An interesting discovery of paintings by Hogarth, viz. "The

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THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION.

VOL. XIII, No. 365.] SATURDAY, APRIL 11, 1829. [PRICE. 2d.

* * * * *

OLD SOMERSET HOUSE.

[Illustration: OLD SOMERSET HOUSE.]

The Engraving on the annexed page is, perhaps, one of the greatest

antiquarian treasures it has for some time been our good fortune to

introduce to the readers of the MIRROR. It represents the original

SOMERSET HOUSE, which derived its name from Edward Seymour, Duke of

Somerset, maternal uncle to Edward VI., and Protector of the realm during

most of the reign of that youthful sovereign. The time at which this

nobleman commenced his magnificent palace (called _Somerset House_) has

been generally faxed at the year 1549; but that he had a residence on

this spot still earlier, is evident from two of his own letters, as well

as from his "cofferer's" account, which states that from April 1, 1548,

to October 7, 1551, "the entire cost of Somerset House, up to that

period, amounted to 10,091l. 9s. 2d." By comparing this sum with

the value of money in the present day, we may form some idea of the

splendour of the Protector's palace, as well as from Stow, who, in his

"Survaie," second edition, published in 1603, styles it "a large and

beautiful house, but yet unfinished." The architect is supposed to have

been John of Padua, who came to England in the reign of Henry VIII.--this

being one of the first buildings designed from the Italian orders that

was ever erected in this kingdom. Stow tells us there were several

buildings pulled down to make room for this splendid structure, among

which he enumerates the original parish church of St. Mary-le-Strand;

Chester's or Strand Inne; a house belonging to the Bishop of Llandaff;

"in the high street a fayre bridge, called _Strand Bridge_, and under it

a lane or waye, down to the landing-place on the banke of Thames;" and

the _Inne_ or London lodging of the Bishop of Chester and the Bishop of

Worcester. Seymour states, that the site of St. Mary's church became a

part of the garden of Somerset House; and that when the Protector pulled

down the old church, he promised to build a new one for the parishioners,

but his death prevented his fulfilling that engagement. The Strand Bridge

formed part of the public highway; and through it, according to Maitland,

"ran a small watercourse from the fields, which, gliding along a lane

below, had its influx to the Thames near Somerset Stairs."[1]

[1] The present _Strand Lane_ (as it would seem to have been called in

Strype's time) skirts the eastern side of Somerset House, and forms

a boundary between the parishes of St. Mary and St. Clement Danes.

At its stairs, which are still, as formerly, "a place of some note

to take water at," is the outlet of a small underground stream.

Besides the places above mentioned, the palace-building Protector pulled

down part of the Priory church of St. John, Clerkenwell, a chapel and

cloisters near St. Paul's cathedral, for the sake of the materials. He

was, however, soon overtaken by justice, for in the proclamation, October

8, 1549, against the Duke of Somerset, previously to his arrest, he is

charged with "enriching himselfe," and building "sumptuous and faire

houses," during "all times of the wars in France and Scotland, leaving

the king's poore soldiers unpaid of their wages." After the attainder and

execution of the Protector, on Tower Hill, January 22, 1552-3, Somerset

Place devolved to the Crown, and was conferred by the king upon his

sister, the Princess Elizabeth, who resided here during her short visit

to the court in the reign of Queen Mary. Elizabeth, after her succession

to the throne, lent Somerset Place to Lord Hunsdon, (her chamberlain,)

whose guest she occasionally became. He died here in 1596. On the death

of Elizabeth, it appears to have become a jointure-house, or dotarial

palace, of the queens' consort; of whom Anne of Denmark, queen of James

I. kept a splendid court here. Arthur Wilson, in his "History of King

James," generally calls this mansion "the queen's palace in the Strand;"

but it was more commonly called Denmark House; and Strype says that by

the queen "this house was much repaired and beautified, and improved by

new buildings and enlargements. She also brought hither water from Hyde

Park in pipes." Dr. Fuller remarks that this edifice was so tenacious of

the name of the Duke of Somerset, "though he was not full five years

possessor of it, that he would not change a duchy for a kingdom, when

solemnly proclaimed by King James, Denmark House, from the king of

Denmark lodging therein, and his sister, Queen Anne, repairing thereof."

Pennant says, "Inigo Jones[2] built the back-front and water-gate about

the year 1623;" but it may be questioned whether these were not the new

buildings spoken of as having been previously raised by Anne of Denmark.

Pennant likewise speaks of the chapel which was begun by Jones in the

same year.

[2] Inigo Jones died at Somerset House, July 21, 1651.

Denmark House was next fitted up for Henrietta Maria, queen of Charles

I., and settled on her for life. By her marriage articles, extraordinary

concessions were made in favour of the Catholics. The queen was not only

allowed to have, herself, the free exercise of the "Roman Catholic

Apostolic religion," but all her children were to be brought up in the

same faith; she was to have a chapel in all the royal palaces; a bishop

of her own faith was to be her almoner; twenty-eight priests, or

ecclesiastics, were to serve in her chapel; the domestics of her

household were to be French Catholics, &c. Thus, this mansion became the

very focus of Catholicism, and a convent of Capuchin friars was

established here by the queen. At length, in 1642, it was ordered by the

Parliament that "the altar and chapel in _Somerset House_ be forthwith

burnt," and that the Capuchins be "sent into France."

In 1659, the Commons resolved that Somerset House, with all its

appurtenances, should be sold for the partial discharge of the great

arrears due to the army; and Ludlow states, that it was sold for

10,000l. except the chapel; but the restoration of King Charles

prevented the agreement from being fulfilled.

This mansion was frequently used for the state reception of the remains

of deceased persons of high rank previously to their interment. The

Protector, Oliver Cromwell, was laid in state here; and Ludlow states,

that the folly and profusion of this display so provoked the people, that

they "threw dirt, in the night, on his escutcheon, that was placed over

the great gate of Somerset House." After the restoration of Charles II.

Somerset House reverted to the queen dowager, who returned to England in

1660; went back to France, but returning in 1662, she took up her

residence at Somerset House; when Cowley and Waller wrote some courtly

verses in honour of this edifice, the latter complimenting the queen with

Somerset House rising at her command, "like the _first creation_."

In 1670, the remains of Monck, Duke of Albemarle, were laid here "for

many weeks in royal state." For several years subsequently to this period

the mansion was but little occupied; but in 1677, the Prince of Orange,

afterwards William III., resided here for a short period prior to his

marriage. In 1678, Somerset House became the reputed, if not the real

scene of the mysterious murder of Sir Edmund Berry Godfrey, which is

attributed to the Papists connected with the chapel establishment of

Catherine of Braganza, queen of Charles II.; to whom this mansion was

destined, contingently, as a jointure-house, and who was occasionally

lodged here when Charles's gallantries had rendered it incompatible for

her to be at Whitehall. On the king's decease, in 1685, she removed

hither entirely, and kept her court here till 1692, when she departed for

Portugal, leaving her palace to the Earl of Faversham, who continued to

inhabit it till after the decease of the queen dowager in 1705.

From a description about 1720, we learn that "the stately piles of new

brick houses on both sides of Somerset House, much eclipse that palace."

At the entrance from the Strand, "is a spacious square court, garnished

on all sides with rows of freestone buildings, and at the front is a

piazza, with stone pillars, and a pavement of freestone. Besides this

court there are other larger ones, which are descended towards the river

by spacious stairs of freestone. The outward beauty of this court appears

by a view from the water, having a good front, and a most pleasant

garden, which runs to the water side. More westward is a large yard

adjoining to the Savoy, made use of for a coach-house and stables; at the

bottom of which are stairs, much used by watermen, this being a noted

place for landing and taking water at." The water gate was ornamented

with the figures of Thames and Isis, and in the centre of the

water-garden was a statue. The principal garden was a kind of raised

terrace, (ascended by steps from the water side) in which there was a

large basin, once dignified with a fountain. The ground was laid out in

parterres, near the angles of which statues were placed; one of them, a

Mercury, in brass, had been appraised, in 1649, at 500l.

In the early part of the last century, Somerset House was occasionally

appropriated to masquerades and other court entertainments. In the reign

of George II. William, Prince of Orange, resided here a short time; and

in 1764, the hereditary Prince of Brunswick became an inmate, prior to

his nuptials with the Princess Augusta, sister to George III. In April,

1763, a splendid fete was given here to the Venetian ambassadors, who

were entertained several days in this mansion.

In the year 1761, the second of his late majesty, Somerset House was

settled on the queen consort, in the event of her surviving the king; but

in April, 1775, in consequence of a royal message to Parliament, it was

resolved, that "Buckingham House, now called the Queen's House," should

be settled on her majesty in lieu of the former, which was to be vested

in the king, his heirs and successors, "for the purpose of erecting and

establishing certain public offices." An act was consequently passed in

the same year, and shortly afterwards the building of the present stately

pile was commenced under the superintendence of the late Sir William

Chambers. Extensive, however, as the buildings are, the original plan

has never been fully executed, and the eastern side is altogether

unfinished. The splendour of the building is, however, shortly to be

completed by the erection of another wing, to be appropriated as the

King's College; and surveys have already been made for this purpose.

The print represents the original mansion, or, we should rather say, city

of mansions, with its monastic chapel, and geometrical gardens, laid out

in the trim style of our forefathers. The suite of state apartments in

the principal front was very splendid, and previously to their being

dismantled by Sir William Chambers, they exhibited a sorry scene of royal

finery and attic taste. Mouldering walls and decayed furniture, broken

casements, falling roofs, and long ranges of uninhabited and

uninhabitable apartments, winding stairs, dark galleries, and long

arcades--all combined to present to the mind in strong, though gloomy

colours, a correct picture of the transitory nature of sublunary

splendour.

In the distance of the print is the celebrated Strand maypole, although

its situation there does not coincide with that marked out in more recent

prints. The original of our Engraving is a scarce print, by Hollar, who

died in 1677.

In the year 1650, an act was passed for the sale of the "honours, manors,

and lands heretofore belonging to the late king, queen, and prince," for

the payment of the army; and under that act were sold several tenements,

&c. "belonging unto Somerset House." In this list were several signs, and

it is remarkable, that the _Red Lion_, (opposite the _Office of the

Mirror_, and at the corner of Catherine-street, in the Strand) is the

only one which now remains. The _Lion_ may still be seen on the front of

the house. The Red Lion wine vaults, three doors from this corner was

probably named from the above, since nearly every house formerly had its

sign.

* * * * *

JERUSALEM.

_(For the Mirror.)_

City of God--thy palaces o'erthrown--

Thy nation branded--tribes o'er earth dispersed:

Thy temple ruin'd, and thy glory fled,--

Speak of thy impious crimes, thy daring guilt,

And tell a tale whose lines are traced in blood.

No more from hence ascends

The sacrificial smoke; the priest no more

Sheds blood of lambs, to expiate thy crimes--

Crimes foul as hell--crimes which the blood of Him,

Who came from heaven to die for guilty man,

Alone could purge,--and innocence impart.

Here holy David tuned his harp to strains

Sublime as those of angels, when he sung

In dulcet melody the praise of Him

Who should redeem from guilt the sons of man,

And rescue who in Him believed from death--

That second death--of which the first is type.

Here lived--here died--whom prophets long foretold,

Whom angels worship and whom seraphs praise,

The Son of God, mysterious God-Man:

He was rejected by the Jew; and here--

To fill the awful measure of their guilt--

At noon, a deed was done, without a peer;

A deed, unequalled since the world began,

The masterpiece of sin, of crime the chief;

At which the sun grew dark, earth's pillars shook,

Chaotic gloom as erst o'erspread the land,

And nature frowned at insults paid her God--

The crucifixion of His only Son.

Here now the banner of the prophet false,

Unfolds its silken folds to taunt the Jew;

The moslem minarets lift high their heads.

And raise their summits in the placid sky--

As tho' to rouse from his deep lethargy

The hardened Jew; to wrest from Paynim hordes

The Holy City, once the abode of God.

But shall Mohammed's banner ever float

On Salem's ruins? Shaft her sacred dust

Where Christ has shed His blood, by infidels

Be ever trodden down? Shall her temple

Prostrate lie, to cause the impious mock

Of Mussulmen for ever? It may not be.

Ere many years wane in eternity,

That banner shall be plucked from its proud height--

Those tow'ring minarets shall fall to earth

And God again be worshipp'd thro' the land.

David's fair city shall be then rebuilt;

Her pristine beauty shall be far surpassed

By more than mortal splendour; her temple

Point high its turrets to the skies--and He,

The God of Hosts with glory fill the place!

S.J.

* * * * *

PARLIAMENTS, ANCIENT AND MODERN.

_(For the Mirror.)_

Chamberlayne in his _Notitia Angliæ_, says, "Before the conquest, the

great council of the king, consisting only of the great men of the

kingdom, was called _Magnatum Conventus_, or else _Prælatorum Procerumque

Concilium_, and by the Saxons in their own tongue _Micel Gemote_,[3] the

great assembly; after the conquest about the beginning of King Edward I.,

some say in the time of Henry I., it was called by the French word

_Parlementum_, from _Parler_, to talk together; still consisting (as

divers authors affirm) only of the great men of the nation, until the

reign of Henry III. when the commons also were called to sit in

parliament; for divers authors presume to say, the first writs to be

found in records, sent forth to them, bear date 49 Henry III. Yet some

antiquaries are of opinion, that long before, nothing of moment wherein

the lives or estates of the common people of England were concerned, ever

passed without their consent."

[3] Or Wittenagemote, i.e. assembly of wise men.

In Edward the Third's time, an act of parliament, made in the reign of

William the Conqueror, was pleaded in the case of the Abbey of St.

Edmund's Bury, and judicially allowed by the court. Hence it appears that

parliaments or general councils are coeval with the kingdom itself.

Sir Walter Raleigh thinks the Commons were first called on the 17th of

Henry I.

_Parliamentum de la Blande_, was a denomination to a parliament in Edward

the Second's time, whereto the barons came armed against the two

Spencers, with coloured bands on their sleeves for distinction.

_Parliamentum Insanum_, was a parliament held at Oxford, anno 41 Henry

III. so called, because the lords came with great retinues of armed men

to it; and many things were violently transacted therein against the

king's prerogative.

_Parliamentum Indoctorum_, was a parliament held at Coventry, 6th Henry

VI. whereunto by special precept to the sheriffs of the several counties,

no lawyer, or person skilled in the law was to be called.

_Parliamentum Diabolicum_, was a parliament held at Coventry, 38th Henry

VI. wherein Edward, Earl of March (afterwards king) and several others

were attainted. The acts passed therein were annulled in the succeeding

parliament.

"In 1524, April 15, (says Stowe) a parliament was begun at the Blacke

Friers, wherein was demanded a subsidy of £800,000. to be raised of goods

and lands, four shillings in every pound; and in the end was granted two

shillings. This parliament was adjourned to Westminster, among the blacke

monks, and ended in the king's palace there the 14th of August, at nine

of the clocke in the night, and was therefore called the _Blacke

Parliament_."

Parliaments formerly sat in Westminster Hall and the Chapter house. "In

1397, (says Pennant) when in the reign of Richard II. the hall was

extremely ruinous, he built a temporary room for his parliament formed

with wood, covered with tiles. It was open on all sides, that the

constituents might see every thing that was said and done; and to secure

freedom of debate, he surrounded the house with 4,000 Cheshire archers,

with bows bent, and arrows knocked ready to shoot. This fully answered

the intent, for every sacrifice was made to the royal presence."

The place where the commons of Great Britain, now hold their assemblies,

was built by king Stephen, and dedicated to his namesake the

proto-martyr. It was beautifully rebuilt by Edward III. in 1347, and by

him made a collegiate church, and a dean and twelve secular priests

appointed. Soon after its surrender to Edward VI. it was applied to its

present use. The revenues at that period were not less than £1,085 a

year.

When the royal assent (says de Lolme) is given to a public bill, the

clerk says, _le Roy le veut_. If the bill be a private one, he says,

_soit fait comme il est désiré_. If the bill has subsidies for its

objects, he says, _le Roy remercie ses loyaux sujets, accepte leur

benevolence ainsi le veut_. Lastly, if the King does not think proper to

assent to the bill, the clerk says, _le Roy s'en avisera_; which is a

mild way of giving a refusal. This custom was introduced at the conquest,

and has been continued, like other matters of form, which sometimes exist

for ages after the real substance of things has been altered; and judge

Blackstone expresses himself on this subject in the following words:--"A

badge, it must be owned, (now the only one remaining) of conquest; and

which one would wish to see fall into total oblivion, unless it be

reserved as a solemn memento to remind us that our liberties are mortal,

having once been destroyed by a foreign power." (De Lolme.) Under the

walls of the _legal_ parliament, there is held an _illegal_ parliament,

composed of _livery_ men, who assemble in the members' servants

waiting-room. Every year, a speaker or chairman is chosen, and each

member addresses the other by the title his master bears. In case of

disputes, &c., the speaker (who sits in an elevated chair) decides, and

if there is any unparliamentary conduct, the party is fined.

This _ground_ parliament has powers peculiar to itself, and never

interferes with the _upper_ parliament under the same roof, its powers

not being so great as the "_Senatus populusque Romanus_." It is an annual

parliament, but does not extend to universal suffrage. The members vacate

their _seats_ or _stands_, when discharged by their masters in the

_upper_, or legal parliament. This parliament prints no journals, its

_acts_ not extending beyond the room, except when the _Irish members turn

out_ in palace yard. N.B. No member can be admitted till the fees are

paid. For further information relating to this self-elected parliament,

see the rules and regulations over the mantelpiece in the room.

P.T.W.

* * * * *

FINE ARTS.

* * * * *

THE COLOSSEUM.

_(For the Mirror.)_

The legitimate name of Mr. Hornor's colossal edifice in the Regent's

Park, we believe, was first set forth as the Gyrôrama, Girorama,

Panopticon, or General View. The Catholic Church of Berlin, although

diminutive in proportion to the Marylebone wonder, is, with the solitary

exception of the Pantheon at Rome, the only structure, perhaps, that

bears any resemblance to it in form and feature.

The porch, or, more properly speaking, the ôropylaion, or

fore-temple, is about the height of our Pantheon facade in Oxford Street;

and the apex of the dome may probably correspond in elevation with the

roof of that building. The whole effect, however, when viewed from the

great square in front of the opera house at Berlin, is extremely

pleasing; and, associating itself by general outline with the ideas of

the grand prototype of the eternal city, derives a degree of importance

which a minuter inspection would not confer. There are numerous churches

in Berlin, but three only which lay claim to particular notice, St.

Nicolas, the French Church, (standing on one side of the above mentioned

square) and the Catholic Church. The architecture of these is not pure in

any single instance; it having been the prevailing taste of the period

when they were erected to over-charge the building with ornament, and

substitute one or more gorgeous embellishments as appendages to the

design, for that chaste and elegant simplicity which is so essential a

part of grandeur. Accordingly we find several of the largest

ecclesiastical edifices, the site and contour of which would otherwise

entitle them to distinction, disfigured by some overpowering

frontispizio, and presenting a complication of decorative details which

distort the outline, and, in spite of toilsome and finished sculpture,

mar the truth and elegance of classic design.

There are seven doors surmounted by tablets of tolerably good sculpture

from scriptural history, five in the front and two at the sides of the

porch, the pediment of which rests on six columns of the Ionic order, and

is enriched by alto relievos, illustrative of our Saviour's ministry, as

also by marble statues representing the Virtues, &c. The entablature

bears an inscription relative to the occasion and date of this building

being erected in the last century. The interior is plain, and more

conspicuous for an accumulation of dirt and dust (a very common

characteristic of Berlin) than of ornament; the four-and-twenty

Corinthian columns, however, which contribute their support to the dome

are imposing in their appearance. The high altar and sacristy are

constructed in a recess formed by the annexation of a small chancel to

the rotunda. This church, built of freestone, stands in an angle of the

Place des Gens d' Armes, immediately behind the great Salle des

Spectacles (schauspielhaus) or theatre, in one of the finest squares of

Berlin. With the exception of a few small chapels, it is the only

Catholic place of worship in that city, the religion of Prussia being

chiefly Lutheran.

J.R.

* * * * *

HOGARTH.

_(For the Mirror.)_

An interesting discovery of paintings by Hogarth, viz. "The Modern

Midnight Conversation," and the "Hudson's Bay Company's Porters going to

Dinner," was made about three years' ago, upon the demolition of the old

Elephant public-house, Fenchurch-street.[4] The pictures were the

undoubted productions of Hogarth, something more than one hundred years

since, at which time he lodged there. The house was known as the Elephant

and Castle, where it had been customary for the parochial authorities to

have an entertainment, the celebration of which, from some cause, was

unexpectedly removed to Harry the Eighth's head, opposite, and still in

the same line of business. This removal being mentioned to our artist on

his return home at night, irritated him not a little, at what he

considered the neglect with which he had been treated in not being

invited as formerly. He therefore went over to the King's Head, where

some discussion took place, which it is supposed was not very amicable,

as he left them (as the clock indicates, at past four in the morning,)

threatening to stick them all up on the walls of the tap-room in the

Elephant and Castle, which, as an eminent modern artist said, most

emphatically, upon his first seeing the picture after it had been removed

and placed on canvass,--Hogarth had done _Con Amore_.

[4] Of this house, we have given an accurate Engraving at page 8

in the present volume.

The proposition being made to the host, he agreed to wipe out Hogarth's

score upon his completing the picture, which attracted much company; so

that, although the house lost the dinner party, it gained by persons

coming to see the parochial authorities _stuck up on the walls_. Some

time after, the score again raised its head, when mine host, for the

purpose of clearing it off, and to make the tap-room more uniform,

proposed to Hogarth the subject of the Hudson's Bay Company's porters

going to dinner; they at that time, as they still do, frequenting the

house. This picture represents Fenchurch-street as it appeared more than

a century ago, with the old Magpie and Punch Bowl public-house in the

distance, which house has not long since been taken down. The Elephant

public-house was taken down and rebuilt in 1826, and is now occupied by

Mrs. Eaton, in whose family the business has been for more than a hundred

years, and from whom these particulars have been obtained. The first

named picture is considered to be the original from which Hogarth

afterwards painted the one known as the "Modern Midnight Conversation,"

in which there are one or two figures less than in the original. Orator

Henley and the other principal characters, occupy the same situation in

both performances.

Mr. Soane, the architect, upon hearing of the present condition of the

pictures, said, that he in early life, while at Rome, knew that various

attempts had been made for the purpose of removing oil paintings from

walls, but without success, and expressed himself highly gratified at the

result of the exertions of the persons who bought and removed them at no

small risk and expense, viz. Mr. Lyon, 5, Apollo-buildings, East-street,

Walworth, and Mr. H.E. Hall, a Leicestershire gentleman of great

ingenuity; who have placed them for sale in the gallery of Mr. Penny, in

Pall Mall.

A CONSTANT READER.

* * * * *

OLD POETS.

* * * * *

AMBITION.

Ambition is a vulture vile,

That feedeth on the heart of pride,

And finds no rest, when all is tried,

For worlds cannot confine the one

Th' other lists and bounds hath none

And both subvert the mind, the state,

Procure destruction, envy, hate.

S. DANIELL.

* * * * *

HEAVEN.

In this great temple richly beautified,

Pav'd all with stars, dispers'd on Sapphire flower,

The clerk is a pure angel sanctified,

The Judge our High Messiah full of power,

The Apostles his assistants every hour,

The jury saints, the verdict innocent,

The sentence, come ye blessed to my tent.

The spear that pierc'd his side, the writing pen,

Christ's blood the ink, red ink for prince's name,

The vailes great breach, the miracles for men,

The sight is show of them that long dead came

From their old graves, restored to living fame.

And that last, signet passing all the rest,

Our souls discharg'd by _consummatum est_.

Here endless joy is their perpetual cheer

Their exercise, sweet songs of many parts.

Angels their choir, whose symphony to hear

Is able to provoke conceiving hearts

To misconceive of all enticing art

The ditty praise, the subject is the Lord,

That times their gladsome spirit to this accord.

TH. STOKER.

* * * * *

DEATH.

Is't not God's deed whatever thing is done

In heaven and earth? Did not he all create

To die again? all ends that were begun;

Their times in his eternal books of fate

Are written sure, and have their certain date,

Who then can strive with strong necessity,

That holds the world in his still changing state?

Or shun the death ordain'd by destiny,

When hour of death is come, let none ask whence or why.

SPENSER.

* * * * *

FRAUD.

Fraud showed in comely clothes a lovely look,

An humble cast of eye, a sober pace;

And so sweet speech, a man might her have took

For him that said "_Hail Mary full of grace;_"

But all the rest deformedly did look.

As full of filthiness and foul disgrace;

Hid under long, large garments that she wore,

Under the which, a poisoned knife she bore.

SIR J. HARRINGTON.

* * * * *

VIRTUE.

What one art thou thus in torn weeds yclad?

Virtue, in price, whom ancient sages had--

Why poorly clad? for fading goods past care--

Why double fac'd? I mark each fortunes rare;

This bridle, what? mind's rages to restrain--

Why bear you tools? I love to take great pain--

Why wings? I teach above the stars to fly--

Why tread your death? I only cannot die.

WYAT.

* * * * *

TEMPERANCE.

Of all God's works which doth this world adorn,

There is none more fair and excellent

Than is man's body, both for power and form,

Whilst it is kept in sober government,

But none than it more foul and indecent,

Distempered through misrules and passions base,

It grows a monster and incontinent,

Doth lose his dignity and native grace.

SPENSER.

* * * * *

PLEASURE.

Never have unjust pleasures been complete

In joys entire: but still fear kept the door.

And held back something from that hell of sweet,

To intersour unsure delights the more

For never did all circumstances meet

With those desires that were conceiv'd before,

Something must still be left to cheer our sin,

And give a touch of what should not have been.

DANIELL.

* * * * *

MAN.

He that compar'd man's body to a host

Said that the hands were scouts discovering harms,

The feet were horsemen thundering on the coast,

The breast and stomach foemen, huge in swarms,

But for the head in sovereignty did boast,

It captain was, director of alarms,

Whose rashness if it hazarded any ill,

Not he alone, but all the host did spill.

MARKHAM.

* * * * *

SOLITARINESS.

Sweet solitary life thou true repose,

Wherein the wise contemplate heaven aright,

In thee no dread of war or worldly foes,

In thee no pomp seduceth mortal sight.

In thee no wanton cares to win with words,

Nor lurking toys which silly life affords.

D. LODGE.

* * * * *

REST.

What so strong

But wanting rest, will also want of might?

The sun that measures heaven all day long,

At night doth bathe his steeds th' ocean waves among.

SPENSER.

* * * * *

WILL.

A stronger hand restrains our wilful powers.

A will must rule above the will of ours,

Not following what our vain desires do woo,

For virtue's sake, but what we only do.

DRAYTON.

* * * * *

CONTENT.

He only lives most happily

That's free and far from majesty--

Can live content although unknown--

He fearing none, none fearing him--

Meddling with nothing but his own--

While gazing eyes at crowns grow dim.

KYD.

* * * * *

Content feeds not on glory nor on pelf,

Content can be contented with herself.

BASTARD.

* * * * *

NOTES OF A READER.

* * * * *

DERBY AND NOTTINGHAM.

We trust we have consulted the profitable amusement of the reader, in

condensing the following very interesting facts from the _Second Part of

Sir Richard Phillips's Personal Tour through the United Kingdom_; since,

as the author observes, "if the less active districts of the home

counties afforded materials worthy of attention, the more industrious

counties of DERBY and NOTTINGHAM are not less likely to add interest to

the pen of an observer. In truth, the public spirit which more actively

prevails in these counties, added facilities to inquiry; while the

objects described have so many peculiar features, that a full and popular

account of them must be as new to the nation at large as they were to the

writer."

_Derby._

After passing a pleasant night and morning near Swarkeston, I drove eight

miles, through a country of limestone and gypsum; of activity and great

beauty, to the centrical and classical town of Derby. In position, it is

the centre of the kingdom, not only geographically, but commercially.--It

is forty miles within the manufacturing circle, passing southward, and

from forty to sixty miles around, there is the most industrious space on

the globe; while no one can think about Derby, without associating the

names of Darwin, in poetry and philosophy; of Wright, in painting; and of

the Strutts, as the patrons of all the useful and elegant arts. I entered

Derby, therefore, with agreeable associations, and they have since been

realized.

Taken altogether, Derby is a medium town, between a manufacturing and a

genteel one. This, in variety, is an advantage, for while the

manufacturers are improved in manners, gentility is more substantial. It

is neither wholly vulgar, like some places, nor poor and proud, like

others. For its size, it is a rich town. I was told, there are five or

six persons in it worth £100,000. and upwards, each, and as many more

worth 30 or £40,000. In most country towns there are fewer such, but

Derby is fortunate in its geographical and natural position, and in the

prudence of its genius and industry.

_Cotton Spinning_.

I proceeded to Belper, eight miles, to view the superb establishment of

the Messrs. Strutt, as cotton spinners. The excellent road, which

continues to Matlock, and the north, lay through the most delightfully

variegated country which I had seen since I left Hertfordshire. The

village of Duffield, in a valley of the Derwent, with houses on the steep

eastern bank, and woods to the top, is one of the prettiest to be seen.

On crossing the river, I beheld long lines of cottages, built for the

residence of the families employed in Messrs. Strutts' smaller factory at

Melford. Passing this, the extensive but straggling and picturesque town

of Belper, covered the eastern hill. What remains of the old town, is not

a tithe of the present one, and the whole is now supported by Messrs.

Strutts' gigantic mills.

I approached these with mingled pleasure and astonishment. A manufactory,

in such hands, presented none of the usual drawbacks on one's feelings.

They never discharge their workmen; and good conduct is a life interest

in comfort! The picturesque beauty of the situation, the height and

extent of the buildings, and the increase of the busy throng, as I

entered the yard, was exhilarating. The effect grew as I approached, for

the distance of two or three hundred yards, the noise, produced by the

united rattling of thousands of small wheels, was like the sound of a

hail storm on a large sky-light, or the fall of an immense sheet of

water.

There are five oblong factories and two circular ones. The five are six

stories high, with ten or twelve windows on each story, so that in the

five there are, at least, as many regular windows as days in the year.

The circular buildings have forty or fifty more.

In this establishment, and at Melford, Messrs. Strutt employ, at present,

about 1,300 hands of both sexes and different ages, and spin about 18

tons, or 40,000 lbs. of cotton per week. The average fineness may be

taken at 20 hanks to the pound, and hence, as each hank is 840 yards, or

nearly half a mile, every pound is nearly ten miles, and the whole, about

400,000 miles are produced in about sixty-six working hours. In round

numbers, this is 6,000 miles per hour, or 100 miles a minute. What an

astonishing effect of the combination of mechanism! What an inconceivable

miracle, if it might not be witnessed by their favour at any time!

Nor should it be forgotten, that every fibre passes through no less than

ten sets of machinery, hence, the united spindles and threads travel

through 1,000 miles a minute. The noise of their united frictions and

collisions, and the united hum of thousands of little spindles, each

revolving 4,000 times a minute, may, therefore, be accounted for, but can

never be conceived, unless heard in the midst of them.

It would be tedious to dwell on the well-known process of cotton

spinning; but as this manufactory produces the cleanest and most perfect

yarn made in England, of its numbers from 6 to 100, it may be worth while

to state, that this perfection appears to arise, from the systematic

perfection of all the machines, and from the astonishing cleanness of

every part of this great factory. The wheels are as bright as the grate

of a good housewife's drawing-room; every action is complete in its way,

and though cotton is a dusty article, yet I no where saw either dirt or

dust. At the same time, order prevails throughout, for as the main shaft

gives no respite to the carding, roving, and spinning machines, so every

attendant diligently and silently watches the lines of bobbins which are

performing their miraculous evolutions, while the other apparatus are

correcting and regulating the stages and steps of the production.

The whole is turned by eight or nine water wheels, of about twenty-four

feet diameter, and twenty feet in length. The fall is about twenty feet,

and the admirable contrivances of revolving balls (adopted in the

steam-engine) are affixed, to render the power uniform, by varying the

depth of the falling stream. In truth, it is one of the features of the

entire establishment, that all, that can be performed by machinery, is so

performed, and that the machinery is the very best for its purpose, and

in many instances which I witnessed, as true, as decided in its action.

After the thread is wound into hanks, it is bleached at a distinct

manufactory for that purpose; but as bleaching is a mere chemical

operation, and the means are either known and not curious, or secret, and

not proper to inquire about, I did not visit this branch of the

establishment.

The first of the works on this spot, was built by Mr. Jedediah Strutt,

father of the brothers, William, George, and Joseph, about fifty years

since. Arkwright invented the spinning machines, while a barber's

apprentice. He was joined by one Need, and they expended £14,000. with

uncertain success. Wright, the banker, of Nottingham, hesitated to make

further advances, and, at this juncture, they were joined by Mr. Jedediah

Strutt, a careful man, with the necessary credit or capital, and the

result was, the realization of princely fortunes, and the enriching even

the nation itself. On the expiration of their partnership, Arkwright went

on by himself at Cromford, and the Strutts for themselves at Belper. A

spirit of detraction would make it appear that Arkwright stole the

invention of another, but Mr. William Strutt, who knew him well, and is a

competent judge on such subjects, assured me that Arkwright was a man of

very superior talents as a mechanic, and quite equal to such an

invention. I saw two portraits of him in Mr. Strutt's house, and no

higher proof could be given of his personal respect for Arkwright, while

he never failed to speak of him with enthusiasm, as a man of original

talents.

_Derby Silk Trade_.

Silk throwing is a considerable trade in Derby. Sir Thomas Lombe's famous

machinery has not, however, been used for some years, but improved

machinery, which performs twice the work, in less room, is now adopted.

The chief throwsters are Messrs. Bridget, Taylor, Adcock, Butterworth,

Moore and Gibson, Devenport and Forster. The silks, as imported, chiefly

from Bengal and China, are in what are called books of 10 lb. of which

ten form a bale, and the business of the throwster is to wind it, from

the plats or skeins upon bobbins; and from these, it is twisted into two,

three, or more threads. The price for throwing is from 1s. 9d. to

2s. for Bengals, and from 2s. 9d. to 3s. per lb. for China. About

1,500 lbs. a week are thrown, employing from 1,000 to 1,200 men, women,

and children. The price used to be 4s. a lb. but a fall has taken

place, within the last fifteen years, in this article of labour, as well

as in every other.

I heard much from all the manufacturers of Derby, of the mechanical

ingenuity of Mr. James Fox, of Chester Road, on the banks of the Derwent.

I paid him a visit, and beheld his powerful iron lathes, twenty-four feet

long, used by machine makers for planing iron. Here I saw iron cut in

groves or squared with great simplicity, by duly adjusting the velocity

so as to generate no heat, for a velocity, which generates heat, destroys

the tool. These lathes, Mr. Fox makes for machinists in all parts of the

kingdom, and gets from £200. to £700. for them. The castings are made at

Morley Park; and I was sorry to learn that they are now delivered at £7.

a ton instead of £30. the usual and legitimate price. In truth, the

depression of the iron trade is as great or greater than that of the

other staples of the kingdom.

The number of cotton frames employed by the above, is from 3,000 to 4,000

dispersed over the town and country; and the number of silk frames is

about 1,000. The average earnings of the cotton hands are from 7s. to

10s. per week, but many frames are worked by young persons both male

and female. The silk hands earn about 12s. or 15s.

_Petrifaction Manufactory._

A manufactory, at once local and elegant, exists at Derby, which excites

the attention and loosens the purse-strings of most strangers. It is the

spar-manufactory of Mr. Hall, and in it, he converts the petrified sports

of nature, in the Derbyshire hills, into the luxuries of civil life.

Those in London, who desire to see the products of these works, may

behold them at Mawe's, in the Strand; but all, who visit Derby, will not

fail to call upon Mr. Hall, who is as courteous as he is ingenious.

Amythistine and other spars, white and variegated marble, alabaster, &c.

are here formed in a series of workshops, aided by a steam engine, into

vases, columns, obelisks, &c. &c. Tasteful statuaries are also employed,

in converting the same materials into dogs, horses, sheep, cows, &c. for

chimney ornaments; and Mr. Hall has likewise imitated the best vases, and

some of the structures of Egypt, with exact transcripts of their

inscriptions. In these works, in polishing, sawing, fashioning, &c. he

employs numerous hands; and persons, whom he may indulge, with a view of

the details, will be instructed and gratified.

_The Arkwrights_.

Cromford is an immense establishment; but being inferior in magnitude to

Belper, and of the same description, I forbear to enlarge upon it. Here

the late Sir Richard Arkwright established the first cotton-spinning

mill, and from the poverty of a barber's apprentice, became one of the

wealthiest merchants in the united kingdom. The concern is now carried on

by his son, and I found that his work-people were in the same state of

comfort, as those of the Messrs. Strutt.

The present Mr. Arkwright, son of Sir Richard, is between seventy and

eighty, and by the power of unparalleled capital and habits of frugality,

he is considered the most wealthy person in Europe. I heard his

accumulations estimated at six, eight, and even ten millions; and he

spends but 2 or £3,000. per annum. He has eight children, and provides

liberally for them, and I heard some anecdotes of his munificence to the

deserving, but do not consider myself at liberty to repeat them. His

habits lead him to continue in business, though the profits are now

trifling. Those of his father and his own, formerly, were 2 or 300 per

cent, but competition has now rendered them nearly nominal.

_A Village Funeral_.

At Ashford, my sympathy was strongly excited by the procession of a

village funeral, in which the affections of the people seemed concerned.

I found on inquiry, that the corpse was the wife of the schoolmaster,

who, in her prime, and in the enjoyment of general esteem, had been cut

off in childbirth. The clergyman headed the procession. The coffin was

borne by eight females, in white hoods and scarfs, and was followed by

the unhappy husband, who conferred great effect, in the display of his

grief, by carrying in his arms two young children, the offspring of the

deceased. A long train of mourners followed, and I question whether more

tears are shed, or more sensibility exhausted, at funerals accompanied

with heraldic pomp, than in this simple display of natural affection. I

drew up my horse as the procession passed, and the affair threw a gloom

over my spirits, in which it seemed as though the village at large

partook. The funeral group, with the father and his children, and the

sorrowful countenances of the well disposed population, would have made

a beautiful subject for a sentimental painter.

_Leicester, Derby, and Nottingham_.

The present population of these triangular midland towns, are, Leicester,

35,000; Derby, 22,000; and Nottingham, 50,000, in round numbers, and this

adds sufficiently to the last population returns. The proportional

comfort in each, respectively is 8, 10, and 5--the good taste, 6, 7, and

4--the manners, 5, 8, and 4--the wealth, 4, 6, and 5--the style of the

towns, 4, 8, and 2--the industry, 6, 5, and 8--the political spirit, 4,

3, and 10--the religious fervour, 5, 4, and 10--the returns in trade, 5,

6, and 10--the superfices, 6, 4, and 6--the poverty, 6, 2, and 10--the

literature, 4, 5, and 4--the musical taste, 5, 3, and 2. Of course, in

assigning these numbers, I may err in a fraction; but I make my

determinations on my own observations and personal impressions, after

diligently observing each place.

* * * * *

SPIRIT OF THE PUBLIC JOURNALS.

* * * * *

THE FIRST AND LAST APPEARANCE.

Mr. Henry Augustus Constantine Stubbs (or as he distinguished himself on

his new visiting cards, H.A.C. Stubbs) had taken up his abode in one of

the demi-fashionable squares, among judges, physicians, barristers, and

merchants, at the north side of the metropolis. Being the only lawfully

begotten issue of his father, when the frail Angelina made it impossible

he should have any brothers and sisters, he succeeded, by will, to

three-fourths of the late Mr. Jonathan Stubbs's property, and, by oxalic

acid, to the remaining fourth;[5] the affair being too sudden to permit

of any further testamentary dispositions, or of any of those benevolent

codicils, which sometimes have the effect of tapering down primary

bequests, like Prior's Emma, "fine by degrees and beautifully less." Upon

a fair computation, after a few trifling legacies were paid, and all

debts satisfied, young Mr. Stubbs might calculate his inheritance, in

India stock, Bank stock, houses, canal shares, and exchequer bills, at

nearly eighty thousand pounds.

[5] Mr. Jonathan Stubbs retired from business long before he reached

his grand climacteric, to his country house at Newington Butts,

with the solid dignity of at least half a plum. What length of

years might have been in store for him, if he had regularly taken

Dr. James's analeptic pills, it is impossible to say; but not doing

so, he had occasion to send the coachman one night for an ounce of

Epsom salts. They proved to be oxalic acid; and stomach-pumps not

being then in existence, there was an inevitable termination to the

existence of Mr. Stubbs. An "extraordinary sensation," as the

newspapers have it, was produced in Newington Butts by this

dreadful catastrophe.

The Mirror of Literature, Amusement, and Instruction. Volume 13, No. 365, April 11, 1829 · 第 1 / 3 段