

not the only one who has a life of phantasy; the intermediate world of

phantasy is sanctioned by general human consent, and every hungry soul

looks to it for comfort and consolation. But to those who are not

artists the gratification that can be drawn from the springs of phantasy

is very limited; their inexorable repressions prevent the enjoyment of

all but the meagre day-dreams which can become conscious. A true artist

has more at his disposal. First of all he understands how to elaborate

his day-dreams, so that they lose that personal note which grates upon

strange ears and become enjoyable to others; he knows too how to modify

them sufficiently so that their origin in prohibited sources is not

easily detected. Further, he possesses the mysterious ability to mould

his particular material until it expresses the ideas of his phantasy

faithfully; and then he knows how to attach to this reflection of his

phantasy-life so strong a stream of pleasure that, for a time at least,

the repressions are out-balanced and dispelled by it. When he can do all

this, he opens out to others the way back to the comfort and consolation

of their own unconscious sources of pleasure, and so reaps their

gratitude and admiration; then he has won—through his phantasy—what

before he could only win in phantasy: honour, power, and the love of

women.

TWENTY-FOURTH LECTURE

ORDINARY NERVOUSNESS

After such a difficult piece of work as we got through in our last

lecture I shall leave the subject for a time and turn to my audience.

For I know that you are dissatisfied. You imagined that _Introductory

Lectures on Psycho-Analysis_ would be something quite different. You

expected illustrations from life instead of theories; you will tell me

that the story of the two children, on the ground-floor and in the

mansion, revealed something of the causation of neurosis to you, except

that it ought to have been an actual fact instead of an invention of my

own. Or you will say that, when at the beginning I described two

symptoms to you (not also imaginary, let us hope), and unfolded the

solution of them and their connection with the lives of the patients, it

threw some light on the meaning of symptoms, and you had hoped I would

continue in the same way. Instead of doing so I gave you long-drawn-out

and very obscure theories which were never complete, and to which I was

constantly adding something; I dealt with conceptions which I had not

yet introduced to you; I let go of descriptive explanation and took up

the dynamic aspect and dropped this again for a so-called economic one;

made it difficult for you to understand how many of these technical

terms mean the same thing and are only exchanged for one another on

account of euphony; I let vast conceptions, such as those of the

pleasure and reality principles, and the inherited residue of

phylogenetic development, appear, and then instead of explaining

anything to you I let them drift away before your eyes out of sight.

Why did I not begin the introduction to the study of the neuroses with

what you all know of nervousness, a thing that has long roused your

interest, or with the peculiar nature of nervous persons, their

incomprehensible reactions to human intercourse and external influences,

their excitability, their unreliability, and their inability to do well

in anything? Why not lead you step by step from an explanation of the

simple everyday forms of nervousness to the problems of the enigmatic

extreme manifestations?

Indeed, I cannot deny any of this or say that you are wrong. I am not so

much in love with my powers of presentation as to imagine that every

blemish in it is a peculiar charm. I think myself that I might with

advantage to you have proceeded differently, and, indeed, such was my

intention. But one cannot always carry through a reasoned scheme;

something in the material itself often intervenes and takes possession

of one and turns one from one’s first intentions. Even such an ordinary

task as the arrangement of familiar material is not entirely subject to

the author’s will; it comes out in its own way and one can but wonder

afterwards why it happened so and not otherwise.

One of the reasons probably is that my theme, an introduction to

psycho-analysis, no longer covers this section dealing with the subject

of the neuroses. The introduction to psycho-analysis lies in the study

of errors and of dreams; the theory of neurosis is psycho-analysis

itself. I do not think that in such a short time I could have given you

any knowledge of the material contained in the theory of the neuroses

except in this very concentrated form. It was a matter of presenting to

you in their proper context the sense and meaning of symptoms, together

with the external and internal conditions and mechanisms of

symptom-formation. This I attempted to do; it is more or less the core

of what psycho-analysis is able to offer to-day. In conjunction with it

there was much to be said about the Libido and its development, and

something about that of the Ego. You were already prepared by the

preliminary lectures for the main principles of our method and for the

broad aspects involved in the conceptions of the Unconscious and of

repression (resistance). In one of the following lectures you will learn

at what point the work of psycho-analysis finds its organic

continuation. So far I have not concealed from you that all our results

proceed from the study of one single group only of nervous

disorders—namely, the transference neuroses; and even so I have traced

out the mechanism of symptom-formation only in the hysterical neurosis.

Though you will probably have gained no very thorough knowledge and have

not retained every detail, yet I hope that you have acquired a general

idea of the means with which psycho-analysis works, the problems it has

to deal with, and the results it has to offer.

I have ascribed to you a wish that I had begun the subject of the

neuroses with a description of the neurotic’s behaviour, and of the ways

in which he suffers from his disorder, protects himself against it, and

adapts himself to it. This is certainly a very interesting subject, well

worth studying, and not difficult to treat; nevertheless there are

reasons against beginning with this aspect. The danger is that the

Unconscious will be overlooked, the great importance of the Libido

ignored, and that everything will be judged as it appears to the

patient’s own Ego. Now it is obvious that his Ego is not a reliable and

impartial authority. The Ego is after all the force which denies the

existence of the Unconscious and has subjected it to repressions; how

then can we trust its good faith where the Unconscious is concerned?

That which has been repressed consists first and foremost of the

repudiated claims of the sexuality; it is perfectly self-evident that we

shall never learn their extent and their significance from the Ego’s

view of the matter. As soon as the nature of repression begins to dawn

upon us we are advised not to allow one of the two contending parties,

and certainly not the victorious one, to be judge in the dispute. We are

forewarned against being misled by what the Ego tells us. According to

its evidence it would appear to have been the active force throughout,

so that the symptoms arise by its will and agency; we know that to a

large extent it has played a passive part, a fact which it then

endeavours to conceal and to gloss over. It is true that it cannot

always keep up this pretence—in the symptoms of the obsessional neurosis

it has to confess to being confronted by something alien which it must

strenuously resist.

It is certainly plain sailing enough for anyone who does not heed these

warnings against taking the falsifications of the Ego at their

face-value; he will escape all the opposition which psycho-analysis has

to encounter in accentuating the Unconscious, sexuality, and the

passivity of the Ego. He can agree with Alfred Adler that the “nervous

character” is the cause of the neurosis, instead of the result; but he

will not be in a position to account for a single detail of

symptom-formation or a single dream.

You will ask: May it not be possible to do justice to the part played by

the Ego in nervousness and in symptom-formation without absolutely

glaring neglect of the other factors discovered by psycho-analysis? I

reply: Certainly it must be possible, and some time or other it will be

done; but the work which lies at hand for psycho-analysis is not suited

for a beginning at this end. One can, no doubt, predict the point at

which this task also will be included. There are neuroses, called by us

the _narcissistic_ neuroses, in which the Ego is far more deeply

involved than in those we have studied; analytic investigation of these

disorders will enable us to estimate impartially and reliably the share

taken by the Ego in neurotic disease.

One of the relations the Ego bears to its neurosis is, however, so

conspicuous that it was quite appreciable from the beginning. It never

seems to be absent; but it is most clearly discernible in a form of

disorder which we are far from understanding, the traumatic neurosis.

You must know that in the causation and mechanism of all the various

different forms of neurosis the same factors are found at work over and

over again, only that in one type this factor and in another type that

factor is of greatest significance in symptom-formation. It is just the

same as with the personnel of a theatrical company, where every member

plays a special type of part—hero, confidant, villain, etc; each of them

will choose a different piece for his own benefit-performance. Hence,

the phantasies which are transformed into the symptoms are nowhere so

manifest as in hysteria; the ‘counter-charges’ or reaction-formations of

the Ego dominate the picture in the obsessional neurosis; the mechanism

which in dreams we called ‘secondary elaboration’ is the prominent

feature in the delusions of paranoia, and so on.

In the _traumatic neuroses_, especially in those arising from the

terrors of war, we are particularly impressed by a self-seeking,

egoistic motive, a straining towards protection and self-interest; this

alone perhaps could not produce the disease, but it gives its support to

the latter and maintains it once it has been formed. This tendency aims

at protecting the Ego from the dangers which led by their imminence to

the outbreak of illness; nor does it permit of recovery until a

repetition of the dangers appear to be no longer possible, or until some

gain in compensation for the danger undergone has been received.

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