CHAPTER XVIII

Sylvia was in Tokyo.

He tried to beat down the wave-crest of emotion, happiness, that surged

over him, gripped him and shook him. He wanted none of it, wished

desperately to fight against it. It was all right for him to be pleased

to see her again, to be with her, but this titillating on the verge

of transports of joy--he would simply have to keep a tight hold on

himself. The situation held too many potentialities of complications,

uncertainties, distress. Even the way in which the news of her coming

had reached him had illustrated, oddly, the curious blend of the bitter

and the sweet which the situation held. It had been the Tinker hag

again. She had caught him at tea, had seized upon him and led him to

a secluded corner that she might enjoy in every detail, undisturbed,

his reaction to the dénouement. Probably she had overcome a desire

to fare forth and shout out the news in the market place, had kept

it for him, so that she might be the first to communicate it. It was

her hobby, probably the only interest which kept her alive, this

interest in living, this contriving complicated situations among her

acquaintances in order that she might satisfy a morbidly curious and

perverted taste for the dramatic by gloating over their display of the

more unusual emotions, their unguarded laying bare before her avid

eye the reactions usually painstakingly held in check. He had been

irritatedly aware of the greedy glare of this old woman; it was almost

indecent; as she watched him rapaciously solicitous lest she fail to

catch the slightest indication of face or voice which might betray his

feelings. He did not think she could have gotten much out of it. He

thought he had played up well. Still, one could never know. Anyway, it

was disquieting, disgusting, that the return of Sylvia, after all this

time, should immediately revive the watchfulness of the idle women,

should so wantonly render complicated, almost impossible, intimate

relation with this girl.

And, now, what about Sylvia? Did she know that he had become free? How

long had she known it? Had she just heard of it and returned forthwith?

No; he dismissed that thought. But might she not have heard some

time ago and simply allowed a decent interval to elapse in order to

avoid giving the gossips grist for their mills? But he caught himself

up sharply. What an ass he was to imagine, vaingloriously, that he

had entered into her considerations at all. Presumably she had been

governed by entirely different motives, something not even remotely

connected with him. What grounds had he to imagine that his presence

was of the slightest moment to her. Of course, it did seem as if she

must have left Tokyo on account of the gossip connecting him with her;

but, after all, that proved nothing, could certainly not by even the

most fanciful contortion of imagination be construed into an indication

of feeling related to affection. No, he was an ass.

The only thing he could do would be to sit tight and suffer matters to

occur as they might. He was curious to meet her--he sternly insisted to

himself that that was all--and yet he rather dreaded it, wondered what

he should say, how he should act. He would leave it to her to take the

lead. Women did these things better than men, had finer perceptions,

possessed an instinctive sureness with which they could handle deftly

such delicate situations.

So when he met her, he was not much surprised that the incident seemed

almost commonplace. Luckily, there were others at the time whom she

met also for the first time since her return. She treated him exactly

like these, included him with those others with the usual drab,

conventional commonplaces. It almost irritated him that the meeting

had been so trivial. Was she then not interested? It piqued him. Well,

why shouldn't he find out. He was free now, and if he did care for

her--there was no denying that she interested him immensely, that

she still had that old charm for him, yes, hang it, that he did care

for, that he might easily come to love her. And why not? Came back to

his mind the charm of the days when he and she had been close, when

he had been afraid to dally with the thought of her in the place of

Isabel. He need not fear that now. He had the right to. And if it had

been pleasant then, why not now, why not allow himself the felicity

of dreaming that dream. He warmed to the thought, a glow of sheer

pleasure and happiness suffused him. Of course. He would be careful to

be tactful. She was tremendously sensitive and he must take care not

to spoil everything by being too precipitate, but he would watch his

chance.

It took time, still, as he felt his way slowly, with anxious care,

holding himself in check, carefully consolidating such little gains as

he made before venturing an infinitely small step forward, he felt that

they were gradually approaching something like the old relation. He

had even come to the point where they had made a few small excursions

together. But they were few and separated by intervals that seemed

infinitely long, and he fretted under the necessity of keeping himself

in hand. Now that he was allowing himself to consider, at least as a

remote potentiality, the idea of love, the situation became ever so

much more complicated, was more difficult to manage. He must not allow

himself to think of this too much. In the back of his mind remained

the uneasy thought that he had loved Isabel, had ardently desired to

marry her--and then his marriage had been a failure, anyway. If one

failed once, one might do so twice. After all, love was often mainly

something contrived by oneself. One took love of an image conjured

up by one's imagination for love of the woman; it might be a sort of

auto-intoxication. He must be sure of himself. He must force himself to

be rational, to refrain from letting fancy take charge of what should

be the function of the brain. Anyway, there was plenty of work to do.

He would use work as a counterirritant.

Japan had suddenly launched into one of its periods of frantic

excitement. First came news from Manchuria, where Chang Tso-lin

was moving a great expedition to drive the Soviet troops out of

Mongolia. Conservative papers registered perfunctory surprise at the

completeness of his equipment, motor transport, field artillery, even

airplanes; but most of the papers, the people generally, sneered

contemptuously, shrugged shoulders. It was an old story. Of course,

the Manchurian war-lord could have obtained them from only one source,

the militarists. The War Office issued its usual denial, which no

one believed. Presently came news of attacks by Chinese bandits on

settlements in the South Manchuria Railway territory, massacres

of Japanese colonists, clashes with Japanese police, burning of a

consulate or two. From high official sources, unnamed, but generously

quoted in the press, were given out alarming statements. It was the

Bolshevik menace, irresponsible hordes of Manchuria, malcontent

Koreans, being goaded on by mysterious machinations from Moscow. It

would be necessary to move troops into Manchuria to protect the railway

region, especially now that Chang Tso-lin was engaged in Mongolia and

could not protect neighboring territory. The divisions in Korea were

moved inland. It would be necessary to send fresh troops to Korea. Of

course, it would be impossible to consider the proposition to reduce

the army at the session of the Diet which was just about to meet.

The people murmured; again the feeling became prevalent that a great

militaristic scheme was being carried out, cleverly hidden by the

uniformed old men up there in the copper-roofed building towering

on the hill beyond the Foreign Office. Opinions were divided. Some

insisted that Japanese lives must be avenged, colonists protected,

the dignity of the Empire upheld; others cried out bitterly that the

entire turmoil was but part of a great plot ingeniously hatched out by

the General Staff. Some papers claimed to have proof that this was but

another attempt to carry out the favorite old military plan, to have

a buffer state created by Chang Tso-lin and remnants of White Russian

factions; that the bandits were backed by Chang, that the very rifles

which had dealt out death to Japanese had been furnished in mysterious

roundabout ways by the War Office. It was hinted that the massacres

were, in fact, quite welcome to the General Staff, that they were a

part of the whole scheme.

It was a busy period for Kent. News was breaking constantly, here

and there, in unexpected quarters. It was intensely interesting at

first, sending story upon story over the wire, each one conveying

the tingling feeling of anticipation that each day was bringing

nearer some great event, some cataclysm, indefinite but gradually

assuming certainty, something overwhelming, big news. But events were

happening too quickly,--the staccato hammering of situation after

situation, the Manchurian affair, army bill, rice scandal, Diet fights,

police charges, rumors and revelations, farmer revolts and riots in

the cities, all became a conglomerate chaos of excitement, a whirl

of incidents flickering by with dizzily shifting changes, making

concentration on any one of them almost impossible. Like the nation in

general, Kent found himself unable to maintain the high key of excited

absorption; one became overwhelmed as if by a succession of great

waves, one following so closely after the other that the mind, battered

and bewildered, failing to register complete, clear impression of each

one, became in reaction dulled, exhausted, almost apathetic. After

all, this ubiquitous clamor, this constantly flickering and flashing

of new heterogeneous pictures, produced finally but an impression

of a stupendous blur; one became exhausted by the repetition of

explosions of excitement, causing one to hold one's breath, nervously,

in expectancy of some prodigious dénouement, a political deluge, that

constantly impended but which always seemed to fall just short, to

evaporate harmlessly as each happening became overshadowed by the

occurrence of some new and astounding development.

It became necessary to remain almost constantly near the center of

affairs, to be in readiness to snap up the news events which flashed

forth with explosive suddenness, like lightning from a hovering

thunder cloud. It became his custom to spend much of his time at the

Imperial Hotel. It was close to the Diet building, the Foreign Office,

the central police station, and when things were quiet, when there

was nothing to do but wait, he enjoyed the atmosphere, the feeling

of remoteness from the humdrum surroundings of everyday modernity,

which was conveyed to him by this enormous structure of fantastic

masonry where genius had contrived to work out in permanencies of

stone and bronze the delicate and ephemeral fancies of an opulent

dream image. Resting in a remote corner among the myriad corniced

recesses which gave on the spacious vestibule, his eye found constant

delight in the intricacy of detail, embroidery-like stone pillar,

fretwork and balustrades, gilded mortar binding together complicated

interlacing designs; the flood of colors of rugs and cushions--browns,

ocher, terracotta and maroon, and blues, ultra-marine, lapis lazuli,

indigo--in a riot of shadings and combinations, and all of it, colors

and contours, blended into a great harmonious whole, impressive,

inspiring, so it seemed almost a sacrilege that this mirage-like

brilliance should be profaned by the comings and goings of mere hotel

guests and townsfolk bent on prosaic concerns of business.

In the afternoon, at tea time, it was especially pleasant, when the

Russian orchestra played. Flicker of color of butterfly-winged kimonos

would animate the scene with a glimmer of exotic rich life. They really

fitted into the picture, these young girls of the Japanese aristocracy,

with their undulating, polychromatic textures, and when the music lent

itself to the forming of a picture, some symphony or bit of opera, one

might dream oneself surrounded by an Arabian Nights setting, or a scene

from "Aïda."

Here one might meet every one who counted at all in the ultra-modern

life of Tokyo, foreigners and Japanese, business men, newspapermen,

young fellows from the embassies, in the bar; and, upstairs, in the

lobby or in Peacock Alley, the women at tea. Kent often saw the Suzuki

girls there. Kimiko seemed happy enough, showed no trace of the

incident which had brought her to him. But he came principally for the

chance that it afforded him to see Sylvia.

It had been a strenuous afternoon, but a disappointing one. A stormy

scene had been expected in the Diet. He had sat in the gallery for

hours, listening to dreary debate, hoping that momentarily something

would happen; had made the rounds of the Foreign Office, newspaper

offices, even the lair of old Viscount Kikuchi--but nothing out of the

ordinary had occurred. Now the Diet had adjourned until the following

morning; the crowds had dispersed. He was glad to see Sylvia alone at

one of the tables overlooking the inner court.

"You're just the one I want to see. It's been a maddening day; lots of

work and no results. May I sit with you?"

"Of course, but I'm afraid I cannot be with you long, although, as a

matter of fact, I'm trying to make a sort of a meal here. I'm off on an

expedition of my own, and I shall have no dinner until late, midnight

maybe."

An expedition. He urged her not to be mysterious. She soon gave in.

After all, it was entirely professional. She intended to go to the

great Nichiren temple at Ikegami, a few miles from Tokyo. It would

be full moon and she had always had an idea that there might be a

picture there for her, some fantastic harmonious blending of contour of

gnarled pines, curved temple roofs, which might be enhanced, softened,

etherealized by moonbeam glamor.

"I'm not at all sure that there will be a picture there, at least not

for me. I may not be able to get enough color out of it; but I want

the experience, anyway, the eeriness of the hundreds of old graves in

the cryptomeria shadows. I have been wanting to go for a long time; so

to-night I'm going."

The idea appealed to him instantly. "I wish you'd let me come with

you."

"I'm afraid it might be rather unconventional, would it not?" she

hesitated.

"It would be still more unconventional if you went alone. You should

have an escort. I shan't disturb you. I promise you that I shall be as

dumb and unobtrusive as your walking-stick; but, really, I do wish you

would let me come along."

She looked at him reflectively. He wondered what thoughts were forming

behind these fine, black eyes; the desire to go with her, which had

been only an inspirational whim, took deeper hold. She must let him

come. He leaned forward earnestly. She smiled. "Very well, then. I

suppose you might as well come; but remember, I shall be at work; I

shall want to think, to absorb. You must be as you promised, just

inanimate, a block of wood."

He promised hastily, curiously noting in himself a feeling of trembling

pleasure. They finished their tea and took the electric train to Omori.

Twilight was falling when they reached the village. They walked through

narrow winding lanes, past tall bamboo fences enclosing spacious

gardens, came to the open country, rice fields, scattered groups of

houses clustered on tree-clad hills. In the gathering shadows crickets

were tuning up for their serenades; the moon, rising from behind the

pine groves on the Ikegami ridge, bathed the landscape with soft

luminosity.

As they climbed the long broad stone stairway leading up to the temple

heights, they heard the monotonous euphony of a chant. At a minor

shrine close to the entrance a priest was engaged in some ceremonial.

As they stood by the stone foxes guarding the entrance to the small

court fronting it, they could see his vestmented figure, kneeling,

facing the dimly illuminated gorgeousness of gilt, and brocade, and

lacquer, a glimpse of resplendent Oriental opulence devoted to

mysterious, age-old rites.

They passed on. The rest of the temple grounds lay in darkness,

illuminated sparingly by a few faint electric lights, irritatingly

modern amidst all the ancient buildings, lofty cryptomerias, crumbling

tombs. They passed along the broad stone-paved path, smoothed by wear

of feet of generations of worshipers, under the massive, towering

crimson gateway leading into the inner court. Here was a plateau

on the hilltop, whence ran on all sides corrugations of ridges and

valleys, set with hundreds of graves, carved stone monuments, lichened

sepulchers, broodingly silent in the shadows of fantastically gnarled

pine limbs.

The main temple buildings were closed. The wide court was bathed

in moonlight, brilliant, white, setting out in strong relief every

detail of contour of curved roof, carved pillars, bronze figures

anachronistically finding in their midst a battered rapid-fire gun,

trophy from the Russian War. But it was all too brightly visible, too

plainly seen; the eeriness, the nebulous awe of obscure mystery, lay

beyond, all about them, among the graves in the shadows of the pines.

From the right of the courtyard, near the gateway, a pathway ran,

straight as a sword, penetrating into the heart of the pine grove, a

chasm of opalescent light, a shimmery gorge of white brilliance in

abrupt contrast to the almost solid walls of blackness, leading like a

fantastically contrived magic road to a pagoda, which closed it, with

intricately carved roof set upon roof, rising with slender elegance

towards the dark sapphire heavens. It formed a picture, but strange,

eccentrically unusual, without color--pale, shimmery, pearly--set

against ebony blackness. It seemed to him that it would be impossible

to express it through the ordinary media of the brush; as if it might

be worked out only by some odd special process, mother-of-pearl and

teak; but even then it would lose the peculiar scintillating brilliance

which seemed to make even the blackness luminous.

He looked at the girl, wondering what she was getting out of it. She

was entirely absorbed, eyes intent, frowning in thought, perplexity.

She shook her head. "No. Come."

They crossed the courtyard, found a path leading behind one of the main

buildings and an old, crumbling edifice, rotting, giving forth moldy

odor of decay. It led down into a lower stratum of ridges and gullies,

slippery flags laid between mounds and hillsides, twisting and turning,

with stone stairways, leading upwards, downwards, among thousands of

ancient burial plots. Over it all lay the murky shadows of cryptomeria,

slashed here and there by bright streaks of pale moonlight. The

silence seemed uncannily brooding, ominously oppressive, riven only by

spasmodic droning booms from a great brass bell, somewhere deep in the

shadows behind them, reverberating shiveringly through the shadows.

It was as if they were enveloped in an atmosphere of the supernatural,

as if they had willfully intruded into a realm of ghosts and specters,

a scene set for mysterious _danse macabre_-like rites, rash beings

possessed of the ephemeral spark of life of the moment interfering with

their puny inconsequential presence in this, the realm of those who had

held sway here for centuries.

She had taken his arm; now she was clinging to him closely. He could

feel her shivering nervously. The feeling was infectious, crept over

him irritatingly. He brought himself together. "Come, you are getting

nervous. Let us rest for a moment before going on."

He led her up a stairway leading to the top of a small eminence, an

enclosure surrounded by a low stone balustrade, evidently the private

burial place of some family of the nobility of remote medieval days. In

the open space surrounded on all sides by blackness the illumination

seemed almost dazzling, brilliantly white, with a spotlight effect,

enhancing the sense of unearthliness, remoteness from the world of

material things.

They found a fallen stone pillar and seated themselves. She remained

silent, staring out into this spectral ghost world, the fantastic

eccentricities of shapes and contours, where everything was black and

white only, like a gigantic etching. He, watching her, became absorbed

in turn. He was pleased that she fitted into the scene, even into the

Oriental setting, a filmy silk shawl lending a kimono-like effect, her

great pile of raven hair suggestive of the high Japanese coiffure.

Whimsically, out of nowhere, came the idea to him: thank providence,

she was not a blonde! It would have spoiled the effect which she was

now producing--fine, clear profile, pale features, black hair blending

into the picture formed by mass-grown monuments, great carved lanterns,

outlined sharply in the suffusion of moonlight.

The whole thing seemed unreal, as if they had found themselves suddenly

in a world centuries removed from that in which they usually moved, as

if they had become participants in an elfin play, were on the brink of

the enacting of something supernatural, some midsummer night's dream

fancy, or a dance of specters; as if they might expect momentarily to

hear some unseen goblin orchestra strike into an overture of tinkling

bluebells, insect violins, bumblebee bassoons, murmur of night wind,

leading them, this girl and himself, into some scene of dreamlike

phantasy in which they had fortuitously become the main characters.

What a setting for romance! These surroundings, this girl, this wonder

of pure, harmonious perfection! Somehow, he felt that it would be

impossible to create again this same effect, that it could not be

consciously contrived merely by coming to this place any moonlight

night with the determination, purposely, of summoning the spell.

There came to him a feeling that this could be attained only once in

a lifetime, that he was impassively, fatuously failing to seize the

immeasurably rare opportunity----

Opportunity for what? He shook himself together. He was becoming

moonstruck. After all, this girl---- She did not notice his gaze. It

was fascinating to watch her, the infinitely fine play of light in

her eyes, her impatient frown in concentration of thoughts which were

almost palpable, visible. And yet, what did she think? It occurred that

in the same manner he had speculated as to the thoughts which might

lurk behind the white brows of Kimiko-san, Sadako-san and the rest. How

different they must be; fine, dreamlike, exotic, quaint as might be

the ideas of those girls, would not the glamor thereof, the ephemeral

delicacy, fade as one became familiar with them, become commonplace,

irritatingly trite after wear of years of association? Here, on the

other hand, was a brain capable of absorbing the most subtle and

evasive expressions of life, existence in its varied manifestations, of

shaping them into concrete, lasting form, creative, a mind like one's

own, or even more capable, which would grow, develop like an unfolding

blossom, presenting ever new beauties and richness in years of life

together.

Without conscious thought, acting entirely on impulse, he leaned

towards her. She looked at him, awakened suddenly from her reverie. "I

must be poor company," she smiled. "But then, you know, I told you

beforehand. It is all so bewildering, puzzling to me. I can see the

pictures here, the dazzlingly wonderful potentialities which lie right

here before me, about me; and yet I can't get hold of it. It eludes me

entirely. It is the lack of color, I think, the predominance of light

and shadow effects, black and white. It is not for me, I'm afraid.

This is a subject for some great etcher, for some kind of a Klinger or

Boeklin composition; and yet one would have to get in these elusive

opalescent tints, these evasive iridescences. It is very disappointing,

to feel it all so far beyond one's capabilities; and yet I have enjoyed

it so much. I have let it get away with me. But now it must be late.

Come," she took his hand simply, confidently. "We must be going home.

You must forgive me if I have let the moonlight run away with my

thoughts. But didn't you feel something like that too? Did you not feel

coming to you dreams, visions that, even though they must fade away and

lose their evanescence, will still continue to live in some form, to

take shape in one's life."

He did not answer. The dream was already beginning to concentrate, to

solidify into definite form of thought, purpose. He wondered whether it

were possible that she might divine, by some subtle woman's intuition,

the inspiration which was now growing into tangible form of a wish,

deliberate pursuance of desire, that now finally he was sure that she

was the woman whom he had been awaiting, that he had come to the end of

his seeking.

Broken Butterflies · 第 18 / 21 章