THE HOUSE OF EULALIE

It was a pretty little house, in very charming country—in an

untravelled corner of Normandy, near the sea; a country of orchards and

colza fields, of soft green meadows where cattle browsed, and of deep

elm-shaded lanes.

One was rather surprised to see this little house just here, for all the

other houses in the neighbourhood were rude farm-houses or labourers’

cottages; and this was a coquettish little chalet, white-walled, with

slim French windows, and balconies of twisted ironwork, and Venetian

blinds: a gay little pleasure-house, standing in a bright little garden,

among rosebushes, and parterres of geraniums, and smooth stretches of

greensward. Beyond the garden there was an orchard—rows and couples

of old gnarled apple-trees, bending towards one another like fantastic

figures arrested in the middle of a dance. Then, turning round, you

looked over feathery colza fields and yellow corn fields, a mile away,

to the sea, and to a winding perspective of white cliffs, which the sea

bathed in transparent greens and purples, luminous shadows of its own

nameless hues.

A board attached to the wall confirmed, in roughly painted characters,

the information I had had from an agent in Dieppe. The house was to let;

and I had driven out—a drive of two long hours—to inspect it. Now I

stood on the doorstep and rang the bell. It was a big bell, hung in the

porch, with a pendent handle of bronze, wrought in the semblance of a

rope and tassel. Its voice would carry far on that still country air.

It carried, at any rate, as far as a low thatched farm-house, a hundred

yards down the road. Presently a man and a woman came out of the

farm-house, gazed for an instant in my direction, and then moved towards

me: an old brown man, an old grey woman, the man in corduroys, the woman

wearing a neat white cotton cap and a blue apron, both moving with the

burdened gait of peasants.

“You are Monsieur and Madame Leroux?” I asked, when we had

accomplished our preliminary good-days; and I explained that I had come

from the agent in Dieppe to look over their house. For the rest, they

must have been expecting me; the agent had said that he would let them

know.

But, to my perplexity, this business-like announcement seemed somehow

to embarrass them; even, I might have thought, to agitate, to distress

them. They lifted up their worn old faces, and eyed me anxiously. They

exchanged anxious glances with each other. The woman clasped her hands,

nervously working her fingers. The man hesitated and stammered a little,

before he was able to repeat vaguely, “You have come to look over the

house, Monsieur?”

“Surely,” I said, “the agent has written to you? I understood from

him that you would expect me at this hour to-day.”

“Oh yes,” the man admitted, “we were expecting you.” But he made

no motion to advance matters. He exchanged another anxious glance with

his wife. She gave her head a sort of helpless nod, and looked down.

“You see, Monsieur,” the man began, as if he were about to elucidate

the situation, “you see—” But then he faltered, frowning at the

air, as one at a loss for words.

“The house is already let, perhaps?” suggested I.

“No, the house is not let,” said he.

“You had better go and fetch the key,” his wife said at last, in a

dreary way, still looking down.

He trudged heavily back to the farm-house. While he was gone we stood by

the door in silence, the woman always nervously working the fingers of

her clasped hands. I tried, indeed, to make a little conversation: I

ventured something about the excellence of the site, the beauty of the

view. She replied with a murmur of assent, civilly but wearily; and I

did not feel encouraged to persist.

By-and-by her husband rejoined us, with the key; and they began silently

to lead me through the house.

There were two pretty drawing-rooms on the ground floor, a pretty

dining-room, and a delightful kitchen, with a broad hearth of polished

red bricks, a tiled chimney, and shining copper pots and pans. The

drawing-rooms and the dining-room were pleasantly furnished in a light

French fashion, and their windows opened to the sun and to the fragrance

and greenery of the garden. I expressed a good deal of admiration;

whereupon, little by little, the manner of my conductors changed.

From constrained, depressed, it became responsive; even, in the end,

effusive. They met my exclamations with smiles, my inquiries with

voluble eager answers. But it remained an agitated manner, the manner of

people who were shaken by an emotion. Their old hands trembled as they

opened the doors for me or drew up the blinds; their voices trembled.

There was something painful in their very smiles, as if these were but

momentary ripples on the surface of a trouble.

“Ah,” I said to myself, “they are hard-pressed for money. They

have put their whole capital into this house, very likely. They are

excited by the prospect of securing a tenant.”

“Now, if you please, Monsieur, we will go upstairs, and see the

bedrooms,” the old man said.

The bedrooms were airy, cheerful rooms, gaily papered, with chintz

curtains and the usual French bedroom furniture. One of them exhibited

signs of being actually lived in; there were things about it, personal

things, a woman’s things. It was the last room we visited, a front

room, looking off to the sea. There were combs and brushes on the

toilet-table; there were pens, an inkstand, and a portfolio on the

writing-desk; there were books in the bookcase. Framed photographs stood

on the mantelpiece. In the closet dresses were suspended, and shoes and

slippers were primly ranged on the floor. The bed was covered with a

counterpane of blue silk; a crucifix hung on the wall above it; beside

it there was a prie-dieu, with a little porcelain holy-water vase.

“Oh,” I exclaimed, turning to Monsieur and Madame Leroux, “this

room is occupied?”

Madame Leroux did not appear to hear me. Her eyes were fixed in a dull

stare before her, her lips were parted slightly. She looked tired, as if

she would be glad when our tour through the house was finished. Monsieur

Leroux threw his hand up towards the ceiling in an odd gesture, and

said, “No, the room is not occupied at present.”

We went back downstairs, and concluded an agreement. I was to take the

house for the summer. Madame Leroux would cook for me. Monsieur Leroux

would drive into Dieppe on Wednesday to fetch me and my luggage out.

On Wednesday we had been driving for something like half an hour without

speaking, when all at once Leroux said to me, “That room, Monsieur,

the room you thought was occupied——”

“Yes?” I questioned, as he paused.

“I have a proposition to make,” said he. He spoke, as it seemed

to me, half shyly, half doggedly, gazing the while at the ears of his

horse.

“What is it?” I asked.

“If you will leave that room as it is, with the things in it, we will

make a reduction in the rent. If you will let us keep it as it is?” he

repeated, with a curious pleading intensity. “You are alone. The house

will be big enough for you without that room, will it not, Monsieur?”

Of course, I consented at once. If they wished to keep the room as it

was, they were to do so, by all means.

“Thank you, thank you very much. My wife will be grateful to you,”

he said.

For a little while longer we drove on without speaking. Presently,

“You are our first tenant. We have never let the house before,” he

volunteered.

“Ah? Have you had it long?” I asked.

“I built it. I built it, five, six, years ago,” said he. Then, after

a pause, he added, “I built it for my daughter.”

His voice sank, as he said this. But one felt that it was only the

beginning of something he wished to say.

Comedies and Errors · 第 29 / 42 题