THE YORK PLAY 'HARROWING OF HELL'

British Museum MS. Addit. 35290 (about 1430-40), f. 193 b.

The miracle play _Harrowing of Hell_ is assigned to the craft of

Saddlers in the York cycle, edited by Miss L. Toulmin-Smith, Oxford

1885, pp. 372 ff. This is the text reproduced below. It is also found,

though in a less perfect form, among the _Towneley Plays_, ed. England

and Pollard, E.E.T.S., 1897, pp. 293 ff.

All the mediaeval stories of Christ's Descent into Hell are based on the

gospel of Nicodemus, which seems to date from the fourth century, though

the legend is referred to nearly two centuries earlier. This apocryphal

narrative was popular throughout the Middle Ages. There is a prose

translation in late Anglo-Saxon, and a Middle English verse rendering

supplies some of the phrases in the play.

Two points deserve notice for their bearing on the development of

miracles. A trace of their origin in the services of the Church is seen

in the use made of the Scriptural passage 'Attollite portas, principes,

vestras, et elevamini portae aeternales, et introibit rex gloriae', the

dramatic possibilities of which were recognized in ritual from an early

date. And the growing taste for comic scenes is met, without prejudice

to the serious characters, by the rudimentary buffoonery of the Devil

and his companions.

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