I walked on without speaking. She kept beside me.

“But why, then? If it isn’t that, what is it?”

“Oh, bah!”

“I insist upon your telling me. Tell me.”

“Very good, then. I don’t care to know a girl who lives

’collée’ with a gaga,” I said, brutally.

P’tit-Bleu flushed suddenly, and faced me with blazing eyes.

“Comment done! You believe that?” she cried.

“Pooh!” said I.

“Oh, mais non, mais non, mais non, alors! You don’t believe that?”

“You pay me a poor compliment. Why should you expect me to be ignorant

of a thing the whole Quarter knows?”

“Oh, the whole Quarter! What does that matter to me, your Quarter?

Those nasty little students! C’est de la crasse, quoi! They may

believe—they may say—what they like. Oh, ça m’est bien égal!”

with a shake of the head and a skyward gesture. “But you—but my

friends! Am I that sort of girl? Answer.”

“There’s only one sort of girl in the precincts ot this

University,” declared her disenchanted interlocutor. “You’re all

of one pattern. The man’s an ass who expects any good from any of

you. Don’t pose as better than the others. You’re all a—un tas de

saletés. I’m sick and tired of the whole sordid, squalid lot of you.

I should be greatly obliged, now, if you would have the kindness to

leave me. Go back to your gaga. He’ll be impatient waiting.”

That speech, I fancied, would rid me of her. But no.

“You are trying to make me angry, aren’t you? But I refuse to

leave you till you have admitted that you are wrong,” she persisted.

“It’s an outrageous slander. Monsieur Long (that is his name,

Monsieur Long), he lives in the same house with me, on the same landing;

et voilà tout. Dame! Can I prevent him? Am I the landlord? And, for

that, they say I’m ’collée’ with him. I don’t care what they

say. But you! I swear to you it is an infamous lie. Will you come home

with me now, and see?”

“Oh, that’s mere quibbling. You go with him everywhere, you dine

with him, you are never seen without him.”

“Dieu de Dieu!” wailed P’tit-Bleu. “How shall I convince you? He

is my neighbour. Is it forbidden to know one’s neighbours? I swear to

you, I give you my word of honour, it is nothing else. How to make you

believe me?”

“Well, my dear,” said I, “if you wish me to believe you, break

with him. Chuck him up. Drop his acquaintance. Nobody in his senses will

believe you so long as you go trapesing about the Quarter with him.”

“Oh, but no,” she cried, “I can’t drop his acquaintance.”

“Ah, there it is,” cried I.

“There are reasons. There are reasons why I can’t, why I

mustn’t.”

“I thought so.”

“Ah, voyons!” she broke out, losing patience.

“Will you not believe my word of honour? Will you force me to tell you

things that don’t concern you—that I have no right to tell? Well,

then, listen. I cannot drop his acquaintance, because—this is a

secret—he would die of shame if he thought I had betrayed it—you

will never breathe it to a soul—because I have discovered that he has

a—a vice, a weakness. No—but listen. He is an Englishman, a

painter. Oh, a painter of great talent; a painter who has exposed at the

Salon—quoi! A painter who is known in his country. On a même parlé

de lui dans les journaux; voilà! But look. He has a vice. He has half

ruined, half killed himself with a drug. Yes—opium. Oh, but wait,

wait. I will tell you. He came to live in our house last July, in the

room opposite mine. When we met, on the landing, in the staircase, he

took off his hat, and we passed the bonjour. Oh, he is a gentleman; he

has been well brought up. From that we arrived at speaking together a

little, and then at visiting. It was the dead season, I had no affairs.

I would sit in his room in the afternoon, and we would chat. Oh, he is

a fine talker. But, though he had canvases, colours, all that is needed

for painting, he never painted. He would only talk, talk. I said, ’But

you ought to paint.’ He said always, ’Yes, I must begin something

to-morrow.’ Always to-morrow. And then I discovered what it was. He

took opium. He spent all his money for opium. And when he had taken his

opium he would not work, he would only talk, talk, talk, and then sleep,

sleep. You think that is well—hein? That a painter of talent should do

no work, but spend all his money for a drug, for a poison, and then say,

’To-morrow’. You think I could sit still and see him commit these

follies under my eyes and say nothing, do nothing? Ruin his brain, his

health, his career, and waste all his money, for that drug? Oh, mais

non. I made him the sermon. I said, ’You know it is very bad, that

which you are doing there.’ I scolded him. I said, ’But I forbid

you to do that—do you understand? I forbid it.’ I went with him

everywhere, I gave him all my time; and when he would take his drug I

would annoy him, I would make a scene, I would shame him. Well, in the

end, I have acquired an influence over him. He has submitted himself to

me. He is really trying to break the habit. I keep all his money. I give

him his doses. I regulate them, I diminish them. The consequence is, I

make him work. I give him one very small dose in the morning to begin

the day. Then I will give him no more till he has done so much work.

You see? Tu te figures que je suis sa maîtresse? Je suis plutôt

sa nounou—va! Je suis sa caissière. And he is painting a great

picture—you will see. Eh bien, how can I give up his acquaintance?

Can I let him relapse, as he would do to-morrow without me, into his bad

habit?”

I was walking with long strides, P’tit-Bleu tripping at my elbow; and

before her story was finished we had left the Boulevard behind us, and

reached the middle of the Pont St. Michel. There, I don’t know why, we

halted, and stood looking off towards Notre-Dame. The grim grey front

of the Cathedral glowed softly amethystine in the afternoon sun, and

the sky was infinitely deep and blue above it. One could be intensely

conscious of the splendid penetrating beauty of this picture, without,

somehow, giving the less attention to what P’tit-Bleu was saying.

She talked swiftly, eagerly, with constantly changing, persuasive

intonations, with little brief pauses, hesitations, with many gestures,

with much play of eyes and face. When she had done, I waited a moment.

Then, grudgingly, “Well,” I began, “if what you tell me is

true——”

“If it is true!” P’tit-Bleu cried, with sudden fierceness. “Do

you dare to say you doubt it?”

And she gazed intently, fiercely, into my eyes, challenging me, as it

were, to give her the lie.

Before that gaze my eyes dropped, abashed.

“No—I don’t doubt it,” I faltered, “I believe you. And—and

allow me to say that you are a—a damned decent little girl.”

Poor P’tit-Bleu! How shall I tell you the rest of her story—the

story of those long years of love and sacrifice and devotion, and of

continual discouragement, disappointment, with his death at the end of

them, and her disappearance?

In the beginning she herself was very far from realising what she

had undertaken, what had befallen her. To exercise a little friendly

supervision over her neighbour’s addiction to opium, to husband his

money for him, and spur him on to work—it seemed a mere incident in

her life, an affair by the way. But it became her exclusive occupation,

her whole life’s chief concern. Little by little, one after the other,

she put aside all her former interests, thoughts, associations, dropped

all her former engagements, to give herself as completely to caring for,

guarding, guiding poor old Edward Long, as if she had been a mother, and

he her helpless child.

Throughout that first winter, indeed, she continued to dance at

Bullier, continued to instruct her corps of pupils, and continued even

occasionally, though much less frequently than of old time, to be seen

at the Vachette, or to sup with a friend at the Gambrinus. But from day

to day Monsieur Edouard (he had soon ceased to be Monsieur Long,

and become Monsieur Edouard) absorbed more and more of her time and

attention; and when the spring came she suddenly burned her ships.

You must understand that she had one pertinacious adversary in her

efforts to wean him of his vice. Not an avowed adversary, for he

professed the most earnest wish that she might be successful; but an

adversary who was eternally putting spokes in her wheel, all the same.

Yes, Monsieur Edouard himself. Never content with the short rations

to which she had condemned him, he was perpetually on the watch for a

chance to elude her vigilance; she was perpetually discovering that

he had somehow contrived to lay in secret supplies. And every now

and again, openly defying her authority, he would go off for a grand

debauch. Then her task of reducing his daily portion to a minimum must

needs be begun anew. Well, when the spring came, and the Salon opened,

where his picture (her picture?) had been received and very fairly hung,

they went together to the Vernissage. And there he met a whole flock

of English folk—artists and critics, who had “just run over for the

show, you know”—with whom he was acquainted; and they insisted on

carrying him away with them to lunch at the Ambassadeurs.

I, too, had assisted at the Vernissage; and when I left it, I found

P’tit-Bleu seated alone under the trees in the Champs-Elysées. She

had on a brilliant spring toilette, with a hat and a sunshade.... Oh,

my dear! It is not to be denied that P’tit-Bleu had the courage of

her tastes. But her face was pale, and her lips were drawn down, and her

eyes looked strained and anxious.

“What’s the row?” I asked.

And she told me how she had been abandoned—“plantée là” was

her expression—and of course I invited her to lunch with me. But

she scarcely relished the repast. “Pourvu qu’il ne fasse pas de

bêtises!” was her refrain.

She returned rather early to the Rue Monsieur le Prince, to see if he

had come home; but he hadn’t. Nor did he come home that night, nor

the next day, nor the next. At the week’s end, though, he came: dirty,

haggard, tremulous, with red eyes, and nude—yes, nude—of everything

save his shirt and trousers! He had borrowed a sovereign from one of

his London friends, and when that was gone, he had pledged or sold

everything but his shirt and trousers—hat, boots, coat, everything.

It was an equally haggard and red-eyed P’tit-Bleu who faced him on

his reappearance. And I’ve no doubt she gave him a specimen of her

eloquence. “You figure to yourself that this sort of thing amuses me,

hein? Here are six good days and nights that I haven’t been able to

sleep or rest.”

Explaining the case to me, she said, “Ah, what I suffered! I could

never have believed that I cared so much for him. But—what would

you?—one attaches oneself, you know. Ah, what I suffered! The anxiety,

the terrors! I expected to hear of him run over in the streets. Well,

now, I must make an end of this business. I’m going to take him away.

So long as he remains in Paris, where there are chemists who will sell

him that filthiness (cette crasse) it is hopeless. No sooner do I get

my house of cards nicely built up, than—piff!—something happens to

knock it over. I am going to take him down into the country, far from

any town, far from the railway, where I can guard him better. I know a

place, a farmhouse, near Villiers-St.-Jacques, where we can get board.

He has a little income, which reaches him every three months from

England. Oh, very little, but if I am careful of it, it will pay our

way. And then—I will make him work.”

“Oh, no,” I protested. “You’re not going to leave the

Quarter.” And I’m ashamed to acknowledge, I laboured hard to

dissuade her. “Think how we’ll miss you. Think how you’ll bore

yourself. And anyhow, he’s not worth it. And besides, you won’t

succeed. A man who has an appetite for opium will get it, coûte que

coûte. He’d walk twenty miles in bare feet to get it.” This was the

argument that I repeated in a dozen different paraphrases. You see,

I hadn’t realised yet that it didn’t matter an atom whether she

succeeded, or whether he was worth it. He was a mere instrument in the

hands of Providence. Let her succeed or let her fail in keeping him from

opium: the important thing... how shall I put it? This little Undine had

risen out of the black waters of the Latin Quarter, and attached herself

to a mortal. What is it that love gains for Undines?

“Que veux-tu?” cried P’tit-Bleu. “I am fond of him. I can’t

bear to see him ruining himself. I must do what I can.”

And the Quarter said, “Ho-ho! You chaps who didn’t believe it was

a ’collage’. He-he! What do you say now? She’s chucked up

everything, to go and live in the country with him.”

In August or September I ran down to the farmhouse near

Villiers-St.-Jacques, and passed a week with them. I found a mightily

changed Monsieur Edouard, and a curiously changed P’tit-Bleu, as well.

He was fat and rosy, he who had been so thin and white. And she—she

was grave. Yes, P’tit-Bleu was grave: sober, staid, serious. And her

impish, mocking black eyes shone with a strange, serious, calm light.

Monsieur Edouard (with whom my relations had long before this become

confidential) drew me apart, and told me he was having an exceedingly

bad time of it.

“She’s really too absurd, you know. She’s a martinet, a tyrant.

Opium is to me what tobacco is to you, and does me no more harm. I need

it for my work. Oh, in moderation; of course one can be excessive. Yet

she refuses to let me have a tenth of my proper quantity. And besides,

how utterly senseless it is, keeping me down here in the country.

I’m dying of ennui. There’s not a person I can have any sort of

intellectual sympathy with, for miles in every direction. An artist

needs the stimulus of contact with his fellows. It’s indispensable. If

she’d only let me run up to Paris for a day or two at a time, once

a month say. Couldn’t you persuade her to let me go back with

you? She’s the most awful screw, you know. It’s the French

lower-middle-class parsimony. I’m never allowed to have twopence in my

pocket. Yet whose money is it? Where does it come from? I really can’t

think why I submit, why I don’t break away from her, and follow my own

wishes. But the poor little thing is fond of me; she attached herself

to me. I don’t know what would become of her if I cast her off.

Oh, don’t fancy that I don’t appreciate her. Her intentions are

excellent. But she lacks wisdom, and she enjoys the exercise of power. I

wish you’d speak with her.”

P’tit-Bleu also drew me apart.

“Please don’t call me P’tit-Bleu any more. Call me Jeanne. I have

put all that behind me—all that P’tit-Bleu signifies. I hate to

think of it, to be reminded of it. I should like to forget it.”

When I had promised not to call her P’tit-Bleu any more, she went on,

replying to my questions, to tell me of their life.

“Of course, everybody thinks I am his mistress. You can’t convince

them I’m not. But that’s got to be endured. For the rest, all is

going well. You see how he is improved. I give him fifteen drops of

laudanum, morning, noon, and night. Fifteen drops—it is nothing, I

could take it myself, and never know it. And he used to drink off an

ounce—an ounce, mon cher—at a time, and then want more at the end of

an hour. Yes! Oh, he complains, he complains of everything, he frets,

he is not contented. But he has not walked twenty miles in bare feet, as

you said he would. And he is working. You will see his pictures.”

“And you—how do you pass your time? What do you do?”

“I pose for him a good deal. And then I have much sewing to do. I take

in sewing for Madame Deschamps, the Deputy’s wife, to help make the

ends meet. And then I read. Madame Deschamps lends me books.”

“And I suppose you’re bored to death?”

“Oh, no, I am not bored. I am happy. I never was really happy—dans

le temps.”

They were living in a very plain way indeed. You know what French

farmhouses are apt to be. His whole income was under a hundred pounds

a year; and out of that (and the trifle she earned by needlework) his

canvases, colours, brushes, frames, had to be paid for, as well as

his opium, and their food, clothing, everything. But

P’tit-Bleu—Jeanne—with that “lower-middle-class parsimony” of

hers, managed somehow. Jeanne! In putting off the name, she had put off

also, in great measure, the attributes of P’tit-Bleu; she had become

Jeanne in nature. She was grave, she was quiet. She wore the severest

black frocks—she made them herself. And I never once noticed the

odour of peau-d’.spagne, from the beginning to the end of my visit.

But—shall I own it? Jeanne was certainly the more estimable of the two

women, but shall I own that I found her far less exciting as a comrade

than P’tit-Bleu had been? She was good, but she wasn’t very lively

or very amusing.

P’tit-Bleu, the heroine of Bullier, that lover of noisy pleasure, of

daring toilettes, of risky perfumes, of écrevisses and chablis, of

all the rush and dissipation of the Boul’ Miche and the Luxembourg,

quietly settling down into Jeanne of the home-made frocks, in a rough

French farmhouse, to a diet of veal and lentils, lentils and veal, seven

times a week, and no other pastime in life than the devoted, untiring

nursing of an ungrateful old English opium-eater—here was variation

under domestication with a vengeance.

And on Sunday... P’tit-Bleu went twice to church!

About ten days after my return to Paris, there came a rat-ta-ta-tat at

my door, and P’tit-BIeu walked in—pale, with wide eyes. “I don’t

know how he has contrived it, but he must have got some money somewhere,

and walked to the railway, and come to town. Anyhow, here are three

days that he has disappeared. What to do? What to do?” She was in a

deplorable state of mind, poor thing, and I scarcely knew how to help

her. I proposed that we should take counsel with a Commissary of Police.

But when that functionary discovered that she was neither the wife nor

daughter of the missing man, he smiled, and remarked, “It is not

our business to recover ladies’ protectors for them.” P’tit-BIeu

walked the streets in quest of him, all day long and very nearly all

night long too, for close upon a fortnight. In the end, she met him on

the quays—dazed, half-imbecile, and again nude of everything save

his shirt and trousers. So, again, having nicely built up her house of

cards—piff!—something had happened to topple it over.

“Let him go to the devil his own way,” said I. “Really, he’s

unworthy of your pains.”

“No, I can’t leave him. You see, I’m fond of him,” said she.

He, however, positively refused to return to the country. “The fact

is,” he explained, “I ought to go to London. Yes, it will be well

for me to pass the winter in London. I should like to have a show there,

a one-man show, you know. I dare say I could sell a good many pictures,

and get orders for portraits.” So they went to London. In the spring

I received a letter from P’tit-Bleu—a letter full of orthographic

faults, if you like—but a letter that I treasure. Here’s a

translation of it:

“My dear Friend,—I have hesitated much before taking my pen in

hand to write to you. But I have no one else to turn to. We have had

a dreadful winter. Owing to my ignorance of the language one speaks in

this dirty town, I have not been able to exercise over Monsieur Edouard

that supervision of which he has need. In consequence, he has given

himself up to the evil habit which you know, as never before. Every

penny, every last sou, which he could command, has been spent for that

detestable filth. Many times we have passed whole days without eating,

no, not the end of a crust. He has no desire to eat when he has had his

dose. We are living in a slum of the most disgusting, in the quarter of

London they call Soho. Everything we have, save the bare necessary of

covering, has been put with the lender-on-pledges. Yesterday I found a

piece of one shilling in the street. That, however, I have been forced

to dispense for opium, because, when he has had such large quantities,

he would die or go mad if suddenly deprived.

“I have addressed myself to his family, but without effect. They

refuse to recognise me. Everybody here, of course, figures to himself

that I am his mistress. He has two brothers, one of the army, one an

advocate. I have besieged them in vain. They say, ’We have done

for him all that is possible. We can do no more. He has exhausted

our patience. Now that he has gone a step farther, and, in his age,

disgraced himself by living with a mistress, as well as besotting

himself with opium, we wash our hands of him for good.’ And yet, I

cannot leave him, because I know, without me, he would kill himself

within the month, by his excesses. To his sisters, both of whom are

married and ladies of the world, I have appealed with equal results.

They refuse to regard me otherwise than as his mistress. But I cannot

bear to see that great man, with that mind, that talent, doing himself

to death. And when he is not under the influence of his drug, who is so

great? Who has the wit, the wisdom, the heart, the charm, of Monsieur

Edouard? Who can paint like him?

“My dear, as a last resource, I take up my pen to ask you for

assistance. If you could see him your heart would be moved. He is so

thin, so thin, and his face has become blue, yes, blue, like the face of

a dead man. Help me to save him from himself. If you can send me a note

of five hundred francs, I can pay off our indebtedness here, and bring

him back to France, where, in a sane country, far from a town, again I

can reduce him to a few drops of laudanum a day, and again see him in

health and at work. That which it costs me to make this request of you,

I have not the words to tell you. But, at the end ot my forces, having

no other means, no other support, I confide myself to your well-tried

amity.

“I give you a good kiss. Jeanne.”

If the reading of this letter brought a lump into my throat and

something like tears into my eyes—if I hastened to a banker’s,

and sent P’tit-Bleu the money she asked for, by telegraph—if I

reproached her bitterly and sincerely for not having applied to me

long before,—I hope you will believe that it wasn’t for the sake of

Monsieur Edouard.

They established themselves at St. Etienne, a hamlet on the coast of

Normandy, to be farther from Paris. Dieppe was their nearest town. They

lived at St.-Etienne for nearly three years. But, periodically, when she

had got her house of cards nicely built up—piff!—he would walk into

Dieppe.

He walked into Dieppe one day in the autumn of 1885, and it took her a

week to find him. He was always ill, after one of his grand debauches.

This time he was worse than he had ever been before. I can imagine the

care with which she nursed him, her anxious watching by his bedside, her

prayers, her hopes, the blankness when he died.

She came back to Paris, and called three times at my lodgings. But I

was in England, and didn’t receive the notes she left till nearly six

months afterwards. I have never seen her since, never heard from her.

What has become of her? It is not pleasant to conjecture. Of course,

after his death, she ought to have died too. But the Angel of this Life,

“Whose care is lest men see too much at once,”

couldn’t permit any such satisfying termination. So she has simply

disappeared, and, in the flesh, may have come to... one would rather not

conjecture. All the same, I can’t believe that in the spirit she will

have made utter shipwreck. I can’t believe that nothing permanent was

won by those long years of love and pain. Her house of cards was toppled

over, as often as she built it up; but perhaps she was all the while

building another house, a house not made with hands, a house, a temple,

indestructible.

Poor P’tit-Bleu!

Comedies and Errors · 第 28 / 42 题