Evelyn Dundas was sitting next morning after breakfast on the terrace,
where what he alluded to as "the nightingale trick" had been performed
the evening before, in company with the conjurer who had performed it.
Philip and Madge Ellington had just gone down to the river, Lady
Ellington who was to have accompanied them having excused herself at the
last moment. But since a mother was in closer and more intimate
connection with a girl than a mere chaperone, she had seen not the
smallest objection to the two going alone. Indeed she had firmly
detained Evelyn by a series of questions which required answers, from
joining them, and, though deep in a discussion about art, she had
dropped it in its most critical state when she judged that the other two
had been given time to get under way. It had required, indeed, all her
maternal solicitude to continue it so long, for she cared less for art
or Evelyn's theories about it than for a week-old paper.
Like most artists, Evelyn had a somewhat egoistic nature, and since his
personality was so graceful and interesting, it followed that many
people found his talk equally so, especially when he talked about
himself. For his egoism he had an admirably probable explanation, and he
was at this moment explaining it to Tom Merivale, who had made the soft
impeachment with regard to its undoubted existence.
"Ah, yes," he was saying, "an artist's business is not to put things
down as they are, but to put them down as they strike him. Actual truth
has nothing to do with the value of a landscape. The point is that the
picture should be beautiful. And the same with portraits, only beauty
there is unnecessary. You have to put down what you think you see, or
what you choose to see."
"That shouldn't lead to egoism," remarked Tom. "It should lead you to
the study of other people."
Evelyn shook his head.
"No, no," he said, "it leads you to devote yourself entirely almost to
the cultivation of your own faculty of seeing. All fine portraits show a
great deal of the artist, and perhaps comparatively little of the
sitter. Why are Rembrandts so unmistakable? Not because the type of his
sitters themselves was almost identical, but because there is lots of
Rembrandt in each. You can't have style unless you are egoistic. In
fact, for an artist style means egoism. I have heaps. I don't say or
pretend it's good, but there it is. Take it or leave it."
Tom Merivale laughed.
"You are perfectly inimitable," he said. "I love your serious, vivid
nonsense. That you are an egoist is quite, quite true. But how much
better an artist you would be if you weren't. What you want is
deepening. You don't like the deeps, you know. You haven't got any. You
don't like what you don't understand; that very simple little affair
last night, for instance, frightened you."
Egoists are invariably truthful--according to their lights--about
themselves. Evelyn was truthful now.
"Yes, that is so," he said. "I don't pretend to wish to seek out the
secrets of the stars. But I know what I like. And I don't like anything
that leads into the heart of things. I don't like interiors and
symbolism. There is quite enough symbol for me on the surface. What I
mean is that the eyebrow itself, the curve of the mouth, will tell you
quite as much as one has any use for about the brain that makes the
eyebrow frown or the mouth smile. Beauty may be skin deep only, but it
is quite deep enough. Skin deep! Why, it is as deep as the sea!"
Tom Merivale was silent a little.
"Do you know, you are an interesting survival of the Pagan spirit?" he
said at length.
Evelyn laughed.
"Erect me an altar then at once, and crown me with roses," he remarked.
"But what have I said just now that makes you think that?"
"Nothing particular this moment," he answered, "though your remarking
that beauty was enough for you is thoroughly Greek in its way. No; what
struck me was that never have I seen in you the smallest rudiment or
embryo of a conscience or of any moral sense."
Evelyn looked up with real interest at this criticism.
"Oh, that is perfectly true," he said. "Certainly I never have remorse;
it must be awful, a sort of moral toothache. All the same, I don't steal
or lie, you know."
"Merely because lying and stealing are very inartistic performances,"
said Tom. "But no idea of morality stands in your way."
Evelyn got up, looking out over the heat-hazed green of the woods below
them with his brilliant glance.
"Is that very shocking?" he asked, with perfectly unassumed _naïvetê_.
"I suppose it is. Personally, I am never shocked at anything. But it
seems to me very dangerous. You ought to wear a semaphore with a red
lamp burning at the end of it."
Evelyn half shut his eyes and put his head on one side.
"I don't think that would compose well," he said.
"That is most consistently spoken," said Tom. "But really, if you are
ever in earnest about anything beside your art, you would be a public
danger."
Evelyn turned round on this.
"You call me a Pagan," he said. "Well, what are you, pray, with your
communings with nature and conjuring tricks with nightingales? You
belong to quite as early a form of man."
"I know. I am primeval. At least I hope to be before I die."
"What's the object?"
"In order to see Pan. I am getting on. Come down to the New Forest
sometime, and you shall see very odd things, I promise you. Really,
Evelyn, I wish you would come. It would do you no end of good."
He got up, and taking the arm of the other man, walked with him down the
terrace.
"You are brilliant, I grant you," he said; "but you are like a mirror,
only reflecting things. What you want is to be lit from within. Who is
it who talks of the royalty of inward happiness? That is such a true
phrase. All happiness from without is not happiness at all; it is only
pleasure. And pleasure is always imperfect. It flickers and goes out, it
has scratching nails----"
Evelyn shook himself free.
"Ah, let me be," he said. "I don't want anything else. Besides, as you
have told me before, you yourself dislike and detest suffering or pain.
But how can you hope to understand Nature at all if you leave all that
aside? Why, man, the whole of Nature is one groan, one continuous
preying of creature on creature. In your life in the New Forest you
leave all that out."
Tom Merivale paused.
"I know I do," he said, "because I want to grasp first, once and for all
the huge joy that pervades Nature, which seems to me much more vital in
itself than pain. It seems to me that pain may be much more rightly
called absence of joy than joy be called absence of pain. What the whole
thing starts from, the essential spring of the world is not pain and
death, but joy and life."
"Ah, there I am with you. But there is so much joy and life on the
surface of things that I don't wish to probe down. Ah, Tom, a day like
this now; woven webs of blue heat, hot scents from the flower beds, the
faces of our friends. Is that not enough? It is for me. And, talking of
faces, Miss Ellington has the most perfectly modelled face I ever saw.
The more I look at it, the more it amazes me. I stared at her all
breakfast. And the charm of it is its consistent irregularity; not a
feature is anything like perfect, but what a whole! I wish I could do
her portrait."
Tom laughed.
"There would not be the slightest difficulty about that, I should say,"
he remarked, "if you promise to present it to her mother."
"Why, of course, I would. How funny it must feel to be hard like that.
She is very bruising; I feel that I am being hit in the eye when she
talks to me. And she knows how many shillings go to a sovereign."
"Twenty," remarked Tom.
"Ah, that is where you are wrong. She gets twenty-one for each of her
sovereigns. And thirteen pence for each of her shillings, and the
portrait of her daughter for nothing at all. Oh, Tom, think of it--with
a background of something blue, cornflower, forget-me-nots, or lilac, to
show how really golden her hair is. There's Mrs. Home."
Evelyn whistled with peculiar shrillness on his fingers to the neat
little figure on the croquet lawn below them. She started, not
violently, for nothing she did was violent, but very completely.
"Ah, it is only you," she said. "I thought it might be an express train
loose. Are you not going on the river, dear Evelyn?"
"I was prevented," he said, jumping down the steps in one flying leap.
"Dear Philippina----"
"What next? What next?" murmured Mrs. Home. "Oh, do behave, Evelyn."
"Well, Philip is your son, so you are Philippina. But why have
prize-fighters in your house?"
"Prize-fighters?"
"Yes. Lady Ellington had my head in Chancery for ten minutes just now.
She delivered a series of quick-firing questions. I know why, too; it
was to prevent my going on the river. She was perfectly successful--I
should think she always was successful; she mowed me down. Now will you
tell me the truth or not?"
"No, dear Evelyn," said Mrs. Home rather hastily, guessing what was
coming.
"Then you are a very wicked woman; but as I now know you are going to
tell an untruth, it will do just as well for my purpose. Now, is Philip
engaged to Miss Ellington?"
"No, dear; indeed he is not," said Mrs. Home.
"Oh, why not lie better than that?" said Evelyn.
Mrs. Home clasped her white, delicate little hands together.
"Ah, but it is true," she said. "It really is literally true, as far as
I know."
Evelyn shook his head at her.
"But they have been gone half an hour," he said. "You mean--I tell you,
you mean that they may be now, for all you know."
Mrs. Home turned her pretty, china-blue eyes on to him, with a sort of
diminutive air of dignity.
"Of course you are at liberty to put any construction you please on
anything I say," she remarked.
"I am," said he, "and I put that. Now, are you pleased at it?"
"She is charming," said Mrs. Home, hopelessly off her guard.
"That is all I wanted to know," said Evelyn. "But what a tangled web
you weave, without deceiving me in the least, you old darling."
Tom Merivale had not joined Evelyn, but strolled along the upper walk
through herbaceous borders. He had not stayed away from his home now for
the past year, and delighted though he was to see these two old friends
of his again, he confessed to himself that he found the call on
sociability which a visit tacitly implied rather trying. More than that,
he found even the presence of other people in the house with whom he was
not on terms of intimacy a thing a little upsetting, for his year of
solitude had given some justification to his nickname. For solitude is a
habit of extraordinary fascination, and very quick to grow on anyone who
has sufficient interest in things not to be bored by the absence of
people. And with Tom Merivale, Nature, the unfolding of flowers, the
lighting of the stars in the sky, the white splendour of the moon, the
hiss of the rain on to cowering shrubs and thirsty grass was much more
than an interest; it was a passion which absorbed and devoured him. For
Nature, to the true devotee, is a mistress far more exacting and far
more infinite in her variety and rewards than was ever human mistress to
her adorer. Tom Merivale, at any rate, was faithful and wholly constant,
and to him now, after a year spent in solitude in which no man had ever
felt less alone, no human tie or affection weighed at all compared to
the patient devotion with which he worshipped this ever young mistress
of his. To some, indeed, as to Mrs. Home, this cutting of himself off
from all other human ties might seem to verge on insanity; to others, as
to Philip, it might equally well be construed into an example of perfect
sanity. For he had left the world, and cast his moorings loose from
society in no embittered or disappointed mood; the severance of his
connection with things of human interest had been deliberate and sanely
made. He believed, in fact, that what his inner essential self demanded
was not to be found among men, or, as he had put it once to Philip, it
was to be found there in such small quantities compared to the mass of
alloy and undesirable material from which it had to be extracted, that
it was false economy to quarry in the world of cities. More than this,
too, he had renounced, though this second renunciation had not been
deliberate, but had followed, so he found, as a sequel to the other; for
he had been a writer of fiction who, though never widely read, had been
prized and pored over by a circle of readers whose appreciation was
probably far more worth having than that of a wider circle could have
been. Then, suddenly, as far as even his most intimate friends knew, he
had left London, establishing himself instead in a cottage, of the more
comfortable sort of cottages, some mile outside Brockenhurst. In the
tea-cup way this had made quite a storm in the set that knew him well,
those, in fact, by whom he was valued as an interpreter and a living
example of the things of which he wrote. These writings had always been
impersonal in note, slightly mystical, and always with the refrain of
Nature running through them. But none, when he disappeared as completely
as Waring, suspected how vital to himself his disappearance had been.
Anything out of the way is labelled, and rightly by the majority, to be
insane. By such a verdict Tom Merivale certainly merited Bedlam. He had
gone away, in fact, to think, while the majority of those who crowd into
the cities do so, not to think, but to be within reach of the
distractions that leave no time for thought. For action is always less
difficult than thought; a man can act for more hours a day than he can
think in a week, and action, being a productive function of the brain,
is thus (rightly, also, from the social point of view) considered the
more respectable employment.
The subject of this difficult doctrine, however, was more than content;
as he had said, he was happy, a state far on the sunward side of the
other. He seemed to himself, indeed, to be sitting very much awake and
alert on some great sunlit slope of the world, untenanted by man, but
peopled with a million natural marvels unconjectured as yet by the
world, but which slowly coming into the ken of his wondering and patient
eyes. For a year now he had consciously and solely devoted himself to
the study and contemplation of life, that eternal and ever-renewed life
of Nature, and the joy manifested therein. He had turned his back with
the same careful deliberation on all that is painful in Nature, all
suffering, all that hinders and mars the fulness of life, on everything,
in fact, which is an evidence of imperfection. In this to a large extent
he was identically minded with Christian Scientists, but having faced
the central idea of Christianity, namely, the suffering which was
necessary as atonement for sin, he had confessed himself unable to
accept, at present at any rate, the possibility of suffering being ever
necessary, and could no longer call himself a Christian. Happiness was
his gospel, and the book in which he studied it was Nature, omitting
always such chapters as dealt with man. For man, so it seemed to him,
had by centuries of evolution built himself into something so widely
different from Nature's original design, that the very contemplation of
and association with man was a thing to be avoided. Absence of serenity,
absence of happiness, seemed the two leading characteristics of the
human race, whereas happiness and serenity were the chief of those
things for which he sought and for which he lived.
This year's solitude and quest for joy had already produced in him
remarkable results. He had been originally himself of a very
high-strung, nervous, and irritable temperament; now, however, he could
not imagine the event which should disturb his equanimity. For this, as
far as it went alone, he was perfectly willing to accept the possible
explanation that a year's life in the open air had wrought its simple
miracle of healing on his nerves, and, as he had said to Lady Ellington,
the perfection of health had eliminated the possibility of discontent.
But other phenomena did not admit of quite so obvious an interpretation;
and it was on these that he based his belief that, though all that
occurred must necessarily be natural, following, that is to say, laws of
nature, he was experiencing the effects of laws which were to the rest
of the world occult or unknown. For in a word, youth, with all its vivid
vigour, its capacity for growth and expansion, had returned to him in a
way unprecedented; his face, as Evelyn had noticed, had grown younger,
and in a hundred merely corporeal ways he had stepped back into early
manhood. Again, and this was more inexplicable, he had somehow
established, without meaning to, a certain communion with birds and
beasts, of which the "nightingale trick" had been a small instance,
which seemed to him must be a direct and hitherto unknown effect of his
conscious absorption of himself in Nature. How far along this unexplored
path he would be able to go he had no idea; he guessed, however, that he
had at present taken only a few halting steps along a road that was lost
in a golden haze of wonder.
He strolled along out through the garden into a solitary upland of
bush-besprinkled turf. Wild flowers of downland, the rock-rose, the
harebell, orchids, and meadow-sweet carpeted the short grass, and
midsummer held festival. But this morning his thoughts were distracted
from the Nature-world in which he lived, and he found himself dwelling
on the human beings among whom for a few days he would pass his time. It
was natural from the attitude of this last year that Evelyn Dundas and
Mrs. Home should be of the party in the house the most congenial to him,
and the simplicity of them both seemed to him far more interesting than
the greater complexity of the others. It would, it is true, be hard to
find two examples of simplicity so utterly unlike each other, but serene
absence of calculation or scheming brought both under one head. They
were both, in a way, children of Nature; Mrs. Home on the one hand
having arrived at her inheritance by cheerful, unswerving patience and
serenity with events external to herself; while in the case of the
other, his huge vitality, coupled with his extreme impressionableness to
beauty, brought him, so it seemed to Tom Merivale, into very close
connection with the essentials of life. But, as he had told his friend,
Evelyn's attitude to life was instinctively Pagan; immoral he was not,
for his fastidiousness labelled such a thing ugly, but he had apparently
no rudiments even of conscience or sense of moral obligation. And
somehow, with that curious sixth sense of prescience, so common in
animals, so rare among civilized human beings who, by means of continued
calculation and reasoned surmise of the future, which has caused it to
wither and atrophize, Tom felt, just as he could feel approaching
storms, a vague sense of coming disaster.
The sensation was very undefined, but distinctly unpleasant, and,
following his invariable rule to divert his mind from all
unpleasantness, he lay down on the short turf and buried his face in a
great bed of thyme which grew there. All summer was in that smell, hot,
redolent, the very breath of life, and with eyes half-closed and
nostrils expanded he breathed it deeply in.
The place he had come to was very remote and solitary, a big clearing in
the middle of trees, well known to him in earlier years. No road crossed
it, no house lay near it, but the air was resonant with the labouring
bees, and the birds called and fluted to each other in the trees. But
suddenly, as he lay there, half lost in a stupor of happiness, he heard
very faintly another noise, to which at first he paid but little
attention. It was the sound apparently of a flute being played at some
great distance off, but what soon arrested his attention was the
extremely piercing character of the notes. Remote as the sound was, and
surrounded as he was by the hundred noises of the summer noon, it yet
seemed to him perfectly clear and distinct through them all. Then
something further struck him, for phrase after phrase of delicious
melody was poured out, yet the same phrase was never repeated, nor did
the melody come to an end; on the top of every climax came another; it
was a tune unending, eternal, and whether it came from earth or heaven,
from above or below, he could not determine, for it seemed to come from
everywhere equally; it was as universal as the humming of the bees.
Then suddenly a thought flashed into his mind; he sprang up, and a
strange look of fear crossed his face. At the same instant the tune
ceased.
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