CHAPTER XVI

ENGLAND AGAIN

I have generally been happy at sea; and when not so, it has been from

reasons apart from the sea itself,--preoccupations which kept me

insensible to the old charm, or mental troubles which made me

insensible to everything beside them. On this voyage I had the

company of an old friend of the days of "The Crayon," one of our most

thoughtful and successful portrait painters, George Fuller, and a

young friend of his, a Mr. Ames. We sailed just before Christmas, in

an old sailing ship of about eight hundred tons burthen; for, unless

time is of importance, I prefer a sailing ship to a steamer, and one

pleasant companion is worth a shipload of commonplace fellow-voyagers.

A stiff westerly blow caught us off Sandy Hook, and never left us till

we were halfway across the Atlantic, increasing in violence every day,

until it gave me, what I had always longed for, but never seen, a

first-class gale on the open ocean.

I had said to the captain (one of the old sort of Cape Cod sailors,

still a young man, however) that I wanted to see a real gale; and one

day, after we had been out nearly a week, he called me up on deck,

saying, "You wanted to see a gale, and now you may see it; for unless

you get into a tornado you will never see anything worse than this." I

went on deck, obliged to hold firmly to the rails or some part of the

rigging, for the wind was such as to have carried me overboard if I

had attempted to stand alone on the quarter-deck. We were running with

the wind dead abaft, under a reefed fore-topsail and a storm

jib, everything else having been taken in the night before. The

studding-sail boom of the foreyard, which had been carelessly left

out, had been broken off short in the earing, from the pressure of the

wind on the bare spar. The roaring of the wind through the rigging was

such as only one who has heard it can conceive.

I gripped close the quarter-deck railing, and drew myself aft to the

shelter of the wheelhouse, where, securing myself from being blown

away like a piece of paper, I watched the sea. It rose behind us in

huge mountains, the summits of which were always combing over and

sliding down the weltering flanks of the wave,--not like the surf on a

shore, but pushed over like snow; and as a wave overtook us lying in

the bottom of the valley, it so overhung that it seemed impossible

that when it broke it should not bury us; but the stern was always

caught by the forefoot of it, and the old ship began to rise, and went

up, up, up, until I was dizzy. Then we hovered on the summit a moment,

looking out on such an expanse of gigantic waves as I had never

pictured to myself, the distance lost in the driving spray; and, while

I looked, the wave passed from under us, and we went down and down

with a rapidity of descent which was almost like falling from a

balloon. Then, after another moment's rest in the valley, came the

shuddering half apprehension of the next wave as it rose above us,

threatening again, and then, after again soaring aloft, down again

into the driving of the spray; the old ship rolling, plunging, and now

and then quivering, as some side wave struck her, with a complication

of motions, sidelong and headlong, the huge waves flying before us and

yet carrying us on,--wild motions, rolling, pitching, sinking down the

long green slope into the valley, to be flung up into the tumult of

wind and wave again. In all this complexity of forces we were as

helpless as feathers in the wind, cut off from mother earth as much

as if we were carried away on the clouds; the feeling of absolute

insignificance growing on one as the ship drove on, the creaking of

the ship and the hissing rush of the waters hardly audible for the

shrieking of the gale through the rigging. In all my life I have never

so understood the utter impotence and triviality of humanity as I felt

it then.

The ship, though not in measure with the colossi of later times, was

yet a huge mass as measured by the man, and she was no more than

a cork on the tide. Up and down she went, like a child's

swing,--wallowing and rolling, with the sea breaking over the side

till the channels were full, and pouring over the bows in green

torrents, and then in blinding deluges of spray and water over the

stern; tearing along ten knots an hour, and yet always seeming to

be left behind by the waves that tore by us,--the great waves, that

obeyed the wind only to be crushed down again by it, spurting up here

and there fitfully in pinnacles which were instantly driven off in

foam and froth; no combing waves, such as the land dweller sees,

for no wave could rise enough to comb,--only great hills of water,

crystalline with wavelets, streaked with spun foam, heaving as if from

a blind impulse, and leaving us, in a contemptuous toleration, to keep

afloat if we could. And now and then two great waves raced each other,

as they will at long intervals, till they ran close to each other and

united, and we were thrown aloft a little higher, to see nothing more

than a wild waste of foam, spray, and watery chaos which defies human

language to express it.

This was the sea as I had wanted to see it, and as no painter has ever

painted, or probably ever will paint it, and as very few could ever

have seen it; for in seventy thousand miles of sea travel I have seen

it only once. For three days and nights our captain never left the

bridge to rest. Of two other ships that left New York the same day

that we did, one was dismasted to the south of us, and the other had

her quarters stove in and barely escaped foundering just to the north

of us. The gale blew out and left us in a dead calm, which lasted

a couple of days, when another gale of three days drove us in the

direction we wanted to go, and dropped us off Torquay in the morning

of what seemed a delicious spring day, all sunshine and south wind. We

hailed a fishing boat and went ashore. We had left a land buried in

snow and ice, and we reached one in early spring, though it was still

January, the gorse in odorous blossoming, and in the hedgerows the

early wild flowers in profusion. But we learned, on landing, that the

recent gales had strewn the shores of England with wrecks, with great

loss of life. It had been one of those terrible winters which have

helped make the British sailor the sea dog he is.

I took lodgings in Charles Street, Middlesex Hospital, near Wehnert,

and worked hard. I had brought my "Bed of Ferns," a large study from

nature on Saranac Lake, and one or two smaller studies. I had visits

from Dante Rossetti, Leighton (then in all the glory of his Cimabue

picture, and in the promise of even a greater career than he finally

attained), Millais, Val Prinsep, and Boyce. I had brought letters from

Lowell to Tom Hughes, from Norton to Arthur Hugh Clough, from Agassiz

to Professor Owen. Hughes introduced me to the Cosmopolitan Club,

where I made the acquaintance, amongst others whom I do not remember,

of Millais and Monckton Milnes.

The artists who came seemed to be interested in my work, especially

in the "Bed of Ferns," of which Rossetti--whose opinion I valued more

than any other, for he was very honest and blunt in his criticisms,

and not at all inclined to flattery--expressed himself in strong terms

of praise. As it was the first thing in which I had attempted to

introduce a human interest in the landscape, I was naturally inclined

to consider it my most important work, and I was dismayed when Ruskin

came to see me, and, in a tone of extreme disgust, said, pointing to

the dead deer and man: "What do you put that stuff in for? Take it

out; it stinks!" My reverence for Ruskin's opinion was such that I

made no hesitation in painting out the central motive of the picture,

for which both subject and effect of light had been selected.

Unfortunately, I habitually used copal varnish as a medium. When

Rossetti called again, he asked me, with a look of dismay, what I had

done to my picture. I explained to him that on Ruskin's advice I

had painted out the figures, and exclaiming, "You have spoiled your

picture!" he walked out of the room in a rage. However, I sent it to

the Academy as it was, and had it back, "Not hung, for want of room,"

or something equivalent. I then tried to remove the pigment which hid

my figures; but the varnish was refractory, and, after a vain attempt,

I finally cut the picture up and stuck it in the fire.

The incident, though it cost me the work of three months, and was

in fact the only important outcome of the summer's study, did not

diminish my confidence in Ruskin's judgment and correct feeling for

art. It required a still more severe experience. As all the world

knows, that knows anything of Ruskin's ways with artists, he was blunt

and outspoken in his criticisms, and not in the least tender of their

feelings, unless indeed they happened to be women. Knowing this, I

took his praise for certain studies and drawings I had brought with

me as a patent of ability; and though I was never extravagant in my

opinion of my own capacities for art, his approbation of some things

that I had done, and his assurance of a respectable attainment if

I followed the best methods of study, encouraged me, and I took it

without question that the methods were his, and it was a costly

experience which undeceived me.

Of the people with whom I made acquaintance in London at this visit,

those who most interested me were Clough and Owen. Of the artists I

saw little, as they and myself had other things to do than to frequent

one another's studios; but by the Rossetti family I profited largely,

as I had been more or less in intimate relations with William since he

undertook the correspondence of "The Crayon" from England. Of Dante,

indeed, I saw little at that time, as he lived by himself; but with

William my relations were constant and cordial, and he was for many

years my most valued English friend. Through his extreme honesty and

liberality, and his extensive knowledge of and wide feeling for

art, there was great community of appreciation between us, and our

friendship lasted long beyond the direct interest I had in English art

matters.

Of Christina I saw a good deal, for the hospitality of the Rossetti

family was informal and cordial. She was then in excellent health,

and, though she was never what would be, by the generality of tastes,

considered a beautiful woman, there was a noble serenity and dignity

of expression in her face which was, as is often said of women of the

higher type of character, "better than beauty," and in which one

saw the spiritual exaltation that, without the least trace of the

_dévote_, dominated in her and made her, before all other women of

whom I know anything, the poetess of the divine life. The faith in

the divine flamed out in her with a mild radiance which had in it no

earthly warmth. She attracted me very strongly, but I should as soon

have thought of falling in love with the Madonna del Gran Duca as

with her. Being myself in the regions of dogmatic faith, I was in

a position to judge sympathetically her religion, and, though we

differed in tenets as far as two sincere believers in Christianity

could, I found in our discussions of the dogmas a broad and

affectionate charity in her towards all differences from the ideal of

credence she had formed for herself. I do not remember ever meeting

any one who held such exalted and unquestioning faith in the true

spiritual life as was hers. From my mother, who was in most respects

the most purely spiritual woman I have ever known, Christina differed

by this serenity, which in my mother was often disturbed by the doubts

that had their seeds in the old and superstitious Calvinism mingled

with the ground of her creed, and from which she never could liberate

herself.

Christina believed in God, in heaven, in the eternal life, with an

unfaltering constancy and fullness which left no questionings except,

it might be, concerning her fulfillment of her religious obligations.

And while I thought her belief in certain dogmas, such as

transubstantiation, and in the fasting and ritual of her High Church

observances, to be too trivial for such a really exalted intellect, so

near the perception of the essential truth, she held them with such a

childlike and tranquil faith that I would sooner have worshiped

with her than have disturbed her tranquillity in it. She gave me a

demonstration of doctrinal charity which was to me a novelty, and

showed me that tenets which are to me, and those trained like me, idle

formalities were in reality the steps of a ladder by which she must

climb to the realization of the abstract good. Dogmas and observances

apart, I felt that her religion was so much loftier than my own that,

though it would have been impossible for me to profess acceptance of

it, it was equally impossible to argue with her about it,--that it was

so woven into the fibre of her existence that to move it in the least

would be impossible, or, if possible, only at the cost of mental and

spiritual dislocation. But, with all this, there was not in her a

trace of the assumption of a religious superiority which I have so

often found in the driest non-conformist, or the putting me apart with

the creatures that perish and are doomed which I have oftener found in

Catholic friends, with whom I have felt that they regarded me with a

sort of pitiful friendship, as one certain to be damned, and so only

worth a limited regard, lest love should be wasted. In after years I

saw her not infrequently, and when illness and grief had touched her,

and I saw always the same serenity and the same wide personal charity.

Much of Christina's character one could see in her mother, a noble

and worshipful woman, in whom the domestic virtues mingled with the

spiritual in a way that set off the singleness of life of Christina

singularly, as if it were the same light in an earthen vessel. Mrs.

Rossetti was what one often hears spoken of as "a dear, good woman,"

whose motherly life had absorbed her existence,--one of the witnesses

(martyrs) of the practical Christianity, who go, unseen and unknown,

to build the universal church of humanity, and whom we reverence

without naming them. Of Maria, the elder sister of Christina, I saw

less, but enough to know that the same ardent, beautiful religious

spirit burned in her, mute. In the years when I, later, saw most of

the family, Maria lived in a sisterhood. She had none of the genius or

the personal charm of her sister, but possessed the same elevation and

serene religious sentiment.

Of Clough I saw a good deal, though his occupation in a government

office left him not much leisure; and it seemed to me that, of all

public officials I ever knew, he was the most misplaced at an office

desk. Of fragile health and with the temperament of a poet, gentle as

a woman can be, he often reminded me of Pegasus in harness. I had a

commission from Norton to paint a small full-length portrait of him,

and had several sittings; but it did not get on to suit me, and his

being compelled to go to Italy for his health before I had finished

with it, for well or ill, put an end to it. He left me in occupation

of his house while they were away. Of all the people of the poet's

temper I ever knew, Clough was the least inclined to talk of poetry,

and but for the sensitive mouth and the dreamy eye, with a reflective

way he had when talking, as if an undercurrent of thought were going

on while he spoke, one might have taken him for a well-educated man

of business, a poet-banker, or publisher. Perhaps it is in the memory

more than it was in the life, but as I recall him there seemed to

be in him an arcanum of thought, something beyond what came into

every-day existence,--a life beyond the actual life, into which he

withdrew, and out of which he came to speak. I should have liked to

live beside him and know him always, for in that phase of him was

infinite study. What I did see, however, left on me the impression of

a man who was able only to sketch out the life he would have lived,--a

life of far greater capabilities than anything accomplished could

indicate.

In giving me the letter to Tom Hughes, Lowell had remarked that,

though he had never seen him, yet, as Hughes had edited his "Biglow

Papers," he thought he might assume an acquaintance sufficient to

warrant a letter of introduction. He was not mistaken, for Hughes did

the fullest honor to his letter; and as long as I was in London, and

indeed for many years after, our relations were of the most cordial,

and not long before his death he made me a visit at Rome. Very much of

the enjoyment of that winter in London was due to the hospitable and

companionable welcome of the author of "Tom Brown," and one of

the most enjoyable items was the introduction to the evenings at

Macmillan's, where the contributors to the magazine used to meet

on Thursday evenings, if I remember rightly, and where I saw the

Kingsleys,--Charles only once, but Henry often enough to contract with

him a pleasant friendship. Hughes was one of the largest and most

genial English natures I knew,--robust, all alive to all his human

obligations; and in those troublesome days when the American question

was coming to the crisis of our Civil War he was a consistent friend

of the North, when the dominant feeling in English society was hostile

to it, and this was a strong bond between us.

Owen I saw frequently, and, though my scientific education was, and

is, superficial, he interested me greatly; for he had, like Agassiz,

the gift of making his knowledge accessible to those who only

understood the philosophy and not the facts of science, and I knew

enough of the former to profit by his knowledge. Then he was a warm

friend of Agassiz, and we used to talk of his theories and studies, of

which I knew more than of any other scientific subject. Like Agassiz,

he had at first resisted the theory of natural selection, but had,

unlike Agassiz, come to recognize the necessity of admitting the idea

of evolution in some form, like Asa Gray and Jeffries Wyman. How far

he finally went in recognizing the agency of natural selection as the

sufficient element in this I do not know, for at that time the battle

waged over that phase of the question; but that he did not accept the

solution proposed by Darwin as final I have reason to believe, from

the fact that, the last time I saw him, he assured me that he was

confident that if he could have seen Agassiz again before he died

he could have persuaded him that evolution was the solution of the

problem of creation, though knowing that Agassiz could never have

accepted the doctrine of natural selection in its bareness, absolutely

convinced as he was of the agency of Conscious Mind in creation. And

I had the further declaration of Owen himself in his expressed

conviction that the process of evolution was directed by the Divine

Intelligence. One statement he made struck me forcibly in this

connection, viz.: that he believed that the evolution of the horse

reached its culmination synchronously with the evolution of man, and

that the agreement was a part of the divine plan, while Darwin refuses

to admit a plan in creation. I have heard amongst evolutionists much

bitterness expressed concerning Owen for what they considered his

yielding to the pressure of public opinion, and adopting the theory of

evolution in contradiction to his real convictions; but I saw enough

of him to be certain that he really believed in evolution subject

to the dominance of the Divine Intelligence, nor did any of the

accusations I heard against him persuade me of the least insincerity

in his acceptance of the theory with that qualification,--a position,

I am convinced, held by many, even then, who did not openly support

it, not caring to go counter to the very general advocacy of natural

selection.

The teaching of Owen completed my conversion to the theory of

evolution as a general law, not on grounds of physical science, the

demonstration by which is and must remain forever incomplete, but on

the philosophical ground, which I was more capable of measuring; and

with the acceptance of evolution disappeared, logically and, in the

subsequent years, completely, the influence of the old anthropomorphic

religion, with its terrible dogmas of the inheritance of Adam's

transgression and an angry God with His vicarious punishment of His

only son, with all the puzzles of miraculous intervention and the

perplexities of an infallible revealed word which continually

contradicts itself. The conception of Deity thus liberated from the

fetters of a materialistic faith rose to a dignity I had never before

comprehended, and brought me the new perception of a spiritual

religion and life, which was more consoling and vivifying by far than

the old belief.

It is possible that the impressions of that time have been modified by

my subsequent intercourse with scientific men in England; but they are

that the very wide and rapid acceptance of the theory of evolution by

natural selection was largely due to the relief it offered from the

incubus of the old theological conception of the Deity as a personal

agency, always interfering with the course of events,--an infinite,

omnipotent, and omniscient stage manager,--a conception under which

the Christian world at large lay when Darwin announced his solution of

the problem. The religious world had been, up to that time, chained to

the anthropomorphic conception of Deity, and it was even less due to

the purely scientific faculty than to the philosophic that Darwin came

as a liberator from a depressing superstition,--the belief in the

terrible Hebrew God, ingrained in the conscience of every reverently

educated boy, and become in his growth inseparable from the maturer

beliefs. The evolution of the human mind itself had finally reached

the point at which this anthropomorphism became a thing impossible

to maintain reasonably any longer, and the magic word was spoken

by Darwin which broke the spell and set us free--who wished to be

free--from a mental servitude grown dangerously dear to our deepest

faculties, those of reverence and devotion. That evolution took hold

slowly with some who finally adopted it was owing to the fact that,

with them, that servitude had never been slavish, but always held less

sway than pure reason. And contemporaneously with this evolution of

the human mind had come the liberation from religious persecution,

either inquisitorial, legal, or social; and, perhaps for the first

time in the history of the religious dogma, a man might openly dispute

the fundamental ideas of a dominant religion and suffer no penalty for

his skepticism.

The Autobiography of a Journalist, Volume I · 第 16 / 19 章