The prince now repaired to the vault, where his friend the bat was hanging

by the heels, and propounded the same question. The bat wrinkled up

his nose into a most snappish expression. "Why do you disturb me in my

morning's nap with such an idle question?" said he, peevishly. "I only

fly by twilight, when all birds are asleep, and never trouble myself with

their concerns. I am neither bird nor beast, and I thank heaven for it.

I have found out the villainy of the whole of them, and hate them one and

all. In a word, I am a misanthrope--and know nothing of this thing called

love."

As a last resort, the prince now sought the swallow, and stopped him just

as he was circling about the summit of the tower. The swallow, as usual,

was in a prodigious hurry, and had scarce time to make a reply. "Upon my

word," said he, "I have so much public business to attend to, and so many

pursuits to follow, that I have had no time to think on the subject. I

have every day a thousand visits to pay; a thousand affairs of importance

to examine into, that leave me not a moment of leisure for these little

sing-song matters. In a word, I am a citizen of the world--I know nothing

of this thing called love." So saying, the swallow dived into the valley,

and was out of sight in a moment.

The prince remained disappointed and perplexed, but with his curiosity

still more piqued by the difficulty of gratifying it. While in this mood,

his ancient guardian entered the tower. The prince advanced eagerly to

meet him. "O Eben Bonabben," cried he, "thou hast revealed to me much of

the wisdom of the earth; but there is one thing of which I remain in utter

ignorance, and would fain be informed."

"My prince has but to make the inquiry, and everything within the limited

range of his servant's intellect is at his command."

"Tell me then, O most profound of sages, what is the nature of this thing

called love?"

Eben Bonabben was struck as with a thunderbolt. He trembled and turned

pale, and felt as if his head sat but loosely on his shoulders.

"What could suggest such a question to my prince,--where could he have

learnt so idle a word?"

The prince led him to the window of the tower. "Listen, Eben Bonabben,"

said he. The sage listened. The nightingale sat in a thicket below the

tower, singing to his paramour the rose; from every blossomed spray and

tufted grove rose a strain of melody; and love--love--love was still the

unvarying strain.

"Allah Akbar! God is great!" exclaimed the wise Bonabben. "Who shall

pretend to keep this secret from the heart of man, when even the birds of

the air conspire to betray it?"

Then turning to Ahmed--"O my prince," cried he, "shut thine ears to these

seductive strains. Close thy mind against this dangerous knowledge. Know

that this love is the cause of half the ills of wretched mortality. It is

this which produces bitterness and strife between brethren and friends;

which causes treacherous murder and desolating war. Care and sorrow, weary

days and sleepless nights, are its attendants. It withers the bloom and

blights the joy of youth, and brings on the ills and griefs of premature

old age. Allah preserve thee, my prince, in total ignorance of this thing

called love!"

The sage Eben Bonabben hastily retired, leaving the prince plunged in

still deeper perplexity. It was in vain he attempted to dismiss the

subject from his mind; it still continued uppermost in his thoughts,

and teased and exhausted him with vain conjectures. Surely, said he to

himself, as he listened to the tuneful strains of the birds, there is no

sorrow in those notes; everything seems tenderness and joy. If love be a

cause of such wretchedness and strife, why are not these birds drooping

in solitude, or tearing each other in pieces, instead of fluttering

cheerfully about the groves, or sporting with each other among the

flowers?

He lay one morning on his couch, meditating on this inexplicable matter.

The window of his chamber was open to admit the soft morning breeze, which

came laden with the perfume of orange-blossoms from the valley of the

Darro. The voice of the nightingale was faintly heard, still chanting the

wonted theme. As the prince was listening and sighing, there was a sudden

rushing noise in the air; a beautiful dove, pursued by a hawk, darted in

at the window, and fell panting on the floor, while the pursuer, balked

of his prey, soared off to the mountains.

[Illustration: _Bridge on the Darro._]

The prince took up the gasping bird, smoothed its feathers, and nestled

it in his bosom. When he had soothed it by his caresses, he put it in a

golden cage, and offered it, with his own hands, the whitest and finest

of wheat and the purest of water. The bird, however, refused food, and

sat drooping and pining, and uttering piteous moans.

"What aileth thee?" said Ahmed. "Hast thou not everything thy heart can

wish?"

"Alas, no!" replied the dove; "am I not separated from the partner of my

heart, and that too in the happy spring-time, the very season of love!"

"Of love!" echoed Ahmed. "I pray thee, my pretty bird, canst thou then

tell me what is love?"

[Illustration: _The Moorish Mint._]

"Too well can I, my prince. It is the torment of one, the felicity of

two, the strife and enmity of three. It is a charm which draws two beings

together, and unites them by delicious sympathies, making it happiness to

be with each other, but misery to be apart. Is there no being to whom you

are drawn by these ties of tender affection?"

"I like my old teacher Eben Bonabben better than any other being; but

he is often tedious, and I occasionally feel myself happier without his

society."

"That is not the sympathy I mean. I speak of love, the great mystery and

principle of life: the intoxicating revel of youth; the sober delight of

age. Look forth, my prince, and behold how at this blest season all nature

is full of love. Every created being has its mate; the most insignificant

bird sings to its paramour; the very beetle woos its lady-beetle in the

dust, and yon butterflies which you see fluttering high above the tower

and toying in the air, are happy in each other's loves. Alas, my prince!

hast thou spent so many of the precious days of youth without knowing

anything of love? Is there no gentle being of another sex--no beautiful

princess nor lovely damsel who has ensnared your heart, and filled your

bosom with a soft tumult of pleasing pains and tender wishes?"

"I begin to understand," said the prince, sighing; "such a tumult I have

more than once experienced, without knowing the cause; and where should

I seek for an object such as you describe in this dismal solitude?"

A little further conversation ensued, and the first amatory lesson of the

prince was complete.

"Alas!" said he, "if love be indeed such a delight, and its interruption

such a misery, Allah forbid that I should mar the joy of any of its

votaries." He opened the cage, took out the dove, and having fondly kissed

it, carried it to the window. "Go, happy bird," said he, "rejoice with

the partner of thy heart in the days of youth and spring-time. Why should

I make thee a fellow-prisoner in this dreary tower, where love can never

enter?"

The dove flapped its wings in rapture, gave one vault into the air, and

then swooped downward on whistling wings to the blooming bowers of the

Darro.

The prince followed him with his eyes, and then gave way to bitter

repining. The singing of the birds, which once delighted him, now added

to his bitterness. Love! love! love! Alas, poor youth! he now understood

the strain.

His eyes flashed fire when next he beheld the sage Bonabben. "Why hast

thou kept me in this abject ignorance?" cried he. "Why has the great

mystery and principle of life been withheld from me, in which I find

the meanest insect is so learned? Behold all nature is in a revel of

delight. Every created being rejoices with its mate. This--this is the

love about which I have sought instruction. Why am I alone debarred its

enjoyment? Why has so much of my youth been wasted without a knowledge of

its raptures?"

[Illustration: _Generalife. The First Court's Cool Canal._]

The sage Bonabben saw that all further reserve was useless; for the

prince had acquired the dangerous and forbidden knowledge. He revealed

to him, therefore, the predictions of the astrologers and the precautions

that had been taken in his education to avert the threatened evils. "And

now, my prince," added he, "my life is in your hands. Let the king your

father discover that you have learned the passion of love while under my

guardianship, and my head must answer for it."

The prince was as reasonable as most young men of his age, and easily

listened to the remonstrances of his tutor, since nothing pleaded against

them. Besides, he really was attached to Eben Bonabben, and being as yet

but theoretically acquainted with the passion of love, he consented to

confine the knowledge of it to his own bosom, rather than endanger the

head of the philosopher.

His discretion was doomed, however, to be put to still further proofs. A

few mornings afterwards, as he was ruminating on the battlements of the

tower, the dove which had been released by him came hovering in the air,

and alighted fearlessly upon his shoulder.

The prince fondled it to his heart. "Happy bird," said he, "who can fly,

as it were, with the wings of the morning to the uttermost parts of the

earth. Where hast thou been since we parted?"

[Illustration: _Seville Cathedral._]

"In a far country, my prince, whence I bring you tidings in reward for

my liberty. In the wild compass of my flight, which extends over plain

and mountain, as I was soaring in the air, I beheld below me a delightful

garden with all kinds of fruits and flowers. It was in a green meadow,

on the banks of a wandering stream: and in the centre of the garden was a

stately palace. I alighted in one of the bowers to repose after my weary

flight. On the green bank below me was a youthful princess, in the very

sweetness and bloom of her years. She was surrounded by female attendants,

young like herself, who decked her with garlands and coronets of flowers;

but no flower of field or garden could compare with her for loveliness.

Here, however, she bloomed in secret, for the garden was surrounded by

high walls, and no mortal man was permitted to enter. When I beheld this

beauteous maid, thus young and innocent and unspotted by the world, I

thought, here is the being formed by heaven to inspire my prince with

love."

The description was a spark of fire to the combustible heart of Ahmed; all

the latent amorousness of his temperament had at once found an object, and

he conceived an immeasurable passion for the princess. He wrote a letter,

couched in the most impassioned language, breathing his fervent devotion,

but bewailing the unhappy thraldom of his person, which prevented him

from seeking her out and throwing himself at her feet. He added couplets

of the most tender and moving eloquence, for he was a poet by nature, and

inspired by love. He addressed his letter--"To the Unknown Beauty, from

the captive Prince Ahmed;" then perfuming it with musk and roses, he gave

it to the dove.

"Away, trustiest of messengers!" said he. "Fly over mountain, and valley,

and river, and plain; rest not in bower, nor set foot on earth, until thou

hast given this letter to the mistress of my heart."

The dove soared high in air, and taking his course darted away in one

undeviating direction. The prince followed him with his eye until he was

a mere speck on a cloud, and gradually disappeared behind a mountain.

Day after day he watched for the return of the messenger of love, but he

watched in vain. He began to accuse him of forgetfulness, when towards

sunset one evening the faithful bird fluttered into his apartment, and

falling at his feet expired. The arrow of some wanton archer had pierced

his breast, yet he had struggled with the lingerings of life to execute

his mission. As the prince bent with grief over this gentle martyr to

fidelity, he beheld a chain of pearls round his neck, attached to which,

beneath his wing, was a small enamelled picture. It represented a lovely

princess in the very flower of her years. It was doubtless the unknown

beauty of the garden; but who and where was she?--how had she received

his letter? and was this picture sent as a token of her approval of his

passion? Unfortunately the death of the faithful dove left everything in

mystery and doubt.

The prince gazed on the picture till his eyes swam with tears. He pressed

it to his lips and to his heart; he sat for hours contemplating it almost

in an agony of tenderness. "Beautiful image!" said he, "alas, thou art

but an image! Yet thy dewy eyes beam tenderly upon me; those rosy lips

look as though they would speak encouragement: vain fancies! Have they

not looked the same on some more happy rival? But where in this wide world

shall I hope to find the original? Who knows what mountains, what realms

may separate us; what adverse chances may intervene? Perhaps now, even

now, lovers may be crowding around her, while I sit here a prisoner in a

tower, wasting my time in adoration of a painted shadow."

The resolution of Prince Ahmed was taken. "I will fly from this palace,"

said he, "which has become an odious prison; and, a pilgrim of love,

will seek this unknown princess throughout the world." To escape from the

tower in the day when every one was awake, might be a difficult matter;

but at night the palace was slightly guarded; for no one apprehended any

attempt of the kind from the prince, who had always been so passive in his

captivity. How was he to guide himself, however, in his darkling flight,

being ignorant of the country? He bethought him of the owl, who was

accustomed to roam at night, and must know every by-lane and secret pass.

Seeking him in his hermitage, he questioned him touching his knowledge

of the land. Upon this the owl put on a mighty self-important look. "You

must know, O prince," said he, "that we owls are of a very ancient and

extensive family, though rather fallen to decay, and possess ruinous

castles and palaces in all parts of Spain. There is scarcely a tower of

the mountains, or a fortress of the plains, or an old citadel of a city,

but has some brother, or uncle, or cousin, quartered in it; and in going

the rounds to visit this my numerous kindred, I have pried into every nook

and corner, and made myself acquainted with every secret of the land."

The prince was overjoyed to find the owl so deeply versed in topography,

and now informed him, in confidence, of his tender passion and his

intended elopement, urging him to be his companion and counsellor.

"Go to!" said the owl, with a look of displeasure; "am I a bird to engage

in a love-affair?--I, whose whole time is devoted to meditation and the

moon?"

"Be not offended, most solemn owl," replied the prince; "abstract thyself

for a time from meditation and the moon, and aid me in my flight, and thou

shalt have whatever heart can wish."

"I have that already," said the owl: "a few mice are sufficient for my

frugal table, and this hole in the wall is spacious enough for my studies;

and what more does a philosopher like myself desire?"

"Bethink thee, most wise owl, that while moping in thy cell and gazing

at the moon, all thy talents are lost to the world. I shall one day

be a sovereign prince, and may advance thee to some post of honour and

dignity."

The owl, though a philosopher and above the ordinary wants of life, was

not above ambition, so he was finally prevailed on to elope with the

prince, and be his guide and mentor in his pilgrimage.

The plans of a lover are promptly executed. The prince collected all his

jewels, and concealed them about his person as travelling funds. That

very night he lowered himself by his scarf from a balcony of the tower,

clambered over the outer walls of the Generalife, and, guided by the owl,

made good his escape before morning to the mountains.

He now held a council with his mentor as to his future course.

[Illustration: _The Giralda Tower, Seville._]

[Illustration: _The Alcazar, Seville._]

"Might I advise," said the owl, "I would recommend you to repair to

Seville. You must know that many years since I was on a visit to an uncle,

an owl of great dignity and power, who lived in a ruined wing of the

Alcazar of that place. In my hoverings at night over the city I frequently

remarked a light burning in a lonely tower. At length I alighted on the

battlements, and found it to proceed from the lamp of an Arabian magician:

he was surrounded by his magic books, and on his shoulder was perched

his familiar, an ancient raven who had come with him from Egypt. I am

acquainted with that raven, and owe to him a great part of the knowledge

I possess. The magician is since dead, but the raven still inhabits the

tower, for these birds are of wonderful long life. I would advise you, O

prince, to seek that raven, for he is a soothsayer and a conjurer, and

deals in the black art, for which all ravens, and especially those of

Egypt, are renowned."

The prince was struck with the wisdom of this advice, and accordingly bent

his course towards Seville. He travelled only in the night to accommodate

his companion, and lay by during the day in some dark cavern or mouldering

watch-tower, for the owl knew every hiding-hole of the kind, and had a

most antiquarian taste for ruins.

At length one morning at daybreak they reached the city of Seville, where

the owl, who hated the glare and bustle of crowded streets, halted without

the gate, and took up his quarters in a hollow tree.

The prince entered the gate, and readily found the magic tower, which

rose above the houses of the city, as a palm-tree rises above the shrubs

of the desert; it was in fact the same tower standing at the present day,

and known as the Giralda, the famous Moorish tower of Seville.

The prince ascended by a great winding staircase to the summit of

the tower, where he found the cabalistic raven,--an old, mysterious,

gray-headed bird, ragged in feather, with a film over one eye that gave

him the glare of a spectre. He was perched on one leg, with his head

turned on one side, poring with his remaining eye on a diagram described

on the pavement.

The prince approached him with the awe and reverence naturally inspired by

his venerable appearance and supernatural wisdom. "Pardon me, most ancient

and darkly wise raven," exclaimed he, "if for a moment I interrupt those

studies which are the wonder of the world. You behold before you a votary

of love, who would fain seek your counsel how to obtain the object of his

passion."

"In other words," said the raven, with a significant look, "you seek to

try my skill in palmistry. Come, show me your hand, and let me decipher

the mysterious lines of fortune."

"Excuse me," said the prince, "I come not to pry into the decrees of fate,

which are hidden by Allah from the eyes of mortals; I am a pilgrim of

love, and seek but to find a clue to the object of my pilgrimage."

"And can you be at any loss for an object in amorous Andalusia?" said the

old raven, leering upon him with his single eyes; "above all, can you be

at a loss in wanton Seville, where black-eyed damsels dance _the zambra_

under every orange grove?"

The prince blushed, and was somewhat shocked at hearing an old bird with

one foot in the grave talk thus loosely. "Believe me," said he gravely,

"I am on no such light and vagrant errand as thou dost insinuate. The

black-eyed damsels of Andalusia who dance among the orange groves of

the Guadalquivir are as nought to me. I seek one unknown but immaculate

beauty, the original of this picture; and I beseech thee, most potent

raven, if it be within the scope of thy knowledge or the reach of thy

heart, inform me where she may be found?"

The gray-headed raven was rebuked by the gravity of the prince.

"What know I," replied he, dryly, "of youth and beauty? my visits are to

the old and withered, not the fresh and fair; the harbinger of fate am I;

who croak bodings of death from the chimney-top, and flap my wings at the

sick man's window. You must seek elsewhere for tidings of your unknown

beauty."

"And where can I seek if not among the sons of wisdom, versed in the book

of destiny? Know that I am a royal prince, fated by the stars, and sent

on a mysterious enterprise on which may hang the destiny of empires."

[Illustration: _The Palm Tree, Cordova._]

When the raven heard that it was a matter of vast moment, in which the

stars took interest, he changed his tone and manner, and listened with

profound attention to the story of the prince. When it was concluded,

he replied, "Touching this princess, I can give thee no information of

myself, for my flight is not among gardens, or around ladies' bowers; but

hie thee to Cordova, seek the palm-tree of the great Abderahman, which

stands in the court of the principal mosque: at the foot of it thou wilt

find a great traveller who has visited all countries and courts, and been

a favourite with queens and princesses. He will give thee tidings of the

object of thy search."

"Many thanks for this precious information," said the prince. "Farewell,

most venerable conjurer."

"Farewell, pilgrim of love," said the raven, dryly, and again fell to

pondering on the diagram.

The prince sallied forth from Seville, sought his fellow-traveller the

owl, who was still dozing in the hollow tree, and set off for Cordova.

He approached it along hanging gardens, and orange and citron groves,

overlooking the fair valley of the Guadalquivir. When arrived at its gates

the owl flew up to a dark hole in the wall, and the prince proceeded in

quest of the palm-tree planted in days of yore by the great Abderahman. It

stood in the midst of the great court of the mosque, towering from amidst

orange and cypress trees. Dervishes and Faquirs were seated in groups

under the cloisters of the court, and many of the faithful were performing

their ablutions at the fountains before entering the mosque.

At the foot of the palm-tree was a crowd listening to the words of one

who appeared to be talking with great volubility. "This," said the prince

to himself, "must be the great traveller who is to give me tidings of the

unknown princess." He mingled in the crowd, but was astonished to perceive

that they were all listening to a parrot, who with his bright-green coat,

pragmatical eye, and consequential top-knot, had the air of a bird on

excellent terms with himself.

"How is this," said the prince to one of the by-standers, "that so many

grave persons can be delighted with the garrulity of a chattering bird?"

[Illustration: _Entrance to Mosque, Cordova._]

"You know not whom you speak of," said the other; "this parrot is a

descendant of the famous parrot of Persia, renowned for his story-telling

talent. He has all the learning of the East at the tip of his tongue, and

can quote poetry as fast as he can talk. He has visited various foreign

courts, where he has been considered an oracle of erudition. He has been

a universal favourite also with the fair sex, who have a vast admiration

for erudite parrots that can quote poetry."

"Enough," said the prince, "I will have some private talk with this

distinguished traveller."

He sought a private interview, and expounded the nature of his errand.

He had scarcely mentioned it when the parrot burst into a fit of dry

rickety laughter, that absolutely brought tears into his eyes. "Excuse

my merriment," said he, "but the mere mention of love always sets me

laughing."

The prince was shocked at this ill-timed mirth. "Is not love," said he,

"the great mystery of nature, the secret principle of life, the universal

bond of sympathy?"

"A fig's end!" cried the parrot, interrupting him; "prithee where

hast thou learned this sentimental jargon? trust me, love is quite out

of vogue; one never hears of it in the company of wits and people of

refinement."

The prince sighed as he recalled the different language of his friend the

dove. But this parrot, thought he, has lived about the court, he affects

the wit and the fine gentleman, he knows nothing of the thing called

love. Unwilling to provoke any more ridicule of the sentiment which filled

his heart, he now directed his inquiries to the immediate purport of his

visit.

"Tell me," said he, "most accomplished parrot, thou who hast everywhere

been admitted to the most secret bowers of beauty, hast thou in the course

of thy travels met with the original of this portrait?"

The parrot took the picture in his claw, turned his head from side to

side, and examined it curiously with either eye. "Upon my honour," said

he, "a very pretty face, very pretty; but then one sees so many pretty

women in one's travels that one can hardly--but hold--bless me! now I

look at it again--sure enough, this is the Princess Aldegonda: how could

I forget one that is so prodigious a favourite with me!"

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