Imagination

Before we can clearly understand how baleful is this condition of

intimidation in which we live, it is necessary to clear up the confusion

made by our use of the word imagination to denote two very different

powers of mind. One is the power to imagine things as they are not:

this I call the romantic imagination. The other is the power to imagine

things as they are without actually sensing them; and this I will call

the realistic imagination. Take for example marriage and war. One man

has a vision of perpetual bliss with a domestic angel at home, and of

flashing sabres, thundering guns, victorious cavalry charges, and routed

enemies in the field. That is romantic imagination; and the mischief it

does is incalculable. It begins in silly and selfish expectations of

the impossible, and ends in spiteful disappointment, sour grievance,

cynicism, and misanthropic resistance to any attempt to better a

hopeless world. The wise man knows that imagination is not only a means

of pleasing himself and beguiling tedious hours with romances and fairy

tales and fools' paradises (a quite defensible and delightful amusement

when you know exactly what you are doing and where fancy ends and facts

begin), but also a means of foreseeing and being prepared for realities

as yet unexperienced, and of testing the possibility and desirability of

serious Utopias. He does not expect his wife to be an angel; nor does he

overlook the facts that war depends on the rousing of all the murderous

blackguardism still latent in mankind; that every victory means a

defeat; that fatigue, hunger, terror, and disease are the raw material

which romancers work up into military glory; and that soldiers for the

most part go to war as children go to school, because they are afraid

not to. They are afraid even to say they are afraid, as such candor is

punishable by death in the military code.

A very little realistic imagination gives an ambitious person enormous

power over the multitudinous victims of the romantic imagination. For

the romancer not only pleases himself with fictitious glories: he also

terrifies himself with imaginary dangers. He does not even picture what

these dangers are: he conceives the unknown as always dangerous. When

you say to a realist "You must do this" or "You must not do that," he

instantly asks what will happen to him if he does (or does not, as the

case may be). Failing an unromantic convincing answer, he does just as

he pleases unless he can find for himself a real reason for refraining.

In short, though you can intimidate him, you cannot bluff him. But

you can always bluff the romantic person: indeed his grasp of real

considerations is so feeble that you find it necessary to bluff him even

when you have solid considerations to offer him instead. The campaigns

of Napoleon, with their atmosphere of glory, illustrate this. In

the Russian campaign Napoleon's marshals achieved miracles of bluff,

especially Ney, who, with a handful of men, monstrously outnumbered,

repeatedly kept the Russian troops paralyzed with terror by pure

bounce. Napoleon himself, much more a realist than Ney (that was why

he dominated him), would probably have surrendered; for sometimes the

bravest of the brave will achieve successes never attempted by the

cleverest of the clever. Wellington was a completer realist than

Napoleon. It was impossible to persuade Wellington that he was beaten

until he actually was beaten. He was unbluffable; and if Napoleon had

understood the nature of Wellington's strength instead of returning

Wellington's snobbish contempt for him by an academic contempt for

Wellington, he would not have left the attack at Waterloo to Ney and

D'Erlon, who, on that field, did not know when they were beaten, whereas

Wellington knew precisely when he was not beaten. The unbluffable

would have triumphed anyhow, probably, because Napoleon was an academic

soldier, doing the academic thing (the attack in columns and so forth)

with superlative ability and energy; whilst Wellington was an original

soldier who, instead of outdoing the terrible academic columns with

still more terrible and academic columns, outwitted them with the thin

red line, not of heroes, but, as this uncompromising realist never

hesitated to testify, of the scum of the earth.

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