The most important subject introduced at the Conference of 1

_The Library Series_

EDITED BY

DR. RICHARD GARNETT

V

ESSAYS IN LIBRARIANSHIP

AND BIBLIOGRAPHY

_The Library Series_

EDITED, WITH INTRODUCTIONS, BY DR. RICHARD GARNETT, LATE KEEPER OF

PRINTED BOOKS IN THE BRITISH MUSEUM.

I. THE FREE LIBRARY: Its History and Present Condition. By J.

J. OGLE, of Bootle Free Library.

II. LIBRARY CONSTRUCTION, ARCHITECTURE, AND FITTINGS. By F.

J. BURGOYNE, of the Tate Central Library, Brixton. With 141

Illustrations.

III. LIBRARY ADMINISTRATION. By J. MACFARLANE, of the British

Museum.

IV. PRICES OF BOOKS. By HENRY B. WHEATLEY, of the Society of

Arts.

V. ESSAYS IN LIBRARIANSHIP AND BIBLIOGRAPHY. By RICHARD

GARNETT, C.B., LL.D., late Keeper of Printed Books, British

Museum.

ESSAYS IN

LIBRARIANSHIP AND

BIBLIOGRAPHY

BY

RICHARD GARNETT, C.B., LL.D.

LATE KEEPER OF PRINTED BOOKS, BRITISH MUSEUM

[Illustration: George Allen colophon]

NEW YORK: FRANCIS P. HARPER

LONDON: GEORGE ALLEN

1899

PREFACE

The essays collected in this volume are for the most part occasional and

desultory, produced in compliance with requests of friends, or the

appeals of editors of bibliographical journals or organisers of library

congresses, to meet some special emergency, and treating of whatever

appropriate matter came readiest to hand. The most important of them,

however, though composed at considerable intervals, and devoid of any

conscious relation to each other, are yet united by the presence of a

pervading idea, which may be defined as the importance of scientific

processes as auxiliaries to library management.

It seems almost preposterous to speak of typography as a scientific

process, yet such it is in its relation to the graphic art which it

superseded as an agent in the production of books. It would be the

merest surplusage to advocate the application of printing to any class

of manuscript books but one; and that, strangely enough, is the book of

books, the catalogue. When it is considered how few of the great

libraries of Europe have as yet managed to get their catalogues printed,

and in how many the introduction of print is as yet resisted, or beset

with impediments hitherto insurmountable, it is clear that the benefits

of printing may even now be set forth with profit. Fortunately, however,

the question is but historical as regards the only library of which the

present writer can presume to speak. Typography has now reigned at the

British Museum for nearly twenty years, and any discussion of its

advantages or disadvantages contained in the following essays may be

regarded as out of date. It is hoped, nevertheless, that the historical

interest attaching to the subject may excuse the reproduction of these

papers. "Public Libraries and their Catalogues" (1879) depicts the

hesitations of a transition period when the subject was in the air, but

when the precise manner in which the introduction of print would take

place was as yet uncertain. "The Printing of the British Museum

Catalogue" (1882) describes the results of nearly two years of actual

work; and "The Past, Present, and Future of the British Museum

Catalogue" (1888) reviews the entire subject, both historically and with

a view to the eventual republication of the catalogue. A fourth paper,

contributed to the American Library Conference of 1885, has been

withheld, to minimise the repetition which may be justly alleged as a

defect in the essays now reprinted. The indulgent reader will consider

that it was impossible to travel repeatedly over the same ground

without frequent recurrence to the same facts and arguments: and it has

been thought better to tolerate an admitted literary blemish than to run

any risk of impairing the documentary value of the articles. If the

writer had once begun to alter, he might have been tempted to alter

much. Readers of the present day may feel surprise at the tentative

character of some portions of the first essay in order of date, and at

what seems almost a discouragement of the idea of a complete printed

catalogue. The principal reason was the moderate expectation then

entertained of any substantial help from the Treasury. As a matter of

fact, the annual grant bestowed in the first instance would have kept

the catalogue forty years at press; and, had a strictly alphabetical

order of publication been adopted, it would after some years have been

pointed out with derision that the great British Museum Catalogue was

still in its A B C. The writer, therefore, exerted what influence he

possessed to keep the idea of a complete printed catalogue in the

background, and to enforce that of the publication of single articles

complete in themselves which would be valuable as special

bibliographies. A mere fragment of letter A, it was manifest, could be

of little use beyond the walls of the Museum, but a separate issue of

the article Aristotle might have great worth. The situation was entirely

altered when the Treasury so increased their grant as to afford a

reasonable prospect of finishing the catalogue in twenty years instead

of forty. The fragmentary system of publication was thereupon quietly

dropped, and printing went on in steady alphabetical sequence. It is due

to the Treasury to state that, since this augmentation of the grant,

their treatment of this branch of the Museum service has been uniformly

liberal. It is to be hoped that this bountiful spirit will not expire

with the completion of the catalogue, but will find expression in a

reprint incorporating all the accessions which have grown up while it

has been at press, as proposed in a very able article in the _Quarterly

Review_ for October 1898.

After the application of print to the catalogue, mechanical process has

rendered no such service to the British Museum Library as the

introduction of the sliding-press, the subject of another essay. While,

however, printing was the result of half a century of incessant

controversy, the sliding-press seemed to fall from the clouds. Its

introduction was a _coup d'état_; five minutes sufficed to convince the

Principal Librarian of the soundness of the idea, and the thing was

virtually done. No more striking contrast can be conceived than that

between the condition of the Library the day before this feasibility was

demonstrated, oppressed by the apparently insoluble problem how to find

room for its books, and the condition of the Library the day after

solution, suddenly endowed with a practically indefinite capacity for

expansion, save only in the department of newspapers. No one

unacquainted with the internal economy of the Museum will fully

appreciate the saving of public money, to say no more, effected by this

simple contrivance.

Print and the sliding-press are now, along with the electric light,

undisputed possessions of the Museum; but telegraphy and photography,

the two other applications of scientific ingenuity recommended in this

volume, have not yet been enlisted in her service. When the printing

telegraph obtains a footing, ample occupation will be found for it. Its

most useful as well as most striking application, however, will probably

always be the one principally dwelt upon here, the enabling every demand

for a book made in the reading-room to be simultaneously registered in

the Library, thus abolishing at a stroke the vexatious delays that now

intervene between the writing of a ticket and its delivery in the proper

quarter. The advantage alike to the public and to the staff is so

obvious that the only question ought to be as to the applicability of

electrical power to the transmission of legible messages under the

special circumstances, which an intelligent course of experiments would

speedily determine.

If telegraphy has been neglected, the same cannot be said of

photography. The most perfect unanimity exists within and outside the

Museum with respect to the benefit which the adoption of photography as

a department of the regular work of the institution would confer alike

upon it and upon the public. Nevertheless, not a single step has been

taken since the writer brought the subject forward in 1884, preceded as

this had been by the successful introduction of photography at the

Bodleian Library in connection with the Oxford University Press.

Government seems unable to perceive the public benefit to be derived

from the cheap reproduction and unlimited multiplication with infallible

accuracy of historical documents and current official papers; and

although the Museum has of late successfully resorted to photography for

its own publications, this has necessarily involved the employment of a

professional photographer, whose charges are an insuperable impediment

to any considerable extension of the system. It cannot be too

emphatically reiterated that the question is entirely one of expense. So

long as the photographer is a private tradesman he must of necessity be

paid by his customers, and for any extensive undertaking must inevitably

charge prices embarrassing to public institutions and prohibitive to

private individuals. Make him a public salaried officer, and by far the

larger part of the cost is eliminated at a stroke. What may be done is

shown by the recent exploit of the Newbery Library at Chicago, referred

to in a note at page 86, which has turned the bewildering multitude of

the "accession" parts of the British Museum Catalogue into a single

alphabetical series by simply photographing the titles singly, and then

combining the copies in a catalogue. It is quite possible that the

enterprise may prove financially unremunerative, but this would not be

the case if it had been executed as a portion of the work of a national

institution controlled by the State, which on its part would have been

recouped, or nearly so, by the patronage of private customers. It is

only necessary to add that the State should on no account seek to make a

profit out of photography, and that all transactions between the Museum

or any other public department and the nation, where money is concerned,

should be conducted on the principle of affording the greatest possible

public advantage at the smallest possible cost.

Of the essays and addresses unconnected with this particular group not

much need be said. As before mentioned, they are in general mere

occasional pieces, called into being by the casual need for a literary

contribution or a speech. On such occasions the writer has always

endeavoured to select some subject somewhat out of the common track,

with a distinctly bibliographical flavour if possible, but not quite so

dry as an exact collation of all the known copies of the Gutenberg

Bible. In such a line he would have been little likely to distinguish

himself. The Pope is not always a theologian, nor need the Keeper of

Printed Books inevitably be a devotee of black-letter lore. The

bibliographical erudition apparent in the essay on South American

bibliography is entirely derived from Señor Medina's classic work upon

the subject.

The biographical notices at the end of the volume have afforded the

writer a welcome opportunity of paying a just tribute to men of eminence

in the world of librarianship. The memoir of Sir Anthony Panizzi may

demand some apology on the ground of the haste and slightness almost

inseparable from an obituary notice indited _currente calamo_. The fame,

however, of the man universally recognised as the second founder of the

British Museum, can well dispense with polished eulogy. The notices of

his successors, composed more at leisure, embody the writer's cordial

appreciation of public service, and grateful sense of personal kindness.

In conclusion, the author has to acknowledge his obligations to the

Council of the Library Association, to Messrs. Kegan Paul & Co., and to

others, by whose permission these essays are reprinted.

R. GARNETT.

_May 18, 1899._

CONTENTS

PAGE

ADDRESS TO THE LIBRARY ASSOCIATION 1

PUBLIC LIBRARIES AND THEIR CATALOGUES 32

THE PRINTING OF THE BRITISH MUSEUM CATALOGUE 67

THE PAST, PRESENT, AND FUTURE OF THE BRITISH MUSEUM CATALOGUE 87

THE BRITISH MUSEUM CATALOGUE AS THE BASIS OF A UNIVERSAL

CATALOGUE 109

INTRODUCTION OF EUROPEAN PRINTING INTO THE EAST 115

PARAGUAYAN AND ARGENTINE BIBLIOGRAPHY 127

THE EARLY ITALIAN BOOK TRADE 141

SOME BOOK-HUNTERS OF THE SEVENTEENTH CENTURY 161

LIBRARIANSHIP IN THE SEVENTEENTH CENTURY 174

THE MANUFACTURE OF FINE PAPER IN ENGLAND IN THE EIGHTEENTH

CENTURY 191

ON SOME COLOPHONS OF THE EARLY PRINTERS 197

ON THE SYSTEM OF CLASSIFYING BOOKS ON THE SHELVES FOLLOWED AT

THE BRITISH MUSEUM 210

SUBJECT-INDEXES TO TRANSACTIONS OF LEARNED SOCIETIES 225

PHOTOGRAPHY IN PUBLIC LIBRARIES 234

THE TELEGRAPH IN THE LIBRARY 253

ON THE PROTECTION OF LIBRARIES FROM FIRE 258

THE SLIDING-PRESS AT THE BRITISH MUSEUM 262

ON THE PROVISION OF ADDITIONAL SPACE IN LIBRARIES 272

PREFACE TO BLADES' "ENEMIES OF BOOKS" 283

SIR ANTHONY PANIZZI, K.C.B. 288

THE LATE JOHN WINTER JONES, V.P.S.A. 304

THE LATE HENRY STEVENS, F.S.A. 325

THE LATE SIR EDWARD A. BOND, K.C.B. 335

INDEX 341

ESSAYS IN LIBRARIANSHIP

AND BIBLIOGRAPHY

ADDRESS TO THE LIBRARY ASSOCIATION[1:1]

There are times in the lives of institutions as well as individuals when

retrospect is a good thing; when it is desirable to look back and see

how far one has travelled, and by what road; whether the path of

progress has always been in the right direction; whether it may not have

been sometimes unnecessarily devious; whether valuable things may not

have been dropped or omitted, in quest of which it may be desirable to

travel back; whether, on the other hand, the journey may not have been

fertile in glad surprises, and have led to acquisitions and discoveries

of which, at starting, one entertained no notion. The interval of

sixteen years which has elapsed since the first meeting of this

Association at London, suggests that such a time may well have arrived

in its history. There is yet another reason why the present meeting

invites to retrospection. We can look back in every sense of the term.

All our past is behind us in a physical as well as in an intellectual

sense. We are as far north as ever we can go. There are, I rejoice to

think, British libraries and librarians even farther north than

Aberdeen, but it is almost safe to predict that there never will be

congresses. We are actually farther north than Moscow, almost as far as

St. Petersburg. Looking back in imagination we can see the map of Great

Britain and Ireland—and we must not forget France—dotted over with the

places of our meetings, all alike conspicuous by the cordiality of our

reception, each specially conspicuous by some special remembrance, as—

"Each garlanded with her peculiar flower,

Danced into light, and died into the shade."

The temptation to linger upon these recollections is very strong, but I

must not yield to it, because more serious matters claim attention, and

because time would not suffice, and because the interest of our members

and any other auditors must necessarily be in proportion to the number

of meetings they have themselves attended, while the time, alas! slowly

but certainly approaches when the first meetings will not be remembered

by any one. Yet in a retrospective address it would be impossible to

pass without notice the first two meetings of all, for it was by them

that the character, since so admirably maintained, was impressed upon

the Association. We first met at the London Institution in Finsbury

Circus under the auspices of the man who, above all men, has the best

right to be accounted our founder—the present Bodleian Librarian, Mr.

Nicholson. Meetings in London, I may say for the information of our

northern friends, labour under a serious defect as compared with

Aberdeen and other more favoured places—a deficiency in the accessories

of sight-seeing and hospitality. Not that Londoners are any less

hospitable than other citizens, but there are reasons patent to all

why in that enormous metropolis—till lately under such a very

anomalous system or no system of municipal government, and where

innumerable objects of interest are for the most part common

property—entertainments cannot be systematically organised, especially

at seasons of the year when unless, under the present dispensation, one

is an unpaired member of Parliament, it is almost a reproach to be found

in the metropolis. For all that, I scarcely think that any meeting was

enjoyed with zest equal to the gathering in that amphitheatre and

lecture room, nearly as subdued in light but nowise as cool as a

submarine grot. For we were doing then what we could not do afterwards

in the majestic hall of King's College, Cambridge, or in the splendid

deliberative chamber accorded to us by the liberality of the corporation

of Birmingham. We were legislating, we were tracing the lines of the

future; most interesting and important of all, we were proving whether

the conception of a Library Association, so attractive on paper, was

really a living conception that would work. That this question was so

triumphantly answered I have always attributed in great measure to the

presence among us of a choice band of librarians from the United States.

These gentlemen knew what we only surmised; they had been accustomed to

regard themselves as members of an organised profession; they felt

themselves recognised and honoured as such; they had ample experience of

congresses and public canvasses and library journals; they were just the

men to inspire English librarians, not with the public spirit which they

possessed already, but with the _esprit de corps_ which, in their then

dispersed and unorganised condition, they could not possess. They came

to me at least as a revelation; the horizon widened all round, and the

life and spirit they infused into the meeting contributed largely to

make it the success it was. Had we gone away then with the sensation of

failure, it is not likely that I should now be addressing you in

Aberdeen or elsewhere. But there was another ordeal to be faced. Critics

say that the second book or picture is very commonly decisive of the

future of an author or artist whose _début_ has been successful—it

shows whether he possesses staying power. Well, when next year we came

to Oxford, in that sense of the term we did come to stay. The variety

and the interest of the papers, and the spirit of the discussions,

showed that there existed both ample material for our deliberations and

ample interest and ability to render deliberation profitable. Here again

we were largely indebted to individuals, and my words will find an echo

in all who knew the late Mr. Ernest Chester Thomas, when I say that

never did he exhibit his gifts to such advantage, never did he render

such services to the Association, as on this occasion. His courtesy,

tact, and good humour all can emulate; the advantages which he enjoyed

in finding himself so thoroughly at home could have been shared by any

other member of the University; but the peculiar brightness with which

he enlivened and irradiated the proceedings was something quite his own.

I must not suffer myself to dwell on other gatherings—all equally

agreeable, some almost as memorable; but, lest I seem forgetful of a

very important branch of the work of the Association, I must briefly

allude to the monthly meetings held in London, where so many valuable

papers have been read—subsequently made general property by publication

in the Journal of the Association, if originally delivered to audiences

probably very fit, certainly very few. It is greatly to be regretted

that provincial members cannot participate in these gatherings, but this

is practically impossible, save by the annihilation of time and

space—the modest request, says Pope, of absent lovers.

I shall now proceed to take up some of the more interesting themes

broached at the first meeting of the Association, time not allowing me

to proceed further, and to remark upon the progress which may appear to

have been made in the interval towards accomplishing the objects then

indicated. I shall then venture some brief remarks on the library

movement at the present day, as concerns public feeling and public

sympathy in their effect on the status of librarianship as a profession.

My observations must of course be very desultory and imperfect, for an

adequate treatment of these subjects would absorb the entire time of the

present meeting. I have also always felt that the President's address,

though certainly an indispensable portion of our proceedings, is in one

aspect ornamental, and that the real business of a meeting, apart from

its legislative and administrative departments, is the reading of papers

and the discussion to which these give rise. I hope that these

discussions will be, like the Thames, "without o'erflowing, full."

Overflow we must not. It will be a great satisfaction to me if, when the

meeting is over, it should be found that everything written for it has

been heard by it, and that nothing has been "taken as read."

The most important subject introduced at the Conference of 1877 was that

of free libraries in small towns, but any remarks which I may offer on

this will come more appropriately into a review of the progress which

libraries are now making. Next in importance, perhaps, certainly in

general interest, were the discussions on cataloguing. In this

department I may congratulate the Association on material progress, to

which its own labours have, in great measure, contributed. There is much

more unanimity than there used to be respecting the principles on which

catalogues should be made. Admirable catalogues have been issued, and

continue to be kept up by the principal libraries throughout the

country, and if now and then some very small and benighted library

issues a catalogue whose _naïvetés_ excite derision, such cases are

very exceptional. Rules have been promulgated both here and in the

United States which have met with general assent, and I do not

anticipate that any material departure from them will be made. I only

wish to say, as every librarian is naturally supposed to regard his own

catalogue as a model, that I do not regard the British Museum Catalogue

in this light so far as concerns libraries of average size and type. The

requirements of large and small libraries are very different, and that

may be quite right in one which would be quite wrong in another. I can,

perhaps, scarcely express this difference more accurately than by

remarking that while the catalogue of a small, and more especially of a

popular, library, should be a finding catalogue, that of a large library

representing all departments of literature must be to a great extent a

literary catalogue. It is not meant merely to enable the reader to

procure his book with the least possible delay, but also to present an

epitome of the life-work of every author, and to assist the researches

of the literary historian. Hence the explanation and justification of

some points which have on specious grounds been objected to in the

Museum Catalogue. It has been thought strange, for instance, that

anonymous books of which the authorship is known—such as the first

editions of the Waverley Novels—should not be entered under the names

of the authors. Two excellent reasons may be given: because by so

entering the book the character of the catalogue as a bibliographical

record would be destroyed; and because by entering one description of

anonymous books in one way and another in another, there would be an end

to the uniformity of rule which is necessary to prevent a very extensive

catalogue from getting into confusion. Another instance is the

cataloguing of academical transactions and periodicals under the

respective heads of Academies and Periodical Publications, which has

been much criticised. It is quite true that the _Quarterly Review_ can

be found more easily under that head than under "Periodical

Publications, London," but it is also true that the grouping of all

academical and all periodical publications under these two great heads

is invaluable to the bibliographer, the literary historian, and the

statistician, who must be exceedingly thankful that the information of

which they are in quest is presented to them in a concentrated form,

instead of having to be sought for through an enormous catalogue. These

observations do not in any way apply to libraries of an essentially

popular character, and I merely make them by way of enforcing the

proposition that the works of such libraries and those of national or

university libraries are different, and that we must beware of a

cast-iron uniformity of rule. There is yet another intermediate class of

library, the comparatively small but highly select, such as college and

club libraries, which will probably find it more advantageous to pursue

an intermediate course, as I imagine they do, judging from the very

excellent specimens of cataloguing for which we are indebted to some of

them. And there is yet another class, the libraries of the collectors

of exceedingly rare literatures, such as the Chatsworth Library, Mr.

Huth's, and Mr. Locker-Lampson's. In such catalogues minuteness of

bibliographical detail is rightly carried to an extent uncalled for in

great miscellaneous catalogues like that of the British Museum, and

which, it is to be hoped, may never be attempted there, for if it were

it would disorganise the establishment. It is not the business of

librarians as public servants to provide recondite bibliographical

luxuries. These things are excellent, but they lie in the department of

specialists and amateurs, who may be expected to cultivate it in the

future as they have done in the past. The limits of public and private

enterprise must be kept distinct.

Another question of cataloguing which occupied the attention of the

Conference of 1877 was the important one of subject catalogues. In this

I am able to announce the most satisfactory progress. In the face of the

mass of information continually pouring in, the world has become alive

to the importance of condensing, distributing, and rendering generally

available the information which it possesses already. Three very

remarkable achievements of this kind may be noticed. The first is

Poole's Index to Periodicals, with its continuation, a work so

invaluable that we now wonder how we could have existed without it, but

so laborious that we could hardly have hoped to see it exist at all,

especially considering that it is an achievement of co-operative

cataloguing. In illustration of the want it supplies, I may mention that

it has been found necessary at the British Museum to reproduce the

preliminary tables by photography in a number of copies, the originals

having been worn to pieces. The next work I shall mention is the subject

index to the modern books acquired by the British Museum since 1880—two

bulky volumes, prepared in non-official time, with the greatest zeal and

devotion, by the superintendent of the Reading Room, Mr. Fortescue, and

continued by him to the present time. They are simply invaluable, and it

is only to be regretted that they have been issued at too high a price

to be generally available to the public. This is not the case with the

third publication which I have to mention—the classed catalogue issued

by Mr. Swan Sonnenschein, the utility of which is very generally known.

A cognate feature of the times is the great comparative attention now

paid to indexing, which is sometimes carried to lengths almost

ludicrous. The author of a work of information who does not give an

index is sure to be called over the coals, and with reason, for how else

is the reviewer to pick out the plums unless he actually reads the book?

I am not sure that this extreme facilitation of knowledge is in all

respects a good thing, but it is at present a necessary thing, and

correlated with that prevalence of abridged histories and biographies

which it is easy to criticise, but which has at least two good

points—the evidence it affords of the existence of a healthy appetite

for information among a large reading class, and the fact that

information is thus diffused among many to whom it would have been

inaccessible under other circumstances.

Connected with the subject of indexes is that of dictionary catalogues,

in which the alphabetical and the subject catalogues are found in a

single list. I retain the opinion I have always held, that this plan may

answer where the library and the catalogue are not extensive, but that

where they are, confusion results; the wood cannot be seen for the

trees. I therefore recommend the librarian of even a small library, in

planning his catalogue, as well as everything else, to make sure whether

his library may not be destined to become a great one. Half the

difficulties under which great libraries labour arise from the failure

to take from the first a sufficiently generous view of the possibilities

and prospects of the institution. With this view of dictionary

catalogues, it is not likely that they will be adopted at the British

Museum, but I have already explained more than once the facilities which

the Museum possesses for forming an unequalled series of subject

catalogues by simply, when the great general catalogue has been printed,

cutting up copies printed on one side only, and arranging them in a

number of indexes. There is no doubt that the Museum can amply provide

for its own needs in this manner, and thus remove the reproach under

which it has always laboured, and still labours, of having no subject

catalogue except Mr. Fortescue's. The question is whether the indexes

thus created are to become available for the service of libraries and

students all over the world by being published and circulated. The

solution of this question rests with the Government, and I have alluded

to it here principally in the hope of eliciting that expression of

public opinion without which Government is hardly likely to act. The

question will probably become an actual one towards the end of the

present century.

Mention of this question naturally leads to another, which occasioned

one of the most interesting discussions of the Conference of 1877—the

subject of the British Museum in its relation to provincial culture.

This was ably introduced by our friend Mr. Axon, who dwelt especially on

two points in which provincial culture could be promoted by the

Museum—the distribution of duplicates and the printing of the

catalogue. On both these I am enabled to announce the most satisfactory

progress since they were ventilated in 1877. As regards the distribution

of duplicates, indeed, further progress is impossible, for we have

distributed all we can spare. The subject was energetically taken up by

the present Principal Librarian, Mr. Maunde Thompson, shortly after his

accession to office, and the result has been that almost all the

principal libraries throughout the country have received important

benefactions from the Museum. Libraries of the rank of the Bodleian and

the Guildhall have, of course, received the first consideration; but

nearly all have had some accession, and in some instances provision has

been made for a regular supply of duplicate parliamentary papers. Since

the distribution of these duplicates the opportunity has further

presented itself, through the extensive purchases made at the sale of

the Hailstone Library, for enriching Yorkshire libraries with duplicate

tracts relating to that county, and I am sure that the trustees will

readily avail themselves of any subsequent occasions. I am aware that

some think that distribution might be carried even further, but I am

certain that this is not the case. We are bound in honour not to give

any presented books; valuable presented books must be protected by

second copies; copyright books cannot be parted with because receipts

have been given for them which, if the books disappeared, there would be

nothing to justify, while the books and the stamp showing the date of

reception may be required for legal purposes; finally, the international

copyright which used to provide the Museum with so many duplicates of

foreign books has now become utterly extinct in consequence of the Berne

Convention. The progress made in the far more important department of

the printing of the catalogue is already well known to you. I have been

able to give the Association a satisfactory report of progress on two

occasions, and I am now able to state that we have entered into letter

P. Some important gaps remain to be filled up, but on the other hand the

latter part of the catalogue is printed and published from U to the end.

If the Treasury continues its aid, I have little doubt that the whole

will be published some time before the end of the century. Mr. Axon

certainly did not exaggerate the value which such a publication would

possess for general culture, and I am only sorry that it is not as yet

properly recognised. Every large town ought to have a copy of the Museum

Catalogue, and the supply of the accession parts ought to be regularly

kept up. It is too late now to do what might have been done if the

importance of the undertaking had been recognised from the first: but

the oversight can soon be repaired if the catalogue is reprinted as soon

as completed, with the inclusion of all the additional titles that have

since grown up. The edition can then be made as large as is necessary to

accommodate every important town in the United Kingdom. But this will

not be done without the application of considerable pressure to the

Government, and this will not come without a much more general interest

on the part of the public than there is any reason to suppose exists at

present. This might, however, be created by judicious stimulus, which

must come in the first instance from librarians, who, though not

collectively a highly influential body, have many means of privately

influencing persons of weight, and making themselves directly and

indirectly heard in the public press.

I will take the opportunity of adding a few words for the honour of a

late eminent librarian. In the numerous papers which I have written on

the subject of the Museum Catalogue, I have always made a point of

bringing forward the inestimable services of the late Principal

Librarian, Mr. Edward Augustus Bond, in relation to it. Everything

which I have said I repeat. Without Mr. Bond the catalogue would not now

exist in print, or its appearance would at any rate have been

indefinitely deferred. In examining, however, non-official papers, I

have lately ascertained that Mr. Thomas Watts, one of my predecessors as

Keeper of Printed Books, advocated the printing of the catalogue as

early as 1855. Like myself, when I recommended printing, not on abstract

grounds, but from the impossibility of any longer finding space for the

catalogue in the Reading Room, Mr. Watts was led to adopt his view by

collateral considerations, which it would take too much time to explain

now, but which will be understood when I publish his paper, which I

purpose doing. Meanwhile I am glad to have paid this passing tribute to

the memory of the most learned and the most widely informed librarian

that the Museum or the country ever possessed.

Speaking of the publication of Museum catalogues since the foundation of

this Association, I ought not to forget that of the early English books

prior to 1640, edited by Mr. Bullen; or that of the maps, edited by

Professor Douglas; or the various catalogues of Oriental books and

manuscripts. The latter, prepared by Dr. Rieu, are treasures of

information, very much more than ordinary catalogues.

Another subject was introduced at the Conference of 1877, which admits

of wider development than any of those already mentioned, and in which

very much more remains to be done. I allude to the question of the

employment of photography as an auxiliary to bibliography, broached by

our lamented friend the late Mr. Henry Stevens, in his paper on

"Photo-Bibliography." Though the ideas suggested by Mr. Stevens were

highly ingenious, they were perhaps better adapted for development by

private enterprise than by library organisations. But they led up

directly to another matter of much greater importance, which I had

myself the honour of bringing before the Dublin Conference—the

feasibility of making book-photography national by the creation of a

photographic department at the British Museum. I need not repeat at

length what was then said by myself and other speakers respecting the

immense advantage of providing a ready and cheap means for the

reproduction of books in facsimile, by which rare books and perishing

manuscripts could be multiplied to any extent; by which press copies

could be provided at a nominal expense for anything that it was desired

to reprint; by which legal documents could be placed beyond the reach of

injury, and the vexed question of the custody of parish registers solved

for ever; by which a great system of international exchange could be

established for the historical manuscripts of all countries. The one

point which cannot be too often repeated or enforced is that the essence

of the scheme consists in the abolition of the private photographer, at

present an inevitable and most useful individual, but who is sadly in

the way of larger public interests. So long as a private profit has to

be made, photography cannot be cheap. Transfer this duty to a public

officer paid by a public salary, and the chief element of expense has

disappeared; while the slight expense of this salary and cost of

material, if it is thought worth while to insist upon its repayment,

will be repaid over and over by a trifling charge imposed upon the

public. Our Association took the matter up, but nothing tangible has as

yet resulted from its efforts, nor can much be fairly expected. We are

not a body adapted for public agitation, nor can we be; we have too

little influence as individuals; as a corporation we are too dispersed;

our general meetings are necessarily infrequent; we want organisation

and momentum. Nevertheless, very important progress in this direction

may be recorded, or I should not have been able to include it in my

address. It is due to the University of Oxford, which has established a

photographic department in connection with the Bodleian Library and the

University Press, which has shown the practicability of the undertaking,

and has already rendered important services to private persons and

public institutions, the British Museum among the latter. We are as yet

far from the ideal, for the University must of necessity make a higher

charge than would be requisite in a Government department, which might

indeed be but nominal. But an important step has been taken, and Oxford

will always have the honour of having taken the lead in the systematic

application of photography to library purposes, as the sister University

has that of having been the first, not merely to print a catalogue but

to keep a catalogue up in print.

Another subject which naturally attracted the attention of the

Association from the first was that of binding. There are few matters of

more consequence, and the increasing degeneracy of the bindings of

ordinary books, as issued by the publishers, renders it of more

importance to librarians than ever. This deterioration is, of course,

likely to extend to books bound for libraries, if librarians are not

very vigilant. I was amused the other day with the remark of an American

librarian, that he bound his newspapers in brown. I thought he exercised

a wise discretion, for the newspapers which were bound in green at the

Museum have become brown, like the withered leaf, and might as well have

been so from the first. I do not know that any important progress has

been made in ordinary binding, although our American friends, in their

_Library Journal_, are continually giving us ingenious hints which may

prove very useful. The buckram recommended by Mr. Nicholson has, I

think, maintained its ground; we use it to some extent at the Museum,

and are well satisfied. Goatskin also has been recently employed; it is

a beautiful binding, but liable to injury when a volume is subjected to

much wear and tear—a point which should always be carefully considered

before the binding of a book is decided upon. The better descriptions of

cloth seem to be improved, and very recommendable for books in moderate

use. I am continually struck with the excellence of the vellum bindings

we get from abroad, especially of old books, and wish very much that

means could be found of cheapening this most excellent material. In one

very important description of binding—roan and sheepskin—I fear we are

going back; not from any fault of the binders, but from the conditions

of modern life. I am informed that owing to the early age at which the

lives of sheep are now prematurely terminated, it is impossible to

obtain sheepskin of the soundness requisite for binding purposes, and

that books for which it is used must be expected to wear out much sooner

than formerly. It is also said, however, that this does not apply to the

sheep slaughtered in Australia and New Zealand, and if this is the case

it may be worth the while of librarians and bookbinders to enter into

communication with the farmers of those parts, through the medium of the

Colonial Agents General or otherwise.

Any positive progress that can be reported in binding rather relates to

the study, appreciation, and reproduction of old and precious bindings,

especially of foreign countries, and is mainly summed up in the record

of the exhibitions of bindings which have been held here, the literary

labours of Miss Prideaux and others, the numerous splendid reproductions

in chromo-lithography, published or to be published here or abroad, and

the tasteful designs of Mr. Zaehnsdorf, Mr. Cobden-Sanderson, and other

artists in this branch, which I am glad to see encouraged by the Arts

and Crafts Exhibition. The very deterioration of the bindings for the

many, to which I have had occasion to refer, stimulates the production

of choice bindings for the few. Liberal patronage will not be wanting,

and there is no reason why we should not have among us now Bedfords,

Roger Paynes, and even craftsmen of a more purely artistic type. Among

the signs of the times in this respect is to be noted the establishment

of the Grolier Club at New York, celebrated for the admirable examples

it has collected, and the interest and value of its publications.

There is another subject which came before the Conference of 1877,

which, but for our American friends, I should be unable to include in my

survey without infringing my principle of touching upon those subjects

alone in which substantial progress can be reported. It is that of

co-operative cataloguing, the subject of a note by M. Depping, and

indirectly of the late Mr. Cornelius Walford's paper on a general

catalogue of English literature. The success of Poole's Index has proved

that co-operative cataloguing, or at least indexing, is feasible. I

doubt if there is another instance, except one—a work of great national

importance, whose long condition of suspended animation and eventual

successful prosecution eloquently evince under what conditions

co-operation is practicable or impracticable. This is Dr. Murray's great

English dictionary, originally a project of the Philological Society.

Until Dr. Murray was invented, the Philological Society could do

nothing. The scheme absolutely required some one of competent ability

who would go into it heart and soul, sacrifice everything else to it,

and devote his whole time to it. When such a man was found in Dr. Murray

it is astonishing how soon willing co-workers abounded, and how readily

the mass of unorganised material already collected was got into shape.

So it will be, I believe, with all co-operative schemes. They will

require a head, a single directing mind. Whether this will be

forthcoming for the very useful work projected by the Association, the

completion of the British Museum Catalogue of early English printed

books by the preparation of a supplementary catalogue of such of these

books as are not in the Museum, is to me problematical, but time will

show. I am, for my part, of opinion that the undertaking had better be

delayed until the publication of the second edition of the Museum

Catalogue, which it is intended to issue as soon as the printing of the

general catalogue is complete, as this would considerably abridge the

labour of preparing the supplement. I have already, in the paper read at

Paris last year, expressed my opinion that the Museum Catalogue, when

complete, will afford the only practicable basis for the far more

important and extensive undertaking of a universal catalogue. Success in

such an undertaking would indeed be the triumph of successful

co-operation, but when the enormous difficulties of establishing

co-operation among the libraries, not of a single country only, but of

the whole civilised world, are considered, the difficulty may well

appear insuperable, until the various countries shall have approximated

much more nearly to the condition of a single country than they have

done as yet. Such, however, is the unquestionable tendency of the times,

depending upon causes which, so far as can be foreseen, appear likely to

operate with augmented intensity, and this movement may proceed far

enough to eventually bring with it the universal catalogue along with

the universal language, the universal coin, and the universal stamp.

Till within a short time ago I had reason to believe that a co-operative

catalogue, which I myself proposed several years ago, was on the point

of being undertaken. Some may remember that I once read a paper at a

London monthly meeting on the preparation of an index of subjects to the

Royal Society's catalogue of scientific papers, without which that great

store of information is in a measure useless. This paper was

re-published in _Nature_, the idea was taken up by Mr. Collins of

Edgbaston, the compiler of the indexes to Herbert Spencer's works, and a

few weeks ago success seemed about to crown his efforts. I now learn

with regret that the scientific men who met in conclave on the project

have not been able to agree, and I suppose it will remain in abeyance

until some Hercules-Littré arises and does it by himself.

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