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IN THE HEART OF THE VOSGES
[Illustration]
AND OTHER SKETCHES BY A "DEVIOUS TRAVELLER"
BY
MISS BETHAM-EDWARDS
OFFICIER DE L'INSTRUCTION PUBLIQUE DE FRANCE
_WITH ILLUSTRATIONS BY SPECIAL PERMISSION_
1911
"I travel not to look for Gascons in Sicily. I have left them at
home."--Montaigne.
PREFATORY NOTE
Some of these sketches now appear for the first time, others have been
published serially, whilst certain portions, curtailed or enlarged
respectively, are reprinted from a former work long since out of print.
Yet again I might entitle this volume, "Scenes from Unfrequented France,"
many spots being here described by an English traveller for the first
time.
My warmest thanks are due to M. Maurice Barrès for permission to
reproduce two illustrations by M. Georges Conrad from his famous romance,
_Au Service de l'Allemagne_; also to M. André Hallays for the use of
two views from his _À Travers l'Alsace_; and to the publishers of
both authors, MM. Fayard and Perrin, for their serviceableness in the
matter.
Nor must I omit to acknowledge my indebtedness to Messrs. Sampson Low &
Co., to whom I owe the reproduction of Gustave Doré's infantine _tours
de force_; and to Messrs. Rivington, who have allowed large reprints
from the work published by them over twenty years ago.
And last but not least, I thank the Rev. Albert Cadier, the son of my old
friend, the much respected pastor of Osse, for the loan of his charming
photographs.
CONTENTS
CHAP.
I GÉRARDMER AND ITS ENVIRONS
II THE CHARM OF ALSACE
III IN GUSTAVE DORÉ'S COUNTRY
IV FROM BARR TO STRASBURG
V THE "MARVELLOUS BOY" OF ALSACE
VI QUISSAC AND SAUVE
VII AN IMMORTALIZER
VIII TOULOUSE
IX MONTAUBAN, OR INGRES-VILLE
X MY PYRENEAN VALLEY AT LAST
XI AN OLIVE FARM IN THE VAR
XII PESSICARZ AND THE SUICIDES' CEMETERY
XIII GUEST OF FARMER AND MILLER
XIV LADY MERCHANTS AND SOCIALIST MAYORS
LIST OF ILLUSTRATIONS
ST. ODILE
PROVINS, GENERAL VIEW
PROVINS, THE CAPITOL
PROVINS, THE CITY WALLS
GÉRARDMER
A VOSGIAN SCENE
CIRQUE DE RETOURNEMER
THE PINNACLE OF ODILE
ETTENHEIM
COLMAR
GUSTAVE DORÉ, INFANTINE SKETCH
GUSTAVE DORÉ, DO
OSSE
NEAR THE SPANISH FRONTIER
ORCUM
ARRAS, LA PETITE PLACE
I
GÉRARDMER AND ENVIRONS
[Illustration: PROVINS, GENERAL VIEW]
The traveller bound to eastern France has a choice of many routes, none
perhaps offering more attractions than the great Strasburg line by way of
Meaux, Châlons-sur-Marne, Nancy, and Épinal. But the journey must be made
leisurely. The country between Paris and Meaux is deservedly dear to
French artists, and although Champagne is a flat region, beautiful only
by virtue of fertility and highly developed agriculture, it is rich in
old churches and fine architectural remains. By the Troyes-Belfort route,
Provins may be visited. This is, perhaps, the most perfect specimen of
the mediaeval walled-in town in France. To my thinking, neither
Carcassonne, Semur nor Guérande surpass Hégésippe Moreau's little
birthplace in beauty and picturesqueness. The acropolis of Brie also
possesses a long and poetic history, being the seat of an art-loving
prince, and the haunt of troubadours. A word to the epicure as well as
the archaeologist. The bit of railway from Châlons-sur-Marne to Nancy
affords a series of gastronomic delectations. At Épernay travellers are
just allowed time to drink a glass of champagne at the buffet, half a
franc only being charged. At Bar-le-Duc little neatly-packed jars of the
raspberry jam for which the town is famous are brought to the doors of
the railway carriage. Further on at Commercy, you are enticed to regale
upon unrivalled cakes called "Madeleines de Commercy," and not a town, I
believe, of this favoured district is without its speciality in the shape
of delicate cates or drinks.
Châlons-sur-Marne, moreover, possesses one of the very best hotels in
provincial France--the hotel with the queer name--another inducement for
us to idle on the way. The town itself is in no way remarkable, but it
abounds in magnificent old churches of various epochs--some falling into
decay, others restored, one and all deserving attention. St. Jean is
especially noteworthy, its beautiful interior showing much exquisite
tracery and almost a fanciful arrangement of transepts. It is very rich
in good modern glass. But the gem of gems is not to be found in Châlons
itself; more interesting and beautiful than its massive cathedral and
church of Notre Dame, than St. Jean even, is the exquisite church of
Notre Dame de l'Épine, situated in a poor hamlet a few miles beyond the
octroi gates. We have here, indeed, a veritable cathedral in a
wilderness, nothing to be imagined more graceful than the airy open
colonnades of its two spires, light as a handful of wheat ears loosely
bound together. The colour of the grey stone gives solemnity to the rest
of the exterior, which is massive and astonishingly rich in the grotesque
element. We carefully studied the gargoyles round the roof, and, in spite
of defacements, made out most of them--here a grinning demon with a
struggling human being in its clutch--there an odd beast, part human,
part pig, clothed in a kind of jacket, playing a harp--dozens of comic,
hideous, heterogeneous figures in various attitudes and travesties.
[Illustration: Provins, The Capitol]
Notre Dame de l'Épine--originally commemorative of a famous shrine--has
been restored, and purists in architecture will pass it by as an
achievement of Gothic art in the period of its decline, but it is
extremely beautiful nevertheless. On the way from Châlons-sur-Marne to
Nancy we catch glimpses of other noble churches that stand out from the
flat landscape as imposingly as Ely Cathedral. These are Notre Dame of
Vitry le François and St. Étienne of Toul, formerly a cathedral, both
places to be stopped at by leisurely tourists.
The fair, the _triste_ city of Nancy! There is an indescribable charm
in the sad yet stately capital of ancient Lorraine. No life in its
quiet streets, no movement in its handsome squares, nevertheless Nancy
is one of the wealthiest, most elegant cities in France! Hither
flocked rich Alsatian families after the annexation of Alsace-Lorraine,
and perhaps its proximity to the lost provinces in part accounts for the
subdued, dreamy aspect of the place as a whole. A strikingly beautiful
city it is, with its splendid monuments of the house of Lorraine, and
handsome modern streets bearing evidence of much prosperity in these
days. In half-an-hour you may get an unforgettable glimpse of the Place
Stanislas, with its bronze gates, fountains, and statue, worthy of a great
capital; of the beautiful figure of Duke Antonio of Lorraine, on
horseback, under an archway of flamboyant Gothic; of the Ducal Palace and
its airy colonnade; lastly, of the picturesque old city gate, the Porte
de la Craffe, one of the most striking monuments of the kind in France.
All these things may be glanced at in an hour, but in order to enjoy
Nancy thoroughly a day or two should be devoted to it, and here, as at
Châlons-sur-Marne, creature comforts are to be had in the hotels. In the
Ducal Palace are shown the rich tapestries found in the tent of Charles
le Téméraire after his defeat before Nancy, and other relics of that
Haroun-al-Raschid of his epoch, who bivouacked off gold and silver plate,
and wore on the battlefield diamonds worth half a million. In a little
church outside the town, commemorative of this victory, are collected the
cenotaphs of the Dukes of Lorraine--the _chapelle ronde_, as the
splendid little mausoleum is designated--with its imposing monuments in
black marble, and richly-decorated octagonal dome, making up a solemn and
beautiful whole. Graceful and beautiful also are the monuments in the
church itself, and those of another church, Des Cordeliers, close to the
Ducal Palace.
[Illustration: PROVINS, THE CITY WALLS]
Nancy is especially rich in monumental sculpture, but it is in the
cathedral that we are to be fairly enchanted by the marble statues of the
four doctors of the church--St. Augustine, St. Grégoire, St. Léon, and
St. Jerome. These are the work of Nicolas Drouin, a native of Nancy, and
formerly ornamented a tomb in the church of the Cordeliers just
mentioned. The physiognomy, expression, and pose of St. Augustine are
well worthy of a sculptor's closest study, but it is rather as a whole
than in detail that this exquisite statue delights the ordinary observer.
All four sculptures are noble works of art; the fine, dignified figure of
St. Augustine somehow takes strongest hold of the imagination. We would
fain return to it again and again, as indeed we would fain return to all
else we have seen in the fascinating city of Nancy. From Nancy by way of
Épinal we may easily reach the heart of the Vosges.
[Illustration: GÉRARDMER]
How sweet and pastoral are these cool resting-places in the heart of the
Vosges! Gérardmer and many another as yet unfrequented by the tourist
world, and unsophisticated in spite of railways and bathing seasons. The
Vosges has long been a favourite playground of our French neighbours,
although ignored by the devotees of Cook and Gaze, and within late years,
not a rustic spot possessed of a mineral spring but has become
metamorphosed into a second Plombières. Gérardmer--"_Sans Gérardmer et
un peu Nancy, que serait la Lorraine?_" says the proverb--is resorted
to, however, rather for its rusticity and beauty than for any curative
properties of its sparkling waters. Also in some degree for the sake of
urban distraction. The French mind when bent on holiday-making is social
in the extreme, and the day spent amid the forest nooks and murmuring
streams of Gérardmer winds up with music and dancing. One of the chief
attractions of the big hotel in which we are so wholesomely housed is
evidently the enormous salon given up after dinner to the waltz, country
dance, and quadrille. Our hostess with much ease and tact looks in,
paying her respects, to one visitor after another, and all is enjoyment
and mirth till eleven o'clock, when the large family party, for so our
French fellowship may be called, breaks up. These socialities, giving as
they do the amiable aspect of French character, will not perhaps
constitute an extra charm of Gérardmer in the eyes of the more morose
English tourist. After many hours spent in the open air most of us prefer
the quiet of our own rooms. The country, too, is so fresh and delicious
that we want nothing in the shape of social distraction. Drawing-room
amenities seem a waste of time under such circumstances. Nevertheless the
glimpses of French life thus obtained are pleasant, and make us realize
the fact that we are off the beaten track, living among French folks, for
the time separated from insular ways and modes of thought. Our fellowship
is a very varied and animated one. We number among the guests a member of
the French ministry--a writer on the staff of Figaro--a grandson of one
of the most devoted and unfortunate generals of the first Napoleon, known
as "the bravest of the brave," with his elegant wife--the head of one of
the largest commercial houses in eastern France--deputies, diplomats,
artists, with many family parties belonging to the middle and upper ranks
of society, a very strong Alsatian element predominating. Needless to add
that people make themselves agreeable to each other without any
introduction. For the time being at least distinctions are set aside, and
fraternity is the order of the day.
I do not aver that my country-people have never heard of Gérardmer, but
certainly those who stray hither are few and far between. Fortunately for
the lover of nature no English writer has as yet popularized the Vosges.
An Eden-like freshness pervades its valleys and forests, made ever
musical with cascades, a pastoral simplicity characterizes its
inhabitants. Surely in no corner of beautiful France can any one worn out
in body or in brain find more refreshment and tranquil pleasure!
It is only of late years that the fair broad valley of Gérardmer and its
lovely little lake have been made accessible by railway. Indeed, the
popularity of the Vosges and its watering-places dates from the late
Franco-German war. Rich French valetudinarians, and tourists generally,
have given up Wiesbaden and Ems from patriotic motives, and now spend
their holidays and their money on French soil. Thus enterprise has been
stimulated in various quarters, and we find really good accommodation in
out-of-the-way spots not mentioned in guide-books of a few years' date.
Gérardmer is now reached by rail in two hours from Épinal, on the great
Strasburg line, but those who prefer a drive across country may approach
it from Plombières, Remiremont, Colmar and Münster, and other attractive
routes. Once arrived at Gérardmer, the traveller will certainly not care
to hurry away. No site in the Vosges is better suited for excursionizing
in all directions, and the place itself is full of quiet charm. There is
wonderful sweetness and solace in these undulating hill-sides, clothed
with brightest green, their little tossing rivers and sunny glades all
framed by solemn hills--I should rather say mountains--pitchy black with
the solemn pine. You may search far and wide for a picture so engaging as
Gérardmer when the sun shines, its gold-green slopes sprinkled with white
châlets, its red-roofed village clustered about a rustic church tower,
and at its feet the loveliest little lake in the world, from which rise
gently the fir-clad heights.
And no monotony! You climb the inviting hills and woods day by day, week
after week, ever to find fresh enchantment. Not a bend of road or winding
mountain-path but discloses a new scene--here a fairy glen, with graceful
birch or alder breaking the expanse of dimpled green; there a spinny of
larch or of Scotch fir cresting a verdant monticule; now we come upon a
little Arcadian home nestled on the hill-side, the spinning-wheel hushed
whilst the housewife turns her hay or cuts her patch of rye or wheat
growing just outside her door. Now we follow the musical little river
Vologne as it tosses over its stony bed amid banks golden with yellow
loosestrife, or gently ripples amid fair stretches of pasture starred
with the grass of Parnassus. The perpetual music of rushing, tumbling,
trickling water is delightful, and even in hot weather, if it is ever
indeed hot here, the mossy banks and babbling streams must give a sense
of coolness. Deep down, entombed amid smiling green hills and frowning
forest peaks, lies the pearl of Gérardmer, its sweet lake, a sheet of
turquoise in early morn, silvery bright when the noon-day sun flashes
upon it, and on grey, sunless days gloomy as Acheron itself.
[Illustration: A VOSGIAN SCENE]
Travellers stinted for time cannot properly enjoy the pastoral scenes,
not the least charm of which is the frank, pleasant character of the
people. Wherever we go we make friends and hear confidences. To these
peasant folks, who live so secluded from the outer world, the annual
influx of visitors from July to September is a positive boon, moral as
well as material. The women are especially confidential, inviting us into
their homely yet not poverty-stricken kitchens, keeping us as long as
they can whilst they chat about their own lives or ask us questions. The
beauty, politeness, and clear direct speech of the children, are
remarkable. Life here is laborious, but downright want I should say rare.
As in the Jura, the forest gorges and park-like solitudes are disturbed
by the sound of hammer and wheel, and a tall factory chimney not
infrequently spoils a wild landscape. The greater part of the people
gain, their livelihood in the manufactories, very little land here being
suitable for tillage.
Gérardmer is famous for its cheeses; another local industry is turnery
and the weaving of linen, the linen manufactories employing many hands,
whilst not a mountain cottage is without its handloom for winter use.
Weaving at home is chiefly resorted to as a means of livelihood in
winter, when the country is covered with snow and no out-door occupations
are possible. Embroidery is also a special fabric of the Vosges, but its
real wealth lies in mines of salt and iron, and mineral waters.
One chief feature in Gérardmer is the congeries of handsome buildings
bearing the inscription _"École Communale"_ and how stringently the
new educational law is enforced throughout France may be gathered from
the spectacle of schoolboys at drill. We saw three squadrons, each under
the charge of a separate master, evidently made up from all classes of
the community. Some of the boys were poorly, nay, miserably, clad,
others wore good homely clothes, a few were really well dressed.
Our first week at Gérardmer was wet and chilly. Fires and winter clothes
would have been acceptable, but at last came warmth and sunshine, and we
set off for the Col de la Schlucht, the grandest feature of the Vosges,
and the goal of every traveller in these regions.
[Illustration: CIRQUE DE RETOURNEMER]
There is a strange contrast between the calm valley of Gérardmer, a
little haven of tranquil loveliness and repose, and the awful solitude
and austerity of the Schlucht, from which it is separated by a few hours
only. Not even a cold grey day can turn Gérardmer into a dreary place,
but in the most brilliant sunshine this mountain pass is none the less
majestic and solemn. One obtains the sense of contrast by slow degrees,
so that the mind is prepared for it and in the mood for it. The acme, the
culminating point of Vosges scenery is thus reached by a gradually
ascending scale of beauty and grandeur from the moment we quit Gérardmer,
till we stand on the loftiest summit of the Vosges chain, dominating the
Schlucht. For the first half-hour we skirt the alder-fringed banks of the
tossing, foaming little river Vologne, as it winds amid lawny spaces, on
either side the fir-clad ridges rising like ramparts. Here all is
gentleness and golden calm, but soon we quit this warm, sunny region, and
enter the dark forest road curling upwards to the airy pinnacle to which
we are bound. More than once we have to halt on our way. One must stop to
look at the cascade made by the Vologne, never surely fuller than now,
one of the prettiest cascades in the world, masses of snow-white foam
tumbling over a long, uneven stair of granite through the midst of a
fairy glen. The sound of these rushing waters is long in our ears as we
continue to climb the splendid mountain road that leads to the Schlucht,
and nowhere else. From a giddy terrace cut in the sides of the shelving
forest ridge we now get a prospect of the little lakes of Longuemer and
Retournemer, twin gems of superlative loveliness in the wildest
environment. Deep down they lie, the two silvery sheets of water with
their verdant holms, making a little world of peace and beauty, a toy
dropped amid Titanic awfulness and splendour. The vantage ground is on
the edge of a dizzy precipice, but the picture thus sternly framed is too
exquisite to be easily abandoned. We gaze and gaze in spite of the vast
height from which we contemplate it; and when at last we tear ourselves
away from the engaging scene, we are in a region all ruggedness and
sublimity, on either side rocky scarps and gloomy forests, with reminders
by the wayside that we are approaching an Alpine flora. Nothing can be
wilder or more solitary than the scene. For the greater part, the forests
through which our road is cut are unfrequented, except by the wild boar,
deer, and wild cat, and in winter time the fine mountain roads are
rendered impenetrable by the accumulation of snow.
This approach to the Col is by a tunnel cut in the granite, fit entrance
to one of the wildest regions in France. The road now makes a sudden bend
towards the châlet cresting the Col, and we are able in a moment to
realize its tremendous position.
From our little châlet we look upon what seems no mere cleft in a
mountain chain, but in the vast globe itself. This huge hollow, brought
about by some strange geological perturbation, is the valley of Münster,
no longer a part of French territory, but of Prussian Elsass. The road we
have come by lies behind us, but another as formidable winds under the
upper mountain ridge towards Münster, whilst the pedestrian may follow a
tiny green footpath that will lead him thither, right through the heart
of the pass. Looking deep down we discern here and there scattered
châlets amid green spaces far away. These are the homesteads or
_chaumes_ of the herdsmen, all smiling cheerfulness now, but
deserted in winter. Except for such little dwellings, barely
discernible, so distant are they, there is no break in the solitary
scene, no sign of life at all.
The châlet is a fair hostelry for unfastidious travellers, its chief
drawback being the propensity of tourists to get up at three o'clock in
the morning in order to behold the sunrise from the Hoheneck. Good beds,
good food, and from the windows, one of the finest prospects in the
world, might well tempt many to linger here in spite of the disturbance
above mentioned. For the lover of flowers this halting-place would be
delightful.
Next morning the day dawned fair, and by eight o'clock we set off with a
guide for the ascent of the Hoheneck, rather, I should say, for a long
ramble over gently undulating green and flowery ways. After climbing a
little beechwood, all was smoothness under our feet, and the long
_détour_ we had to make in order to reach the summit was a series of
the gentlest ascents, a wandering over fair meadow-land several thousand
feet above the sea-level. Here we found the large yellow gentian, used in
the fabrication of absinthe, and the bright yellow arnica, whilst instead
of the snow-white flower of the Alpine anemone, the ground was now
silvery with its feathery seed; the dark purple pansy of the Vosges was
also rare. We were a month too late for the season of flowers, but the
foxglove and the bright pink Epilobium still bloomed in great luxuriance.
It was a walk to remember. The air was brisk and genial, the blue sky
lightly flecked with clouds, the turf fragrant with wild thyme, and
before our eyes we had a panorama every moment gaining in extent and
grandeur. As yet indeed the scene, the features of which we tried to make
out, looked more like cloudland than solid reality. On clear days are
discerned here, far beyond the rounded summits of the Vosges chain, the
Rhine Valley, the Black Forest, the Jura range, and the snow-capped Alps.
To-day we saw grand masses of mountains piled one above the other, and
higher still a pageantry of azure and gold that seemed to belong to the
clouds.
No morning could promise fairer, but hardly had we reached the goal of
our walk when from far below came an ominous sound of thunder, and we saw
heavy rain-clouds dropping upon the heights we had left behind.
All hope of a fine prospect was now at an end, but instead we had a
compensating spectacle. For thick and fast the clouds came pouring into
one chasm after another, drifting in all directions, here a mere
transparent veil drawn across the violet hills, there a golden splendour
as of some smaller sun shining on a green little world. At one moment the
whole vast scene was blurred and blotted with chill winter mist; soon a
break was visible, and far away we gazed on a span of serene amethystine
sky, barred with lines of bright gold. Not one, but a dozen, horizons--a
dozen heavens--seemed there, whilst the thunder that reached us from
below seemed too remote to threaten. But at last the clouds gathered in
form and volume, hiding the little firmaments of violet and amber; the
bright blue sky, bending over the green oasis--all vanished as if by
magic. We could see no more, and nothing remained but to go back, and the
quicker the better. The storm, our guide said, was too far off to reach
us yet, and we might reach the châlet without being drenched to the skin,
as we fortunately did. No sooner, however, were we fairly under shelter
than the rain poured down in torrents and the thunder pealed overhead. In
no part of France are thunderstorms so frequent and so destructive as
here, nowhere is the climate less to be depended on. A big umbrella,
stout shoes, and a waterproof are as necessary in the Vosges as in our
own Lake district.
We had, however, a fine afternoon for our drive back, a quick downhill
journey along the edge of a tremendous precipice, clothed with
beech-trees and brushwood. A most beautiful road it is, and the two
little lakes looked lovely in the sunshine, encircled by gold-green
swards and a delicate screen of alder branches. Through pastures white
with meadow-sweet the turbulent, crystal-clear little river Vologne
flowed merrily, making dozens of tiny cascades, turning a dozen
mill-wheels in its course. All the air was fragrant with newly-turned
hay, and never, we thought, had Gérardmer and its lake made a more
captivating picture.
Excursions innumerable may be made from Gérardmer. We may drive across
country to Remiremont, to Plombières, to Wesserling, to Colmar, to St.
Dié, whilst these places in turn make very good centres for excursions.
On no account must a visit to La Bresse be omitted. This is one of the
most ancient towns in the Vosges. Like some of the villages in the Morvan
and in the department of La Nièvre, La Bresse remained till the
Revolution an independent commune, a republic in miniature. The heads of
families of both sexes took part in the election of magistrates, and from
this patriarchal legislation there was seldom any appeal to the higher
court--namely, that of Nancy. La Bresse is still a rich commune by
reason of its forests and industries. The sound of the mill-wheel and
hammer now disturbs these mountain solitudes, and although so isolated by
natural position, this little town is no longer cut off from cosmopolitan
influence. The little tavern is developing into a very fair inn. In the
summer tourists from all parts of France pass through it, in carriages,
on foot, occasionally on horseback. Most likely it now possesses a
railway station, a newspaper kiosk, and a big hotel, as at Gérardmer!
As we drop down upon La Bresse after our climb of two hours and more, we
seem to be at the world's end. Our road has led us higher and higher by
dense forests and wild granite parapets, tasselled with fern and
foxglove, till we suddenly wheel round upon a little straggling town
marvellously placed. Deep down it lies, amid fairy-like greenery and
silvery streams, whilst high above tower the rugged forest peaks and
far-off blue mountains, in striking contrast.
The sloping green banks, starred with the grass of Parnassus, and musical
with a dozen streams, the pastoral dwellings, each with its patch of
flower garden and croft; the glades, dells and natural terraces are all
sunny and gracious as can be; but round about and high above frown
inaccessible granite peaks, and pitchy-black forest summits, impenetrable
even at this time of the year. As we look down we see that roads have
been cut round the mountain sides, and that tiny homesteads are perched
wherever vantage ground is to be had, yet the impression is one of
isolation and wildness. The town lies in no narrow cleft, as is the case
with many little manufacturing towns in the Jura, but in a vast opening
and falling back of the meeting hills and mountain tops, so that it is
seen from far and wide, and long before it is approached. We had made the
first part of our journey at a snail's pace. No sooner were we on the
verge of the hills looking down upon La Bresse, than we set off at a
desperate rate, spinning breathlessly round one mountain spur after
another, till we were suddenly landed in the village street, dropped, as
it seemed, from a balloon.
A curious feature to be noted in all the places I have mentioned is the
outer wooden casing of the houses. This is done as a protection against
the cold, the Vosges possessing, with the Auvergne and the Limousin, the
severest climate in France. La Bresse, like Gérardmer and other sweet
valleys of these regions, is disfigured by huge factories, yet none can
regret the fact, seeing what well-being these industries bring to the
people. Beggars are numerous, but we are told they are strangers, who
merely invade these regions during the tourist season.
Remiremont, our next halting-place, may be reached by a pleasant carriage
drive, but the railway is more convenient to travellers encumbered with
half-a-dozen trunks. The railway, moreover, cuts right through the
beautiful valley of the Moselle--a prospect which is missed by road.
Remiremont is charming. We do not get the creature comforts of Gérardmer,
but by way of compensation we find a softer and more genial climate. The
engaging little town is indeed one of nature's sanatoriums. The streets
are kept clean by swift rivulets, and all the air is fragrant with
encircling fir-woods. Like Gérardmer and La Bresse, however, Remiremont
lies open to the sun. A belt of flowery dells, terraced orchards, and
wide pastures, amid which meanders the clear blue Moselle, girds it round
about, and no matter which path you take, it is sure to lead to inviting
prospects. The arcades lend a Spanish look to the town, and recall the
street architecture of Lons-le-Saunier and Arbois in the Jura. Flower
gardens abound, and the general atmosphere is one of prosperity and
cheerfulness.
The historic interest of this now dead-alive little town centres around
its lady abbesses, who for centuries held sovereign rule and state in
their abbatial palace, at the present time the Hôtel de Ville. These
high-born dames, like certain temporal rulers of the sex, loved battle,
and more than one _chanoinesse_, when defied by feudal neighbours,
mounted the breach and directed her people. One and all were of noble
birth, and many doubtless possessed the intellectual distinction and
personal charm of Renan's _Abbesse de Jouarre_.
There are beautiful walks about Remiremont, and one especial path amid
the fragrant fir-woods leads to a curious relic of ancient time--a little
chapel formerly attached to a Lazar-house. It now belongs to the
adjoining farm close by, a pleasant place, with flower-garden and
orchard. High up in the woods dominating the broad valley in which
Remiremont is placed are some curious prehistoric stones. But more
inviting than the steep climb under a burning sun--for the weather has
changed on a sudden--is the drive to the Vallée d'Hérival, a drive so
cool, so soothing, so delicious, that we fancy we can never feel heated,
languid, or irritated any more.
The isolated dwellings of the dalesfolk in the midst of tremendous
solitudes--little pastoral scenes such as Corot loved to paint--and
hemmed round by the sternest, most rugged nature, are one of the
characteristics of Vosges scenery. We also find beside tossing rivers and
glittering cascades a solitary linen factory or saw-mill, with the
modern-looking villa of the employer, and clustered round it the cottages
of the work-people. No sooner does the road curl again than we are once
more in a solitude as complete as if we were in some primeval forest of
the new world. We come suddenly upon the Vallée d'Hérival, but the deep
close gorge we gaze upon is only the beginning of the valley within
valley we have come to see. Our road makes a loop round the valley so
that we see it from two levels, and under two aspects. As we return,
winding upwards on higher ground, we get glimpses of sunny dimpled sward
through the dark stems of the majestic fir-trees towering over our head.
There is every gradation of form and colour in the picture, from the ripe
warm gold barring the branches of the firs, to the pale silveriness of
their upper foliage; from the gigantic trees rising from the gorge below,
each seeming to fill a chasm, to the airy, graceful birch, a mere toy
beside it. Rare butterflies abound, but we see few birds.
The hardy pedestrian is an enviable person here, for although excellent
carriages are to be had, some of the most interesting excursions must be
made on foot.
I do not suppose that matters are very greatly changed in hotels here
since my visit so many years ago. In certain respects travellers fare
well. They may feast like Lucullus on fresh trout and on the dainty
aniseed cakes which are a local speciality. But hygienic arrangements
were almost prehistoric, and although politeness itself, mine host and
hostess showed strange nonchalance towards their guests. Thus, when
ringing and ringing again for our tea and bread and butter between seven
and eight o'clock, the chamber--not maid, but man--informed us that
Madame had gone to mass, and everything was locked up till her return.
Even the fastidious tourist, however, will hardly care to exchange his
somewhat rough and noisy quarters at Remiremont for the cosmopolitan
comforts of Plombières within such easy reach. It is a pretty drive of an
hour and a half to Plombières, and all is prettiness there--its little
park, its tiny lake, its toy town.
It is surely one of the hottest places in the world, and like Spa, of
which it reminds me, must be one of the most wearisome. Just such a
promenade, with a sleepy band, just such a casino, just such a routine.
This favourite resort of the third Napoleon has of late years seen many
rivals springing up. Vittel, Bains, Bussang--all in the Vosges--yet it
continues to hold up its head. The site is really charming, but so close
is the valley in which the town lies, that it is a veritable hothouse,
and the reverse, we should think, of what an invalid wants. Plombières
has always had illustrious visitors--Montaigne, who upon several
occasions took the waters here--Maupertuis, Voltaire, Beaumarchais, the
Empress Josephine, and a host of historic personages. But the emperor may
be called the creator of Plombières. The park, the fine road to
Remiremont, the handsome Bain Napoleon (now National), the church, all
these owe their existence to him, and during the imperial visits the
remote spot suffered a strange transformation. The pretty country road
along which we met a couple of carriages yesterday became as brilliant
and animated as the Bois de Boulogne. It was a perpetual coming and going
of fashionable personages. The emperor used to drive over to Remiremont
and dine at the little dingy commercial hotel, the best in the place,
making himself agreeable to everybody. But all this is past, and nowhere
throughout France is patriotism more ardent or the democratic spirit
more alert than in the Vosges. The reasons are obvious. We are here on
the borders of the lost provinces, the two fair and rich departments of
Haut-Rhin and Bas-Rhin, now effaced from the map of France. Reminders of
that painful severance of a vast population from its nationality are too
vivid for a moment to be lost sight of. Many towns of the Vosges and of
the ancient portion of Lorraine not annexed, such as Nancy, have been
enriched by the immigration of large commercial firms from the other side
of the new frontier. The great majority of Alsatians, by force of
circumstances and family ties, were compelled to remain--French at
heart, German according to law. The bitterness and intensity of this
feeling, reined-in yet apparent, constitutes the one painful feature of
Vosges travel. Of course there is a wide difference between the
supporters of retaliation, such journals as _L'Alsacien-Lorrain_,
and quiet folks who hate war, even more than a foreign domination. But
the yearning towards the parent country is too strong to be overcome. No
wonder that as soon as the holidays begin there is a rush of French
tourists across the Vosges. From Strasburg, Metz, St. Marie aux Mines,
they flock to Gérardmer and other family resorts. And if some
Frenchwoman--maybe, sober matron--dons the pretty Alsatian dress, and
dances the Alsatian dance with an exile like herself, the enthusiasm is
too great to be described. Lookers-on weep, shake hands, embrace each
other. For a brief moment the calmest are carried away by intensity of
patriotic feeling. The social aspect of Vosges travel is one of its chief
charms. You must here live with French people, whether you will or no.
Insular reserve cannot resist the prevailing friendliness and
good-fellowship. How long such a state of things will exist, who can say?
Fortunately for the lover of nature, most of the places I have mentioned
are too unobtrusive ever to become popular. "Nothing to see here, and
nothing to do," would surely be the verdict of most globe-trotters even
on sweet Gérardmer itself!
II
THE CHARM OF ALSACE
The notion of here reprinting my notes of Alsatian travel was suggested
by a recent French work--_À travers l'Alsace en flânant_, from the
pen of M. André Hallays. This delightful writer had already published
several volumes dealing with various French provinces, more especially
from an archaeological point of view. In his latest and not least
fascinating _flânerie_ he gives the experiences of several holiday
tours in Germanized France.
My own sojourns, made at intervals among French friends, _annexés_
both of Alsace and Lorraine, were chiefly undertaken in order to realize
the condition of the German Emperor's French subjects. But I naturally
visited many picturesque sites and historic monuments in both, the
forfeited territories being especially rich. Whilst volume after volume
of late years have appeared devoted to French travel, holiday tourists
innumerable jotting their brief experiences of well-known regions,
strangely enough no English writer has followed my own example. No work
has here appeared upon Alsace and Lorraine. On the other side of the
Channel a vast literature on the subject has sprung up. Novels, travels,
reminiscences, pamphlets on political and economic questions, one and all
breathing the same spirit, continue to appear in undiminished numbers.
Ardent spirits still fan the flame of revolt. The burning thirst for
re-integration remains unquenched. Garbed in crape, the marble figure of
Strasburg still holds her place on the Place de la Concorde. The French
language, although rigidly prohibited throughout Germanized France, is
studied and upheld more sedulously than before Sedan. And after the lapse
of forty years a German minister lately averred that French Alsatians
were more French than ever. _Les Noëllets_ of René Bazin, M. Maurice
Barrès' impassioned series, _Les Bastions de l'Est_, enjoy immense
popularity, and within the last few months have appeared two volumes
which fully confirm the views of their forerunners--M. Hallays'
impressions of many wayfarings and _Après quarante ans_ by M. Jules
Claretie, the versatile, brilliant and much respected administrator-general
of the Comédie Française.
Whilst in these days of peace and arbitration propaganda the crime of
enforced denationalization seems more heinous than ever, there appears
little likelihood of the country conquered by Louis XIV., and re-conquered
by German arms a century and a half later, again waving the Tricolour.
Let us hope, however, that some _via media_ may be found, and that
if not recovering its lost privilege, the passionately coveted French
name, as a federal state Alsace and Lorraine may become independent and
prosperous.
For a comprehensive study of Alsace and its characteristics, alike
social, artistic and intellectual, readers must go to M. Hallays' volume.
In every development this writer shows that a special stamp may be found.
Neither Teutonic nor Gallic, art and handicrafts reveal indigenous
growth, and the same feature may be studied in town and village, in
palace, cathedral and cottage.
We must remember that we are here dealing with a region of very ancient
civilization. Taste has been slowly developed, artistic culture is of no
mushroom growth. Alsace formed the highroad between Italy and Flanders.
In M. Hallays' words, already during the Renaissance, aesthetic Alsace
blended the lessons of north and south, her genius was a product of good
sense, experience and a feeling of proportion. And he points out how in
the eighteenth century French taste influenced Alsatian faïence, woven
stuffs, ironwork, sculpture, wood-carving and furniture, even peasant
interiors being thereby modified. "Alsace," he writes, "holds us
spell-bound by the originality of culture and temperament found among her
inhabitants. It has generally been taken for granted that native genius
is here a mere blend of French and German character, that Alsatian
sentiment appertains to the latter stock, intellectual development to the
former, that the inhabitants think in French and imagine in German. There
is a certain leaven of truth in these assumptions, but when we hold
continued intercourse with all classes, listen to their speech,
familiarize ourselves with their modes of life and mental outlook, we
arrive again and again at one conclusion: we say to ourselves, here is an
element which is neither Teutonic nor Gallic. I cannot undertake to
particularize, I only note in my pages those instances that occur by the
way. And the conviction that we are here penetrating a little world
hitherto unknown to us, such novelty being revealed in every stroll and
chat, lends extraordinary interest to our peregrination."
It is especially an artistic Alsace that M. Hallays reveals to us.
Instead of visiting battlefields, he shows us that English travellers may
find ample interest of other kind. The artist, the ecclesiologist, the
art-loving have here a storehouse of unrevealed treasure. A little-read
but weighty writer, Mme. de Staël, has truly averred that the most
beautiful lands in the world, if devoid of famous memories and if bearing
no impress of great events, cannot be compared in interest to historic
regions. Hardly a spot of the annexed provinces but is stamped with
indelible and, alas! blood-stained, records. From the tenth century until
the peace of Westphalia, these territories belonged to the German empire,
being ruled by sovereign dukes and princes. In 1648 portions of both
provinces were ceded to France, and a few years later, in times of peace,
Strasburg was ruthlessly seized and appropriated by the arch-despot and
militarist, Louis XIV. By the treaty of Ryswick, that of Westphalia was
ratified, and thenceforward Alsace and Lorraine remained radically and
passionately French. In 1871 was witnessed an awful historic retribution,
a political crime paralleling its predecessor committed by the French
king two centuries before. Alsace-Lorraine still awaits the fulfilment of
her destiny. Meantime, as Rachel mourning for her children, she weeps
sore and will not be comforted.
Historically speaking, therefore, the annexed provinces present a
strangely complex patchwork and oft-repeated palimpsest, civilization
after civilization overlapping each other. If Alsace-Lorraine has
produced no Titan either in literature or art, she yet shows a goodly
roll-call.
The name heading the list stands for France herself. It was a young
soldier of Strasburg--not, however, Alsatian born--who, in April, 1792,
composed a song that saved France from the fate of Poland and changed the
current of civilization. By an irony of destiny the Tricolour no longer
waves over the cradle of the Marseillaise!
That witty writer, Edmond About, as well as the "Heavenly Twins" of
Alsatian fiction, was born in Lorraine, but all three so thoroughly
identified themselves with this province that they must be regarded as
her sons. Those travellers who, like myself, have visited Edmond About's
woodland retreat in Saverne can understand the bitterness with which he
penned his volume--_Alsace 1870-1_--and the concluding lines of the
preface--
"If I have here uttered an untrue syllable, I give M. de Bismarck
permission to treat my modest dwelling as if it were a villa of Saint
Cloud."
The literary brethren whose pictures of Alsatian peasant life, both in
war and peace, have become world-wide classics, suffered no less than
their brilliant contemporary, and their works written after annexation
breathe equal bitterness. The celebrated partnership which began in 1848
and lasted for a quarter of a century, has been thus described by Edmond
About: "The two friends see each other very rarely, whether in Paris or
in the Vosges. When they do meet, they together elaborate the scheme of
a new work. Then Erckmann writes it. Chatrian corrects it--and sometimes
puts it in the fire!" One at least of their plays enjoys equal
popularity with the novel from which it is drawn. To have witnessed
_L'Ami Fritz_ at Molière's house in the last decade of the nineteenth
century was an experience to remember. That consummate artist, Got, was
at his very best--if the superlative in such a case is applicable--as
the good old Rabbi. No less enchanting was Mlle. Reichenbach, the
_doyenne_ of the Comédie Française, as Suzel. Of this charming artist
Sarcey wrote that, having attained her sixteenth year, there she made
the long-stop, never oldening with others. _L'Ami Fritz_ is, in reality,
a German bucolic, the scene being laid in Bavaria. But it has long been
accepted as a classic, and on the stage it becomes thoroughly French.
This delightful story was written in 1864, that is to say, before any
war-cloud had arisen over the eastern frontier, and before the evocation
of a fiend as terrible, the anti-Jewish crusade culminating in the
Dreyfus crime.
It is painful to reflect that whilst twenty years ago the engaging old
Jew of this piece was vociferously acclaimed on the first French stage,
the drama of a gifted Jewish writer has this year been banned in Paris!
Edmond About and Erckmann and Chatrian belong to the same period as
another native, and more famous, genius, the precocious, superabundantly
endowed Gustave Doré. Of this "admirable Crichton" I give a sketch.
For mere holiday-makers in search of exhilaration and beauty, Alsace
offers attractions innumerable, sites grandiose and idyllic, picturesque
ruins, superb forests, old churches of rare interest and many a splendid
historic pile.
There are naturally drawbacks to intense lovers of France. Throughout M.
Hallays' volume he acknowledges the courtesy of German officials, a fact
to which I had borne testimony when first journalizing my own
experiences. Certain aspects of enforced Germanization can but afflict
all outsiders. There is firstly that obtrusive militarism from which we
cannot for a moment escape. Again, a no less false note strikes us in
matters aesthetic. Modern German taste in art, architecture and
decoration do not harmonize with the ancientness and historic severity of
Alsace. The restoration of Hohkönigsburg and the new quarters of
Strasburg are instances in point. All who visited the German art section
of the Paris Exhibition in 1900 will understand this dis-harmony.
The reminiscences of my second and third journeys in Alsace and Lorraine
having already appeared in volume form, still in print (_East of
Paris_), are therefore omitted here. For the benefit of English
travellers in the annexed portion of the last-named province I cite a
passage from M. Maurice Barrès' beautiful story, _Colette Baudoche_.
His hero is German and his heroine French, a charming _Messine_ or
native of Metz. In company of Colette's mother and a friend or two, the
_fiancés_ take part in a little festival held at Gorze, a village
near the blood-stained fields of Gravelotte and Mars-la-Tour--