THE COUNT’S NARRATIVE

In the summer of eighteen hundred and fifty I arrived in England,

charged with a delicate political mission from abroad. Confidential

persons were semi-officially connected with me, whose exertions I was

authorised to direct, Monsieur and Madame Rubelle being among the

number. Some weeks of spare time were at my disposal, before I entered

on my functions by establishing myself in the suburbs of London.

Curiosity may stop here to ask for some explanation of those functions

on my part. I entirely sympathise with the request. I also regret that

diplomatic reserve forbids me to comply with it.

I arranged to pass the preliminary period of repose, to which I have

just referred, in the superb mansion of my late lamented friend,

Sir Percival Glyde. HE arrived from the Continent with his wife. I

arrived from the Continent with MINE. England is the land of domestic

happiness—how appropriately we entered it under these domestic

circumstances!

The bond of friendship which united Percival and myself was

strengthened, on this occasion, by a touching similarity in the

pecuniary position on his side and on mine. We both wanted money.

Immense necessity! Universal want! Is there a civilised human being who

does not feel for us? How insensible must that man be! Or how rich!

I enter into no sordid particulars, in discussing this part of the

subject. My mind recoils from them. With a Roman austerity, I show my

empty purse and Percival’s to the shrinking public gaze. Let us allow

the deplorable fact to assert itself, once for all, in that manner, and

pass on.

We were received at the mansion by the magnificent creature who

is inscribed on my heart as “Marian,” who is known in the colder

atmosphere of society as “Miss Halcombe.”

Just Heaven! with what inconceivable rapidity I learnt to adore that

woman. At sixty, I worshipped her with the volcanic ardour of eighteen.

All the gold of my rich nature was poured hopelessly at her feet. My

wife—poor angel!—my wife, who adores me, got nothing but the shillings

and the pennies. Such is the World, such Man, such Love. What are we

(I ask) but puppets in a show-box? Oh, omnipotent Destiny, pull our

strings gently! Dance us mercifully off our miserable little stage!

The preceding lines, rightly understood, express an entire system of

philosophy. It is mine.

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